Текст книги "Экономика символического обмена"

Автор книги: Александр Долгин

сообщить о нарушении

Текущая страница: 29 (всего у книги 31 страниц)

Cuddon J.A. Dictionary of Literary Terms and Literary Theory. London: Penguin Books, 1991.

Davis P. The Effect of Local Competition on Retail Prices: the U.S. Motion Picture Exhibition Market // Working Papers, LSE, October 2002.

De Vany A.S. Complexity in The Movies // The Journal of the Santa Fe Institute, 1997.

De Vany A., Eckert R.D. Motion Picture Antitrust: The Paramount Cases Revisited // Research in Law and Economics, Vol. 14, 1991. Р. 51–112.

De Vany A.S., Walls W.D. Uncertainty in the movie industry: Does star power reduce the terror of the box office? // Journal of Cultural Economics, Vol. 23(4), 1999. Р. 285–318.

De Vany A., Walls D. Movie Stars, Big Budgets, and Wide Releases: Empirical Analysis of the Blockbuster Strategy // IMBS Working Paper. University of California, Irvine, 2002.

De Vany A., Walls D. Movie Stars, Big Budgets, and Wide Releases: Empirical Analysis of the Blockbuster Strategy // De Vany A. Hollywood Economics: How Extreme Uncertainty Shapes the Film Industry. New York: Routledge, 2004.

DeFigueiredo D.B. Unleashing the Power of Digital Goods: Enabling New Business Models for the Music Industry. UC Davis University of California, August 2003.

DeGraba P. Buying Frenzies and Seller-Induced Excess Demand // RAND Journal of Economics, Vol. 26, № 2, 1995. Р. 331–342.

Delaney K.J. Internet Firms Face Legal Test On Advertising Fees // The Wall Street Journal, April 5, 2005.

Delgado J., Ishii N. Memory-Based Weighted-Majority Prediction for Recommender Systems // Proc. ACM SIGIR’99 Workshop Recommender Systems: Algorithms and Evaluation, 1999.

Della Valle A.P. The Search vs. Experience Aspects of Cultural Goods: From Mass Media to the Performing Arts // ACEI, Chicago, Illinois, USA, 2004.

Demsetz H. The Private Production of Public Goods // Journal of Law and Economics, Vol. 13, 1970. Р. 293–306.

DeSerpa A. To Err Is Rational: A Theory of Excess Demand for Tickets // Managerial and Decision Economics, Vol. 15(5), 1994. Р. 511–518.

Deshpande M., Karypis G. Item-Based Top-N Recommendation Algorithms // ACM Transactions on Information Systems, Vol. 22, № 1, 2004. Р. 143–177.

DiMaggio P. David Throsby: 2001, Economics and Culture (Book Review) // Journal of Cultural Economics, Vol. 27, 2003. Р. 73–75.

Dolfsma W. A Status Quo in the Economics of Art and Culture: A View of Some Recent Developments // De Economist, Vol. 145, № 2, July 1997. Р. 243–254.

Easterlin R. Does economic growth improve the human lot? Some empirical evidence // David P.A., Reder M.W. (eds.) Nations and Households in Economic Growth: Essays in Honour of Moses Abramowitz. New York and London: Academic Press, 1974.

Easterlin R. Will raising the incomes of all increase the happiness of all? // Journal of Economic Behaviour and Organization, Vol. 27, 1995. Р. 35–48.

Economic Perspectives on Copyright Law. Centre for Copyright Studies Ltd. Canberra, 2003.

Einav L., Orbach B. Uniform Prices for Differentiated Goods: The Case of the Movie-Theater Industry. Discussion Paper, № 337. Cambridge: Harvard Law School, 2001.

Eliashberg J., Shugan S.M. Film Critics: Influencers or Predictors? // Journal of Marketing, Vol. 61, № 2, April 1997. Р. 68–78.

Ellsberg D. Risk, ambiguity, and the Savage axioms // Quarterly Journal of Economics, Vol. 75, 1961. P. 643–669.

Farchy J. Internet et le droit d’auteur – La culture Napster. Paris: CNRS Éditions, 2003.

Frank R.H. Choosing the Right Pond. New York and Oxford: Oxford University Press, 1985.

