Текст книги "От интернационализма к постколониализму. Литература и кинематограф между вторым и третьим миром"
Автор книги: Росен Джагалов
сообщить о нарушении
Текущая страница: 21 (всего у книги 26 страниц)
Iordanova D. Indian Cinema’s Global Reach // South Asian Popular Culture. 2006. Vol. 4. № 2. P. 113–140.
Iordanova D., Jones D.‑M., Vidal B. (eds.) Cinema at the Periphery. Contemporary Approaches to Film and Television Series. Detroit, MI: Wayne State University Press, 2010.
Iovene P. Tales of Futures Past: Anticipation and the Ends of Literature in Contemporary China. Palo Alto, CA: Stanford University Press, 2014.
Ismailov H. The Dead Lake. Trans. A. Bromfield. H. London: Peirene Press Ltd, 2014.
Ivens J. The Camera and I. New York, NY: International Publishers, 1969.
Jackson J.‑M. South African Literature’s Russian Soul: Narrative Forms of Global Isolation. London: Bloomsbury, 2015.
Jameson F. Third-World Literature in the Era of Multinational Capitalism // Social Text. 1986. Vol. 15. № 15. P. 65–88.
Juraga D., Booker M. K. Rereading Global Socialist Cultures after the Cold War: The Reassessment of a Tradition. Westport, Conn.: Praeger, 2002.
Juraga D., Booker M. K. The Reds and the Blacks: The Historical Novel in the Soviet Union and Postcolonial Africa // Studies in the Novel. 1997. Vol. 29. № 3. P. 274–296.
Kaiwar V. The Postcolonial Orient: The Politics of Difference and the Project of Provincialising Europe. Historical Materialism Book Series; vol. 68. Leiden: Brill, 2014.
Kalinovsky A. Laboratory of Socialist Development: Cold War Politics and Decolonization in Soviet Tajikistan. Ithaca: Cornell University Press, 2018.
Kalliney P. Modernism, African Literature, and the CIA // Library of Congress. 13 June 2013: https://www.youtube.com/watch?v= FG3nKy1oSwM (дата обращения: 10.07.2024).
Kassamali S. Faiz Ahmed Faiz in Beirut // The Caravan. 31 May 2016: https://caravanmagazine.in/reviews-essays/you-had-no-address-faiz-beirut (дата обращения: 10.07.2024).
Katsakioris C. Burden or Allies? Third World Students and Internationalist Duty through Soviet Eyes // Kritika: Explorations in Russian and Eurasian History. 2017. Vol. 18. № 3. P. 539–567.
Katsakioris C. Creating a Socialist Intelligentsia // Cahiers d’études africaines. 2017. Vol. 226. № 2. P. 259–288.
Katsakioris C. Soviet Lessons for Arab Modernization: Soviet Educational Aid towards Arab Countries after 1956 // Journal of Modern European History. 2010. Vol. 8. № 1. P. 85–106.
Katsakioris C. The Lumumba University in Moscow: Higher Education for a Soviet-Third World Alliance // Journal of Global History. 2019. Vol. 14. № 2. P. 281–300.
Kelley R. D. G., Esche B. Black like Mao // Souls. 1999. Vol. 4. № 1. P. 6–41.
Kemper M., Conermann S. The Heritage of Soviet Oriental Studies. New York, NY: Routledge, 2011.
Kepley B., Kepley V. Foreign Films on Soviet Screens, 1922–1931 // Quarterly Review of Film Studies. 1979. Vol. 4. № 4. P. 429–442.
Kepley V. The Workers’ International Relief and the Cinema of the Left 1921–1935 // Cinema Journal. 1983. Vol. 23. № 1. P. 7–23.
Khalid A. Introduction: Locating the (Post-) Colonial in Soviet History // Central Asian Survey. 2007. Vol. 26. № 4. P. 465–473.
Khalid A. Making Uzbekistan: Nation, Empire, and Revolution in the Early USSR. Ithaca, NY: Cornell University Press, 2015.
Khotimsky M. World Literature, Soviet Style: A Forgotten Episode in the History of the Idea // Ab Imperio. 2013. Nno. 3. P. 119–154.
Kim Y.‑S., Tr Yoon S. Y. KAPF Literature in Modern Korean Literary History // Positions: East Asia Cultures Critique. 2006. Vol. 14. № 2. P. 405–425.
Kirasirova M. ‘Sons of Muslims’ in Moscow: Soviet Central Asian Mediators to the Foreign East, 1955–1962 // Ab Imperio. 2001. № 4. P. 106–132.
