![](/files/books/160/oblozhka-knigi-strana-severnogo-vetra-at-the-back-of-the-north-wind-321458.jpg)
Текст книги "Страна Северного Ветра / At the Back of the North Wind"
Автор книги: Джордж МакДональд
Жанр:
Сказки
сообщить о нарушении
Текущая страница: 34 (всего у книги 35 страниц)
forgotten me when you woke, I daresay, but not loved me like a real
being as you love me. Even then, I don't think you could dream anything
that hadn't something real like it somewhere. But you've seen me in many
shapes, Diamond: you remember I was a wolf once–don't you?”
“Oh yes–a good wolf that frightened a naughty drunken nurse.”
“Well, suppose I were to turn ugly, would you rather I weren't a dream
then?”
“Yes; for I should know that you were beautiful inside all the same. You
would love me, and I should love you all the same. I shouldn't like you
to look ugly, you know. But I shouldn't believe it a bit.”
“Not if you saw it?”
“No, not if I saw it ever so plain.”
“There's my Diamond! I will tell you all I know about it then. I don't
think I am just what you fancy me to be. I have to shape myself various
ways to various people. But the heart of me is true. People call me
by dreadful names, and think they know all about me. But they don't.
Sometimes they call me Bad Fortune, sometimes Evil Chance, sometimes
Ruin; and they have another name for me which they think the most
dreadful of all.”
“What is that?” asked Diamond, smiling up in her face.
“I won't tell you that name. Do you remember having to go through me to
get into the country at my back?”
“Oh yes, I do. How cold you were, North Wind! and so white, all but your
lovely eyes! My heart grew like a lump of ice, and then I forgot for a
while.”
“You were very near knowing what they call me then. Would you be afraid
of me if you had to go through me again?”
“No. Why should I? Indeed I should be glad enough, if it was only to get
another peep of the country at your back.”
“You've never seen it yet.”
“Haven't I, North Wind? Oh! I'm so sorry! I thought I had. What did I
see then?”
“Only a picture of it. The real country at my real back is ever so much
more beautiful than that. You shall see it one day–perhaps before very
long.”
“Do they sing songs there?”
“Don't you remember the dream you had about the little boys that dug for
the stars?”
“Yes, that I do. I thought you must have had something to do with that
dream, it was so beautiful.”
“Yes; I gave you that dream.”
“Oh! thank you. Did you give Nanny her dream too–about the moon and the
bees?”
“Yes. I was the lady that sat at the window of the moon.”
“Oh, thank you. I was almost sure you had something to do with that too.
And did you tell Mr. Raymond the story about the Princess Daylight?”
“I believe I had something to do with it. At all events he thought about
it one night when he couldn't sleep. But I want to ask you whether you
remember the song the boy-angels sang in that dream of yours.”
“No. I couldn't keep it, do what I would, and I did try.”
“That was my fault.”
“How could that be, North Wind?”
“Because I didn't know it properly myself, and so I couldn't teach it to
you. I could only make a rough guess at something like what it would be,
and so I wasn't able to make you dream it hard enough to remember it.
Nor would I have done so if I could, for it was not correct. I made you
dream pictures of it, though. But you will hear the very song itself
when you do get to the back of–”
“My own dear North Wind,” said Diamond, finishing the sentence for her,
and kissing the arm that held him leaning against her.
“And now we've settled all this–for the time, at least,” said North
Wind.
“But I can't feel quite sure yet,” said Diamond.
“You must wait a while for that. Meantime you may be hopeful, and
content not to be quite sure. Come now, I will take you home again, for
it won't do to tire you too much.”
“Oh, no, no. I'm not the least tired,” pleaded Diamond.
“It is better, though.”
“Very well; if you wish it,” yielded Diamond with a sigh.
“You are a dear good, boy” said North Wind. “I will come for you again
to-morrow night and take you out for a longer time. We shall make a
little journey together, in fact, we shall start earlier, and as the
moon will be later, we shall have a little moonlight all the way.”
She rose, and swept over the meadow and the trees. In a few moments
the Mound appeared below them. She sank a little, and floated in at the
window of Diamond's room. There she laid him on his bed, covered him
over, and in a moment he was lapt in a dreamless sleep.
CHAPTER XXXVII. ONCE MORE
THE next night Diamond was seated by his open window, with his head on
his hand, rather tired, but so eagerly waiting for the promised visit
that he was afraid he could not sleep. But he started suddenly, and
found that he had been already asleep. He rose, and looking out of the
window saw something white against his beech-tree. It was North Wind.
