Текст книги "The Brothers Karamazov"
Автор книги: Федор Достоевский
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Chapter 3: The Confession of an Ardent Heart. In Verse
Alyosha, having heard the order his father shouted to him from the carriage as he was leaving the monastery, remained for a while in great perplexity. Not that he stood there like a post—such things did not happen to him. On the contrary, despite all his anxiety, he managed to go at once to the Superior’s kitchen and find out what his father had done upstairs. And then he set off for town, hoping that on the way he would somehow succeed in resolving the problem that oppressed him. I hasten to say that he was notin the least afraid of his father’s shouts or his order to move home with “pillows and mattress.” He understood very well that the order to move, given aloud and with such ostentatious shouting, was given “in passion,” even for the beauty of it, so to speak—just as recently in our town a tradesman who got a little too merry at his own birthday party, in front of his guests, became angry when they would not give him more vodka and suddenly began smashing his own dishes, tearing up his and his wife’s clothes, breaking his furniture, and, finally, the windows, and all, again, for the beauty of it. The same sort of thing, of course, had now happened with his father. And of course the next day the too-merry tradesman sobered up and was sorry for the broken cups and dishes. Alyosha knew that the old man, too, would surely let him return to the monastery the next day, or perhaps even that same day. He was also quite sure that he was the last person his father would want to offend. Alyosha was sure that no one in the whole world would ever want to offend him, and not only would not want to but even would not be able to. For him this was an axiom, it was given once and for all, without argument, and in that sense he went ahead without any hesitation.
But at that moment another fear was stirring in him, of quite another sort, and all the more tormenting since he himself was unable to define it: namely, the fear of a woman, and, namely, of Katerina Ivanovna, who so insistently pleaded with him, in the note just given him by Madame Khokhlakov, to visit her for some reason. This demand, and the absolute necessity of going, immediately awakened some tormenting feeling in his heart, and all morning as time went on this feeling grew more and more painful, despite all the subsequent scenes and adventures in the monastery, and just now at the Superior’s, and so on and so forth. He was afraid not because he did not know what she wanted to talk with him about or what he would answer. And generally it was not the woman in her that he was afraid of: he had little knowledge of women, of course, but still, all his life, from his very infancy right up to the monastery, he had lived only with women. It was this woman he was afraid of, precisely Katerina Ivanovna herself. He had been afraid of her ever since he saw her for the first time. And he had seen her only once or twice, perhaps even three times, and had even chanced to exchange a few words with her once. Her image he recalled as that of a beautiful, proud, and imperious girl. But it was not her beauty that tormented him, it was something else. It was precisely the inexplicable nature of his fear that now added to the fear itself. The girl’s aims were the noblest, that he knew; she was striving to save his brother Dmitri, who was already guilty before her, and she was striving solely out of magnanimity. And yet, despite this awareness and the justice he could not fail to do to all these beautiful and magnanimous feelings, a chill ran down his spine the closer he came to her house.
He reckoned that he would not find his brother Ivan Fyodorovich, who was so close with her, at her house: his brother Ivan was certainly with their father now. It was even more certain that he would not find Dmitri there, and he sensed why. So their conversation would be one to one. He would have liked very much to see his brother Dmitri, to run over to him before this fateful conversation. He would have a word with him without showing him the letter. But his brother Dmitri lived far away and most likely was not at home either. He stood still for a moment and at last made a final decision. He crossed himself with an accustomed and hasty cross, at once smiled at something, and firmly went to meet his terrible lady.
He knew her house. But if he were to go to Main Street, then across the square and so on, it would be rather long. Our small town is extremely sprawling, and the distances can sometimes be quite great. Besides, his father was expecting him, had perhaps not yet forgotten his order, and might wax capricious, and therefore Alyosha had to hurry to get to one place and the other. As a result of all these considerations, he decided to cut the distance by going the back way, which he knew like his own hand. That meant passing along deserted fences, almost without a path, sometimes even climbing over other people’s fences and past other people’s yards, where, by the way, everyone knew him and said hello to him. That way he could get to Main Street twice as soon. In one place he even had to pass very close to his father’s house—namely, by the garden adjacent to his father’s, which belonged to a decrepit, crooked little house with four windows. The owner of this little house was, as Alyosha knew, a bedridden old woman who lived with her daughter, a former civilized chambermaid from the capital, who until recently had lived in generals’ homes, and who now had come home for about a year already, because of the old woman’s infirmity, and paraded around in smart dresses. The old woman and her daughter fell into terrible poverty, however, and even went every day to the kitchen of their neighbor, Fyodor Pavlovich, for soup and bread. Marfa Ignatievna gladly ladled out the soup for them. But the daughter, while coming for soup, did not sell a single one of her dresses, one of which even had a very long train. This last circumstance Alyosha had learned—quite accidentally, of course—from his friend Rakitin, who knew decidedly everything in their little town, and having learned it, he naturally forgot it at once. But coming up to the neighbor’s garden, he suddenly remembered precisely about the train, quickly raised his downcast and thoughtful head, and ... stumbled into a most unexpected meeting. In the neighbors’ garden, perched on something on the other side of the wattle fence, and sticking up half over it, stood his brother Dmitri Fyodorovich, wildly gesticulating, waving and beckoning to him, apparently afraid not only to shout but even to speak aloud, for fear of being heard. Alyosha at once ran up to the fence.