Kirasirova M. The ‘East’ as a Category of Bolshevik Ideology and Comintern Administration: The Arab Section of the Communist University of the Toilers of the East // Kritika: Explorations in Russian and Eurasian History. 2017. Vol. 18. № 1. P. 7–34.
Kirasirova M. The Eastern International: The ‘Domestic East’ and the ‘Foreign East’ in Soviet-Arab Relations, 1917–68. PhD thesis, New York University, 2014.
Klein C. Cold War Orientalism: Asia in the Middlebrow Imagination, 1945–1961. Berkeley, CA: University of California Press, 2003.
Knight C. Enemy Films on Soviet Screens: Trophy Films during the Early Cold War, 1947–52 // Kritika: Explorations in Russian and Eurasian History. 2017. Vol. 18. № 1. P. 125–149.
Knight C. Stalin’s Trophy Films (1946–1956): A Resource // Kinokultura 56 (January 2017): http://www.kinokultura.com/2015/48-knight.shtml.
Kozlov D. The Readers of Novyi Mir: Coming to Terms with the Stalinist Past. Cambridge, MA: Harvard University Press, 2013.
Kristal E. The Cambridge Companion to the Latin American Novel. Cambridge: Cambridge University Press, 2005.
Kudaibergenova D. Rewriting the Nation in Modern Kazakh Literature: Elites and Narratives. Lanham, MD: Lexington Books, 2017.
La Guma A. A Soviet Journey: A Critical Annotated Edition. Lanham, Maryland: Lexington Books, 2017.
La Guma A. A Walk in the Night, and Other Stories. Evanston, IL: Northwestern University Press, 1968.
La Guma A. And a Threefold Cord. Berlin: Seven Seas Publishers, 1964.
La Guma A. In the Fog of the Season’s End. London: Heinemann, 1972.
La Guma A. The Stone-Country. Berlin: Seven Seas Publishers, 1967.
Lahusen T., Dobrenko E. (eds.) Socialist Realism without Shores. Duke, NC: Duke University Press, 1997.
Lal P. African Socialism in Postcolonial Tanzania: Between the Village and the World. New York, NY: Cambridge University Press, 2015.
Larsen N. The ‘Boom’ Novel and the Cold War in Latin America // Modern Fiction Studies. 1992. Vol. 38. № 3. P. 771–784.
Layton S. Russian Literature and Empire: Conquest of the Caucasus from Pushkin to Tolstoy. Cambridge Studies in Russian Literature. New York, NY: Cambridge University Press, 1994.
Lazarus N. (ed.) The Cambridge Companion to Postcolonial Literary Studies. New York, NY: Cambridge University Press, 2004.
Lee C. (ed.) Making a World after Empire: The Bandung Moment and Its Political Afterlives. Athens, OH: Ohio University Press, 2010.
Lee C. Addressing an Afro-Asian Public: Alex La Guma’s Report to the 25th Anniversary Conference of the Afro-Asian Writers Association in 1983 // Safundi. 2018. Vol. 19. № 3. P. 269–283.
Lee S. The Ethnic Avant-Garde: Minority Cultures and World Revolution. New York, NY: Columbia University Press, 2015.
Lee S., Glaser A. (eds.) Comintern Aesthetics. Toronto: University of Toronto Press, 2019.
Leyda J. Filme aus Asien und Afrika // Die Weltbuehne, 31 December 1968.
Li W. China Und China-Erfahrung in Leben Und Werk von Anna Seghers. Oxford: Peter Lang, 2011.
Litvin M. Fellow Travelers? Two Arab Study Abroad Narratives of Moscow // Illusions and Disillusionment: Travel Writing in the Modern Age. Cambridge, MA: ILeX/Harvard University Press, 2018. P. 96–119.
Litvin M. Hamlet’s Arab Journey: Shakespeare’s Prince and Nasser’s Ghost. Translation/Transnation. Princeton, NJ: Princeton University Press, 2011.
Liu L. After Tashkent: The Geopolitics of Translation in the Global South // Institute for Cultural Inquiry-Berlin, 22 June 2018: https://www.ici-berlin.org/events/lydia-h-liu/ (дата обращения: 11.07.2024).
Lorde A. Notes from a Trip to Russia // Sister Outsider: Essays and Speeches. Trumansburg, NY: Crossing Press, 1984. P. 13–35.
