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6 Ionesco.Ni un dieu, ni un demon. Cahiers de la Compagnie Madeleine Renaud – Jean-Louis Barrault, Paris, nos. 22, 23, May 1958. P. 131.

7 Eva Metman.Reflections on Samuel Beckett’s plays. Journal of Analitical Psychology. London, Janiary 1960. P. 43.

8 Ibid.

9 Jung.Ulysses. Quoted by Metman. Op. cit. P. 53.

10 Ionesco.Experience du theatre. Nouvelle Revue Frangaise. Paris, 1. February 1958. P. 226.

11 Le Mythe de Sisyphe. P. 94.

12 Lao-tzu, quoted in Aldous Huxley. The Perennial Philosophy. London, Chatto and Windus, 1946. P. 33.

13 St. John of the Cross, quoted in Huxley. Op. cit.

14 Meister Eckhart, quoted, in Huxley. Op. cit.

15 Ionesco, quoted in Towanicki. Spectacles, Paris, No. 2, July 1958.

BIBLIOGRAPHY

I. THE DRAMATISTS OF THE ABSURD

ADAMOV, ARTHUR PLAYS

Thiatre,4 vok, Paris: Gallimard, vol. I, 1953, vol. П, 1955, voL Ш, 1966, vol. IV, 1968.

Vol. I contains: La Parodie, L’Invasion, La Grande et la Petite Manxuvre, Le Projesseur Taranne, Tous Contre Tous. (Le Pro– fesseur Tarannetram, by A. Bermel in Four Modem French Comedies,New York: Capricorn Press, i960; by Peter Meyer in Absurd Drama,Harmondsworth: Penguin Boob, 1965)

Vol. П contains: Le Sens de la Marche, Les Retrouvailles, Le Ping– Pong. (Le Ping-Pongtrans. by Richard Howard, New York: Grove Press, 1959)

Vol. Ш contains: Paolo Paoli, La Politique des Restes, Sainte EuropeVol. IV contains: M. le MSdtrt, Le Printemps '71

Separately published plays

La Parodie, L’Invasion, pricidies d’une lettre d’Andri Gide, et de tfmoign– ages de Rent Char, Jacques Privert, Henri Thomas, Jacques Lemar– chand,Jean Vilar, Roger Blin,Paris: Chariot, 1950 Paolo Paoli,Paris: Gallimard 1957 (English trans. by Geoffrey Brereton, London: Calder, 1959)

Les Ames Mortes, d’aprh le роете de Nicolas Gogol,Paris: Gallimard,

i960

Comme Nous AvonsEM,Paris: Nouvelle Revue Franfaise,March 1953 (trans. by Richard Howard, As We Were,New York: Evergreen Review,I, 4, 1957)

Theatre de Sociiti. Seines d'Actualiti,Paris: Les Editeurs Franpiis Reunis, 1958, contains three short sketches by Adamov: IntimiU, Je ne Sub pas Francois, La Complainte du Ridicule.

En Fiacre(radio play), unpublished ms., 1939 Le Printemps ’71,Paris: Gallimard, 1961

Si ГЁ1ё Revenait,Paris: Gallimard, 1970

BIBLIOGRAPHY

OTHER WRITINGS

L’Aveu,Paris: Sagittaire, 1946 (one section of this autobiographical confession tram, by Richard Howard, ‘The endless humiliation New York: Evergreen Review,П, 8, 1959)

'Assignation',Paris: L’Heure Nouvelle,no. П, 1945 ‘Le Rejus’,Paris: L’Heure Nouvelle,no. П, 1946 Auguste Strindberg, Dramaturge,Paris: VArche, 1955

* Thiatre, argent et politique’,Paris: Thitre Populaire,no. 17, 1956 ‘Parce que je I’ai beaucoup aimi.(on Artaud), Paris: Cahiers de la Compagnie M. Renaud – J.-L Barrault,nos. 22-3, May 1958 Anthologie de la Commune(ed. Adamov), Paris: Editions Sodales, 1959 Id et Maintenant(collected essays), Paris: Gallimard, 1964 L’Homme et I’Enfant(diaries), Paris: Gallimard, 1968 Je … Ils(reissue of L’Aveuand new memoirs), Paris: Gallimard,

1969

TRANSLATIONS BY ADAMOV

rilke, LeLivre de la Pauvretdet de la Mart,Algiers: 1941 buchner, Thitre Complet,trans. by Adamov and Marthe Robert dostoevsky, Crime et ChStimentJUNG, Le Moi et Tlnconsdent,Paris: 1938 GOGOL, Les Ames Mortes,Lausanne: La Guilde du Livre chekhov, L’Esprit des Bois,Paris: Gallimard (in the series ‘Le Manteau d’Arlequin’) chekhov, Thtre,Paris: Club Franpiis da Livre Strindberg, Le Pelican,Paris: ThiStre Populaire,no. 17,1956 Strindberg, Pbe,Paris: VArche, 1958 kleist, La Cruche Cassie,Paris: Thiatre Populaire,no. 6,1954 Gorki, ThiStre,Paris: L’Arche

