Текст книги "William Shakespeare: The Complete Works 2nd Edition"

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Blayney, Peter W. M., The First Folio of Shakespeare (Washington DC: Folger Library Publications, 1991)

—‘The Publication of Playbooks’, in John D. Cox and David Scott Kastan (eds.), A New History of Early English Drama (New York: Columbia University Press, 1997)

De Grazia, Margreta, Shakespeare Verbatim: The Reproduction of Authenticity and the 1790 Apparatus (Oxford: Clarendon Press, 1991)

—and Peter Stallybrass, ‘The Materiality of the Shakespearean Text’, Shakespeare Quarterly, 44 (1993), 255―83

Erne, Lukas, Shakespeare as Literary Dramatist (Cambridge: Cambridge University Press, 2003)

Greg, W. W., The Editorial Problem in Shakespeare: A Survey of the Foundations of the Text, 3rd edn. (Oxford: Clarendon Press, 1954)

—The Shakespeare First Folio: Its Bibliographical and Textual History (Oxford: Clarendon Press, 1955)

Hinman, Charlton, The Printing and Proof-Reading of the First Folio of Shakespeare, 2 vols (Oxford: Clarendon Press, 1963)

Honigmann, E. A. J., The Stability of Shakespeare’s Text (London: Edward Arnold, 1965)

loppolo, Grace, Revising Shakespeare (Cambridge MA: Harvard University Press, 1991)

Irace, Kathleen O., Reforming the ‘Bad’ Quartos: Performance and Provenance of Six Shakespearean First Editions (London: Associated University Presses, 1994)

Jarvis, Simon, Scholars and Gentlemen: Shakespearian and Textual Criticism and Representations of Scholarly Labour, 1725―1765 (Oxford: Clarendon Press, 1995)

Maguire, Laurie, Shakespearean Suspect Texts: The ‘Bad’ Quartos and Their Contexts (Cambridge: Cambridge University Press, 1996)

Murphy, Andrew, Shakespeare in Print: A History and Chronology of Shakespeare Publishing (Cambridge: Cambridge University Press, 2003)

Orgel, Stephen, The Authentic Shakespeare and Other Problems of the Early Modern Stage (London: Routledge, 2002)

Pollard, A. W., Shakespeare’s Fight with the Pirates and the Problems of the Transmission of His Text, 2nd edn. (Cambridge: Cambridge University Press, 1967)

Seary, Peter, Lewis Theobald and the Editing of Shakespeare (Oxford: Clarendon Press, 1990)

Simpson, Percy, Shakespearian Punctuation (Oxford: Clarendon Press, 1911)

Taylor, Gary, ‘Revising Shakespeare’, Text, 3 (1987), 285―304

—and John Jowett, Shakespeare Reshaped 1606―1623 (Oxford: Clarendon Press, 1993)

Walker, Alice, Textual Problems of the First Folio: ‘Richard III’, ‘King Lear’, ‘Troilus and Cressida’, ‘2 Henry IV’, ‘Hamlet’, ‘Othello’ (Cambridge: Cambridge University Press, 1953)

—Edward Capell and His Editions of Shakespeare, British Academy Shakespeare Lecture (London: British Academy, 1962)

Wells, Stanley, ‘Modernizing Shakespeare’s Spelling’, in Stanley Wells and Gary Taylor (eds.), Modernizing Shakespeare’s Spelling, with Three Studies in the Text of ‘Henry V’ (Oxford: Clarendon Press, 1979)

—and Gary Taylor, with John Jowett and William Montgomery, William Shakespeare: A Textual Companion (Oxford: Clarendon Press, 1987)

Werstine, Paul, ‘Narratives about Printed Shakespeare Texts: “Foul Papers” and “Bad” Quartos’, Shakespeare Quarterly, 41 (1990), 65-86

—‘Shakespeare’, in D. C. Greetham (ed.), Scholarly Editing: A Guide to Research (New York: MLA, 1995)

West, Anthony James, The Shakespeare First Folio: The History of the Book, Vols I– (Oxford: Oxford University Press, z oo r-)

Wilson, F. P., Shakespeare and the New Bibliography, rev. and ed. Helen Gardner (Oxford: Clarendon Press, 1970)

Performance

Bate, Jonathan, and Russell Jackson (eds.), Shakespeare: An Illustrated Stage History (Oxford: Oxford University Press, I996)