Loss J. Cosmopolitanisms and Latin America: Against the Destiny of Place. New Concepts in Latino American Cultures. New York, NY: Palgrave Macmillan, 2005.
Loss J. Dreaming in Russian: The Cuban Soviet Imaginary. Austin, TX: University of Texas Press, 2013.
Loss J., Prietto J. M. (eds.) Caviar with Rum: Cuba – USSR and the Post-Soviet Experience. New York, NY: Palgrave Macmillan US, 2012.
Lovejoy A. Army Film and the Avant Garde: Cinema and Experiment in the Czechoslovak Military. Bloomington, Indiana: Indiana University Press, 2015.
Lovejoy A. The World Union of Documentary, the Early Cold War, and International Documentary Between East and West. Manuscript.
Lukács G. Narrate or Describe? // Writer and Critic, and Other Essays, trans. A. D. Kahn. London: Merlin Press, 1970. P. 110–148.
Lukács G. The Theory of the Novel; a Historico-Philosophical Essay on the Forms of Great Epic Literature. Cambridge, MA: MIT Press, 1971.
Lukács G., Adorno T. W., Benjamin W., Bloch E., Brecht B. Realism in the Balance // Aesthetics and Politics. London; New York, NY: Verso, 2007. P. 28–59.
Lupton C. Chris Marker: Memories of the Future. London: Reaktion Books, 2005.
Mahler A. G. From the Tricontinental to the Global South: Race, Radicalism, and Transnational Solidarity. Durham, NC: Duke University Press, 2018.
Majumdar R. Debating Radical Cinema: A History of the Film Society Movement in India // Modern Asian Studies. May 2012. Vol. 46. № 3. P. 743.
Malaka T. From Jail to Jail. Athens, OH: Ohio University Center for International Studies, 1991.
Malik H. The Marxist Literary Movement in India and Pakistan // The Journal of Asian Studies. 1967. Vol. 26. № 4. P. 649–664.
Malitsky J. Post-Revolution Nonfiction Film: Building the Soviet and Cuban Nations. Bloomington, IN: Indiana University Press, 2013.
Mally L. Culture of the Future: The Proletkult Movement in Revolutionary Russia. Berkeley, CA: University of California Press, 1990.
Manela E. The Wilsonian Moment: Self-Determination and the International Origins of Anticolonial Nationalism. Oxford: Oxford University Press, 2007.
Mani B. V. Recoding World Literature: Libraries, Print Culture, and Germany’s Pact with Books. New York, NY: Fordham University Press, 2017.
Marquez I. The Andean Novel // The Cambridge Companion to the Latin American Novel, ed. E. Kristal. Cambridge: Cambridge University Press, 2005. P. 142–161.
Martin M. T. New Latin American Cinema. Contemporary Film and Television Series. Detroit, MI: Wayne State University Press, 1997.
Martin T. The Affirmative Action Empire: Nations and Nationalism in the Soviet Union, 1923–1939. Ithaca, NY: Cornell University Press, 2001.
Marx K., Engels F. Collected Works. Vol. 12. Moscow: Progress Publishers, 1979.
Massip J. Una Lección de Cine: Crónicas de Un Viaje // Cine Cubano. 1960. Vol. 1. № 3. P. 24–28.
Matusevich M. Africa in Russia, Russia in Africa: Three Centuries of Encounters. Trenton, NJ: Africa World Press, 2007.
Matusevich M. No Easy Row for a Russian Hoe: Ideology and Pragmatism in Nigerian-Soviet Relations, 1960–1991. Trenton, NJ: Africa World Press, 2003.
Matusevich M. The Red and the Black: The Riddle of Post-Soviet Racism // LeftEast 25 September 2017: http://www.criticatac.ro/lefteast/red-black/ (дата обращения: 11.07.2024).
McGuire E. Red at Heart: How Chinese Communists Fell in Love with the Russian Revolution. New York, NY: Oxford University Press, 2018.
McKay C. Amiable with Big Teeth: A Novel of the Love Affair between the Communists and the Poor Black Sheep of Harlem. New York, NY: Penguin Random House LLC, 2017.
McKay C. Soviet Russia and the Negro (Conclusion) // The Crisis. 1924. Vol. 27. № 3. P. 114–118.
McKay C. Soviet Russia and the Negro // Crisis. 1923. Vol. 27. № 2. P. 61–65.
Mëhilli E. From Stalin to Mao: Albania and the Socialist World. Ithaca, NY: Cornell University Press, 2017.