ON ADAMOV

gaudy, RENi, Arthur Adamov,Paris: Stock, 1971 lynes, carlos, jr, ‘Adamov or “le sens httdral”in the theatre’, Yak French Studies,no. 14, Winter 1954-5 regnaut, maurice, ‘Arthur Adamov et le sens du fitichisme',Paris: Cahiers de la Compagnie M. Renaud – J.-L. Barrault,nos. 22-3, May

1958

BIBLIOGRAPHY

ALBEE, EDWARD The Zoo Story(written 1958), New York: Evergreen Review,no. 12, March-April i960; also in Absurd Drama,Harmondsworth: Penguin Boob, 1965 The American Dream, A play,New York: Coward-McCann, 1961; London: Cape, 1962; also in New American Drama,Harmondsworth: Penguin Books, 1966 The Zoo Story, The Sandbox, The Death of Bessie Smith,published in one volume, New York: Co war d-McCann, i960 Who’s Afraid of Virginia Woolfi A play,New York: Atheneum, 1963; London: Cape, 1964; Harmondsworth: Penguin Books,

1965

Tiny Alice,London: Cape, 1966 A Delicate Balance,London: Cape, 1968

Box and Quotations from Chairman Mao Tse-tung,New York: Atheneum, 1969 All Over,New York, Atheneum, 1971 Seascape,London: Cape, 1976

ON ALBBB

bigsby, c. w. e., Albee,Edinburgh: Oliver Boyd. 1969 cohn, ruby, Edward Albee,Minneapolis: University of Minnesota Press, 1969

kbrjean, LILIANS, Albee,Paris: Seghers, 1971 kerjean, lilianb, Le Thtre d’Edward Albee, Paris: lCttnrfafoA,

1978

ARRABAL, FERNANDO ThiStre,Paris: Christian Bourgois, 12 vols.

VoL I contains: Oraison, Les Deux Bourreaux, Fando et Lis, Le Cimetihe des VoituresVoL П contains: Guernica, Le Labyrinthe, Le Tricycle, Pique-nique en Campagne, La Bicyclette du CondamniVoL Ш contains: Le Grand CMmonial, Cirimonie pom un Not Assassini

VoL IV contains: Le Couronnement, Concert dans un CEufVoL V (Theatre Panique) contains: ThiStre Panique, L’Architecte et L’Empeteur d’Assyrie

БИБЛИОГРАФИЯ

BIBLIOGRAPHY

VoL VI contains: Le Jardin des Dilices, BestialiU trotique, Une Tortue Nommie DostoievskiVoL VII (Theatre de guerilla) contains: Et Us Passbent des Menottes aux Fleurs, L’Attrore Rouge et NoireVol. VTn (Deux opas paniques) contains: Ars Amandi, Dieu TenU par les MathbnatiquesVol. IX contains: Le Ciel et la Merde, La Grande Revue du XXe Stick

VoL X contains: Bella Ciao, La Guerre de Mille ArtsVoL XIcontains: Ld Tour de Babel, La Marche Royak, Une Orange sur к Mont de Vfaus, La Gloire en ImagesVol. ХП contains: Vole-moi un Petit Millard, Le Pastaga des Loups ou Ouverture Orang-Outan, Punk et Punk et CoUgramPlays not included in the collected Theatre: Sur к Fil, Jeunes Bar– bares d’Aujourd’hui

ON ARRABAL

Gille, Bernard, Fernando Arrabal,Paris: Seghers, 1970 morrissbtt, ann, ‘Dialogue with Arrabal’, New York: Evergreen Review,no. ij, November-December i960 schiirbs, alaih, Entretiens avec Arrabal,Paris: Pierre Belfond, 1969 sbrreau, Genevieve, ‘Un nouveau style comique: Arrabal’,Paris: Les Lettres Nouvelks,no. 65, November 1958 (trans. New York: Evergreen Review,no. 15, November-December i960)

BECKETT, SAMUEL PLAYS

En Attendant Godot,Paris: Editions de Minuit, 195a (trans. by author, Waiting for Godot– U.S. edition, New York: Grove Press, 1954; English edition, London: Faber Faber, 1955)

Fin de Partie, suivi de Acte Sans Paroles,Paris: Editions de Minuit, 1957 (trans. by author, Endgame, followed by Act Without Words —U.S. edition, New York: Grove Press, 1958; English edition, London: Faber Faber, 1958)

All That Fall,London: Faber Faber, 1957 [U.S. edition, see below]