She was holding by one hand to a top branch. Her hair and her garments
went floating away behind her over the tree, whose top was swaying about
while the others were still.
“Are you ready, Diamond?” she asked.
“Yes,” answered Diamond, “quite ready.”
In a moment she was at the window, and her arms came in and took him.
She sailed away so swiftly that he could at first mark nothing but the
speed with which the clouds above and the dim earth below went rushing
past. But soon he began to see that the sky was very lovely, with
mottled clouds all about the moon, on which she threw faint colours like
those of mother-of-pearl, or an opal. The night was warm, and in the
lady's arms he did not feel the wind which down below was making waves
in the ripe corn, and ripples on the rivers and lakes. At length they
descended on the side of an open earthy hill, just where, from beneath a
stone, a spring came bubbling out.
“I am going to take you along this little brook,” said North Wind. “I am
not wanted for anything else to-night, so I can give you a treat.”
She stooped over the stream and holding Diamond down close to the
surface of it, glided along level with its flow as it ran down the hill.
And the song of the brook came up into Diamond's ears, and grew and
grew and changed with every turn. It seemed to Diamond to be singing the
story of its life to him. And so it was. It began with a musical tinkle
which changed to a babble and then to a gentle rushing. Sometimes its
song would almost cease, and then break out again, tinkle, babble, and
rush, all at once. At the bottom of the hill they came to a small river,
into which the brook flowed with a muffled but merry sound. Along the
surface of the river, darkly clear below them in the moonlight, they
floated; now, where it widened out into a little lake, they would hover
for a moment over a bed of water-lilies, and watch them swing about,
folded in sleep, as the water on which they leaned swayed in the
presence of North Wind; and now they would watch the fishes asleep among
their roots below. Sometimes she would hold Diamond over a deep hollow
curving into the bank, that he might look far into the cool stillness.
Sometimes she would leave the river and sweep across a clover-field. The
bees were all at home, and the clover was asleep. Then she would return
and follow the river. It grew wider and wider as it went. Now the armies
of wheat and of oats would hang over its rush from the opposite banks;
now the willows would dip low branches in its still waters; and now it
would lead them through stately trees and grassy banks into a lovely
garden, where the roses and lilies were asleep, the tender flowers
quite folded up, and only a few wide-awake and sending out their life in
sweet, strong odours. Wider and wider grew the stream, until they came
upon boats lying along its banks, which rocked a little in the flutter
of North Wind's garments. Then came houses on the banks, each standing
in a lovely lawn, with grand trees; and in parts the river was so high
that some of the grass and the roots of some of the trees were under
water, and Diamond, as they glided through between the stems, could see
the grass at the bottom of the water. Then they would leave the river
and float about and over the houses, one after another–beautiful rich
houses, which, like fine trees, had taken centuries to grow. There was
scarcely a light to be seen, and not a movement to be heard: all the
people in them lay fast asleep.
“What a lot of dreams they must be dreaming!” said Diamond.
“Yes,” returned North Wind. “They can't surely be all lies–can they?”
“I should think it depends a little on who dreams them,” suggested
Diamond.
“Yes,” said North Wind. “The people who think lies, and do lies, are
very likely to dream lies. But the people who love what is true will
surely now and then dream true things. But then something depends on
whether the dreams are home-grown, or whether the seed of them is blown
over somebody else's garden-wall. Ah! there's some one awake in this
house!”
They were floating past a window in which a light was burning. Diamond
heard a moan, and looked up anxiously in North Wind's face.
“It's a lady,” said North Wind. “She can't sleep for pain.”
“Couldn't you do something for her?” said Diamond.
“No, I can't. But you could.”
“What could I do?”
“Sing a little song to her.”
“She wouldn't hear me.”
“I will take you in, and then she will hear you.”
“But that would be rude, wouldn't it? You can go where you please, of
course, but I should have no business in her room.”
“You may trust me, Diamond. I shall take as good care of the lady as of
you. The window is open. Come.”
By a shaded lamp, a lady was seated in a white wrapper, trying to read,
but moaning every minute. North Wind floated behind her chair,
set Diamond down, and told him to sing something. He was a little
frightened, but he thought a while, and then sang:–
The sun is gone down,
And the moon's in the sky;
But the sun will come up,
And the moon be laid by.
The flower is asleep
But it is not dead;
When the morning shines,
It will lift its head.
