Текст книги "The Bone Clocks"
Автор книги: David Mitchell
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Brubeck says, “Yeah,” in the same way I’d say, “So?” After checking no one’s around, he wheels his bike into the graveyard. He hides it between dark brushy trees and the wall, then leads me to the porch. Confetti’s piled up in dirty drifts. “Keep an eye on the gate,” he tells me. From his pocket he digs out a leather purse-thing and inside’s a dangly row of spindly keys and an L-shaped piece of thin metal. One last look at the lane, then he pokes a key into the lock, and jiggles it a bit.
I feel a lurch of fear we’ll get caught. “Where did you learn to break into buildings?”
“It wasn’t footy or repairing punctures that Dad taught me.”
“We could get done for this! It’s called, it’s called—”
“Breaking and entering. That’s why you keep your eyes peeled.”
“But what am I s’posed to do exactly if somebody comes?”
“Act embarrassed, like we’ve been caught snogging.”
“Uh—I don’t thinkso, Ed Brubeck.”
He does a half-hiss half-laugh. “ Actit, I said. Relax, you only get nicked if the cops can prove youpicked the lock. If you don’t confess, and if you’re careful not to bugger the mechanism …” he feeds a skeleton key into the keyhole, “… then who’s to say you didn’t just happen along, find the door left ajar, and go in to satisfy your interest in Saxon church architecture? That’s our story, by the way, just in case.” Brubeck’s got his ear against the lock as he’s twizzling. “Though I’ve stayed here three Saturday nights since Easter and not heard a dickie-bird. Plus it’s not like we’re taking anything. Plus you’re a girl, so just sob your eyes out and do the ‘Please, Mr. Vicar, I’m running away from my violent stepfather’ bit and, chances are, you’ll walk away with a cup of tea and a Penguin biscuit.” Brubeck holds up a hand for hush: a click. “Got it.” The church door swings open with the perfect Transylvanian hinge-creak.
Inside, Saint Mary Hoo’s Church smells of charity shops, and the stained-glass gloom’s all fruit-salady. The walls’re thick as a nuclear bunker and the thunkwhen Brubeck shuts us in echoes all around, like a dungeon. The roof’s all beams and timbers. We walk down the short aisle, past the ten or twelve pews. The pulpit’s wooden, the font’s stone, the organ’s like a fancy piano with exhaust pipes. The lectern-thingy must be fake gold, or a burglar—Brubeck’s dad, for example—would’ve swiped it long ago. We reach the altar table and look up at the window showing the crucifixion. A dove in the stained-glass sky has spokes coming off it. The Marys, two disciples, and a Roman at the foot of the cross look like they’re discussing whether it’s starting to rain or not. Brubeck asks, “You’re Catholic, right?”
I’m surprised he’s ever thought ’bout this. “My mum’s Irish.”
“So do you believe in heaven and God and that?”
I stopped going to church last year; that was me and Mam’s biggest row till this morning. “I sort of developed an allergy.”
“My uncle Norm says religion’s ‘spiritual paracetamol,’ and in a way I hope he’s right. Unless God issues personality transplants when you arrive, heaven’d mean a never-ending family reunion with the likes of my uncle Trev. I can’t think of anything more hellish.”
“So Uncle Trev’s no Uncle Norm, then?”
“Chalk and cheese. Uncle Trev’s my dad’s older brother. ‘The Brains of the Operation,’ he says, which is true enough: He’s got brains enough to get losers like Dad to do the dirty work. Uncle Trev fences the merchandise if the job’s a success, does his Mr. Nonstick Frying Pan when it goes belly-up. He even tried it on with my mum after Dad got sent down, which is partly why we moved south.”
“Sounds a total scuzzball.”
“Yep, that’s Uncle Trev.” The psychedelic light on Brubeck’s face dims as the sun fades. “Mind you, if I was dying in a hospice, maybe I’d want all the spiritual paracetamol I could get my hands on.”