“It’s a good thing you looked up yourself—I was just about to call out to you,” Dmitri Fyodorovich whispered to him joyfully and hurriedly. “Climb up here! Quick! Ah, how good that you’ve come. I was just thinking about you...”
Alyosha was glad himself and was only wondering how to get over the fence. But “Mitya” caught hold of his elbow with his powerful hand and helped him to jump. Alyosha tucked up his cassock and jumped over with the agility of a barefoot street urchin.
“Bravo! Let’s go!” Mitya burst out in a delighted whisper.
“Where?” Alyosha also whispered, looking around on all sides and finding himself in a completely deserted garden with no one there but the two of them. The garden was small, but even so the owner’s little house stood no less than fifty paces away from them. “Why are you whispering? There’s no one here.”
“Why am I whispering? Devil take it,” Dmitri Fyodorovich suddenly shouted at the top of his lungs, “why am I whispering! You see what jumbles of nature can suddenly happen? I’m here in secret, I’m guarding a secret. Explanation to follow; but knowing it’s a secret, I suddenly began to speak secretly, whispering like a fool when there’s no need to. Let’s go! Over there! Till then, silence. I want to kiss you!
Glory to the Highest in the world, Glory to the Highest in me ... ! [79]
I was sitting here reciting that just before you came.”
The garden was about three acres or a little less, but there were trees planted only around it, along all four fences—apple trees, maples, lindens, birches. The middle of the garden was empty, a meadow that yielded several hundred pounds of hay in the summer. The owner rented the garden out for a few roubles each spring. There were rows of raspberries, gooseberries, currants, all near the fence as well; there was a vegetable garden up next to the house, started, in fact, quite recently. Dmitri Fyodorovich led his guest to the corner of the garden farthest from the house. Suddenly, amid a thicket of lindens and old currant, elder, snow ball, and lilac bushes, something that looked like the ruins of an ancient green gazebo appeared, blackened and lopsided, with lattice sides, but with a roof under which it was still possible to find shelter from the rain. The gazebo had been built God knows when, about fifty years ago according to tradition, by the then owner of the house, Alexander Karlovich von Schmidt, a retired lieutenant colonel. But everything. was decayed, the floor was rotted, all the planks were loose, the wood smelled of dampness. Inside the gazebo stood a green wooden table, fixed in the ground, and around it were benches, also green, on which it was still possible to sit. Alyosha had noticed at once his brother’s exalted state, but as he entered the gazebo, he saw on the table half a bottle of cognac and a liqueur glass.
“It’s cognac!” Mitya laughed loudly. “I see your look: ‘He’s drinking again! ‘ Do not believe the phantom.
Do not believe the empty, lying crowd, Forget your doubts . . . [80]
I’m not drinking, I’m just relishing, as that pig of yours, Rakitin, says; and he’ll become a state councillor and still say ‘relishing.’ Sit down. I could take you, Alyoshka, and press you to my heart until I crushed you, for in all the world ... I really ... re-al-ly ... (understand?) ... love only you!”
He spoke this last line almost in a sort of ecstasy.