Frey B. Not Just for the Money. An Economic Theory of Personal Motivation. Cheltenham: Edward Elgar, 1997.

Frey B. State Support and Creativity in the Art: Some New Considerations // Journal of Cultural Economics, Vol. 23(1–2), 1999. P. 71–85.

Frey B., Pommerehne W.W. Art: The economic perspective (1997) // Towse R. (ed.) Cultural economics: The Arts, the Нeritage and the Media Industries. Vol. 1. Cheltenham: Edward Elgar Publishing, 1997. Р. 3–36.

Frey B.S., Stutzer A. Happiness, Economy and Institutions // The Economic Journal, Vol. 110 (466), 2000. P. 918–938.

Gander J., Rieple A. How Relevant is Transaction Cost Economics to Inter-Firm Relationships in the Music Industry? // Journal of Cultural Economics, Vol. 28, 2004. P. 57–79.

Garvin D.A. Reach for the Stars: Blockbusters // Wharton Magazine, Winter 1980. P. 22–28.

Gergaud О., Vignes A. Emergence et dynamique du phénomène de réputation. Le vin de Champagne: entre savoir-faire et faire savoir // Revue d’Economie Industrielle, Vol. 91(1), 2000. P. 55–74.

Getoor L., Sahami M. Using Probabilistic Relational Models for Collaborative Filtering // Proc. Workshop Web Usage Analysis and User Profiling (WEBKDD ’99), August 1999.

Ginsburgh V., Weyers S. On the Perceived Quality of Movies // Journal of Cultural Economics, Vol. 23(4), 1999. P. 269–283.

Gladwell M. The Science of The Sleeper: How the Information Age could Blow Away the blockbuster // The New Yorker, 10.04.1999.

Glejser H., Heyndels B. Efficiency and Inefficiency in the Ranking in Competitions: the Case of the Queen Elisabeth Music // Journal of Cultural Economics, Vol. 25(2), 2001. P. 109–129.

Goldberg K., Roeder T., Gupta D., Perkins C. Eigentaste: A Constant Time Collaborative Filtering Algorithm // Journal of Information Retrieval, Vol. 4, № 2, July 2001. Р. 133–151.

Goldman W. Adventures in the Screen Trade: a Personal View of Hollywood and Screenwriting. Warner Books, 1984.

Good N., Schafer J.B., Konstan J., Borchers A., Sarwar B., Herlocker J., Riedl J. Combining Collaborative Filtering with Personal Agents for Better Recommendations // Proc. AAAI’99, July 1999.

Hamlen W.A. Superstardom in Popular Music: Empirical Evidence // Review of Economics and Statistics, November 1991. Р. 729–733.

Hansen T.B. TheWillingness-to-Pay for the Royal Theatre in Copenhagen as a Public Good // Journal of Cultural Economics, Vol. 21, 1997. P. 1–18.

Hanssen A. The Block Booking of Films: A Re-Examination. Working Paper, Montana State University, 1999.

Happel S., Jennings M. Assessing the Economic Rationale and Legal Remedies for Ticket Scalping // Journal of Legislation, Vol. 16(1), 1989. Р. 1–14.

Happel S., Jennings M. Creating a Futures Market for Major Event Tickets: Problems and Prospects // CATO Journal, Vol. 23, № 3, Winter 2002. Р. 443–461.

Harisson P. The Rational Street Performer Protocol [on-line]. [cited Aug. 2003]. Available from URL: .

Heilbrun J.,Gray Ch.M. The Economics of Art and Culture – An American Perspective. Cambridge: Cambridge University Press, 1993.

Herlocker J.L., Konstan J.A., Borchers A., Riedl J. An Algorithmic Framework for Performing Collaborative Filtering // Proc. 22nd Ann. Int’l ACM SIGIR Conf. Research and Development in Information Retrieval (SIGIR’99), 1999.

Herlocker J.L., Konstan J.A., Terveen L.G., Riedl J.T. Evaluating Collaborative Filtering Recommender Systems // ACM Transactions on Information Systems, Vol. 22, № 1, 2004. Р. 5–53.

Herlocker J.L., Konstan J.A. Content-Independent Task-Focused Recommendation // IEEE Internet Computing, Vol. 5, № 6, November/December 2001. Р. 40–47.