I put my hand on the altar rail. “What if … what if heaven isreal, but only in moments? Like a glass of water on a hot day when you’re dyingof thirst, or when someone’s nice to you for no reason, or …” Mam’s pancakes with Mars Bar sauce; Dad dashing up from the bar just to tell me, “Sleep tight don’t let the bedbugs bite”; or Jacko and Sharon singing “For She’s a Squishy Marshmallow” instead of “For She’s a Jolly Good Fellow” every single birthday and wetting themselves even though it’s not at all funny; and Brendan giving his old record player to me instead of one of his mates. “S’pose heaven’s not like a painting that’s just hanging there forever, but more like … like the best song anyone ever wrote, but a song you only catch in snatches, while you’re alive, from passing cars, or … upstairs windows when you’re lost …”
Brubeck’s looking at me like he’s reallylistening.
And, feck it, I’m blushing. “What’re you looking at?”
Before he can answer, a key rattles in the door.
Slow-motion seconds lurch by me, like a conga of pissheads, and Brubeck and me are Laurel and Hardy and Starsky and Hutch and two halves of a pantomime horse, and he bundles me through a wooden door I’d not noticed behind the organ, into this odd-shaped room with a high ceiling and a ladder going up to a trapdoor. I think it’s called a vestry, this room, and the ladder must lead to the bell tower. Brubeck listens through the door crack; there’s no other way out, only a cupboard thing in the corner. Coming our way are at least two men’s voices; I think I hear a third, a woman. Shit. Brubeck and me look at each other. Our choices are: Stay here and try to talk our way out; hide in the cupboard; or squirrel it up the ladder and hope the trapdoor opens for us, and whoever’s coming doesn’t follow. We probably wouldn’t make it up the ladder now. Suddenly Brubeck’s bundling me into the cupboard, then he gets in too and pulls the door shut the best he can. It’s smaller than it looked from the outside; it’s like hiding yourself in half a vertical coffin—with a boy you have no interest in being crushed up against. Brubeck pulls the door shut …
“But the man believes he’s the Second Comin’ of Fidel soddin’ Castro!” The voices enter the vestry. “Love Maggie Thatcher or loathe her, and there’s plenty who do both, she didwin an election, which Arthur Scargill hasn’t. He didn’t even ballot his own union.”
“None of that’s the point,” says a Londoner. “This strike’s about the future. That’s why the government’s using every dirty trick in the book—MI5 spies, lies in the media, no benefits for miners’ families … Mark my words, if the miners lose, your children’ll be working Victorian hours for Victorian wages.”
Brubeck’s kneecap in my thigh’s giving me a slow dead leg.
I swivel a bit; his ow ow owis quieter than a whisper.
“We can’t keep dying industries alive forever,” the yokel’s arguing back, “that’s the point. Otherwise we’d still be forkin’ out for castle builders or canal diggers or druids. Scargill’s arguing for the economics of Fantasy Island and the politics of Bullshit Mountain.”
I feel Brubeck’s chest, rising and falling against my back.
“Ever been to a mining town?” asks the Londoner. “You can’t go now ’cause the fuzz won’t let you near, but when the mine goes, the town dies. Wales and the north ain’t the south, Yorkshire ain’t Kent, and energy ain’t just another industry. Energy’s security. The North Sea oil fields won’t last forever, and then what?”
“A quality debate, gents,” says the woman, “but the bells?”
Feet clop up a wooden ladder; lucky we didn’t choose the bell tower. A minute goes by. Still no sound from the vestry. I think all three’ve gone up. I shift a fraction and Brubeck gasps in pain. I risk whispering, “Are you okay?”
“No. You’re crushing my nuts, since you asked.”
“You can adopt.” I try to give him more room, but there isn’t any. “Think we should make a run for it?”
“Perhaps a silent creep, once the—”
The stuffy darkness booms with bells. Brubeck opens the door—fresher air floods in—half hobbles out, then helps me climb out. High above, two chubby calves are dangling down through the hatch. We tiptoe to the door, like a pair of total wallies from Scooby-Doo …
ME AND BRUBECK leg it down the lane, like we’ve escaped from Colditz. The bells sound sloshy and shiny in the blue dark. I get a stitch so we stop at a bench by the village sign. “Typical,” says Brubeck. “I want to show off my ‘How to Survive in the Wild’ skills, and it’s the Invasion of the Wurzels instead. I need a fag. You?”