BIBLIOGRAPHY

Krapp’s Last Tape and Embers,London: Faber Faber, 19J9 Krapp’s Last Tape and Other Dramatic Pieces,New York: Grove Press, i960, contains Krapp’s Last Tape, All That Fall, Embers, Act Without Words I, Act Without Words II Happy Days,New York: Grove Press, 1961 (trans. by author, Oh les Beaux Jours,Paris: Editions de Minuit, 1963)

Play and Two Short Pieces for Radio,London: Faber Faber, 1964, contains: Play, Words and Music, Cascando(trans. by author) Comidie et Actes Divers,Paris: Editions de Minuit, 1966, contains: Comidie (Playtrans. by author); Va et Vient, Dramaticule (Come and Gotrans. by author); Cascando, Piice radiophoniquepour musique et voix; Paroles et Musique, Piece radiophonique (Words and Musictrans. by author); Dis Joe, Piece pour la tiUvision (Eh Joetrans. by author); Acte Sans Paroles II, pour deux personnages et un aiguillon (Act Without Words IItrans. by author)

Come and Go(English original) first published in Samuel Beckett, Aus einem aufgegebenen Werk und kurze Spiele(a collection of short prose works and plays in the original language and German trans.), Frankfurt: Suhrkamp, 1966 (no. 145 in ‘Edition Suhrkamp'); separate publication, London: Calder Boyars, 1967 Eh Joe and Other Writings,London: Faber Faber, 1967, contains Eh Joe, Act Without Words II, Film Breath and Other Shorts,London: Faber Faber, 1971, contains: Breath, Come and Go, Act Without Words I, Act Without Words II, From an Abandoned Work Not I,London: Faber Faber, 197З Footfalls,London: Faber Faber, 1976 That Time,London: Faber Faber, 1976

End and Odds. Plays and Sketches,London: Faber Faber, 1977. contains: Not I, That Time, Footfalls, Ghost Trio,… but the clouds…, Theatre I, Theatre II, Radio I, Radio II Film. Complete Scenario; Illustrations; Production shots,New York: Grove Press, 1969

NARRATIVE PROSE

More Pricks than Kicks,London: Chatto Windus, 1934; one story, ‘Dante and the lobster’, New York: Evergreen Review,I, I

BIBLIOGRAPHY

Murphy,London: Roudedge, 1938; new edition, New York: Grove Press, n.d.

Watt,Paris: Olympia Press, 1958 Molby,Paris: Editions de Minuit, 1951 Malone Meurt,Paris: Editions de Minuit, 1951 L’Innommable,Paris: Editions de Minuit, 1953 Three Novels,London: Calder, 1959. contains: Molloy,trans. by Patrick Bowles, Malone Diesand The Uniumable,trans. by author Nouvelles et Textes pour Riot,Paris: Editions de Minuit, 1955 (a story trans. by Richard Seaver and author, ‘The end’, New York: Evergreen Review,no. 15, November-December i960)

Text for Nothing I,trans. by author, New York: Evergreen Review,no. 9, Summer 1959 From an Abandoned Work,London: Faber Faber, 1957; New York: Evergreen Review,I, 3, 1957 Comment C’Est,Paris: Editions de Minuit, 1961 (trans. by author, How It Is,New York: Grove Press, 1964; London: Calder, 1964); an extract from an earlier version of this novel, ‘L’image’,London: X,no. 1, November 1959 (another extract trans. by author, ‘From an unabandoned work’, New York: Evergreen Review,no.

14, September-October i960)

Imagination Morte Imaginez,Paris: Editions de Minuit, 196J (trans.

by author, Imagination Dead Imagine,London: Calder, 1965) assez,Paris: Editions de Minuit, 1966 bing,Paris: Editions de Minuit, 1966

No's Knife, Collected Shorter Prose 1947–1966,London: Calder Boyars, 1967, contains: Stories, Texts fir Nothing, From an Abandoned Work, Enough, Imagination Dead Imagine, Ping Premier Amour,Paris: Editions de Minuit, 1970 Le Dipeupleur,Paris: Editions de Minuit, 1970 (trans. by author, The Lost Ones,London: Calder Boyars, 1972)

VERSE

Whoroscope,Paris: The Hours Press, 1930 Echo’s Bones,Paris: Europe Press, 1935 ‘ Trois poemes’,Paris: Cahiers des Saisons,no. 2, October 1955 Poems in English,London: Calder, 1961

BIBLIOGRAPHY

Gedichte(bilingual edition of Echo’s Bonesfollowed by other poems in English and French, with German parallel translation), Wiesbaden: Limes, 1959

ESSAYS

Proust,London: Chatto Windus, 1931 (Dolphin series); reprinted New York: Grove Press, n.d.