“Only you, and also one other, a ‘low woman’ I’ve fallen in love with and it was the end of me. But to fall in love does not mean to love. One can fall in love and still hate. Remember that! I say it now while there’s still joy in it. Sit down here at the table, I’ll be right beside you, and I’ll look at you and go on talking. You’ll keep quiet and I’ll keep talking, for the time has come. And by the way, you know, I’ve decided we really ought to speak softly, because here ... here ... the most unexpected ears may turn up. I’ll explain everything: sequel to follow, as they say. Why was I longing for you, thirsting for you now, all these days and now? (It’s five days since I dropped anchor here.) Why all these days? Because I’ll tell everything to you alone, because it’s necessary, because you’re necessary, because tomorrow I’ll fall from the clouds, because tomorrow life will end and begin. Have you ever felt, have you ever dreamed that you were falling off a mountain into a deep pit? Well, I’m falling now, and not in a dream. And I’m not afraid, and don’t you be afraid either. That is, I am afraid, but I’m delighted! That is, not delighted, but ecstatic ... Oh, to hell with it, it’s all the same, whatever it is. Strong spirit, weak spirit, woman’s spirit—whatever it is! Let us praise nature: see how the sun shines, how clear the sky is, the leaves are all green, it’s still summer, four o’clock in the afternoon, so calm! Where were you going?”
“To father’s, but first I wanted to stop and see Katerina Ivanovna.”
“To her, and to father! Whew! A coincidence! Why was I calling you, wishing for you, why was I longing and thirsting for you with every curve of my soul and even with my ribs? Because I wanted to send you precisely to father, and then to her as well, to Katerina Ivanovna, to have done with her and with father. To send an angel. I could have sent anybody, but I need to send an angel. And here you are going to her and father yourself.”
“Did you really want to send me?” Alyosha let fall, with a pained expression on his face.
“Wait! You knew it! And I see that you understood everything at once. But not a word, not a word now. Don’t pity me, and don’t cry!”
Dmitri Fyodorovich stood up, thought for a moment, and put his finger to his forehead:
“She sent for you herself, she wrote you a letter or something like that, and that’s why you were going to see her, otherwise why would you go?”
“Here’s the note.” Alyosha took it from his pocket. Mitya quickly read it over.
“And you were going the back way! Oh, gods! I thank you that you sent him the back way and he got caught, like the golden fish in the tale who gets caught by an old fool of a fisherman. [81]Listen, Alyosha, listen, brother! Now I’m going to tell you everything. For I surely must tell at least somebody. I’ve already told it to an angel in heaven, but I must also tell it to an angel on earth. You are the angel on earth. You will listen, you will judge, and you will forgive ... And that is what I need, that someone higher forgive me. Listen: if two beings suddenly break away from everything earthly and fly off into the extraordinary, or at least one of them does, and before that, as he flies off or perishes, he comes to someone else and says: do this or that for me, something that one would never ask of anybody except on one’s deathbed—can that person refuse to do it ... if he’s a friend, a brother?”
“I’ll do it, but tell me what it is, and quickly,” said Alyosha.
“Quickly ... Hm. Don’t be in a hurry, Alyosha: you hurry and worry. There’s no rush now. Now the world has come out onto a new street. Hey, Alyosha, it’s a pity you never hit on ecstasy! But what am I saying? As if you hadn’t hit on it! What a babbler I am:
= man, be noble!
Whose line is that?” [82]
Alyosha decided to wait. He realized that all his business was now, indeed, perhaps only here. Mitya thought for a moment, leaning his elbow on the table and resting his head in his hand. Both were silent.
“Lyosha,” said Mitya, “you alone will not laugh. I wanted to begin ... my confession ... with Schiller’s hymn to joy. An die Freude! [83] But I don’t know German, I only know it’s An die Freude.And don’t think this is drunken nonsense. I’m not drunk at all. Cognac is cognac, but I need two bottles to get drunk—
And a ruddy-mugged Silenus Riding a stumbling ass– [84]
and I haven’t drunk even a quarter of a bottle, and I’m not Silenus. Not Silenus, but not silent either, because I’m telling you I’ve made a decision forever. Forgive the pun; you’ll have to forgive me a lot more than puns today. Don’t worry, I’m not losing the point, I’m talking business, and I’ll get to business at once. I won’t leave you hanging. Wait, how does it go ... ?”
He raised his head, thought for a moment, and suddenly began ecstatically:
Darkly hid in cave and cleft
Shy, the troglodyte abode; Earth a waste was found and left
Where the wandering nomad strode: Deadly with the spear and shaft,
Prowled the hunter through the land; Woe to the stranger waves may waft
On an ever-fatal strand!
Thus was all to Ceres, when Searching for her ravish’d child
(No green culture smiling then),
O’er the drear coast bleak and wild,
Never shelter did she gain,
Never friendly threshold trod;
All unbuilded then the fane,
All unheeded then the god!
