Текст книги "The Complete Short Stories"
Автор книги: James Graham Ballard
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Текущая страница: 72 (всего у книги 113 страниц)
As she shouted his name Nolan stared at her, then turned his back to us. The light over Lagoon West had changed. Half the lake was covered by a dim pall.
There was a tug on my sleeve. Petit Manuel looked up at me with his crafty child’s eyes. ‘Major, I can go. Let me take the glider.’
‘Manuel, for God’s sake. You’ll kill—’
He darted between the gilt chairs. Leonora frowned as he plucked her wrist.
‘Miss Chanel…’ His loose mouth formed an encouraging smile. ‘I’ll sculpt for you. Right now, a big storm-cloud, eh?’
She stared down at him, half-repelled by this eager hunchback ogling her beside the hundred eyes of her peacock train. Van Eyck was limping back to the beach from his wrecked glider. I guessed that in some strange way Manuel was pitting himself against Van Eyck.
Leonora grimaced, as if swallowing some poisonous phlegm. ‘Major Parker, tell him to – ‘ She glanced at the dark cloud boiling over the mesa like the effuvium of some black-hearted volcano. ‘Wait! Let’s see what the little cripple can do!’ She turned on Manuel with an over-bright smile. ‘Go on, then. Let’s see you sculpt a whirlwind!’
In her face the diagram of bones formed a geometry of murder.
Nolan ran past across the terrace, his feet crushing the peacock feathers as Leonora laughed. We tried to stop Manuel, but he raced ahead up the slope. Stung by Leonora’s taunt, he skipped among the rocks, disappearing from sight in the darkening air. On the terrace a small crowd gathered to watch.
The yellow and tangerine glider rose into the sky and climbed across the face of the storm-cloud. Fifty yards from the dark billows it was buffeted by the shifting air, but Manuel soared in and began to cut away at the dark face. Drops of black rain fell across the terrace at our feet.
The first outline of a woman’s head appeared, satanic eyes lit by the open vents in the cloud, a sliding mouth like a dark smear as the huge billows boiled forwards. Nolan shouted in warning from the lake as he climbed into his glider. A moment later little Manuel’s craft was lifted by a powerful updraught and tossed over the roof of the cloud. Fighting the insane air, Manuel plunged the glider downwards and drove into the cloud again. Then its immense face opened, and in a sudden spasm the cloud surged forward and swallowed the glider.
There was silence on the terrace as the crushed body of the craft revolved in the centre of the cloud. It moved over our heads, dismembered pieces of the wings and fuselage churned about in the dissolving face. As it reached the lake the cloud began its violent end. Pieces of the face slewed sideways, the mouth was torn off, an eye exploded. It vanished in a last brief squall.
The pieces of Petit Manuel’s glider fell from the bright air.
Beatrice Lafferty and I drove across the lake to collect Manuel’s body. After the spectacle of his death within the exploding replica of their hostess’s face, the guests began to leave. Within minutes the drive was full of cars. Leonora watched them go, standing with Van Eyck among the deserted tables.
Beatrice said nothing as we drove out. The pieces of the shattered glider lay over the fused sand, tags of canvas and broken struts, control lines tied into knots. Ten yards from the cockpit I found Petit Manuel’s body, lying in a wet ball like a drowned monkey.
I carried him back to the sand-yacht.
‘Raymond!’ Beatrice pointed to the shore. Storm-clouds were massed along the entire length of the lake, and the first flashes of lightning were striking in the hills behind the mesa. In the electric air the villa had lost its glitter. Half a mile away a tornado was moving along the valley floor, its trunk swaying towards the lake.
The first gust of air struck the yacht. Beatrice shouted again: ‘Raymond! Nolan’s there – he’s flying inside it!’
Then I saw the black-winged glider circling under the umbrella of the tornado, Nolan himself riding in the whirlwind. His wings held steady in the revolving air around the funnel. Like a pilot fish he soared in, as if steering the tornado towards Leonora’s villa.