Heylighen F. Collaborative Filtering. Principia Cybernetica Project [on-line], 2001 [cited Feb. 28, 2005]. Available from URL: .

Hirsch F. The Social Limits of Growth. Cambridge: Harvard University Press, 1976.

Hoberman J. Ten Years That Shook the World. American Film 10 (June), 1985. P. 34–39, 42–49, 52–59.

Hofmann T. Collaborative Filtering via Gaussian Probabilistic Latent Semantic Analysis // Proc. 26th Ann. Int’l ACM SIGIR Conf., 2003.

Hougaard J.L., Lindeneg K., Tvede M. Selling Digital Goods on the Internet [on-line]. University of Copenhagen, October 2002 [cited Aug. 2003]. Available from URL: .

Hu M., Liu B. Mining and Summarizing Customer Review // Proc. 10th ACM SIGKDD, 2004. Р. 168–177.

Hubble J. The Effectiveness of Movie Ratings. Working Paper [on-line], May 7, 1997 [cited July 14, 2003]. Available from URL: .

Hurt R.M., Schuchman R.M. The Economic Rationale of Copyright // American Economic Review, Vol. 56, Issue 1/2, March 1966. P. 421–432.

IFPI, Digital Music Report’05 [on-line], International Federation of the Phonographic Industry, January 2005 [cited July 15, 2005]. Available from URL: .

IFPI, Global music sales fall by 7.6% in 2003 – some positive signs in 2004 [on-line], International Federation of the Phonographic Industry, April 7, 2004 [cited Sept. 20, 2004]. Available from URL: .

IFPI, Online Music Report 2004 [on-line], International Federation of the Phonographic Industry, 2004 [cited Sept. 20, 2004]. Available from URL: .

IFPI, The Recording Industry Commercial Piracy Report 2004 [on-line], International Federation of the Phonographic Industry, 2004 [cited Sept. 25, 2004]. Available from URL: .

Inglehart R. Culture Shift in Advanced Industrial Society // Princeton: Princeton University Press, 1990.

Kahneman D., Knetsch J., Thaler R.H. Anomalies: The Endowment Effect, Loss Aversion and Status Quo Bias // Journal of Economic Perspectives, Vol. 5, № 1, Winter 1991. Р. 193–206.

Kelejian H.H., Lawrence W.J. Estimating the Demand for Broadway Theater: A. Preliminary Inquiry // Hendon W.S., Shanahan J.L., MacDonald A.J. Economic Policy for the Arts. Cambridge: Abt Books, 1980. P. 333–346.

Kelsey Group. Online Ticketing Outlook. Princeton, N.J., 1999.

Kelsey J., Schneier B. The Street Performer Protocol and Digital Copyrights // First Monday, Vol. 4, № 6, June 7, 1999.

Kelsey J., Schneier B. The Street Performer Protocol. The Third USENIX Workshop on Electronic Commerce Proc. [on-line]. USENIX Press, November 1998 [cited Aug. 2004]. Available from URL: .

Kenney R.W., Klein B. The Economics of Block Booking // Journal of Law and Economics, Vol. 26(3), 1983. Р. 497–540.

King T. Patronage and Market in the Creation of Opera Before the Institution of Intellectual Property // Journal of Cultural Economics, Vol. 25(1), 2001. Р. 21–45.

Konstan J.A., Miller B.N., Maltz D., Herlocker J.L., Gordon L.R., Riedl J. GroupLens: Applying Collaborative Filtering to Usenet News // Comm. ACM, Vol. 40, № 3, 1997. Р. 77–87.

Krueger A. Supply and Demand: An Economist Goes to the Super Bowl // Milken Institute Review: A Journal of Economic Policy, Vol. 3(2), 2001. Р. 22–29.

Krueger A. The Economics of Real Superstars: The Market for Rock Concerts in the Material World. Working Paper, Princeton University, April 2004.

Kumar R., Raghavan P., Rajagopalan S., Tomkins A. Recommendation Systems: A Probabilistic Analysis // Journal of Computer and System Sciences, Vol. 63, № 1, 2001. Р. 42–61.