Bevington, David M., Action is Eloquence: Shakespeare’s Language of Gesture (Cambridge MA: Harvard University Press, 1984)

Bulman, James C., Shakespeare, Theory and Performance (London: Routledge, 1996)

Hill, Errol, Shakespeare in Sable: A History of Black Shakespearean Actors (Amherst MA: University of Massachusetts Press, 1984)

Hodgdon, Barbara, The Shakespeare Trade: Performances and Appropriations (Philadelphia PA: University of Pennsylvania Press, 1998)

Howard, Jean E., Shakespeare’s Art of Orchestration: Stage Technique and Audience Response (Urbana IL: University of Illinois Press, 1984)

Joseph, Bertram, Acting Shakespeare, 2nd rev. edn. (New York: Theatre Arts Books, 1969)

Salgado, Gamini, Eyewitnesses of Shakespeare: First-Hand Accounts of Performances 1590-1890 (London: University of Sussex Press for Chatto & Windus, 1975)

Shattuck, Charles H., The Shakespeare Promptbooks: A Descriptive Catalogue (Urbana IL: University of Illinois Press, 1965)

Shaughnessy, Robert (ed.), Shakespeare in Performance, New Casebooks (Basingstoke: Macmillan, 2000)

Speaight, Robert, Shakespeare on the Stage: An Illustrated History of Shakespearian Performance (London: Collins, 1973)

Sprague, A. C., The Doubling of Parts in Shakespeare’s Plays (London: Society for Theatre Research, 1966)

Stern, Tiffany, Making Shakespeare from Stage to Page (London: Routledge, 2004)

Styan, J. L., Shakespeare’s Stagecraft (Cambridge: Cambridge University Press, 1967)

Wells, Stanley (ed.), Shakespeare in the Theatre: An Anthology of Criticism (Oxford: Clarendon Press, 1997)

—and Sarah Stanton (eds.), The Cambridge Companion to Shakespeare on Stage (Cambridge: Cambridge University Press, 2002)

Williams, Simon, Shakespeare on the German Stage, Vol. I: 1586-1914 (Cambridge: Cambridge University Press, 1990)

Shakespeare’s playhouse

Baldwin, T. W., The Organisation and Personnel of the Company (Princeton NJ: Princeton University Press, 1927; repr. New York: Russell and Russell, 1961)

Barroll, J. Leeds, Politics, Plague and Shakespeare’s Theater: The Stuart Years (Ithaca NY: Cornell University Press, rpp r)

Beckerman, Bernard, Shakespeare at the Globe, 1599-1609 (New York: Macmillan, 1962)

Bentley, G. E., The Jacobean and Caroline Stage, 7 vols (Oxford: Clarendon Press, 1941-68)

—The Profession of Dramatist in Shakespeare’s Time, 1590-1642 (Princeton NJ: Princeton University Press, 1971)

—The Profession of Player in Shakespeare’s Time, 1590-1642 (Princeton NJ: Princeton University Press, 1984)

Berry, Herbert, Shakespeare’s Playhouses (New York: AMS, 1987)

Chambers, E. K., The Elizabethan Stage, 4 vols (Oxford: Clarendon Press, 1923)

Cook, Ann Jennalie, The Privileged Playgoers of Shakespeare’s London, 1576-1642 (Princeton NJ: Princeton University Press, 1981)

Dessen, Alan C., Recovering Shakespeare’s Theatrical Vocabulary (Cambridge: Cambridge University Press, 1995)

—and Leslie Thomson, A Dictionary of Stage Directions in English Drama, 1580-1642 (Cambridge: Cambridge University Press, 1999)

Gurr, Andrew, The Shakespearean Stage 1574-1642, 3rd edn. (Cambridge: Cambridge University Press, 1992)

—Playgoing in Shakespeare’s London, 3rd edn. (Cambridge: Cambridge University Press, 2004)

—The Shakespearian Playing Companies (Oxford: Clarendon Press, 1996)

—The Shakespeare Company 1594-1642 (Cambridge: Cambridge University Press, 2004)

—with John Orrell, Rebuilding Shakespeare’s Globe (London: Weidenfeld & Nicolson, 1989)

Hodges, C. Walter, Shakespeare’s Second Globe, the Missing Monument (London: Oxford University Press, 1973)