Not with golden corn-ears strew’d
Were the ghastly altar stones; Bleaching there, and gore-imbued,
Lay unhallow’d human bones! Wide and far, where’er she roved,
Still reign’d Misery over all; And her mighty soul was moved At man’s universal fall. [85]
Sobs suddenly burst from Mitya’s breast. He seized Alyosha’s hand. “My friend, my friend, still fallen, still fallen even now. There’s so terribly much suffering for man on earth, so terribly much grief for him! Don’t think I’m just a brute of an officer who drinks cognac and goes whoring. No, brother, I hardly think of anything else, of anything but that fallen man, if only I’m not lying now. God keep me from lying, and from praising myself! I think about that man, because I myself am such a man.
That men to man again may soar,
Let man and Earth with one another Make a compact evermore—
Man the son, and Earth the mother ... [86]
There’s just one thing: how can I make a compact with the earth evermore? I don’t kiss the earth, I don’t tear open her bosom; what should I do, become a peasant or a shepherd? I keep going, and I don’t know: have I gotten into stench and shame, or into light and joy? That’s the whole trouble, because everything on earth is a riddle. And whenever I happened to sink into the deepest, the very deepest shame of depravity (and that’s all I ever happened to do), I always read that poem about Ceres and man. Did it set me right? Never! Because I’m a Karamazov. Because when I fall into the abyss, I go straight into it, head down and heels up, and I’m even pleased that I’m falling in just such a humiliating position, and for me I find it beautiful. And so in that very shame I suddenly begin a hymn. Let me be cursed, let me be base and vile, but let me also kiss the hem of that garment in which my God is clothed; let me be following the devil at the same time, but still I am also your son, Lord, and I love you, and I feel a joy without which the world cannot stand and be.
Joy is the mainspring of the whole
Of endless Nature’s calm rotation; Joy moves the dazzling wheels that roll
Within the great heart of creation; Joy breathes on buds, and flowers they are;
Joy beckons, suns come forth from heaven; Joy moves the spheres in realms afar,
Ne’er to thy glass, dim wisdom, given!
All being drinks the mother-dew
Of joy from Nature’s holy bosom; And good and evil both pursue
Her steps that strew the rose’s blossom. The brimming cup, love’s loyalty
Joy gives to us; beneath the sod, To insects—sensuality;
In heaven the cherub looks on God! [87]
But enough poetry! I shed tears; well, then, let me cry. Maybe everyone will laugh at this foolishness, but you won’t. Your eyes are shining, too. Enough poetry. I want to tell you now about the ‘insects,’ about those to whom God gave sensuality:
To insects—sensuality!
I am that very insect, brother, and those words are precisely about me. And all of us Karamazovs are like that, and in you, an angel, the same insect lives and stirs up storms in your blood. Storms, because sensuality is a storm, more than a storm! Beauty is a fearful and terrible thing! Fearful because it’s undefinable, and it cannot be defined, because here God gave us only riddles. Here the shores converge, here all contradictions live together. I’m a very uneducated man, brother, but I’ve thought about it a lot. So terribly many mysteries! Too many riddles oppress man on earth. Solve them if you can without getting your feet wet. Beauty! Besides, I can’t bear it that some man, even with a lofty heart and the highest mind, should start from the ideal of the Madonna and end with the ideal of Sodom. It’s even more fearful when someone who already has the ideal of Sodom in his soul does not deny the ideal of the Madonna either, and his heart burns with it, verily, verily burns, as in his young, blameless years. No, man is broad, even too broad, I would narrow him down. Devil knows even what to make of him, that’s the thing! What’s shame for the mind is beauty all over for the heart. Can there be beauty in Sodom? Believe me, for the vast majority of people, that’s just where beauty lies—did you know that secret? The terrible thing is that beauty is not only fearful but also mysterious. Here the devil is struggling with God, and the battlefield is the human heart. But, anyway, why kick against the pricks? Listen, now to real business.”