Twenty seconds later, when it struck the house, I lost sight of him. An explosion of dark air overwhelmed the villa, a churning centrifuge of shattered chairs and tiles that burst over the roof. Beatrice and I ran from the yacht, and lay together in a fault in the glass surface. As the tornado moved away, fading into the storm-filled sky, a dark squall hung over the wrecked villa, now and then flicking the debris into the air. Shreds of canvas and peacock feathers fell around us.
We waited half an hour before approaching the house. Hundreds of smashed glasses and broken chairs littered the terrace. At first I could see no signs of Leonora, although her face was everywhere, the portraits with their slashed profiles strewn on the damp tiles. An eddying smile floated towards me from the disturbed air, and wrapped itself around my leg.
Leonora’s body lay among the broken tables near the bandstand, half-wrapped in a bleeding canvas. Her face was as bruised now as the storm-cloud Manuel had tried to carve.
We found Van Eyck in the wreck of the marquee. He was suspended by the neck from a tangle of electric wiring, his pale face wreathed in a noose of light bulbs. The current flowed intermittently through the wiring, lighting up the coloured globes.
I leaned against the overturned Rolls, holding Beatrice’s shoulders. ‘There’s no sign of Nolan – no pieces of his glider.’
‘Poor man. Raymond, he was driving that whirlwind here. Somehow he was controlling it.’
I walked across the damp terrace to where Leonora lay. I began to cover her with the shreds of canvas, the torn faces of herself.
I took Beatrice Lafferty to live with me in Nolan’s studio in the desert near Coral D. We heard no more of Nolan and never flew the gliders again. The clouds carry too many memories. Three months ago a man who saw the derelict gliders outside the studio stopped near Coral D and walked across to us. He told us he had seen a man flying a glider in the sky high above Red Beach, carving the strato-cirrus into images of jewels and children’s faces. Once there was a dwarf’s head.
On reflection, that sounds rather like Nolan, so perhaps he managed to get away from the tornado. In the evenings Beatrice and I sit among the sonic statues, listening to their voices as the fair-weather clouds rise above Coral D, waiting for a man in a dark-winged glider, perhaps painted like candy now, who will come in on the wind and carve for us images of seahorses and unicorns, dwarfs and jewels and children’s faces.
1967
Why I Want to Fuck Ronald Reagan
During these assassination fantasies
Ronald Reagan and the conceptual auto-disaster. Numerous studies have been conducted upon patients in terminal paresis (G.P.I.), placing Reagan in a series of simulated auto-crashes, e.g. multiple pile-ups, head-on collisions, motorcade attacks (fantasies of Presidential assassinations remained a continuing preoccupation, subjects showing a marked polymorphic fixation on windshields and rear trunk assemblies). Powerful erotic fantasies of an anal-sadistic character surrounded the image of the Presidential contender. Subjects were required to construct the optimum auto-disaster victim by placing a replica of Reagan’s head on the unretouched photographs of crash fatalities. In 82 per cent of cases massive rear-end collisions were selected with a preference for expressed faecal matter and rectal haemorrhages. Further tests were conducted to define the optimum model-year. These indicate that a three-year model lapse with child victims provide the maximum audience excitation (confirmed by manufacturers’ studies of the optimum auto-disaster). It is hoped to construct a rectal modulus of Reagan and the auto-disaster of maximized audience arousal.
Talus became increasingly obsessed
Motion picture studies of Ronald Reagan reveal characteristic patterns of facial tonus and musculature associated with homoerotic behaviour. The continuing tension of buccal sphincters and the recessive tongue role tally with earlier studies of facial rigidity (cf., Adolf Hitler, Nixon). Slow-motion cine-films of campaign speeches exercised a marked erotic effect upon an audience of spastic children. Even with mature adults the verbal material was found to have minimal effect, as demonstrated by substitution of an edited tape giving diametrically opposed opinions. Parallel films of rectal images revealed a sharp upsurge in anti-Semitic and concentration camp fantasies. with the pudenda of the Presidential contender Incidence of orgasms in fantasies of sexual intercourse with Ronald Reagan. Patients were provided with assembly kit photographs of sexual partners during intercourse. In each case Reagan’s face was superimposed upon the original partner. Vaginal intercourse with ‘Reagan’ proved uniformly disappointing, producing orgasm in 2 per cent of subjects.