“Okay. Will they be ding-donging for a while?”
“Guess so.” Brubeck hands me a cigarette and holds out a lighter; I dip the tip in the flame. “I’ll let you back in when they’ve gone. Yale locks are a cinch, even in the dark.”
“But shouldn’t you be getting home?”
“I’ll call my mum from the phone box by the pub and say I’m staying out night-fishing after all. Little white lie.”
I need his help, but I’m nervous ’bout a price tag.
“Don’t worry, Sykes. My intentions are honorable.”
I think of Vinny Costello and flinch. “Good.”
“Guys don’t justthink ’bout getting off with girls, y’know.”
I fire a beam of smoke straight at Brubeck’s face, so he has to squint and look away. “I’ve got an older brother,” I tell him. We’re by an overgrown orchard, so when we’ve finished our cigarettes we climb in and scrump a few unripe apples. There’s a brick wall to clamber up. The apples are tart as limes, but good after an oily dinner. Lights blink on the power station we passed earlier. “Out thataway,” Brubeck chucks an apple core in the general direction, “past them hazy lights on the Isle of Sheppey, there’s a fruit farm, Gabriel Harty’s. I worked the strawberry season there last year and made twenty-five quid a day. There’s dorms for the pickers, and once the exams are over, I’m going back. I’m saving for an InterRail in August.”
“What’s an InterRail?”
“Seriously?”
“Seriously.”
“A train pass. You pay a hundred and thirty quid and then you can travel all over Europe, for a month, for free. Second-class, but still. From the tip of Portugal to the top of Norway. Eastern-bloc countries too, Yugoslavia and places. The Berlin Wall. Istanbul. In Istanbul, there’s this bridge, right. One side’s in Europe and the other’s in Asia. I’m going to walk across it.”
Far away, a lonely dog barks, or perhaps a fox.
I ask, “What do you do in all these countries?”
“Look around. Walk. Find a cheap bed. Eat what the locals eat. Find a cheap beer. Try not to get fleeced. Talk. Pick up a few words in the local lingo. Just bethere, y’know? Sometimes,” Brubeck bites into an apple, “sometimes I want to be everywhere, all at once, so badly I could just …” Brubeck mimes a bomb going off in his ribcage. “Do you never get that feeling?”
A bat flaps by, like it’s on a string in a naff vampire film.
“Not really, if I’m honest. The furthest I’ve ever been’s Ireland, to see my mum’s relatives in Cork.”
“What’s it like?”
“Different. It’s not all checkpoints and bombs like up north, though the Troubles are still in the air a bit, and it’s best to shut up about politics. They hateThatcher ’cause of Bobby Sands and the hunger strikers. I’ve got this one great-aunt, my mam’s aunt Eilнsh—she’s brilliant. She keeps hens and has a gun in her coal hole, and when she was younger she cycled all the way to Kathmandu. Really, she did. She felt that wanna-be-everywhere boomthing, for sure. I’ve seen photos and newspaper cuttings and stuff. She lives on this long headland near Bantry—the Sheep’s Head peninsula. It’s like the edge of the world. There’s nothing there, no shops or anything, but”—there’s not many people I’d admit this to—“I really loved it.”
There’s a moon sharp enough to cut your finger on.
We say nothing for a bit, but it’s not an awkward nothing. Then Brubeck says, “D’you know ’bout the second umbilical cord, Sykes?”
I can’t make out his face anymore. “You what?”
“When you’re a baby in the womb, there’s this cord—”
“I know what an umbilical cord is, thanks. But a second one?”
“Well, psychologists say there’s a second umbilical cord, an invisible one, an emotional one, which ties you to your parents for the whole time you’re a kid. Then, one day, you have a row with your mum if you’re a girl, or your dad if you’re a boy, and that argument cuts your second cord. Then, and only then, are you ready to go off into the big wide world and be an adult on your own terms. It’s like a rite-of-passage thing.”
“I argue with my mam, like, daily. She treats me like I’m ten.”
Brubeck lights another fag, takes a drag, and passes it to me. “I’m talking a bigger, nastier fight. Afterwards you know it happened. You’re not the kid you were.”