Chapter 4: The Confession of an Ardent Heart. In Anecdotes
“I was leading a wild life there. Father said I used to pay several thousand to seduce girls. That’s a swinish phantom, it never happened, and as for what did happen, ‘that,’ in fact, never required any money. For me, money is an accessory, a fever of the soul, an ambience. Today, here she is, my lady—tomorrow a little street girl is in her place. I entertained the one and the other. I threw fistfuls of money around—music, noise, gypsy women. If need be, I’d give her something, because they do take it, they take it eagerly, one must admit, and are pleased, and grateful. The ladies used to love me, not all of them, but it happened, it happened; but I always liked the back lanes, dark and remote little crannies, away from the main square—there lay adventure, there lay the unexpected, nuggets in the dirt. I’m speaking allegorically, brother. In that little town there were no such back lanes, physically, but morally there were. If you were the same as me, you’d know what that means. I loved depravity, I also loved the shame of depravity. I loved cruelty: am I not a bedbug, an evil insect? In short—a Karamazov! Once there was a picnic for the whole town; we went in seven troikas; in the darkness, in winter, in the sleigh, I began squeezing a girl’s hand, the girl who was next to me, and forced her to kiss me—an official’s daughter, a poor, nice, meek, submissive girl. She let me, she let me do a lot in the darkness. She thought, the poor dear, that I would come the next day and propose (I was prized, above all, as an eligible young man); but after that I didn’t say a word to her for five months, not even half a word. I’d see her eyes watching me from the corner of the room when we used to dance (in that town they were always having dances), I saw them burning like little flames—flames of meek indignation. This game only amused my insect sensuality, which I was nurturing in myself. After five months she married an official and left ... angry, and maybe still in love with me. Now they’re living happily together. Note that I didn’t tell anyone, I didn’t defame her; though I have base desires and love baseness, I’m not dishonorable. You’re blushing; your eyes flashed. Enough of this filth for you. And it’s all nothing yet, just Paul de Kock’s little flowers, [88]though the cruel insect was already growing, spreading out in my soul. I have a whole album of memories, brother. God bless the little dears. I preferred not to quarrel when breaking up. And I never gave them away, I never defamed even one of them. But enough. You don’t think I called you in here just for this trash, do you? No, I’ll tell you something more curious; but don’t be surprised that I’m not ashamed before you, but even seem to be glad.”
“You say that because I blushed,” Alyosha suddenly remarked. “I blushed not at your words, and not at your deeds, but because I’m the same as you.”
“You? Well, that’s going a bit too far.”
“No, not too far,” Alyosha said hotly. (Apparently the thought had been with him for some time.) “The steps are all the same. I’m on the lowest, and you are above, somewhere on the thirteenth. That’s how I see it, but it’s all one and the same, all exactly the same sort of thing. Whoever steps on the lowest step will surely step on the highest.”
“So one had better not step at all.” “Not if one can help it.”
“Can you?”
“It seems not.”
“Stop, Alyosha, stop, my dear, I want to kiss your hand, just out of tenderness. That rogue Grushenka has an eye for men; she once told me she’d eat you up some day. I’ll stop, I’ll stop! From abominations, from this flyblown margin, let us move on to my tragedy, another flyblown margin, covered with all kinds of baseness. The thing is that though the old man lied about seducing innocence, essentially, in my tragedy, that’s how it was, though only once, and even so it never took place. The old man reproached me with a fable, but this fact he doesn’t know: I’ve never told anyone, you’ll be the first, except for Ivan, of course, Ivan knows everything. He’s known it for a long time before you. But Ivan is a grave.”
“Ivan is a grave?”
“Yes.”
Alyosha was listening with great attention.