Mëhilli E. Globalized Socialism, Nationalized Time: Soviet Films, Albanian Subjects, and Chinese Audiences across the Sino-Soviet Split // Slavic Review. 2018. Vol. 77. № 3. P. 611–637.
Mehmood T. The Lotus Project // American University in Beirut: https://www.aub.edu.lb/fas/ampl/Pages/lotus.aspx (дата обращения: 11.07.2024).
Mestman M. Algiers-Buenos Aires-Montreal: Third-Worldist Links in the Creation of the Latin American Filmmakers Committee (1974) // Canadian Journal of Film Studies. 2015. Vol. 24. № 2. P. 29–40.
Meyer J. H. Children of Trans-Empire: Nâzım Hikmet and the First Generation of Turkish Students at Moscow’s Communist University of the East // Journal of the Ottoman and Turkish Studies Association. 2018. Vol. 5. № 2. P. 195–218.
Miller H. K. The Fog of War // Sight and Sound. 2017. Vol. 27. № 6. P. 14–15.
Miller J. Soviet Cinema: Politics and Persuasion under Stalin. KINO. I. B. Tauris, 2009.
Miller J. Soviet Politics and the Mezhrabpom Studio in the Soviet Union during the 1920s and 1930s // Historical Journal of Film, Radio, and Television. 2012. Vol. 32. № 4. P. 521–535.
Moine C. Screened Encounters: The History of the Leipzig Film Festival, 1955–1990. New York, NY: Berghahn, 2018.
Moore D. C. Colored Dispatches from the Uzbek Border: Langston Hughes’ Relevance, 1933–2002 // Callaloo. 2002. Vol. 25. № 4. P. 1115–1135.
Moore D. C. Is the Post– in Postcolonial the Post– in Post-Soviet? Toward a Global Postcolonial Critique // PMLA. 2001. Vol. 116. № 1. P. 111–128.
Moore D. C. Local Color, Global ‘Color’: Langston Hughes, the Black Atlantic, and Soviet Central Asia, 1932 // Research in African Literatures. 1996. Vol. 27. № 4. P. 49–70.
Moretti F. Atlas of the European Novel, 1800–1900. London: Verso, 1999.
Moretti F. Distant Reading. London: Verso, 2013.
Moretti F. Graphs, Maps, Trees: Abstract Models for a Literary History. London: Verso, 2007.
Morozov V. Russia’s Postcolonial Identity: A Subaltern Empire in a Eurocentric World. Basingstoke: Palgrave Macmillan, 2015.
Mukharjee T. Writing as Activism: Mulk Raj Anand’s Commitment to His Ideology // The Lasting Legacies of Mulk Raj Anand, ed. R. Khan. New Delhi: Atlantic Publishers, 2008. P. 53–64.
Mukherji A. «Like Another Planet to the Darker Americans»: Black Cultural Work in 1930s Moscow // Africa in Europe: Studies in Transnational Practice in the Long Twentieth Century, ed. E. Rosenhaft, R. J. Macvicar Aitken. Liverpool: Liverpool University Press, 2013. P. 120–141.
Murphy D. Sembène: Imagining Alternatives in Film & Fiction. Trenton, NJ: Africa World Press, 2001.
Musser C. Utopian Visions in Cold War Documentary: Joris Ivens, Paul Robeson and the Song of the Rivers (1954) // Cinemas. 2002. Vol. 12. № 4. P. 109–153.
Naimark N., Pons S., Quinn-Judge S. (eds.) Cambridge History of Communism: Volume 2, The Socialist Camp and World Power 1941–1960s. Cambridge: Cambridge University Press, 2017.
Neruda P. Canto General. Translated by Jack Schmitt. Berkeley, CA: University of California Press, 1991.
Nowell-Smith G. Making Waves: New Cinemas of the 1960s. London: Bloomsbury Publishing, 2013.
Nowell-Smith G. The Oxford History of World Cinema. Oxford; New York, NY: Oxford University Press, 1996.
O’Toole G., Jimenez G. (eds.) Che in Verse. Wiltshire, UK: Aflame Books, 2007.
Ostrovskaya E., Zemskova E. Between the Battlefield and the Marketplace: International Literature Magazine in Britain // Russian Journal of Communication. 2016. Vol. 8. № 3. P. 217–229.
Ostrovsky N. How the Steel Was Tempered: A Novel in Two Parts. Library of Selected Soviet Literature. Moscow: Foreign Languages PubHouse, 1952.