Proust, Three Dialogues,London: Calder, 1965 ‘Dante … Bruno. Vico … Joyce’, in Our Exagmination round his Factification for Incamination of Work in Progress,Paris: Shakespeare

Co., 1929 Bram van Velde,New York: Grove Press, i960

ON BECKETT

abel, lionel, ‘Joyce the father, Beckett the son’, New York: The New Leader,14 December 1959 BENXLBY, eric, What is Theatre?Boston: Beacon Press, 1956 calder, john (ed.), Beckett at Sixty(essays by 24 contributors), London: Calder Boyars, 1967 COE, richard n., Beckett,Edinburgh and London: Oliver Boyd, 1964 (in the series ‘ Writers and Critics’) cohn, ruby, Samuel Beckett: The Comic Gamut,New Brunswick, N.J.: Rutgers University Press, 1962

–  Back to Beckett,Princeton, N. J.: Princeton University Press,

1973

– (ed.), Samuel Beckett. A Collection of Criticism,New York:

McGraw-Hill, 1975

–  Play Beckett,Princeton, N.J.: Princeton University Press,

1979

ellman, richard, James Joyce,New York and London: Oxford University Press, 1959 esslin, martin, ‘Samuel Beckett’, in The Novelist as Philosopher,ed. John Cruickshank, London: Oxford University Press, 1962 esslin, martin (ed.), Samuel Beckett, A Collection of Critical Essays,Englewood Clifis, N.J.: Prentice-Hall, 1965 (in the series ‘Twentieth-Century Views ’) pederman, Raymond, Journey to Chaos, Samuel Beckett’s Early

BIBLIOGRAPHY

Fiction,Berkeley and Los Angeles: University of California Press,

1965

federman, Raymond and FLETCHER, john, Samuel Beckett: His Work and His Critics, An Essay in Bibliography,Berkeley and Los Angeles: University of California Press, 1970 fletcher, john, T "he Novels of Samuel Beckett,London: Cbatto Windus, 1964

–  Samuel Beckett’s Art,London: Cbatto Windus, 1967

fletcher, john and SPURLiNG, john, Beckett. A Study of his Plays,London: Eyre Methuen, 1972

FLETCHER, JOHN; FLETCHER, BERYL S.; SMITH, BARRY; ВАСНЕМ,

Walter, A Student’s Guide to the Plays of Samuel Beckett,London: Faber Faber, 1978 friedman, M. j. (ed.), Samuel Beckett,Paris: Minard, 1964 (‘Configuration Critique’ no. 8) gessner, n., Die Unzulanglidikeit der Sprache,Zurich: Juris, 1957 ‘Godot gets around’, New York: Theatre Arts,July 1958 guggenheim, peggy, out of this century, the informal memoirs of peggy guggenheim,New York: the dials press, 1946

–  Confessions of an Art Addict,London: Andrd Deutsch, i960

harvey, lawrencb в., Samuel Beckett. Poet and Critic,Princeton, N.J.: Princeton University Press, 1970 hobson, harold, ‘Samuel Beckett, dramatist of the year’, International Theatre Annual,no. 1, London: Calder, 1956 jacobsen, josbphinb and muller, william r., The Testament of Samuel Beckett,New York: Hill Wang, 1964 janvier, ludovic, Pour Samuel Beckett,Paris: Editions de Minuit,

1966

JOYCE, JAMES, Letters(ed. Stuart Gilbert), London: Faber Faber, 1957

KENNER, HUGH, Samuel Beckett, A Critical Study,New York: Grove Press, 1961; London: Calder, 1962

–  The Stoic Comedians: Flaubert, Joyce and Beckett,London: W. H.

Allen, 1964

kern, edith, ‘Drama stripped for inaction: Beckett’s Godot’, Yale French Studies,no. 14, Winter 1954-5 levy, alan, ‘The long wait for Godot’, New York: Theatre Arts,August 1956

BIBLIOGRAPHY

мarissel, andre, Beckett,Paris: Editions Universitaires, 1963 mauriac, Claude, La Litthature Contemporaine,Paris: Albin Michel, 1958

melese, pierre, Beckett,Paris: Seghers, 1966 (in the series ‘Thtre de Tous les Temps’) mercier, vivian, BeckettIBeckett,New York: Oxford University Press, 1977

– ‘Messenger of Gloom’ (profile), London: Observer,9 November

1958

metman, eva, ‘Reflections on Samuel Beckett’s plays’, London: Journal of Analytical Psychology,January i960

–  San Quentin News,San Quentin, Cal., vol. XVII, no. 24, 28

November 1957

schneider, alan, ‘Waiting for Beckett’, New York: Chelsea Review,Autumn 1958 SCHOELL, konrad, Das Theater Samuel Becketts,Munich: Wilhelm Fink, 1967

scott, nathan a, Samuel Beckett,London: Bowes Bowes, 1^65 (in the series ‘Studies in Modern European Thought and Literature’)

BUZZATI, DINO

Un Caso Clinico, Commedia in 2 tempi e 13 quadri,Milan: Mondadori, 1953 (no. 85 in the series ‘La Medusa degli Italiani’)

Un Verne al Ministero,Turin: II Dramma,no. 283

D’ERRICO, EZIO

La Foresta,Turin: II Dramma,no. 278 1Tempo di Cavalette,Turin: II Dramma,no. 261

II Formicaio,stage ms.