“And you’re sharing these pearls of wisdom with me why?”
He lines up his answer carefully. “If you’re running off because your dad’s a petty crim who beats your mum up and throws you downstairs when you try to stop him, then running away’s the clever thing to do. Go. I’ll give you my InterRail money. But if you’re sat on this wall tonight just because your umbilical cord got snipped, then, yeah, it hurts, but it had to happen. Cut your mum a bit of slack. It’s just a part of growing up. You shouldn’t be punishing her for it.”
“She slappedme.”
“Bet she feels like shit about it now.”
“You don’t even know her!”
“Are you sure you do, Sykes?”
“What’s thats’posed to bloody mean?”
Brubeck lets it drop. So I let it drop too.
· · ·
THE CHURCH IS quiet as the grave. Brubeck’s asleep in a nest of dusty cushions. We’re up on this gallery thing along the back wall, so we won’t be spotted if any Satan worshipers drop by for a black mass. My calves are sore, my blister’s throbbing, and my mind keeps rewinding to the scene with Vinny and Stella. Wasn’t I good enough at sex? Didn’t I dress right, talk right, like the right music?
22:58, glows my Timex. The maddest minutes of the week at the Captain Marlow are right now: last orders on a Saturday night. Mam, Dad, and Glenda, who just works weekends, will be going full pelt; a roaring wall of drinkers flapping fivers and tenners through the fog of smoke and the racket of chatter, shouts, laughs, curses, flirting … Nobody’ll care where Holly’s ended up tonight. On the jukebox “Daydream Believer” or “Rockin’ All Over the World” or “American Pie” will be booming through the building. Sharon’s fallen asleep with her flashlight on under the blanket. Jacko’s asleep with people murmuring foreign languages on his radio. Up in my room, my bed’s unmade, my schoolbag’s slung over my chair. A basket of washed laundry’s just inside the door, where Mam puts it when she’s pissed off with me. Which is most days now. The big glow of Essex at night’ll be shining orangy light across the river, through my undrawn curtains, over the Zenyatt а Mondattaand The Smithsposters I scavved from the Magic Bus. But I’m not going to start missing my room now.
No fecking way.
July 1
TIN WHISTLES, SCRATTY NOISES, birdsong, and a stained-glass angel. The little church on the Isle of Grain, I remember now, lit by sun through the first crack of the day. Mam. The row. Stella and Vinny, waking up in each other’s arms. My throat goes tight. I s’pose if some man’s been inside you often enough, it’ll take a while to get rid of him. Love’s pure free joy when it works, but when it goes bad you pay for the good hours at loan-shark prices. 06:03, says my Timex. Sunday. Ed Brubeck: There he is, asleep on his cushiony things, mouth squashed open, hair floppy. His baseball cap sits on his neatly folded lumberjack shirt. I rub the sleep from my eyes. I was dreaming about Jacko and Miss Constantin holding open a curtain of air, and stone steps going up like in an Indiana Jonesfilm …
Who cares? I lost Vinny. Stella stole Vinny.
Ed Brubeck snores like a bear. Brubeck wouldn’t two-time his girlfriend. If he has one. Most boys in my year drop hints ’bout losing their virginity at a mate’s party, specially boys who haven’t, stroking their bum-fluff moustaches … Ed Brubeck doesn’t do any of that, which means probably he has done it. If it was with someone at our school, I’d’ve heard. Dunno, though. He keeps his mouth shut.
Mind you, he told me quite a bit yesterday.
His dad, his family, everything. Why me?
Watch his sleeping, pointy, half-man-half-boy’s face.
And the answer’s obvious: ’Cause he fancies you, you prawn!
If he fancies me, why didn’t he make a pass at me?
He’s clever, I realize. First he makes you grateful.
Right. Of course. I do believe it’s time I was off.
DANDELIONS AND THISTLES grow along the cracked track and the hedges are taller than me. The early sun’s like laser beams. Dunno why I nicked Brubeck’s cap as I crept away, but I’m glad I did. He won’t mind, much. Should be able to cut across the fields to the main road to Rochester—six, seven miles away, I reckon. My blisters’ll take it. They’ll have to; I don’t have a first-aid box in my duffel bag. I feel a jab of hunger, but my stomach’ll just have to put up and shut up—I’ll find something to eat at Rochester. Perhaps I should’ve said bye and thanks to Brubeck but if he’d have answered, “No worries, Sykes, but are you sure I can’t give you a backie back to Gravesend?” all cheerful-like, I’d’ve found it too hard to say no.