Oushakine S. A. How to Grow out of Nothing: The Afterlife of National Rebirth in Postcolonial Belarus // Qui Parle. 2017. Vol. 26. № 2. P. 423–490.
Pan L. Building a New China in Cinema: The Chinese Left-Wing Cinema Movement, 1932–1937. Lanham, MD: Rowman & Littlefield Publishers, 2002.
Panizza T. Joris Ivens en Chile: el documental entre la poesía y la crítica = Joris Ivens in Chile: documentary between poetry and social critic. Providencia, Santiago: Cuarto Propio, 2011.
Páricsy P. Research in Black African Literature in the European Socialist Countries // Research in African Literatures. 1972. Vol. 3. № 1. P. 36–50.
Parry B. The Futures Past of Internationalism // Viewpoint Magazine. 1 February 2018: https://www.viewpointmag.com/2018/02/01/futures-past-internationalism-conversation-benita-parry/ (дата обращения: 12.07.2024).
Pedemonte R. Birches Too Difficult to Cut Down: The Rejection and Assimilation of the Soviet Reference in Cuban Culture // International Journal of Cuban Studies. 2017. Vol. 9. № 1. P. 127–141.
Petersson F. ‘We Are Neither Visionaries Nor Utopian Dreamers’: Willi Münzenberg, the League against Imperialism, and the Comintern, 1925–1933. PhD thesis, Abo Akademi, 2013.
Pitcher M. A., Askew K. M. African Socialisms and Postsocialisms // Africa: Journal of the International African Institute. 2006. Vol. 76. № 1. P. 1–14.
Platt K. M. F. (ed.) Global Russian Cultures. Madison, Wisconsin: The University of Wisconsin Press, 2019.
Platt K. M. F. Occupation versus Colonization: Post-Soviet Latvia and the Provincialization of Europe // Memory and Theory in Eastern Europe, ed. U. Blacker, A. Etkind, J. Fedor. New York, NY: Palgrave Macmillan US, 2013. P. 125–145.
Pollock S. The Language of the Gods in the World of Men: Sanskrit, Culture, and Power in Premodern India. Berkeley, CA: University of California Press, 2006.
Pons S. The Global Revolution: A History of International Communism, 1917–1991. Oxford Studies in Modern European History. Oxford: Oxford University Press, 2014.
Pons S., Smith S. A. (eds.) Cambridge History of Communism: Volume 1, World Revolution and Socialism in One Country 1917–1941. Cambridge: Cambridge University Press, 2017.
Popescu M. On the Margins of the Black Atlantic: Angola, the Eastern Bloc, and the Cold War // Research in African Literatures. 2014. Vol. 45. № 3. P. 91–109.
Popescu M. South African Literature beyond the Cold War. New York, NY: Palgrave Macmillan, 2010.
Prashad V. (ed.) The East Was Read: Socialist Culture in the Third World. New Delhi: LeftWord Books, 2019.
Prashad V. Red Star over the Third World. New Delhi: LeftWord Books, 2017.
Prashad V. The Darker Nations: A People’s History of the Third World. New York, NY: New Press, 2007.
Prashad V. The Poorer Nations: A Possible History of the Global South. London: Verso, 2012.
Pratt M. L. Arts of the Contact Zone // Profession. 1 January 1991. P. 33–40.
Prendergast C., Anderson B. (eds.) Debating World Literature. London: Verso, 2004.
Pudovkin V. I. Film Acting: A Course of Lectures Delivered at the State Institute of Cinematography, Moscow. London: George Newnes, 1980.
Pudovkin V. I. Film Technique; Five Essays and Two Addresses. London: GNewnes, ltd, 1933.
Pym A., Ayvazyan N. The Case of the Missing Russian Translation Theories // Translation Studies. 2015. Vol. 8. № 3. P. 321–341.
Qiubai Q. Superfluous Words. Translated by Jamie Greenbaum. Canberra: Pandanus Books, 2005.
Rajagopalan S. Indian Films in Soviet Cinemas: The Culture of Movie-Going after Stalin. Bloomington: Indiana University Press, 2009.
Ram H. City, Nation, Empire and the Russian-Georgian Encounter. Manuscript.
Ram H. Imagining Eurasia: The Poetics and Ideology of Olzhas Suleimenov’s AZ i IA // Slavic Review. 2001. Vol. 60. № 2. P. 289–311.
Ram H. The Imperial Sublime: A Russian Poetics of Empire. Publications of the Wisconsin Center for Pushkin Studies. Madison, WI: University of Wisconsin Press, 2003.