When winter comes,
It will die–no, no;
It will only hide
From the frost and the snow.
Sure is the summer,
Sure is the sun;
The night and the winter
Are shadows that run.
The lady never lifted her eyes from her book, or her head from her hand.
As soon as Diamond had finished, North Wind lifted him and carried him
away.
“Didn't the lady hear me?” asked Diamond when they were once more
floating down the river.
“Oh, yes, she heard you,” answered North Wind.
“Was she frightened then?”
“Oh, no.”
“Why didn't she look to see who it was?”
“She didn't know you were there.”
“How could she hear me then?”
“She didn't hear you with her ears.”
“What did she hear me with?”
“With her heart.”
“Where did she think the words came from?”
“She thought they came out of the book she was reading. She will search
all through it to-morrow to find them, and won't be able to understand
it at all.”
“Oh, what fun!” said Diamond. “What will she do?”
“I can tell you what she won't do: she'll never forget the meaning of
them; and she'll never be able to remember the words of them.”
“If she sees them in Mr. Raymond's book, it will puzzle her, won't it?”
“Yes, that it will. She will never be able to understand it.”
“Until she gets to the back of the north wind,” suggested Diamond.
“Until she gets to the back of the north wind,” assented the lady.
“Oh!” cried Diamond, “I know now where we are. Oh! do let me go into the
old garden, and into mother's room, and Diamond's stall. I wonder if the
hole is at the back of my bed still. I should like to stay there all the
rest of the night. It won't take you long to get home from here, will
it, North Wind?”
“No,” she answered; “you shall stay as long as you like.”
“Oh, how jolly,” cried Diamond, as North Wind sailed over the house with
him, and set him down on the lawn at the back.
Diamond ran about the lawn for a little while in the moonlight. He found
part of it cut up into flower-beds, and the little summer-house with the
coloured glass and the great elm-tree gone. He did not like this, and
ran into the stable. There were no horses there at all. He ran upstairs.
The rooms were empty. The only thing left that he cared about was the
hole in the wall where his little bed had stood; and that was not enough
to make him wish to stop. He ran down the stair again, and out upon the
lawn. There he threw himself down and began to cry. It was all so dreary
and lost!
“I thought I liked the place so much,” said Diamond to himself, “but I
find I don't care about it. I suppose it's only the people in it that
make you like a place, and when they're gone, it's dead, and you don't
care a bit about it. North Wind told me I might stop as long as I liked,
and I've stopped longer already. North Wind!” he cried aloud, turning
his face towards the sky.
The moon was under a cloud, and all was looking dull and dismal. A
star shot from the sky, and fell in the grass beside him. The moment it
lighted, there stood North Wind.
“Oh!” cried Diamond, joyfully, “were you the shooting star?”
“Yes, my child.”
“Did you hear me call you then?”
“Yes.”
“So high up as that?”
“Yes; I heard you quite well.”
“Do take me home.”
“Have you had enough of your old home already?”
“Yes, more than enough. It isn't a home at all now.”
“I thought that would be it,” said North Wind. “Everything, dreaming and
all, has got a soul in it, or else it's worth nothing, and we don't care
a bit about it. Some of our thoughts are worth nothing, because they've
got no soul in them. The brain puts them into the mind, not the mind
into the brain.”
“But how can you know about that, North Wind? You haven't got a body.”
“If I hadn't you wouldn't know anything about me. No creature can know
another without the help of a body. But I don't care to talk about that.
It is time for you to go home.”
So saying, North Wind lifted Diamond and bore him away.
CHAPTER XXXVIII. AT THE BACK OF THE NORTH WIND
I DID not see Diamond for a week or so after this, and then he told me
what I have now told you. I should have been astonished at his being
able even to report such conversations as he said he had had with
North Wind, had I not known already that some children are profound in
metaphysics. But a fear crosses me, lest, by telling so much about
my friend, I should lead people to mistake him for one of those
consequential, priggish little monsters, who are always trying to say
clever things, and looking to see whether people appreciate them. When a
child like that dies, instead of having a silly book written about him,
he should be stuffed like one of those awful big-headed fishes you
see in museums. But Diamond never troubled his head about what people
thought of him. He never set up for knowing better than others. The
wisest things he said came out when he wanted one to help him with some
difficulty he was in. He was not even offended with Nanny and Jim for
calling him a silly. He supposed there was something in it, though he
could not quite understand what. I suspect however that the other name
they gave him, God's Baby, had some share in reconciling him to it.