ON d’bHRICO

trilling, ossia, ‘Ezio d’Errico – a new Pirandello?’, London: Theatre World,April 1958

BIBLIOGRAPHY

FRISCH, MAX

Biedemumn und die Brandstifter,Berlin and Frankfurt: Suhrkamp,

1958. This is the stage version, based on an earlier radio play, Herr Biedemumn und die Brandstifier,first broadcast by Bayrischer Rundfunk, Munich, 1953; published Hamburg: Hans Bredow Institut, sixth edition, 1959. (Stage version trans. by Michael Bullock, The Fire Raisers,in Three Plays,London: Methuen, 1962)

ON FRISCH

bXnziger, hans, Frisch und Diirrenmatt,Berne: Francke, i960 ziskoven, Wilhelm, ‘Max Frisch’, in Zur Interpretation des modemen Dramas(ed Rolf Geissler), Frankfurt: Diesterweg, i960 These two exhaustive studies also contain bibliographical data on Frisch’s numerous other plays which do not fall into the category of the Theatre of the Absurd.

GELBER, JACK

The Connection(with Introduction by Kenneth Tynan), New York: Grove Press, i960 The Apple,New York: Grove Press, 1961

GENET, JEAN PLAYS

Haute Surveillance,Paris: Gallimard, 1949 (trans. by B. Frechtman, Deathwatch, in The Maids/Deathwatch,New York: Grove Press, 1954; English edition, Deathwatch,London: Faber Faber, 1961) Les Bonnes,D6cines: L’Arbalfcte, 1948; a new edition, Les Bonnes, Les deux versions pricidies d’une lettre de Г auteur,containing the first version (as performed at the Аёпбе in 1946) and the revised version (as performed at the Theatre de la Huchette in 1954); the second version also reprinted in Les Bonnes-L’Atelier d’Alberto Giacometti,Dines: L’Arbalfete, 1958, further containing ‘L’enfant criminel’

BIBLIOGRAPHY GRASS, GONTER PLAYS

Die Bosen Koche,in Modemes deutsches Theater I,Neuwied: Luchterhand, 1961 Onkel, Onkel,Berlin: Wagenbach, 1965 Nodi zehn Minuten bis Buffalo,stage ms.

Zweiunddreissig Zahtte,Frankfurt: Suhrkamp, 1963 Hochwasser,stage ms.

Die Plebejer proben den Aufstand,Neuwied: Luchterhand, 1966

English translations

Four Plays,trans. Ralph Manhcim, London: Seeker Warburg, 1968, contains: Still Ten Minutes to Buffalo; Uncle, Uncle; The Flood; The Wicked Cooks.

The Plebeians Rehearse the Uprising, A German Tragedy,trans. by Ralph Manhcim, London: Seeker Warburg, 1967

OTHBB WRITINGS

Die Vorziige der WindUhner(poems and prose sketches), Neuwied: Luchterhand, 1956 Die Blechtrommel(novel), Neuwied: Luchterhand, 1959 (trans. by Ralph Manheim, The Tin Drum,London: Seeker Warburg, 1962*, Harmondsworth: Penguin Books, 1965)

Gleisdreieck(poems), Neuwied: Luchterhand, i960 Katz und Maus(novel), Neuwied: Luchterhand, 1961 (trans. by Ralph Manheim, Cat and Mouse,London: Seeker Warburg, 1963; Harmondsworth: Penguin Books, 1966)

Hundejahre(novel), Neuwied: Luchterhand, 1963 (trans. by Ralph Manheim, Dog Years,Lbndon: Seeker Warburg, 1965; Harr mondsworth: Penguin Books 1969)

Ausgefiagt(poems), Neuwied: Luchterhand, 1967 Selected Poems,trans. by Michael Hamburger and Christopher Middleton, have been published by Seeker Warburg, 1966; Harmondsworth: Penguin Books, 1969 Der Butt(novel) Neuwied: Luchterhand, 1977 (trans. by Ralph Manheim, The Flounder,London: Seeker Warburg, 1978)

BIBLIOGRAPHY GRASS, GONTER PLAYS

Die Bosen KSche,in Modemes deutsches Theater I,Neuwied: Luchterhand, 1961 Onkel, Onkel,Berlin: Wagenbach, 1965 Nock zehn Minuten bis Buffalo,stage ms.