Ramsay G. The Novels of an Egyptian Romanticist: Yūsuf Al-Sibā‘ī. Edsbruk: Akademitryck AB, 1996.
Rasberry V. Race and the Totalitarian Century: Geopolitics in the Black Literary Imagination. Cambridge, MA: Harvard University Press, 2016.
Ravandi-Fadai L. «Red Mecca» – The Communist University for Laborers of the East (KUTV): Iranian Scholars and Students in Moscow in the 1920s and 1930s // Iranian Studies. 2015. Vol. 48. № 5. P. 713–727.
Razlogova E. Listening to the Inaudible Foreign: Simultaneous Translators and Soviet Experience of Foreign Cinema // Sound, Music, Speech in Soviet and Post-Soviet Cinema, ed. L. Kaganovsky, M. Salazkina. Bloomington, IN: Indiana University Press, 2014. P. 162–178.
Razlogova E. The Politics of Translation at Soviet Film Festivals during the Cold War // SubStance. 2015. Vol. 44. № 2. P. 66–87.
Reilly C. Remains of Red Letters: Mediating World Literature in the Eastern Bloc. Presented at the Remapping European Media Cultures During the Cold War, University of Minnesota, Twin Cities, 31 March 2017.
Resolutions of the Third World Filmmakers Meeting, Algiers, December 5–14, 1973 // Black Camera II. 2010. P. 155–165.
Riddell J. (ed.) To See the Dawn: Baku, 1920—First Congress of the Peoples of the East. The Communist International in Lenin’s Time. New York, NY: Pathfinder, 1993.
Riddell J., Mollah N., Prashad V. (eds.) Liberate the Colonies: Communism and Colonial Freedom, 1917–1924. New Delhi: LeftWord Books, 2019.
Rimer J. T. A Hidden Fire: Russian and Japanese Cultural Encounters, 1868–1926. Palo Alto, CA: Stanford University Press, 1995.
Roberts G. Forward Soviet! History and Non-fiction Film in the USSR. KINO, the Russian Cinema Series. London: I. B. Tauris, 1999.
Rogers H. Music and Sound in Documentary Film. New York, NY: Routledge, 2015.
Roman M. Opposing Jim Crow: African Americans and the Soviet Indictment of U. S. Racism, 1928–1937. Lincoln, NE: University of Nebraska Press, 2012.
Roth-Ey K. Moscow Prime Time: How the Soviet Union Built the Media Empire That Lost the Cultural Cold War. Ithaca, NY: Cornell University Press, 2011.
Roth-Ey K. We, as Commercial People, Understand: Soviet Cinema and Markets in the Global South. Presented at the ASEEES, Boston, MA, 7 December 2018.
Rouland M., Abikeyeva G., Beumers B. (eds.) Cinema in Central Asia: Rewriting Cultural Histories. London: I. B. Tauris, 2013.
Rubins M. Russian Montparnasse: Transnational Writing in Interwar Paris. London: Palgrave Macmillan, 2015.
Rupprecht T. Soviet Internationalism after Stalin: Interaction and Exchange between the USSR and Latin America during the Cold War. Cambridge: Cambridge University Press, 2015.
Sahni K. Crucifying the Orient: Russian Orientalism and the Colonization of Caucasus and Central Asia. Oslo, Norway: Institute for Comparative Research in Human Culture, 1997.
Said E. Culture and Imperialism. New York, NY: Knopf, 1993.
Said E. Orientalism. 1st Vintage Books ed. New York, NY: Vintage, 1978.
Said E. Third World Intellectuals and Metropolitan Culture // Raritan. 1990. Vol. 9. № 3. P. 27–50.
Salazkina M. Eisenstein in Latin America // The Flying Carpet. Studies on Eisenstein and Russian Cinema in Honor of Naum Kleiman, ed. J. Neuberger, A. Somaini. Paris: Editions Mimes, 2017. P. 343–367.
Salazkina M. In Excess: Sergei Eisenstein’s Mexico. Cinema and Modernity. Chicago, IL: University of Chicago Press, 2009.
Salazkina M. Moscow-Rome-Havana: A Film-Theory Road Map // October. 2012. № 139. P. 97–116.
Salazkina M. Soviet-Indian Coproductions: Alibaba as Political Allegory // Cinema Journal. 2010. Vol. 49. № 4. P. 71–89.
Salazkina M. Translating the Academy: Conceptualizing the Transnational in Media and Film // The Multilingual Screen: New Reflections on Cinema and Linguistic Difference, ed. L. Patti. New York, NY: Bloomsbury Academic, 2016. P. 17–36.