King, T. J., Shakespearian Staging, 1599-1642 (Cambridge MA: Harvard University Press, 1971)

—Casting Shakespeare’s Plays: London Actors and Their Roles 1590-1642 (Cambridge: Cambridge University Press, 1992)

Knutson, Roslyn Lander, The Repertory of Shakespeare’s Company 1594-1613 (Fayetteville AR: University of Arkansas Press, 1991)

Linthicum, M. Channing, Costume in the Drama of Shakespeare and His Contemporaries (Oxford: Clarendon Press, I936)

Montrose, Louis Adrian, The Purpose of Playing: Shakespeare and the Cultural Politics of the Elizabethan Theatre (Chicago IL: University of Chicago Press, 1996)

Mulryne, J. R., and Margaret Shewring (eds.), Shakespeare’s Globe Rebuilt (Cambridge: Cambridge University Press, 1997)

Nungezer, Edwin, A Dictionary of Actors and Other Persons Associated with the Public Presentation of Plays in England before 1642 (New Haven CT: Yale University Press, 1929)

Orrell, John, The Quest for Shakespeare’s Globe (Cambridge: Cambridge University Press, 1983)

Thomson, Peter, Shakespeare’s Professional Career (Cambridge: Cambridge University Press, 1992)

—Shakespeare’s Theatre, 2nd edn. (London: Routledge, 1992)

Wiles, David, Shakespeare’s Clown: Actor and Text in the Elizabethan Playhouse (Cambridge: Cambridge University Press, 1987)

1700-1900

Foulkes, Richard (ed.), Shakespeare and the Victorian Stage (Cambridge: Cambridge University Press, 1986)

Hogan, Charles Beecher, Shakespeare in the Theatre, 1701- 1800, 2 vols (Oxford: Clarendon Press, 1952-7)

Hughes, Alan, Henry Irving, Shakespearean (Cambridge: Cambridge University Press, 1981)

Odell, George C. D., Shakespeare from Betterton to Irving, 2 vols (New York: Scribner, 1920)

Shattuck, Charles H., Shakespeare on the American Stage [Vol. I]: From the Hallams to Edwin Booth (Washington DC: Folger Shakespeare Library, 1976)

—Shakespeare on the American Stage, Vol. 2: From Booth and Barrett to Sothern and Marlowe (London: Associated University Presses, 1987)

Sprague, A. C., Shakespeare and the Actors: The Stage Business in his Plays, 1660-1905 (Cambridge MA: Harvard University Press, 1945; repr. New York: Russell and Russell, 1963)

From 1900

Barton, John, Playing Shakespeare (London: Methuen, 1984)

Berry, Ralph, On Directing Shakespeare: Interviews with Contemporary Directors (London: Hamish Hamilton, 1989)

Brockbank, J. P., Russell Jackson, R. L. Smallwood (eds.), Players of Shakespeare (Cambridge: Cambridge University Press, 1985-)

Brown, John Russell, Shakespeare’s Plays in Performance (London: Edward Arnold, 1966)

—Free Shakespeare (London: Heinemann International, 1974)

—New Sites for Shakespeare: Theatre, the Audience and Asia (London: Routledge, 1999)

Coursen, H. R., Shakespearean Performance as Interpretation (London: Associated University Presses, 1992)

David, Richard, Shakespeare in the Theatre (Cambridge: Cambridge University Press, 1978)

Holland, Peter, English Shakespeares: Shakespeare on the English Stage in the 1990s (Cambridge: Cambridge University Press, 1997)

Hortmann, Wilhelm, Shakespeare on the German Stage: The Twentieth Century (Cambridge: Cambridge University Press, 1998)

Kennedy, Dennis, Looking at Shakespeare: A Visual History of Twentieth-Century Performance, 2nd edn. (Cambridge: Cambridge University Press, 2001)

—(ed.), Foreign Shakespeare: Contemporary Performance (Cambridge: Cambridge University Press, 1993)

Kerr, Heather, Robin Eaden and Madge Mitton (eds.), Shakespeare: World Views (London: Associated University Presses, 1996)

Li, Ruru, Shashibiya: Staging Shakespeare in China (London: Eurospan, 2003)

Mazer, Cary M., Shakespeare Refashioned: Elizabethan Plays on Edwardian Stages (Ann Arbor MI: UMI Research Press, 1981)