Up ahead, I see the track ending at a farmyard.
I climb a gate and skirt round a field of cabbages.
Another gate. A hawk thing’s a speck in the sky.
Six days should do it. The police only get interested in missing teenagers once a week’s up. Six days’ll show Mam I canlook after myself in the big bad world. I’ll be in a stronger, whatchercallit?, a stronger negotiating position. And I’ll do it on my own, without a Brubeck to get all boyfriendish on me. I’ll have to be careful to make my money last. Remember that time I tried my hand at shoplifting?
One Saturday last year a bunch of us went to Chatham Roller Disco for Ali Jessop’s birthday, but it was so lame that me and Stella and Amanda Kidd sneaked off to the high street. Amanda Kidd said, “Who wants to go fishing, then?” I didn’t want to but Stella said okay, so I acted all cool too and we went into Debenhams. I’d never nicked anything in my life and really I almost peed myself, but I watched Stella. She asked the shop assistant something pointless and a bit later, accidentally on purpose, dropped two lipsticks from the cosmetics stand. When she bent down to pick them up she put one of them in her boot. I did the same with some earrings I liked, and on my way out of the shop, I even asked the assistant what time they were open till. Once we were safe outside, the world felt different, like the rules had been changed. If you keep your nerve, you get what you want. Amanda Kidd had got a pair of sunglasses worth a tenner, Stella had some Estйe Lauder lippy, and my fake diamond earrings sparkled like real ones. Next we went to the Sweet Factory, where me and Amanda Kidd stuffed sweets into our clothes while Stella told the Saturday boy she’d seen him here every week for ages, and even dreamt about him, and would he like to go for a walk with her somewhere private after work? Last we went to Woolworths. Stella and me drifted away to look at the Top 40 singles, innocent enough, but the next minute the manager and an assistant were walling us in, and this store-detective guy had Amanda Kidd—shaking and white as a sheet—by the arm and saying, “These are the two she came into the shop with.” The manager ordered us upstairs to his office. All my willpower and attitude withered away, but Stella snapped back, “By whomam I being addressed?” Her voice came out posh and sharp.
The manager said, “Just come quietly, sweetheart,” and tried to put his hand on her shoulder.
Stella slapped it away and snapped at full volume, “Keep your grubby paws off me, you horrid little man! I neither know why you’ve linked my sister and me with this … shoplifter,” she sneered at Amanda Kidd, who now shook and sobbed, “but you’ll tell us exactlywhy we’d steal any of the crap you sell in your ghastly little shop”—here she emptied her handbag onto the record counter—“and you’d better be right, Mr. Manager, or my father will serve you a writ first thing Monday. Make no mistake: I know my rights.” Lots of customers were rubbernecking our way and, miracle of miracles, the manager backed down, and muttered that perhaps the store detective was mistaken and we were free to go. Stella snapped, “I knowI’m free to go!,” put her things back in her handbag, and out we huffed.
We sneaked back to the roller disco and didn’t tell anyone what’d happened. Amanda Kidd’s mum had to go and get her in the end. I was panicking she’d grass us off, but she didn’t dare. Amanda Kidd ate lunch with a different bunch of girls that week, and we’ve never really spoken since. She’s in the second-from-top class in our year now, so perhaps getting caught was good for her, sort of. The point is, unlike Stella, I’m not a natural thief, or a natural liar. That day in Woolworths, she even convinced mewe were innocent. And look what a fool she made of me, when my turn came to be Amanda Kidd–ed. Doesn’t Stella need friends? Or for Stella, are friends just a way to get what you want?