Happily for me, I was as much interested in metaphysics as Diamond
himself, and therefore, while he recounted his conversations with North
Wind, I did not find myself at all in a strange sea, although certainly
I could not always feel the bottom, being indeed convinced that the
bottom was miles away.
“Could it be all dreaming, do you think, sir?” he asked anxiously.
“I daren't say, Diamond,” I answered. “But at least there is one thing
you may be sure of, that there is a still better love than that of the
wonderful being you call North Wind. Even if she be a dream, the dream
of such a beautiful creature could not come to you by chance.”
“Yes, I know,” returned Diamond; “I know.”
Then he was silent, but, I confess, appeared more thoughtful than
satisfied.
The next time I saw him, he looked paler than usual.
“Have you seen your friend again?” I asked him.
“Yes,” he answered, solemnly.
“Did she take you out with her?”
“No. She did not speak to me. I woke all at once, as I generally do when
I am going to see her, and there she was against the door into the big
room, sitting just as I saw her sit on her own doorstep, as white as
snow, and her eyes as blue as the heart of an iceberg. She looked at me,
but never moved or spoke.”
“Weren't you afraid?” I asked.
“No. Why should I have been?” he answered. “I only felt a little cold.”
“Did she stay long?”
“I don't know. I fell asleep again. I think I have been rather cold ever
since though,” he added with a smile.
I did not quite like this, but I said nothing.
Four days after, I called again at the Mound. The maid who opened
the door looked grave, but I suspected nothing. When I reached the
drawing-room, I saw Mrs. Raymond had been crying.
“Haven't you heard?” she said, seeing my questioning looks.
“I've heard nothing,” I answered.
“This morning we found our dear little Diamond lying on the floor of the
big attic-room, just outside his own door–fast asleep, as we thought.
But when we took him up, we did not think he was asleep. We saw
that–”
Here the kind-hearted lady broke out crying afresh.
“May I go and see him?” I asked.
“Yes,” she sobbed. “You know your way to the top of the tower.”
I walked up the winding stair, and entered his room. A lovely figure, as
white and almost as clear as alabaster, was lying on the bed. I saw at
once how it was. They thought he was dead. I knew that he had gone to
the back of the north wind.
End of Project Gutenberg's At the Back of the North Wind, by George MacDonald
*** END OF THIS PROJECT GUTENBERG EBOOK AT THE BACK OF THE NORTH WIND ***
***** This file should be named 225-0.txt or 225-0.zip *****
This and all associated files of various formats will be found in:
http://www.gutenberg.org/2/2/225/
Produced by Martin Ward
Updated editions will replace the previous one–the old editions
will be renamed.
Creating the works from public domain print editions means that no
one owns a United States copyright in these works, so the Foundation
(and you!) can copy and distribute it in the United States without
permission and without paying copyright royalties. Special rules,
set forth in the General Terms of Use part of this license, apply to
copying and distributing Project Gutenberg-tm electronic works to
protect the PROJECT GUTENBERG-tm concept and trademark. Project
Gutenberg is a registered trademark, and may not be used if you
charge for the eBooks, unless you receive specific permission. If you
do not charge anything for copies of this eBook, complying with the
rules is very easy. You may use this eBook for nearly any purpose
such as creation of derivative works, reports, performances and
research. They may be modified and printed and given away–you may do
practically ANYTHING with public domain eBooks. Redistribution is
subject to the trademark license, especially commercial
redistribution.
*** START: FULL LICENSE ***
THE FULL PROJECT GUTENBERG LICENSE
PLEASE READ THIS BEFORE YOU DISTRIBUTE OR USE THIS WORK
To protect the Project Gutenberg-tm mission of promoting the free
distribution of electronic works, by using or distributing this work
(or any other work associated in any way with the phrase “Project
Gutenberg”), you agree to comply with all the terms of the Full Project
Gutenberg-tm License (available with this file or online at
http://gutenberg.org/license).
Section 1. General Terms of Use and Redistributing Project Gutenberg-tm
electronic works
1.A. By reading or using any part of this Project Gutenberg-tm
electronic work, you indicate that you have read, understand, agree to
and accept all the terms of this license and intellectual property
(trademark/copyright) agreement. If you do not agree to abide by all
the terms of this agreement, you must cease using and return or destroy
all copies of Project Gutenberg-tm electronic works in your possession.