Minami, Ryuta, Ian Carruthers and John Gillies (eds.), Performing Shakespeare in Japan (Cambridge: Cambridge University Press, 2001)

Quince, Rohan, Shakespeare in South Africa: Stage Productions During the Apartheid Era (New York: Peter Lang, 2000)

Rutter, Carol, Clamorous Voices: Shakespeare’s Women Today, ed. Faith Evans (London: The Women’s Press, 1988)

Sasayama, Takashi, J. R. Mulryne and Margaret Shewring (eds.), Shakespeare and the Japanese Stage (Cambridge: Cambridge University Press, 1998)

Sprague, Arthur Colby, and J. C. Trewin, Shakespeare’s Plays Today: Some Customs and Conventions of the Stage (London: Sidgwick & Jackson, 1970)

Styan, J. L., The Shakespeare Revolution: Criticism and Performance in the Twentieth Century (Cambridge: Cambridge University Press, 1977)

Trewin, J. C., Shakespeare on the English Stage 1900-1964 (London: Barrie and Rockliff, 1964)

Worthen, W. B., Shakespeare and the Authority of Performance (Cambridge: Cambridge University Press, 1997)

TV and Film

Ball, Robert Hamilton, Shakespeare on Silent Film: A Strange Eventful History (London: George Allen & Unwin, 1968)

Boose, Lynda E., and Richard Burt (eds.), Shakespeare the Movie: Popularizing the Plays on Film, TV and Video (London: Routledge, 1997)

—Shakespeare the Movie II: Popularizing the Plays on Film, TV, Video and DVD (London: Routledge, 2003)

Buchman, Lorne M., Still in Movement: Shakespeare on Screen (Oxford: Oxford University Press, 1991)

Bulman, J. C., and H. R. Coursen (eds.), Shakespeare on Television: An Anthology of Essays and Reviews (London: University Press of New England, 1988)

Burnett, Mark Thornton, and Ramona Wray (eds.), Shakespeare, Film, Fin de Siècle (Basingstoke: Macmillan, 2000)

Burt, Richard, Unspeakable Shaxxxspeares: Queer Theory and American Kiddie Culture (New York: St Martin’s Press, 1998)

Collick, John, Shakespeare, Cinema and Society (Manchester: Manchester University Press, 1989)

Coursen, H. R., Shakespeare in Production: Whose History? (Athens OH: University of Ohio Press, 1996)

Crowl, Samuel, Shakespeare Observed: Studies in Performance on Stage and Screen (Athens OH: University of Ohio Press, 1992)

Davies, Anthony, Filming Shakespeare’s Plays: The Adaptations of Laurence Olivier, Orson Welles, Peter Brook and (Cambridge: Cambridge University Press, 1988)

—and Stanley Wells (eds.), Shakespeare and the Moving Image: The Plays on Film and Television (Cambridge: Cambridge University Press, 1994)

Donaldson, Peter S., Shakespearean Films/Shakespearean Directors (Boston MA: Unwin Hyman, 1990)

Jackson, Russell (ed.), The Cambridge Companion to Shakespeare on Film (Cambridge: Cambridge University Press, 2000)

Jorgens, Jack J., Shakespeare on Film (Bloomington IN: Indiana University Press, 1977)

McKernan, Luke, and Olwen Terris (eds.), Walking Shadows: Shakespeare in the National Film and Television Archive (London: British Film Institute, 1994)

Manvell, Roger, Shakespeare and the Film (London: Dent, 1971)

Pilkington, Ace G., Screening Shakespeare: From ‘Richard II’ to ‘Henry V’ (London: Associated University Presses, 1991)

Rosenthal, Daniel, Shakespeare on Screen (London: Hamlyn, 2000)

Rothwell, Kenneth S., A History of Shakespeare on Screen: A Century of Film and Television, 2nd edn. (Cambridge: Cambridge University Press, 2004)

—and Annabelle Henkin Melzer (eds.), Shakespeare on Screen: An International Filmography and Videography (London: Mansell, 1990)

Shaughnessy, Robert (ed.), Shakespeare on Film, New Casebooks (Basingstoke: Macmillan, 1998)

Criticism

History of Criticism

Bate, Jonathan, Shakespeare and the English Romantic Imagination (Oxford: Clarendon Press, 1986)