Landes W.M., Posner R.A. An Economic Analysis of Copyright Law // Journal of Legal Studies, Vol. 18, 1989. Р. 325–363.

Landes W.M., Posner R.A. Indefenitely Renewable Copyright. University of Chicago Law & Economics, Olin Working Paper, №154.

Landsburg S.E. Why Popcorn Costs More at the Movies and Why the Obvious Answer Is Wrong (1993) // Landsburg S.E. The Armchair Economist: Economics and Everyday Life. New York: Simon and Schuster, 1995.

Law K. Music Industry Structure: RIAA Enemy № 1 – Wal-Mart, Not Kazaa [on-line]. October 2003 [cited Jan. 4, 2005]. Available from URL: .

Law K. Music Industry Structure: Why Madonna Never Complains [on-line], September 2003 [cited Jan. 4, 2005]. Available from URL: .

Lazear E.P. Retail Pricing and Clearance Sales // American Economic Review, Vol. 76, March 1986. Р. 14–32.

Leslie P.J. Price Discrimination in Broadway Theatre. Mimeo, U.C.L.A. Department of Economics, 1999.

Levene C. Marketing Art-Films to College Students. Working Paper, The Wharton School, University of Pennsylvania, 1992.

Lewis T., Sappington D. Supplying Information to Facilitate Price Discrimination // International Economic Review, Vol. 35(2), 1994. P. 309–327.

Liebowitz S.J. Copying and Indirect Appropriability: Photocopying of Journals // Journal of Political Economy, Vol. 93, № 5, 1985. P. 945–957.

Liebowitz S.J. Back to the Future: Can copyright owners appropriate revenues in the face of new technologies? // Gordon W., Watt R. (eds.) The Economics of Copyright: Recent Developments and Analysis. Cheltenham: Edward Elgar Publishing, 2003.

Liebowitz S.J., Margolis S. Seventeen Famous Economists Weigh in on Copyright. Working Paper, December 2003.

Linden G., Smith B., York J. Amazon.com Recommendations. Item-to-Item Collaborative Filtering // IEEE Internet Computing, February 2003.

Litwak M. Reel Power: The Struggle for Influence and Success in the New Hollywood. New York: William Morrow, 1986.

Love C. Courtney Love does the math.Transcript of Speech to the Digital Hollywood On-line Entertainment Conference [on-line], New York, 16th of May 2000 [cited Jan. 4, 2005]. Available from URL: .

Lucifora C., Simmons R. Superstar Effects in Sport Evidence From Italian Soccer // Journal of Sports Economics, Vol. 4, № 1, February 2003. Р. 35–55.

MacDonald G. The Economics of Rising Stars // American Economic Review, Vol. 78, 1988. Р. 155–166.

Marburger D.R. Optimal Ticket Pricing for Performance Goods // Managerial and Decision Economics, Vol. 18(5), 1997. P. 375–382.

Marlin B. Modeling User Rating Profiles for Collaborative Filtering // Proc. 17th Ann. Conf. Neural Information Processing Systems (NIPS’03), 2003.

Marshall A. Principles of Economics. 8th ed., New York: Macmillan, 1947. P. 685–686.

Martin F. Determining the Size of Museum Subsidies // Journal of Cultural Economics, Vol. 18, 1994. Р. 255–270.

Matthews B. The Evolution of Copyright // Political Science Quarterly, Vol. 5, № 4, 1890. Р. 583–602 .

McCloskey D. The Applied Theory of Price. New York: Macmillan, 1982.

Middleton S.E., Shadbolt N.R., de Roure D.C. Ontological User Profiling in Recommender Systems // ACM Transactions on. Information Systems, Vol. 22, № 1, 2004. Р. 54–88.

Milgrom P., Roberts J. Price and Advertising Signals of Product Quality // Journal of Political Economy, Vol. 94, Issue 4, 1986. Р. 796–821.

Miller N., Resnick P., Zeckhauser R. Eliciting Honest Feedback in Electronic Markets // Harvard Kennedy School Research [on-line], June 2004 [cited Feb. 20, 2006]. Available from URL: .

Mintel International Group. Men’s Ties and Accessories. March 2001.

Mooney R.J., Roy L. Content-Based Book Recommending Using Learning for Text Categorization // Proc. ACM SIGIR’99 Workshop Recommender Systems: Algorithms and Evaluation, 1999.