If you paid a fee for obtaining a copy of or access to a Project
Gutenberg-tm electronic work and you do not agree to be bound by the
terms of this agreement, you may obtain a refund from the person or
entity to whom you paid the fee as set forth in paragraph 1.E.8.
1.B. “Project Gutenberg” is a registered trademark. It may only be
used on or associated in any way with an electronic work by people who
agree to be bound by the terms of this agreement. There are a few
things that you can do with most Project Gutenberg-tm electronic works
even without complying with the full terms of this agreement. See
paragraph 1.C below. There are a lot of things you can do with Project
Gutenberg-tm electronic works if you follow the terms of this agreement
and help preserve free future access to Project Gutenberg-tm electronic
works. See paragraph 1.E below.
1.C. The Project Gutenberg Literary Archive Foundation (“the Foundation”
or PGLAF), owns a compilation copyright in the collection of Project
Gutenberg-tm electronic works. Nearly all the individual works in the
collection are in the public domain in the United States. If an
individual work is in the public domain in the United States and you are
located in the United States, we do not claim a right to prevent you from
copying, distributing, performing, displaying or creating derivative
works based on the work as long as all references to Project Gutenberg
are removed. Of course, we hope that you will support the Project
Gutenberg-tm mission of promoting free access to electronic works by
freely sharing Project Gutenberg-tm works in compliance with the terms of
this agreement for keeping the Project Gutenberg-tm name associated with
the work. You can easily comply with the terms of this agreement by
keeping this work in the same format with its attached full Project
Gutenberg-tm License when you share it without charge with others.
1.D. The copyright laws of the place where you are located also govern
what you can do with this work. Copyright laws in most countries are in
a constant state of change. If you are outside the United States, check
the laws of your country in addition to the terms of this agreement
before downloading, copying, displaying, performing, distributing or
creating derivative works based on this work or any other Project
Gutenberg-tm work. The Foundation makes no representations concerning
the copyright status of any work in any country outside the United
States.
1.E. Unless you have removed all references to Project Gutenberg:
1.E.1. The following sentence, with active links to, or other immediate
access to, the full Project Gutenberg-tm License must appear prominently
whenever any copy of a Project Gutenberg-tm work (any work on which the
phrase “Project Gutenberg” appears, or with which the phrase “Project
Gutenberg” is associated) is accessed, displayed, performed, viewed,
copied or distributed:
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.org
1.E.2. If an individual Project Gutenberg-tm electronic work is derived
from the public domain (does not contain a notice indicating that it is
posted with permission of the copyright holder), the work can be copied
and distributed to anyone in the United States without paying any fees
or charges. If you are redistributing or providing access to a work
with the phrase “Project Gutenberg” associated with or appearing on the
work, you must comply either with the requirements of paragraphs 1.E.1
through 1.E.7 or obtain permission for the use of the work and the
Project Gutenberg-tm trademark as set forth in paragraphs 1.E.8 or
1.E.9.
1.E.3. If an individual Project Gutenberg-tm electronic work is posted
with the permission of the copyright holder, your use and distribution
must comply with both paragraphs 1.E.1 through 1.E.7 and any additional
terms imposed by the copyright holder. Additional terms will be linked
to the Project Gutenberg-tm License for all works posted with the
permission of the copyright holder found at the beginning of this work.
1.E.4. Do not unlink or detach or remove the full Project Gutenberg-tm
License terms from this work, or any files containing a part of this
work or any other work associated with Project Gutenberg-tm.
1.E.5. Do not copy, display, perform, distribute or redistribute this
electronic work, or any part of this electronic work, without
prominently displaying the sentence set forth in paragraph 1.E.1 with
active links or immediate access to the full terms of the Project
Gutenberg-tm License.
1.E.6. You may convert to and distribute this work in any binary,
compressed, marked up, nonproprietary or proprietary form, including any
word processing or hypertext form. However, if you provide access to or
distribute copies of a Project Gutenberg-tm work in a format other than
“Plain Vanilla ASCII” or other format used in the official version
posted on the official Project Gutenberg-tm web site (www.gutenberg.org),
you must, at no additional cost, fee or expense to the user, provide a
copy, a means of exporting a copy, or a means of obtaining a copy upon
request, of the work in its original “Plain Vanilla ASCII” or other
form. Any alternate format must include the full Project Gutenberg-tm
License as specified in paragraph 1.E.1.
1.E.7. Do not charge a fee for access to, viewing, displaying,
performing, copying or distributing any Project Gutenberg-tm works
unless you comply with paragraph 1.E.8 or 1.E.9.