Axillary, buccal, navel, aural and orbital modes produced proximal erections. The preferred mode of entry overwhelmingly proved to be the rectal. After a preliminary course in anatomy it was found that caecum and transverse colon also provided excellent sites for excitation. In an extreme 12 per cent of cases, the simulated anus of post-colostomy surgery generated spontaneous orgasm in 98 per cent of penetrations. Multiple-track cine-films were constructed of ‘Reagan’ in intercourse during (a) campaign speeches, (b) rear-end auto-collisions with one and three-year-old model changes, (c) with rear-exhaust assemblies, (d) with Vietnamese child-atrocity victims. mediated to him by a thousand television screens.
Sexual fantasies in connection with Ronald Reagan. The genitalia of the Presidential contender exercised a continuing fascination. A series of imaginary genitalia were constructed using (a) the mouth-parts of Jacqueline Kennedy, (b) a Cadillac rear-exhaust vent, (c) the assembly kit prepuce of President Johnson, (d) a child-victim of sexual assault. In 89 per cent of cases, the constructed genitalia generated a high incidence of self-induced orgasm. Tests indicate the masturbatory nature of the Presidential contender’s posture. Dolls consisting of plastic models of Reagan’s alternate genitalia were found to have a disturbing effect on deprived children.
The motion picture studies of Ronald Reagan Reagan’s hairstyle. Studies were conducted on the marked fascination exercised by the Presidential contender’s hairstyle .65 per cent of male subjects made positive connections between the hairstyle and their own pubic hair. A series of optimum hairstyles were constructed. created a scenario of the conceptual orgasm, The conceptual role of Reagan. Fragments of Reagan’s cinetized postures were used in the construction of model psychodramas in which the Reagan-figure played the role of husband, doctor, insurance salesman, marriage counsellor, etc. The failure of these roles to express any meaning reveals the non-functional character of Reagan. Reagan’s success therefore indicates society’s periodic need to re-conceptualize its political leaders. Reagan thus appears as a series of posture concepts, basic equations which re-formulate the roles of aggression and anality. a unique ontology of violence and disaster.
Reagan’s personality. The profound anality of the Presidential contender may be expected to dominate the United States in the coming years. By contrast the late J. F. Kennedy remained the prototype of the oral object, usually conceived in prepubertal terms. In further studies sadistic psychopaths were given the task of devising sex fantasies involving Reagan. Results confirm the probability of Presidential figures being perceived primarily in genital terms; the face of L. B. Johnson is clearly genital in significant appearance – the nasal prepuce, scrotal jaw, etc. Faces were seen as either circumcised (JFK, Khrushchev) or uncircumcised (LBJ, Adenauer). In assembly kit tests Reagan’s face was uniformly perceived as a penile erection. Patients were encouraged to devise the optimum sex-death of Ronald Reagan.
1968
The Dead Astronaut
Cape Kennedy has gone now, its gantries rising from the deserted dunes. Sand has come in across the Banana River, filling the creeks and turning the old space complex into a wilderness of swamps and broken concrete. In the summer, hunters build their blinds in the wrecked staff-cars; but by early November, when Judith and I arrived, the entire area was abandoned. Beyond Cocoa Beach, where I stopped the car, the ruined motels were half hidden in the saw grass. The launching towers rose into the evening air like the rusting ciphers of some forgotten algebra of the sky.
‘The perimeter fence is half a mile ahead,’ I said. ‘We’ll wait here until it’s dark. Do you feel better now?’
Judith was staring at an immense funnel of cerise cloud that seemed to draw the day with it below the horizon, taking the light from her faded blonde hair. The previous afternoon, in the hotel in Tampa, she had fallen ill briefly with some unspecified complaint.
‘What about the money?’ she asked. ‘They may want more, now that we’re here.’
‘Five thousand dollars? Ample, Judith. These relic hunters are a dying breed – few people are interested in Cape Kennedy any longer. What’s the matter?’