Nakamura A., Abe N. Collaborative Filtering Using Weighted Majority Prediction Algorithms // Proc. 15th Int’l Conf. Machine Learning, 1998.

Nalebuff B. Bundling, tying and portfolio effects. DTI Economics Paper I, Dept. of Trade & Industry, London, UK, 2003.

Nalebuff B. Bundling as an entry barrier. Working Paper, School of Management, Yale University, New Haven, CT, 2004.

Navrud S., Ready R.C. Valuing Cultural Heritage: Applying Environmental Techniques to Historic Buildings, Monuments and Artifacts. Cheltenham: Edward Elgar, 2002.

Nelson Ph. Information and Consumer Behavior // Journal of Political Economy, Vol. 78, Issue 2, March–April 1970. Р. 311–329.

Nelson Ph. Advertising as Information // Journal of Political Economy, Vol. 81, 1974. Р. 729–754.

Neus A. Blender and the Street Performer Protocol: Freak success or first of a trend? [on-line], 2002 [cited Aug. 2003]. Available from URL: .

Nussbaum M. Aristotelian Social Democracy // Douglass R.B. et al. (eds.) Liberalism and the Good. New York: Routledge, 1990.

Nussbaum M., Sen A. (eds.) The Quality of Life. Oxford: Clarendon, 1995.

Oakes Ch. Firefly’s Dim Light Snuffed Out // Wired [on-line], December 8, 1999 [cited Feb. 20, 2005]. Available from URL:

Oard D.W., Kim J. Implicit Feedback for Recommender Systems // Proc. Recommender Systems. Papers from 1998 Workshop, Technical Report WS-98-08. AAAI Press, 1998.

OECD, Peer-to-Peer Networks in OECD Countries // OECD Information Technology Outlook 2004, ch.5 [on-line], Paris, 2004 [cited Oct. 6, 2004]. Available from URL: .

Oligopoly Watch: Music Industry [on-line], Oligopoly Watch [cited Oct. 2, 2004]. Available from URL: .

O’Mahony M., Hurley N., Kushmerick N., Silvestre G. Collaborative recommendation: A robustness analysis // ACM Transactions on Internet Technology, Vol. 4, Issue 4, November 2004. Р. 344–377.

Orbach B.Y. Antitrust and Pricing in the Motion Picture Industry // Yale Journal on Regulation, Vol. 21, № 317, 2004.

Oswald A.J. Happiness and economic performance // The Economic Journal, Vol. 107, Issue 445, November 1997. Р. 1815–1831.

Papandre F. Willingness to Pay for Domestic Television Programming // Journal of Cultural Economics, Vol. 23, 1999. Р. 149–166.

Pareles J. David Bowie, 21st-Century Entrepreneur // The New York Times, June 9, 2002.

Parikh M. The Music Industry in the Digital World: Waves of Changes [on-line]. Institute for Technology and Enterprise, Аugust 1999 [cited Oct. 12, 2004]. Available from URL: .

Parker A. The True Picture of Peer-to-Peer Filesharing, Press and Analyst Presentation, CacheLogic [on-line], July 2004 [cited Oct. 8, 2004]. Available from URL: .

Parker N., Gerlach Ch.L., Berman S.J. What I want when I want it: An on demand vision for media and entertainment businesses. Executive Brief. IBM Institute for Business Value, 2003.

Pashigian B.P. Demand uncertainty and sales: A study of fashion and markdown pricing // American Economic Review, Vol. 78(5), 1988. Р. 936–953.

Pavlov D., Pennock D. A Maximum Entropy Approach to Collaborative Filtering in Dynamic, Sparse, High-Dimensional Domains // Proc. 16th Ann. Conf. Neural Information Processing Systems (NIPS’02), 2002.

Pazzani M. A Framework for Collaborative, Content-Based, and Demographic Filtering // Artificial Intelligence Review, December 1999. Р. 393–408.

Peers M., Mathews A.W. Plugged-In Fans Buy Hot Tickets in Web «Presales» // Wall Street Journal, May 21, 2001.

Peitz M., Waelbroeck P. An Economist’s Guide To Digital Music. Cesifo Working Paper, № 1333, November 2004.