Salti R. (ed.) Saving Bruce Lee: African and Arab Cinema in the Era of Soviet Cultural Diplomacy. Berlin: House der Kulturen der Welt, 2018.
Sarkisova O. Screening Soviet Nationalities: Kulturfilms from the Far North to Central Asia. KINO, the Russian Cinema Series. London: I. B. Tauris, 2017.
Saunders F. The Cultural Cold War: The CIA and the World of Arts and Letters. New York, NY: New Press, 1999.
Sauvy A. Trois Mondes, Une Planète // L’Observateur, 14 August 1952.
Schanzer G. O. Russian Literature in the Hispanic World: A Bibliography. La Literatura Rusa En El Mundo Hispánico: Bibliografía. Toronto: University of Toronto Press, 1972.
Schild K. Between Moscow and Baku: National Literatures at the 1934 Congress of Soviet Writers. PhD thesis, University of California, Berkeley, 2010.
Schimmelpenninck van der Oye D. Russian Orientalism: Asia in the Russian Mind from Peter the Great to the Emigration. New Haven, CT: Yale University Press, 2010.
Schimmelpenninck van der Oye D. The Curious Fate of Edward Said in Russia // Études de Lettres. 15 September 2014. № 2–3. P. 81–94.
Schoots H. Living Dangerously: A Biography of Joris Ivens. Amsterdam: Amsterdam University Press, 2000.
Schroeder P. Latin American Cinema: A Comparative History. Oakland, California: University of California Press, 2016.
Scott-Smith G., Lerg C. A. (eds.) Campaigning Culture and the Global Cold War: The Journals of the Congress for Cultural Freedom. London: Palgrave Macmillan, 2017.
Sembène O. Black Docker. London: Heinemann, 1987.
Sembène O. God’s Bits of Wood. Trans. F. Price. Garden City, NY: Anchor Books, 1970.
Sembène O. The Last of the Empire: A Senegalese Novel. London: Heinemann, 1983.
Serebriany S. Comparative Literature and Post-Colonial Studies: An Outsider’s View from Post-Soviet Moscow // Building Bridges between India and Russia: A Festschrift for Prof. J. P. Dimri, ed. R. D. Akella. Kolkata: Power Publishers, 2012. P. 63–82.
Shashkova O. A., Shpakovskaya M. A. The Communist University of the Toilers of the East (KUTV): Its Establishment under the Comintern in 1920s—30s // Herald of an Archivist. 2018. № 3. P. 704–716.
Sheng Y. Sun-Yatsen University in Moscow and the Chinese Revolution: A Personal Account. Lawrence, KS: University Press of Kansas, 1971.
Sherry S. Discourses of Regulation and Resistance: Censoring Translation in the Stalin and Khrushchev Era Soviet Union. Edinburgh: Edinburgh University Press, 2015.
Sho K. Anarchist Modernity: Cooperatism and Japanese—Russian Intellectual Relations in Modern Japan. Cambridge, MA: Harvard University Asia Center, 2013.
Shubin V. The Hot «Cold War»: The USSR in Southern Africa. London: Pluto Press, 2008.
Sidenova R. The Topographical Aesthetic in Late Stalinist Soviet Documentary. Manuscript.
Sinha S., Varma R. Marxism and Postcolonial Theory: What’s Left of the Debate? // Critical Sociology. 2017. Vol. 43. № 4–5. P. 545–558.
Slezkine Y. The USSR as a Communal Apartment, or How a Socialist State Promoted Ethnic Particularism // Slavic Review. 1994. Vol. 53. № 2. P. 414–452.
Smith S. A. (ed.) The Oxford Handbook of the History of Communism. Oxford: Oxford University Press, 2013.
Smith S. A. The Bolshevik Revolution from a Global Perspective. Oxford University, 20 November 2017.
Smola K., Uffelmann D. Postcolonial Slavic Literatures After Communism. Frankfurt: Peter Lang, 2017.
Solanas F. Interview with Louis Marcorelles // Cahiers Du Cinema. March 1969. № 210. P. 62.
Spiers E. Engines for Empire: The Victorian Army and Its Use of Railways. Manchester: Manchester University Press, 2015.
Spivak G. Can the Subaltern Speak? // Marxism and the Interpretation of Culture, ed. C. Nelson, L. Grossberg. Urbana, IL: University of Illinois Press, 1988. P. 273–313.