—(ed.). The Romantics on Shakespeare (London: Penguin, 1992)

Bristol, Michael, Shakespeare’s America/America’s Shakespeare (London: Routledge, 1990)

Dunn, Esther Cloudman, Shakespeare in America (New York: Macmillan, 1939)

Eastman, Arthur M., A Short History of Shakespearean Criticism (New York: Random House, 1968)

Foakes, R.A., Hamlet versus Lear: Cultural Politics and Shakespeare’s Art (Cambridge: Cambridge University Press, 1993)

Grady, Hugh, The Modernist Shakespeare: Critical Texts in a Material World (Oxford: Clarendon Press, 1991)

Haines, C. M., Shakespeare in France: Criticism, Voltaire to Victor Hugo (London: for the Shakespeare Association by H. Milford, Oxford University Press, 1925)

Halpern, Richard, Shakespeare Among the Moderns (Ithaca NY: Cornell University Press, 1997)

Hattaway, Michael, Boika Sokolova and Derek Roper (eds.), Shakespeare in the New Europe (Sheffield: Sheffield Academic Press, 1994)

Kolin, Philip C. (ed.), Shakespeare and Feminist Criticism: An Annotated Bibliography and Commentary (New York: Garland, 1991)

LeWinter, Oswald (ed.), Shakespeare in Europe (Harmondsworth: Penguin, 1970)

Pascal, R. (ed.), Shakespeare in Germany: 1740-1815 (Cambridge: Cambridge University Press, 1937)

Pechter, Edward, What Was Shakespeare? Renaissance Plays and Changing Critical Practice (Ithaca NY: Cornell University Press, 1995)

Stavisky, A. Y., Shakespeare and the Victorians: Roots of Modern Criticism (Norman OK: University of Oklahoma Press, 1969)

Stříbrný, Zděnek, Shakespeare and Eastern Europe (Oxford: Oxford University Press, 2000)

Taylor, Michael, Shakespeare Criticism in the Twentieth Century (Oxford: Oxford University Press, 2001)

Thompson, Ann, and Sasha Roberts (eds.), Women Reading Shakespeare, 1660-1900; An Anthology of Criticism (Manchester: Manchester University Press, 1997)

Vickers, Brian, Appropriating Shakespeare: Contemporary Critical Quarrels (New Haven CT: Yale University Press, 1993)

—(ed.), Shakespeare: The Critical Heritage, 6 vols (London: Routledge, 1974-81)

Zhang, Xiao Yang, Shakespeare in China: A Comparative Study of Two Traditions and Cultures (London: Associated University Presses, 1996)

General

Alexander, Catherine M. S., and Stanley Wells (eds.), Shakespeare and Race (Cambridge: Cambridge University Press, 2000)

—Shakespeare and Sexuality (Cambridge: Cambridge University Press, 2001)

Atkins, G. Douglas, and David M. Bergeron, Shakespeare and Deconstruction (New York: Peter Lang, 1988)

Berger, Harry, Imaginary Audition: Shakespeare on Stage and Page (Berkeley CA: University of California Press, 1989)

—Making Trifles of Terrors: Redistributing Complicities in Shakespeare, ed. Peter Erickson (Stanford CA: Stanford University Press, 1997)

Bristol, Michael D., Big-time Shakespeare (London: Routledge, 1996)

Cavell, Stanley, Disowning Knowledge in Six Plays of Shakespeare (Cambridge: Cambridge University Press, 1987)

Coleridge, Samuel Taylor, Coleridge’s Criticism of Shakespeare: A Selection, ed. R. A. Foakes (London: Athlone, 1989)

Danson, Lawrence, Shakespeare’s Dramatic Genres (Oxford: Oxford University Press, 2000)

De Grazia, Margreta, and Stanley Wells (eds.), The Cambridge Companion to Shakespeare (Cambridge: Cambridge University Press, 2001)

Desmet, Christy, Reading Shakespeare’s Characters: Rhetoric, Ethics, and Identity (Amherst MA: University of Massachusetts Press, 1992)

Dollimore, Jonathan, and Alan Sinfield (eds.), Political Shakespeare: Essays in Cultural Materialism, 2nd edn. (Manchester: Manchester University Press, 1994)

Drakakis, John (ed.), Alternative Shakespeares I (London: Methuen, 1985)