“You see, though I was a lieutenant in a line battalion, even so it was as if I were under observation, like some exile. But that little town received me awfully well. I threw a lot of money around, they thought I was rich, and I thought so myself. However, something else about me must have pleased them as well. Though they wagged their heads, still they really liked me. My colonel, who was an old man, suddenly took a dislike to me. He kept finding fault with me, but I had my connections, and besides the whole town stood up for me, so he couldn’t find too much fault. I was partly to blame, too, I deliberately failed to show due respect. I was proud. This old pighead, who was not at all a bad sort, quite good-natured and hospitable, had had two wives at some point, both deceased. One of them, the first, came from some simple family, and left him a daughter, also a simple person. In my time she was already a maiden of about twenty-four, and lived with her father together with an aunt, her dead mother’s sister. The aunt was simple and meek; the niece, the colonel’s older daughter, was simple and pert. I like to put in a good word for her whenever I think of her: I’ve never known a lovelier woman’s character than in this girl, Agafya was her name, imagine it, Agafya Ivanovna. And she wasn’t bad looking either, for Russian taste—tall, buxom, full-figured, with beautiful eyes and, shall we say, a rather coarse face. She wouldn’t marry, though two men had proposed to her; she declined without losing her cheerfulness. I became close with her—not in that way, no, it was all pure, we were just friends. I often became close with women, quite sinlessly, as a friend. I used to chat with her in such a frank way—whew!—and she just laughed. Many women like frankness, make a note of that, and besides she was a virgin, which I found very amusing. And another thing: it was quite impossible to call her a young lady. She and her aunt lived with her father in some sort of voluntary humility, not putting themselves on a par with the rest of society. Everyone loved her and needed her, because she was a great dressmaker: she had talent, asked no money for her services, did it all as a favor, but if they gave her presents she wouldn’t refuse them. But the colonel was something else again! He was one of the big men of the place. He lived in grand style, entertained the whole town, gave dinners, dances. When I came and joined the battalion, the talk all over the little town was that we were about to have a visitor from the capital, the colonel’s second daughter, a beauty of beauties, who had just finished one of the institutes for well-born young ladies there. This second daughter was none other than Katerina Ivanovna, born of the colonel’s second wife. And this second wife, already dead, was from the great, noble family of some general, though, by the way, I know for certain that she didn’t bring the colonel any money either. So she had her relatives, but that was all; some hopes, maybe, but nothing in her hands. And yet, when the institute girl came (to visit, not to stay), our whole little town seemed to revive: our noblest ladies—two generals’ wives, one colonel’s wife, and after them everyone, everyone immediately got into it, and kept inviting her right and left, entertaining her, she was the queen of the balls, the picnics, they cooked up tableaux vivantsfor the benefit of some governesses. I kept still. I kept on carousing. Just then I fetched off such a stunt that the whole town was squawking about it. I saw her sizing me up; it was at the battery commander’s, but I didn’t go up to her then: I scorn your acquaintance, thought I. I went up to her a bit later on, also at a party; I began talking, she barely looked at me, pressed her contemptuous lips together. Well, thought I, just wait, I’ll get my revenge! I was a terrible boor then, on most occasions, and I felt it. Mainly I felt that ‘Katenka’ was not like some innocent institute girl, but a person of character, proud and truly virtuous, and above all intelligent and educated, while I was neither the one nor the other. You think I wanted to propose? Not at all, I simply wanted revenge because I was such a fine fellow and she didn’t feel it. Meanwhile, riot and ruin! The colonel finally put me under arrest for three days. It was just then that father sent me six thousand, after I’d sent him a formal renunciation of all and all, that is, saying we were ‘quits’ and I would make no further demands. I didn’t understand a thing then: not until I came here, brother, and even not until these very last present days, maybe even not until today, did I understand anything in all these financial squabbles between me and father. But to hell with it, save that for later. Then, when I received that six, I suddenly learned from a friend’s letter something that interested me very much—namely, that there was some dissatisfaction with regard to our colonel, that there was a suspicion that things were not in good order, in short, that his enemies were arranging a little surprise for him. And indeed the division commander came and hauled him over the coals. Then, a little later, he was ordered to apply for retirement. I won’t go into detail about how it all went; he certainly had enemies; but suddenly the town became extremely cool towards him and his whole family, everyone suddenly withdrew. It was then that I did my first stunt; I met Agafya Ivanovna, with whom I had always remained friends, and said: ‘Your papa, by the way, is short forty-five hundred roubles of government money.’ ‘What do you mean? Why do you say that? The general came recently and the cash was all there . . .’ ‘It was there then, but it isn’t now.’ She was terribly frightened: ‘Please don’t frighten me! Who told you?’ ‘Don’t worry,’ I said, ‘I won’t tell anyone, and you know that on that account I’m like the grave, but I wanted to say something more on that account, “just in case,” as it were: when they ask your papa for the forty-five hundred and he hasn’t got it, then instead of having him face court-martial and end up as a foot soldier in his old age, why don’t you secretly send me your institute girl? I’ve just received money; maybe I’ll fork out some four thousand to her and keep it a holy secret.’ ‘Oh, what a scoundrel!’ (She actually said that.) ‘What a wicked scoundrel!’ she said. ‘How dare you!’ She went away terribly indignant, and I shouted after her once more that I’d keep it a holy and inviolable secret. Both women, that is, Agafya and her aunt, I’ll tell you beforehand, turned out to be pure angels in this whole story, and indeed adored this sister, haughty Katya, humbled themselves before her, were like her maids ... Only Agafya then went and told her all about this stunt, I mean our conversation. I learned that later in full detail. She didn’t conceal it, and I ... well, naturally, that was just what I needed.