Stam R., Grant B. K., Sloniowski J. (eds.) The Two Avant-Gardes: Solanas and Getino’s Hour of the Furnaces // Documenting the Documentary: Close Readings of Documentary Film and Video. Detroit, MI: Wayne State University Press, 2014. P. 271–286.
Stejskalová T. (ed.) Filmaři všech zemí, spojte se!: zapomenutý internacionalismus, československý film a třetí svět = Filmmakers of the world, unite!: forgotten internationalism, Czechoslovak film and the third world. Prague: Tranzit.cz, 2017.
Stronski P. Exporting Modernity: Tashkent as a Cold War Model of Decolonization in Asia. Presented at the ASeeeS, Washington, DC, November 2006.
Suny R. G., Martin T. A State of Nations: Empire and Nation-Making in the Age of Lenin and Stalin. New York, NY: Oxford University Press, 2001.
Szeman I. Who’s Afraid of National Allegory? Jameson, Literary Criticism, Globalization // South Atlantic Quarterly. 2001. Vol. 100. № 3. P. 803–827.
Tamari S. Najati Sidqi (1905–79): The Enigmatic Jerusalem Bolshevik // Journal of Palestine Studies. 2003. Vol. 32. № 2. P. 79–94.
Taylor R. The Battleship Potemkin: The Film Companion. London: I. B. Tauris, 2000.
Telepneva N. Our Sacred Duty: The Soviet Union, the Liberation Movements in the Portuguese Colonies, and the Cold War, 1961–1975. PhD thesis, London School of Economics, 2014.
The First Congress of the Toilers of the Far East. Held in Moscow, Jan. 21st – Feb 1st, 1922. Closing Session in Petrograd, 3 Feb., 1922. Petrograd: Communist International, 1922.
Thornberry R. S. Writers Take Sides, Stalinists Take Control: The Second International Congress for the Defense of Culture (Spain 1937) // Historian. 2000. Vol. 62. № 3. P. 589–606.
Tihanov G. Ferrying a Thinker Across Time and Language: Bakhtin, Translation, World Literature // Modern Languages Open. 2018. № 1. P. 1–10.
Tihanov G. Foreword // Szerb A. Reflections in the Library: Selected Literary Essays, 1926–1944. Cambridge: Legenda, 2017. P. ix–xi.
Tihanov G. The Birth and Death of Literary Theory: Regimes of Relevance in Russia and Beyond. Standord: Stanford University Press, 2019.
Tihanov G. The Location of World Literature // Canadian Review of Comparative Literature / Revue Canadienne de Littérature Comparée. 2017. Vol. 44. № 3. P. 468–481.
Tlostanova M. Gender Epistemologies and Eurasian Borderlands. New York, NY: Palgrave Macmillan, 2010.
Tlostanova M. Postcolonialism and Postsocialism in Fiction and Art: Resistance and Re-Existence. Cham: Springer International Publishing, 2017.
Tlostanova M. What Does It Mean to Be Post-Soviet? Decolonial Art from the Ruins of the Soviet Empire. Durham, NC: Duke University Press, 2018.
Todorova M. Imagining the Balkans. New York, NY: Oxford University Press, 1997.
Tolz V. Russia’s Own Orient: The Politics of Identity and Oriental Studies in the Late Imperial and Early Soviet Periods. Oxford: Oxford University Press, 2011.
Tyerman E. Resignifying the Red Poppy: Internationalism and Symbolic Power in the Sino-Soviet Encounter // Slavic and East European Journal. Autumn 2017. Vol. 61. № 3. P. 445–466.
Tyerman E. Sino—Soviet Confessions: Authority, Agency, and Autobiography in Sergei Tret’iakov’s Den Shi-khua // The Russian Review. 2018. Vol. 77. № 1. P. 47–64.
Tyerman E. The Search for an Internationalist Aesthetics: Soviet Images of China, 1920–1935. PhD thesis, Columbia University, 2014.
Tyulenev S. Vsemirnaia Literatura: Intersections between Translating and Original Literary Writing // Slavic and East European Journal. 2016. Vol. 60. № 1. P. 8–21.
Unkovski-Korica V. The Economic Struggle for Power in Tito’s Yugoslavia: From World War II to Non-Alignment. London: I. B. Tauris, 2016.
Valck M. de. Film Festivals: From European Geopolitics to Global Cinephilia. Amsterdam: Amsterdam University Press, 2007.




