Eagleton, Terry, William Shakespeare (Oxford: Blackwell, 1986)

Evans, Malcolm, Signifying Nothing: Truth’s True Contents in Shakespeare’s Text, 2nd edn. (Hemel Hempstead: Harvester Wheatsheaf, 1989)

Frye, Northrop, Northrop Frye on Shakespeare, ed. Robert Sandler (New Haven CT: Yale University Press, 1986)

Garber, Marjorie, Shakespeare’s Ghost Writers: Literature as Uncanny Causality (London: Methuen, 1987)

Gillies, John, Shakespeare and the Geography of Difference (Cambridge: Cambridge University Press, 1994)

Greenblatt, Stephen, Renaissance Self-fashioning: From More to Shakespeare (Chicago IL: University of Chicago Press, 1980)

—Shakespearean Negotiations: The Circulation of Social Energy in Renaissance England (Oxford: Clarendon Press, 1988)

Hawkes, Terence, That Shakespeherian Rag: Essays on a Critical Process (London: Methuen, 1986)

—(ed.), Alternative Shakespeares 2 (London: Routledge, 1996)

Hazlitt, William, Characters of Shakespeare’s Plays, with an introduction by Sir Arthur Quiller-Couch, World’s Classics (London: Oxford University Press, 1952) (First published 1817)

Howard, Jean E., and Marion F. O’Connor (eds.), Shakespeare Reproduced: The Text in History and Ideology (London: Methuen, 1987)

Howard, Jean E., and Scott Cutler Shershow (eds.), Marxist Shakespeares (New York and London: Routledge, 2001)

Jardine, Lisa, Reading Shakespeare Historically (London: Routledge, 1996)

Johnson, Samuel, Samuel Johnson on Shakespeare, ed. with an introduction and notes by Henry Woudhuysen (London: Penguin, 1989)

Jones, Emrys, Scenic Form in Shakespeare (Oxford: Clarendon Press, 1971)

Kastan, David Scott, Shakespeare and the Shapes of Time (London: Macmillan, 1982)

Kernan, Alvin B., The Playwright as Magician: Shakespeare’s Image of the Poet in the English Public Theater (New Haven CT: Yale University Press, 1979)

Knapp, Robert S., Shakespeare: The Theater and the Book (Princeton: Princeton University Press, 1989)

Knights, L. C., ‘How Many Children Had Lady Macbeth? An Essay in the Theory and Practice of Shakespeare Criticism’, in his Explorations: Essays in Criticism, Mainly on the Literature of the Seventeenth Century (London: Chatto and Windus, 1946)

Kott, Jan, Shakespeare Our Contemporary, trans. Boleslaw Taborski, 2ndedn. (London: Methuen, 1967)

Loomba, Ania, and Martin Orkin (eds.), Post-Colonial Shakespeares (London: Routledge, 1998)

Marcus, Leah, Puzzling Shakespeare: Local Reading and its Discontents (Berkeley CA: University of California Press, 1988)

Neely, Carol Thomas, Broken Nuptials in Shakespeare’s Plays (New Haven CT: Yale University Press, 1985)

Parker, Patricia, and Geoffrey Hartman (eds.), Shakespeare and the Question of Theory (London: Methuen, 1985)

Patterson, Annabel, Shakespeare and the Popular Voice (Oxford: Blackwell, 1989)

Rabkin, Norman, Shakespeare and the Problem of Meaning (Chicago IL: Chicago University Press, 1981)

Rossiter, A. P., Angel with Horns: Fifteen Lectures on Shakespeare, ed. Graham Storey; reissued with an introduction by Peter Holland (London: Longman, 1989)

Schwartz, Murray M., and Coppélia Kahn (eds.), Representing Shakespeare: New Psychoanalytic Essays (Baltimore MD: Johns Hopkins University Press, 1980)

Shapiro, James, Shakespeare and the Jews (New York: Columbia University Press, 1996)

Shaw, George Bernard, Shaw on Shakespeare, ed. with an introduction by Edwin Wilson (Harmondsworth: Penguin, 1969)

Taylor, Gary, Moment by Moment by Shakespeare (London: Macmillan, 1985)

Weimann, Robert, Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function, trans. Robert Schwartz (Baltimore MD: Johns Hopkins University Press, 1978)