ON MY LEFT’S a steep embankment, with a dual carriageway running along the top, and on my right a field’s been cleared for a massive housing estate by the look of it. There’s diggers and bulldozers and Portakabins and tall wire fences and notices saying HARD HATS MUST BE WORN, and over a sign saying UNAUTHORISED ENTRY IS FORBIDDEN someone’s sprayed AINT NO BLACK IN THE UNION JACK, plus a couple of swastikas for good measure. It’s still early: 07:40. Brubeck’ll be cycling home, but back at the pub Mam and Dad’ll still be in bed. Up ahead’s the entrance to an underpass going under the fast road above. When I’m about a hundred meters away, I see a boy there, and I stop, and this is really odd, but I could swear …
It’s Jacko. He just stands there, watching me. The real Jacko’s twenty-odd miles away, I know, drawing a maze or reading a chess book or doing something Jacko-ish, but the kid I’m looking at’s got the same floppy brown hair, shape, way of standing, even a red Liverpool FC top. I know Jacko and this is him or an identical twin nobody knows about. I keep walking, not daring to blink in case he vanishes. When I’m fifty meters away I wave, and the kid who can’t be my little brother waves. So I shout his name. He doesn’t shout back, but turns and walks down into the underpass. I don’t know what to make of it, but I jog along now, nervous that Jacko’s done a runner to come and find me, even though the sensible part of me is sure it can’t be him ’cause how’d Jacko know where to look?
I run as fast I can, now, knowing something strange is going on, but not knowing what. The underpass is for walkers and cyclists only so it’s quite narrow, and as long as the width of the four traffic lanes and the grass in the middle it goes under. Ahead, down and then up a bit, the far exit’s a square of fields, sky, and roofs. I’ve taken a few steps in before I notice it: Instead of getting darker towards the middle of the underpass, it’s actually getting lighter; instead of getting echoier, it’s getting more muffled. I tell myself, It’s just an illusion, don’t worry, but after a few more steps, I’m sure of it: The underpass is changing its shape. It’s wider and higher, with four corners, a big diamond-shaped room … It’s becoming somewhere else. It’s incredible and it’s terrifying. I know I’m awake but I know this can’t be real. I stop walking altogether; I’m scared of hitting the wall. Where is this? I’ve been nowhere like it. Is it a daymare? Is all that stuff waking up again? There are narrow windows to my left and right, about ten paces away. I’m not going to look through them—they’d be well past the underpass walls—but through the left window I see dunes, gray dunes, climbing up towards a high ridge, but through the right-hand window it’s darker: The dunes roll down towards a sea, but it’s a black sea, utterly black-black, like darkness in a box in a cave a mile underground. A long table’s appeared in the middle of the chamber, wherever we are, and I’m walking down on the left side of it, and look, there’s a woman, keeping pace with me, on the right. She’s young and beautiful in a cold way, like an actress who can’t be touched; she’s got white-blond hair and bone-pale skin, rich rose-red lips and a midnight-blue ball gown like a woman from a story …
Miss Constantin, from my armchair when I was seven years old. Why’s my mind doing this to me now? We head towards a picture hanging in a sharp corner, of a man like a saint from Bible times, but his face has no eyes. I’m inches away now. There’s a black spot on the saint’s forehead, a bit above where the eyebrows meet. It’s growing. The spot’s a dot. The dot’s an eye. Then I feel one on my own forehead, in the same place, but I’m not quite sure I’m still Holly Sykes, not exactly, though if I’m not me, who else could I be? From the spot between my eyes something comes out and hovers there. If I look straight at it, it goes, but if I look away a bit, it’s like a small, shimmery planet thing. Then another comes out, and another, and another. Four shimmerings. I taste green tea. Then it’s like bombs going off and Miss Constantin’s howling and her hands are talons, but she’s flung away, bowled down the table by whip-cracking blue light. The old saint’s mouth’s opened, full of animal teeth, and metal screams and stone groans. Figures and shadows appear like a shadow-puppet show in the mind of someone going mad. One older man springs onto the table. He has piranha-fish eyes, curly black locks, a busted nose, a black suit, and there’s a strange indigo light coming off him, like he’s radioactive. He helps Miss Constantin up, and she points a silver-tipped finger straight towards me. Black flames and a roaring loud as jet engines fill the place, and I can’t run and I can’t fight, and I can’t even see anymore so all I can do is stand there and listen to voices, like voices shouting as a building collapses on their owners, but I catch one clear voice saying, I’ll be here. Then there’s a new shaking, and a light brighter than suns is powering up and up and up until my eyeballs melt in their sockets …
… and gray comes in through the cracks, birdsong too, and the sound of a lorry passing overhead, and a sharp pain from a knocked ankle, and I’m crouching on the concrete ground of an underpass, just a few yards from the exit. A breeze that smells of car fumes washes over my face, and it’s over, my daymare, my vision, my whatever-it-was, is over. There’s no one to ask, Did you see that too?There’s just those three words, I’ll be here. I wobble out into the light, into the dry blue morning, still shaking with the gutted weirdness of it all, and sit on the grass bank. Perhaps daymares are like cancer, which goes away and comes back when you think you’re all clear. Perhaps whatever Dr. Marinus did to fix me is wearing off. Perhaps the stress of yesterday, of Mam and Vinny and everything, triggered some sort of relapse. I just dunno. There was no sign of Jacko, so I must’ve imagined seeing him, too. Good. I’m glad he’s safe at the Captain Marlow, twenty miles away, even though I’d love to see him, to know he’s okay, even though I know he’s fine and there’s nothing to worry about.