Philips Ch. Why Does a $30 Ticket Becomes a $600 Ticket? // Los Angeles Times, Calendar, May 27, 1990.

Philips Ch. Record Label Chorus: High Risk, Low Margin // Los Angeles Times, May 31, 2001.

Plant A. The Economic Aspects of Copyright in Books // Economica, New Series, Vol. 1, Issue 2, May 1934. Р. 167–195.

Pokorny M., Sedgwick J. Stardom and the Profitability of Film Making: Warner Brothers in the 1930s // Journal of Cultural Economics, Vol. 25, 2001. Р. 157–184.

Pollicino M. and Maddison D. Valuing the Benefits of Cleaning Lincoln Cathedral // Journal of Cultural Economics, Vol. 25, 2001. Р. 131–148.

Pommerehne W.W., Frey B.S. Public Promotion of the Arts: A Survey of Means // Journal of Cultural Economics, Vol. 14, December 1990. Р. 73–95.

Popescul A., Ungar L.H., Pennock D.M., Lawrence S. Probabilistic Models for Unified Collaborative and Content-Based Recommendation in Sparse-Data Environments // Proc. 17th Conf. Uncertainty in Artificial Intelligence, 2001.

Rashid A.M., Albert I., Cosley D., Lam S.K., McNee S.M., Konstan J.A., Riedl J. Getting to Know You: Learning New User Preferences in Recommender Systems // Proc. Int’l Conf. Intelligent User Interfaces, 2002.

Ravid A. Information, Blockbusters, and Stars: A Study of the Film Industry // Journal of Business, Vol. 72, № 4, October 1999. Р. 463–492.

Regner T. Innovation of Music // Watt R. (ed.) The Economics of Copyright: Developments in Research and Analysis [on-line]. Cheltenham: Edward Elgar, 2002. Сh. 6. Р. 99–111 [cited Aug. 2003]. Available from URL: .

Resnick P., Iakovou N., Sushak M., Bergstrom P., Riedl J. GroupLens: An Open Architecture for Collaborative Filtering of Netnews // Proc. 1994 Computer Supported Cooperative Work Conf., 1994.

RIAA. 10-year Music Consumer Trends Chart 2003, riaa.com. [on-line], [cited Nov. 26, 2004]. Available from URL: .

Rosen S. The economics of superstars // American Economic Review, Vol. 71, Issue 5, December 1981. Р. 845–858.

Rosen S., Rosenfield A. Ticket Pricing // Journal of Law and Economics, Vol. 40(2), 1997. Р. 351–375.

Salant D. Price Setting on Professional Team Sports // Sommers P. (ed.) Diamonds are Forever: The Business of Baseball. Washington D.C.: Brookings Institution, 1992. Р. 77–90.

Salop S., Stiglitz J.E. The Theory of Sales: A Simple Model of Equilibrium Price Dispersion with Identical Agents // American Economic Review, Vol. 72, December 1982. Р. 1121–1130.

Salton G. Automatic Text Processing. Addison-Wesley, 1989.

Sandvine. Regional Characteristics of P2P: File Sharing as a Multi-application, Multi-national Phenomenon. An Industry White Paper [on-line], Sandvine Incorporated, October 2003 [cited Oct. 8, 2004]. Available from URL: .

Santagata W., Signorello G. Contingent Valuation of a Cultural Public Good and Policy Design: The Case of «Napoli Musei Aperti» // Journal of Cultural Economics, Vol. 24(3), 2000. Р. 181–204.

Sarwar B., Karypis G., Konstan J., Riedl J. Item-Based Collaborative Filtering Recommendation Algorithms // Proc. 10th Int’l WWW Conf., 2001.

Sarwar B., Karypis G., Konstan J., Riedl J. Item-based Collaborative Filtering Recommendation Algorithms [on-line]. Department of Computer Science and Engineering, University of Minnesota, Minneapolis, 2001 [cited Feb. 15, 2006]. Available from URL: .

Schein A.I., Popescul A., Ungar L.H., Pennock D.M. Methods and Metrics for Cold-Start Recommendations // Proc. 25th Ann. Int’l ACM SIGIR Conf., 2002.