1.E.8. You may charge a reasonable fee for copies of or providing
access to or distributing Project Gutenberg-tm electronic works provided
that
– You pay a royalty fee of 20% of the gross profits you derive from
the use of Project Gutenberg-tm works calculated using the method
you already use to calculate your applicable taxes. The fee is
owed to the owner of the Project Gutenberg-tm trademark, but he
has agreed to donate royalties under this paragraph to the
Project Gutenberg Literary Archive Foundation. Royalty payments
must be paid within 60 days following each date on which you
prepare (or are legally required to prepare) your periodic tax
returns. Royalty payments should be clearly marked as such and
sent to the Project Gutenberg Literary Archive Foundation at the
address specified in Section 4, “Information about donations to
the Project Gutenberg Literary Archive Foundation.”
– You provide a full refund of any money paid by a user who notifies
you in writing (or by e-mail) within 30 days of receipt that s/he
does not agree to the terms of the full Project Gutenberg-tm
License. You must require such a user to return or
destroy all copies of the works possessed in a physical medium
and discontinue all use of and all access to other copies of
Project Gutenberg-tm works.
– You provide, in accordance with paragraph 1.F.3, a full refund of any
money paid for a work or a replacement copy, if a defect in the
electronic work is discovered and reported to you within 90 days
of receipt of the work.
– You comply with all other terms of this agreement for free
distribution of Project Gutenberg-tm works.
1.E.9. If you wish to charge a fee or distribute a Project Gutenberg-tm
electronic work or group of works on different terms than are set
forth in this agreement, you must obtain permission in writing from
both the Project Gutenberg Literary Archive Foundation and Michael
Hart, the owner of the Project Gutenberg-tm trademark. Contact the
Foundation as set forth in Section 3 below.
1.F.
1.F.1. Project Gutenberg volunteers and employees expend considerable
effort to identify, do copyright research on, transcribe and proofread
public domain works in creating the Project Gutenberg-tm
collection. Despite these efforts, Project Gutenberg-tm electronic
works, and the medium on which they may be stored, may contain
“Defects,” such as, but not limited to, incomplete, inaccurate or
corrupt data, transcription errors, a copyright or other intellectual
property infringement, a defective or damaged disk or other medium, a
computer virus, or computer codes that damage or cannot be read by
your equipment.
1.F.2. LIMITED WARRANTY, DISCLAIMER OF DAMAGES – Except for the “Right
of Replacement or Refund” described in paragraph 1.F.3, the Project
Gutenberg Literary Archive Foundation, the owner of the Project
Gutenberg-tm trademark, and any other party distributing a Project
Gutenberg-tm electronic work under this agreement, disclaim all
liability to you for damages, costs and expenses, including legal
fees. YOU AGREE THAT YOU HAVE NO REMEDIES FOR NEGLIGENCE, STRICT
LIABILITY, BREACH OF WARRANTY OR BREACH OF CONTRACT EXCEPT THOSE
PROVIDED IN PARAGRAPH F3. YOU AGREE THAT THE FOUNDATION, THE
TRADEMARK OWNER, AND ANY DISTRIBUTOR UNDER THIS AGREEMENT WILL NOT BE
LIABLE TO YOU FOR ACTUAL, DIRECT, INDIRECT, CONSEQUENTIAL, PUNITIVE OR
INCIDENTAL DAMAGES EVEN IF YOU GIVE NOTICE OF THE POSSIBILITY OF SUCH
DAMAGE.
1.F.3. LIMITED RIGHT OF REPLACEMENT OR REFUND – If you discover a
defect in this electronic work within 90 days of receiving it, you can
receive a refund of the money (if any) you paid for it by sending a
written explanation to the person you received the work from. If you
received the work on a physical medium, you must return the medium with
your written explanation. The person or entity that provided you with
the defective work may elect to provide a replacement copy in lieu of a
refund. If you received the work electronically, the person or entity
providing it to you may choose to give you a second opportunity to
receive the work electronically in lieu of a refund. If the second copy
is also defective, you may demand a refund in writing without further
opportunities to fix the problem.
1.F.4. Except for the limited right of replacement or refund set forth
in paragraph 1.F.3, this work is provided to you 'AS-IS' WITH NO OTHER
WARRANTIES OF ANY KIND, EXPRESS OR IMPLIED, INCLUDING BUT NOT LIMITED TO