Zweiunddreissig Zahne,Frankfurt: Suhrkamp, 1963 Hochwasser,stage ms.

Die Plebejer proben den AufsUmd,Neuwied: Luchterhand, 1966

English translations

Four Plays,trans. Ralph Manheim, London: Seeker Warburg, 1968, contains: Still Ten Minutes to Buffalo; Uncle, Uncle; The Flood; The Wicked Cooks.

The Plebeians Rehearse the Uprising, A German Tragedy,trans. by Ralph Manheim, London: Seeker Warburg, 1967

OTHER WRITINGS

Die Vorziige der Wmdahner(poems and prose sketches), Neuwied: Luchterhand, 1956 Die Blechtrommel(novel), Neuwied: Luchterhand, 1959 (trans. by Ralph Manheim, The Tin Drum,London: Seeker Warburg, 1962; Harmondsworth: Penguin Books, 196s)

Gleisdreieck(poems), Neuwied: Luchterhand, i960 Katz und Mans(novel), Neuwied: Luchterhand, 1961 (trans. by Ralph Manheim, Cat and Mouse,London: Seeker Warburg, 1963; Harajondsworth: Penguin Books, 1966)

Hmdejahre(novel), Neuwied: Luchterhand, 1963 (trans. by Ralph Manheim, Dog Years,London: Seeker Warburg, 1965; Harr mondsworth: Penguin Books 1969)

Ausgфagt(poems), Neuwied: Luchterhand, 1967 Selected Poems,trans. by Michael Hamburger and Christopher Middleton, have been published by Seeker Warburg, 1966; Harmondsworth: Penguin Books, 1969 Der Butt(novel) Neuwied: Luchterhand, 1977 (trans. by Ralph Manheim, The Flounder,London: Seeker Warburg, 15)78)

BIBLIOGRAPHY ON GRASS

tank, kurth lothar, Gunter Grass,Berlin: Colloquium, 1963

HAVEL, VACLAV

Protokoly(collected writings, including the two plays The Garden Partyand The Memorandum),Prague: Mlada Fronta, 1966 (The Memorandum,trans. by Vera Blackwell, London: Cape, 1967)

HILDESHEIMER, WOLFGANG PLAYS

Spiele in denen es dunkel wird,Pfullingen: Neske, 1958, contains: Pastorale oder Die Zeit fiir Kakao, Landschaft mit Figuren, Die Uhren.Hildesheimer’s radio plays include: Das Ende kommt nie, Begegnung im Balleanexpress, Prinzessin Turandot(stage version, Der Drachenthron), An den Ufem der Plotinitza, Das Atelieifest, Die Bartschedelidee, Herm Walsers Raben.

OTHER WRITINGSS ‘Erlanger Rede iiber das absurde Theater’,Munich: Akzente,no. 6, i960

IONESCO, EUGENE

PLAYS

[for collected editions see p. 452]

La Cantatrice Chauve(written 1948, first performance 1950), in Thidtre I[Arcanes]; also in Thidtre I[Gallimard] (trans. by Donald M. Allen, The Bald Soprano,in Plays,vol. I [New York: Grove Press]; trans. by Donald Watson, The Bald Prima Donna,in Plays,vol. I [London: Calder])

LaLefon(written 1950, first performance 1951), in Theatre I[Arcanes]; also in ThiStre I[Gallimard] (trans. The Lesson,by Donald M.

BIBLIOGRAPHY

Allen in Plays,voL I [New Yode: Grove Press]; by Donald Watson in Plays,voL I [London: Calder], and in Penguin Plays, 1962) Jacques, ou La Soumission(written 1950, first performance 1955), in Thidtre I[Ar canes]; also in TheStre I[Gallimard] (trans. by Donald M. Allen, Jack or the Submission,in Plays,voL I [New York: Grove Press]; trans. by Donald Watson, Jacques or Obedience,in Plays,voL I [London: Calder])

Les Chaises(written 1951, first performance 1952), in Thidtre I[Gallimard] (trans., The Chairs,by Donald M. Allen in Plays,vol.

I[New York: Grove Press]; by Donald Watson in Plays,vol. I [London: Calder], and in Penguin Plays,1962)

Le Salon de Г Automobile(first performance 1953), in Thidtre I[Arcanes]; also in Thidtre TV(trans. by Sasha Moorsom, The Motor Show,London: 3 Arts Quarterly,no. 2, Summer i960)

L’Avenir est dans les CEufs ou П faut de tout pour fake un monde(written 1951, first performance 1937)» m Thidtre II(trans. by Derek Prouse, The Future is in Eggs or It takes all sorts to make a world,in Plays,voLIV)

Vktimes du Devoir(written 1932, first performance 1953), in Thidtre I[Gallimard] (trans. by Donald Watson, Victims of Duty,in Plays,voL IQ