Schmalensee R. Product Differentiation Advantages of Pioneering Brands // American Economic Review, Vol. 72, 1982. Р. 349–365.

Scitovsky T. The Joyless Economy. The Psychology of Human Satisfaction. New York: Oxford University Press, 1976.

Scitovsky T. Our Disdain for Culture // Towse R. (ed.) Cultural Economics: the Arts, the Heritage and the Media Industries. Vol. 1. Cheltenham: Edward Elgar Publishing, 1997.

Scitovsky T. What’s Wrong with Mass Production? // Towse R. (ed.) Cultural Economics: the Arts, the Heritage and the Media Industries. Vol. 1. Cheltenham: Edward Elgar Publishing, 1997.

Searls D., Weinberger D. World of Ends: What the Internet Is and How to Stop Mistaking It for Something Else [on-line]. [cited Sept. 29, 2004]. Available from URL: .

Sedgwick J., Pokorny M. Movie Stars and the Distribution of Financially Successful Films in the Motion Picture Industry: A comment // Journal of Cultural Economics, Vol. 23, 1999. Р. 319–323.

Sen A. Well-being, Agency, and Freedom: the Dewey Lectures 1984 // Journal of Philosophy, Vol. 82, 1985.

Sen A. Commodities and Capabilities. Amsterdam: North Holland, 1985.

Sen A. The Concept of Development // Chenery H., Srinivasan T.N. (eds.) Handbook of Development Economics. Vol. 1. Elsevier Science Publishers, 1988.

Sen A. The Economics of Life and Death // Scientific American, May 1993.

Serafini D. The Different Ways to Slice VoD // Video Age International, Vol. 24, № 2, March/April 2004.

Shani G., Brafman R., Heckerman D. An MDP-Based Recommender System // Proc. 18th Conf. Uncertainty in Artificial Intelligence, August 2002.

Shardanand U., Maes P. Social Information Filtering: Algorithms for Automating «World of Mouth» // Proc. CHI’95 Conference on Human Factors in Computing Systems, ACM Press, 1995.

Simon H.A. Rationality as Process and as Product of Thought. Richard T. Ely Lecture // American Economic Review, Vol. 68, № 2, May 1978. Р. 1–16.

Smith A. An Inquiry into the Nature and Causes of the of the Wealth of Nations / ed. E. Cannan. New York: Modern Library, 1937.

Smith R. I can’t stand it any more: suicide and unemployment // British Medical Journal, Vol. 291, 1985. Р. 1563–1566.

Stigler G., Becker G. De Gustibus Non Est Disputandum // American Economic Review, Vol. 67, 1977. Р. 76–90.

Strobl E.A., Tucker C. The Dynamics of Chart Success in the U.K // Journal of Cultural Economics, Vol. 24(2), 2000. Р. 113–134.

Swofford J. Arbitrage, Speculation and Public Policy Toward Ticket Scalping // Public Finance Review, Vol. 27, № 5, September 1999. Р. 531–540.

Takeyama L.N. The Advertising Value of Pirating Intellectual Property. Unpublished manuscript, 1999.

Takeyama L.N. Piracy, Asymmetric Information, and Product Quality Revelation [on-line]. Department of Economics, Amherst College, 2002 [cited May 25, 2004]. Available from URL: .

Terveen L., Hill W. Beyond Recommender Systems: Helping People Help Each Other // Carroll J. (ed.) HCI In The New Millennium. Addison-Wesley, 2001.

The Digital Dilemma: Intellectual Property in the Information Age. National Academies Press, 2000.

The Watch Industry: what makes it tick? // Pictet & Cie, November 2003.

Thompson E., Berger M., Blomquist G., Allen S. Valuing the Arts: A Contingent Valuation Approach // Journal of Cultural Economics, Vol. 26, 2002. Р. 87–113.

Throsby D. Perception of Quality in Demand for the Theatre // Towse R. (ed.) Cultural Economics: the Arts, the Heritage and the Media Industries. Vol. 1. Cheltenham: Edward Elgar Publishing, 1997.

Throsby D. Economics and Culture. Cambridge: Cambridge University Press, 2001.

Throsby D.C., Withers G.A. The Economics of the Performing Arts. London: Edward Arnold, 1979.