THE FIRST TIME I saw Jacko, he was in an incubator ’cause he was born too soon. That was in Gravesend General Hospital, too, though the maternity wing’s in a different building. Mam, who’d just had a C-section, looked tireder than I’d ever seen her, but happier, too, and told us to say hi to our new brother, Jack. Dad had been at the hospital all the previous day; he looked and smelt like he’d been sleeping in a car park for a week. Sharon, I remember, was most dischuffed at losing her cutest-thing-at-the-Captain-Marlow crown, specially to this monkey-shrimp in a nappy with tubes coming off of him. Brendan was fifteen and spooked by all the bawling, breast-feeding, sick and poo in the ward. I tapped on the glass and said, “Hi, Jacko, I’m your big sister,” and his fingers waggled, just a tiny, tiny bit, like he was waving. The God’s honest truth, that; nobody else saw but I felt a tickle in my heart and I felt willing and able to kill to protect him, if I had to. I still feel it, when some twat talks ’bout the “weirdo” or the “freak” or the “premature one.” People can be so crap. Why’s it okay to draw spaceships if you’re seven, but not okay to draw diabolical mazes? Who decides that spending money on Space Invaders is fine, but if you buy a calculator with loads of symbols you’re asking to be picked on? Why’s it okay to listen to the Top 40 on Radio 1 but not okay to listen to stations in other languages? Mam and Dad sometimes decide Jacko needs to read less and play footy more, and for a bit he’ll act more like a normal seven-year-old kid, but it’s only acting, and we all know it. Just now and then who he really is smiles out at me through the blacks of Jacko’s eyes, like someone watching you from a train zipping past. At those times, I almost want to wave, even though he’s just across the table, or we’re passing on the stairs.
· · ·
HALLUCINATIONS OR NOT, I can’t just sit on my arse all day. I need food and a plan. So off I walk, and after a roundabout, the fields stop and I’m back in the world of garden fences, billboards, and zebra crossings. The sky’s hazing over a bit and I’m thirsty again. I haven’t had a proper drink since me and Brubeck got some water from a tap in the church, and the rules say that you can’t knock on a door and ask for a glass of water in a town the way you can in the middle of nowhere. A park with a water fountain’d be perfect, or even a public toilet, but there’s no sign of either. I’d like to brush my teeth, too; they’re all scaly like the inside of kettles. I smell bacon from a window and stomach pangs wake up, and here comes a bus with GRAVESEND written on it. Hop aboard, I could be home in forty-five minutes …
Sure, but picture Mam’s face when she opens the side door. The bus wafts by, and on I trog under a railway bridge. Up ahead there’s a row of shops and a newsagent where I can buy a can of drink and a pack of biscuits. There’s a Christian bookshop, a knitting shop, a betting shop, a shop that just sells Airfix models and stuff, and a pet shop, with scabby hamsters in cages. Everything’s mostly closed and a bit sad. Okay, so I’m arriving in Rochester. Now what?