Amtdk ou Comment s’en dAarrasser(written 1953, first performance 1934), in Thidtre I[Gallimard] (trans. by Donald Watson, Amidei or How to get rid of it, in Plays,vol. II, and in Absurd Drama,Har– mondsworth: Penguin Books, 1963)

Le Nouveau Locataire(written 1933, first performance 1933), pi Thidtre

II(trans. by Donald Watson, The New Tenant,in Plays,voL II) Les Grandes Chaleurs(first performance 1953), based on a play by

Caragiale, unpublished La Jeune Fille i Marier(first performance 1953), in Thidtre II(trans.

by Donald Watson, Maid to Marry,in Plays,voL III)

Le Maitre(first performance 1953), in Thidtre II(trans. by Derek Prouse, The Leader,in Plays,vol. IV)

Le Connaissez-Vous?(first performance I9J3). unpublished La Niice-Epou*e(first performance 1933), unpublished Le Rhume Onirique(first performance 1953), unpublished Le Tableau(first performance 1955), Dossiers Acinonites de College de Pataphysique,no. 1, 1958; also in Thidtre III(trans. by Donald

BIBLIOGRAPHY

Watson, The Picture,broadcast in B.B.C. Third Programme, и March 1957; in Plays,vol. VII)

L'Impromptu de ГAlma ou Le Camilion du Berger(written 1955, first performance 1956), in Thidtre II(trans. by Donald Watson, Improvisation or The Shepherd's Chameleon,in Plays,vol. Ill) Impromptu pour la Duchesse de Windsor(written 1957, first performance

1957), unpublished (trans. by Donald Watson, unpublished)

Tueur Sans Gages(written 1937, first performance 1959), in Thidtre II(trans. by Donald Watson, The Killer,in Plays,voL IIQ [Le] Rhinocbos[the definite article on the tide page is an error by the publishers] (written 1938, first performance 1959), Paris: Gallimard, 1959 (in the series ‘Le Manteau d’Arlequin’); also in Thidtre III(trans. by Derek Prouse, Rhinoceros,in Plays,vol. IV, and in Penguin Plays,1962)

Seine h Quatre(written 1939, first performance 1959), Cahiers du College de Pataphysique, Dossier 7,1959; also Paris: Avant-Sckneno. 210,

15 December 1959; also in Thidtre III(trans. by Donald M. Allen, Foursome,New York: Evergreen Review,no. 13, May-June i960) Apprendre i Marcher, Ballet(first performance i960), in Thidtre IV Les Salutations(opening scene of an as yet uncompleted play, Scene a Sept),Paris: LesLettres Francises,no. 805, 31 December i960; also in Thidtre III

Le Roi se Moot(written 1962, first performance 1962), Paris: Gallimard, 1963; also in Thidtre IV(trans. by Donald Watson, Exit the King,in Plays,vol. V)

Le Piiton de Г Air(written 1962, first performance 1963), in Thidtre

III(trans. by Donald Watson, A Stroll in the Air,in Plays,voL VI) Dilire et Deux… h tant qu on veut(written 1962, first performed 1962), in Thidtre III(trans. by Donald Watson, Frenzy for Two,in Plays,vol. VI)

La Soif et la Faim(written 1965, first performance 1966), in Thidtre IV(trans. by Donald Watson, Hunger and Thirst,in Plays,voL VII) Jeux de Massacre,Paris: Gallimard 1970 Macbett,Paris: Gallimard, 1972

VHomme aux Valises suivi de Ce Formidable Bordel,Paris: Gallimard, 1973 (trans. adapted by Israel Horovitz, Man with Bags,New York: Grove Press, 1977)

ТЕАТР АБСУРДА BIBLIOGRAPHY

Collected editions

Thidtre I,Paris: Arcanes, 1953 (in the series ‘Locus Soltis’), contains: La СапШгке Chauve, La Lefon, Jacques ou La Soumission, Le Salon de Г Automobile

[A second volume of the above edition, announced as being in preparation in 1953, did not appear. It was to contain: Les Chaises, Victimes du Devoir, La Niice-Epouse, La Jeune Fille h Marier]

ThMltre I,Paris: Gallimard, 1954, contains: Prefaceby Jacques Lemarchand, La Cantatrice Chauve, La Legon, Jacques, ou La Sou– mission, Les Chaises, Victimes du Devoir, Amidii ThMtre II,Paris: Gallimard, 1958, contains: L'Impromptu de TAlma, Tueur Sans Gages, Le Nouveau Locataire, L'Avenir est dans les CBufs, Le Maitre, La Jeune Fille A Marier ThMltre III,Paris: Gallimard. 1963, contains: Rhinoceros, Le Ptiton de Г Air, Dilire i Deux, Le Tableau, Scene h Quatre, Les Salutations, La Colire