Towse R. (ed.) Baumol’s Cost Disease: The Arts and other Victims. Cheltenham: Edward Elgar, 1997.

Towse R. (ed.) Cultural Economics: The Arts, the Heritage and the Media Industries. Vol. 1, 2. Cheltenham: Edward Elgar Publishing, 1997.

Towse R. The Earnings of Singers: An Economic Analysis (1992) // Towse R. (ed.) Cultural Economics: the Arts, the Heritage and the Media Industries. Vol. 2, ch. 11. Cheltenham: Edward Elgar Publishing, 1997. P. 218–226.

Towse R. Creativity, Incentive and Reward: an economic analysis of copyright and culture in the Information Age. Cheltenham: Edward Elgar, 2001.

Towse R. Partly for the Money: Rewards and Incentives to Artists // KYKLOS, Vol. 54, № 2/3, 2001. P. 473–490.

Towse R. Copyright and Cultural Policy for the Creative Industries (2002) // Granstrand О. (ed.) Economics, Law and Intellectual Property [on-line]. Forthcoming in Kluwer Academic Publishers [cited Nov. 18, 2003]. Available from URL: .

Tversky A., Fox C.R. Weighing Risk and Uncertainty // Psychological Review, Vol. 102, 1995. Р. 269–283.

Tversky A., Slovic P., Kahneman D. The Causes of Preference Reversal // American Economic Review, Vol. 80, № 1, March 1990. P. 204–217.

Ungar L.H., Foster D.P. Clustering Methods for Collaborative Filtering // Proc. Recommender Systems. Papers from 1998 Workshop, Technical Report WS-98-08. AAAI Press, 1998.

United We Find // The Economist, March 10, 2005.

Valenti J. The Voluntary Movie Rating System. MPAA, December 1996.

Varian H.R. A Model of Sales // American Economic Review, Vol. 70, September 1980. Р. 651–659.

Veenhoven R. Is happiness relative? // Social Indicators Research, Vol. 24, 1991. Р. 1–34.

Wanderer J. In Defense of Popular Taste: Film Ratings among Professionals and Lay Audiences // American Journal of Sociology, Vol. 76, September 1987. Р. 262–272.

Wechsler A.R., Schink G.R. CDs: A Better Value than Ever, LECG, Inc. [on-line], May 21, 2002 [cited July 25, 2005]. Available from URL: .

Wei Y.Z., Moreau L., Jennings N.R. A market-based approach to recommender systems // ACM Transactions on Information Systems, Vol. 23, № 3, April 2005. Р. 227–266.

Wernerfelt B. Advertising Content When Brand Choice is a Signal // Journal of Business, Vol. 63, № 1, Part 1, 1990. Р. 91–98.

Wheeler B. Counting the cost of a hit, BBC News Online [on-line], August 2001 [cited Nov. 28, 2004]. Available from URL: .

Williams A.T. Do Anti-Scalping Laws Make a Difference? // Managerial and Decision Economics, Vol. 15(5), 1994. Р. 503–509.

Willis K.G. Iterative Bid Design in Contingent Valuation and the Estimation of the Revenue Maximising Price for a Cultural Good // Journal of Cultural Economics, Vol. 26, 2002. Р. 307–324.

Winship F. The Art World: $480 Broadway Tickets? // United Press International, December 6, 2001.

Wolf Ch.R. Surprise! The Price is Right [on-line]. Needham & Company, 16 July 2003 [cited Dec. 23, 2004]. Available from URL: .

Woodhead R. Tipping – a method for optimizing compensation for intellectual property [on-line]. 2000 [cited Nov. 24, 2005]. Available from URL: .

Woody T. The Race to Kill Kazaa // Wired [on-line], Issue 11.02, February 2003 [cited June 19, 2004]. Available from URL: .

Wu S., Anandalingam G. Optimal customised bundle pricing for information goods // Proc. Workshop on Information Technology and Systems, Barcelona, Spain (Assoc. Inf. Syst.), 2002.

Wyatt J. From roadshowing to saturation release: Majors, independents, and marketing/distribution innovations // Lewis J. (ed.) The New American Cinema. Durham: Duke University Press, 1998. Р. 64–86.