Thitre IV,Paris: Gallimard, 1966, contains: Le Roi se Meurt, La Soif et la Faim, La Laame, Le Salon de Г Automobile, L’CEuf Dur, Le Jeune Homme i Marier, Apprendre i Marcher ThiHtre V,Paris: Gallimard, 1974, contains: Jeux de Massacre, Mac– belt. La Vase, Exercices de conversation et de diction Francoises pour itudiants Ambicains

English translations

[Ionesco’s plays have been published by Grove Press, New York, and John Calder, London. The first volume of these editions differs; the others are identical]

Vol. I [U.S. edition], trans. by Donald M. Allen, contains: The Bald Soprano, The Lesson, Jack or The Submission, The ChairsVol. I [English edition], trans. by Donald Watson, contains: The Lesson, The Chairs, The Bald Prima Donna, Jacques or ObedienceVol. II, trans. by Donald Watson, contains: AmitUe or How to get rid of it. The New Tenant, Victims of DutyVol. Ill, trans. by Donald Watson, contains: The Killer, Improvisation or The Shepherd’s Chameleon, Maid to Marry

БИБЛИОГРАФИЯ

BIBLIOGRAPHY

Vol. IV, trans. by Derek Prouse, contains: Rhinoceros, The Leader, The Future is in EggsVol. V, trans. by Donald Watson, contains: Exit the King, The Motor Show, Foursome

Vol. VI, trans. by Donald Watson, contains: A Stroll in the Air, Frenzy for Two

Vol. VII, trans. by Donald Watson, contains: Hunger and Thirst, The Picture, Greetings, AngerVol. VIII, trans. by Donald Watson, contains: Here Comes a Chopper (Jeux de massacre), The Oversight (La Lacune), The Foot of the WallVol. IX, trans. by Donald Watson, contains: Macbett, The Mire, Learning to Walk

Vol. X, trans. by Donald Watson, contains: Oh What a Bloody Circus, The Hardboiled Egg

NARRATIVE PROSB

Une Victime du Devoir(written 1952), Paris: Medium,January 1955; Paris: Cahiers des Saisons,no. 24, Winter 1961 [basis of Victimes de Devoir]

Oriflamme,Paris: Nouvelle Revue Franfais,February 1964 [basis of AmddSe](trans., Flying High,New York: Mademoiselle,1957)

La Photo du Colonel,Paris: Nouvelle Revue Frangaise,November 1955 [basis of Tueur Sans Gages](trans. by Stanley Read, The Photograph of the Colonel, Evergreen Review,I, 3, 1957)

Rhinoceros,Paris: LesLettres Nouvelles,September 1957; Paris: Cahiers de la Compagnie M. Renaud – J.-L. Barrault,no. 29, February i960 (trans. by Donald M. Allen, New York: Mademoiselle,March i960) La Photo du Colonel, RJcits(collected short stories), Paris: Gallimard, 1962

The ColoneFs Photograph(collected stories in English), trans. by Jean Stewart and John Russell, London: Faber Faber, 1967 Le Solitaire. Roman,Paris: Mercure de France, 1973

ESSAYS AND OTHER PROSE WRITINGS

‘L’invraisemblable, Гinsolite, mon univers…’,Paris: Arts,14 August I9J3; also Paris: Cahiers des Saisons,no. 15, Winter 1959, under the title 'Je n’ai jamais riussi…’

BIBLIOGRAPHY

'Le point du depart',Paris: Cahiers des Quatre Saisons,do. i, August

1955 [this periodical changed its tide to Cahiers des Saisonsfrom no. 2, October 1955] (trans. by L.C. Pronko, New York: Theatre Arts,June 1958; by Donald Watson in Plays,vol. I [London: Calder])

‘ Thiitre et anti-thidtre’,Paris: Cahiers des Saisons,no. 2, October 1955 (trans. by L. C. Pronko, New York: Theatre Arts,June 1958)

‘Mes piices ne pritendent pas sauver le monde',Paris: L'Express,15–16 October 1955 LMes critiques et moi’,Paris: Arts,22 February 1956 ‘Gammes’(nonsense aphorisms), Paris: Cahiers des Saisons,no. 7, September 1956

‘There is no avant-garde theatre’, trans. by Richard Howard, New York: Evergreen Review,I, 4,1957 ‘The world of Ionesco’, International Theatre Annual,no. 2, ed. Harold Hobson, London: Calder, 1957; Tulane Drama Review,October 19S8

‘Olympie’(prose poem), Paris: Cahiers des Saisons,no. 10, April-May

1957

‘Pour Cocteau',Paris: Cahiers des Saisons,no. 12, October 1957 ‘The theatre’, talk on Б.В.С. Third Programme, July 1957 [an early version oЈ‘Experience du thi tre– see below]