Her thin fingers were fretting at the collar of her suede jacket. ‘I. it’s just that perhaps I should have worn black.’
‘Why? Judith, this isn’t a funeral. For heaven’s sake, Robert died twenty years ago. I know all he meant to us, but…’
Judith was staring at the debris of tyres and abandoned cars, her pale eyes becalmed in her drawn face. ‘Philip, don’t you understand, he’s coming back now. Someone’s got to be here. The memorial service over the radio was a horrible travesty my God, that priest would have had a shock if Robert had talked back to him. There ought to be a full-scale committee, not just you and I and these empty nightclubs.’
In a firmer voice, I said: ‘Judith, there would be a committee – if we told the NASA Foundation what we know. The remains would be interred in the NASA vault at Arlington, there’d be a band – even the President might be there. There’s still time.’
I waited for her to reply, but she was watching the gantries fade into the night sky. Fifteen years ago, when the dead astronaut orbiting the earth in his burned-out capsule had been forgotten, Judith had constituted herself a memorial committee of one. Perhaps, in a few days, when she finally held the last relics of Robert Hamilton’s body in her own hands, she would come to terms with her obsession.
‘Philip, over there! Is that—’
High in the western sky, between the constellations Cepheus and Cassiopeia, a point of white light moved towards us, like a lost star searching for its zodiac. Within a few minutes, it passed overhead, its faint beacon setting behind the cirrus over the sea.
‘It’s all right, Judith.’ I showed her the trajectory timetables pencilled into my diary. ‘The relic hunters read these orbits off the sky better than any computer. They must have been watching the pathways for years.’
‘Who was it?’
‘A Russian woman pilot – Valentina Prokrovna. She was sent up from a site near the Urals twenty-five years ago to work on a television relay system.’
‘Television? I hope they enjoyed the programme.’
This callous remark, uttered by Judith as she stepped from the car, made me realize once again her special motives for coming to Cape Kennedy. I watched the capsule of the dead woman disappear over the dark Atlantic stream, as always moved by the tragic but serene spectacle of one of these ghostly, voyagers coming back after so many years from the tideways of space. All I knew of this dead Russian was her code name: Seagull. Yet, for some reason, I was glad to be there as she came down. Judith, on the other hand, felt nothing of this. During all the years she had sat in the garden in the cold evenings, too tired to bring herself to bed, she had been sustained by her concern for one only of the twelve dead astronauts orbiting the night sky.
As she waited, her back to the sea, I drove the car into the garage of an abandoned nightclub fifty yards from the road. From the trunk I took out two suitcases. One, a light travel-case, contained clothes for Judith and myself. The other, fitted with a foil inlay, reinforcing straps and a second handle, was empty.
We set off north towards the perimeter fence, like two late visitors arriving at a resort abandoned years earlier.
It was twenty years now since the last rockets had left their launching platforms at Cape Kennedy. At the time, NASA had already moved Judith and me – I was a senior flight-programmer – to the great new Planetary Space Complex in New Mexico. Shortly after our arrival, we had met one of the trainee astronauts, Robert Hamilton. After two decades, all I could remember of this over-polite but sharp-eyed young man was his albino skin, so like Judith’s pale eyes and opal hair, the same cold gene that crossed them both with its arctic pallor. We had been close friends for barely six weeks. Judith’s infatuation was one of those confused sexual impulses that well-brought-up young women express in their own naive way; and as I watched them swim and play tennis together, I felt not so much resentful as concerned to sustain the whole passing illusion for her.
A year later, Robert Hamilton was dead. He had returned to Cape Kennedy for the last military flights before the launching grounds were closed. Three hours after lift-off, a freak meteorite collision ruptured his oxygen support system. He had lived on in his suit for another five hours. Although calm at first, his last radio transmissions were an incoherent babble Judith and I had never been allowed to hear.
A dozen astronauts had died in orbital accidents, their capsules left to revolve through the night sky like the stars of a new constellation; and at first, Judith had shown little response. Later, after her miscarriage, the figure of this dead astronaut circling the sky above us re-emerged in her mind as an obsession with time. For hours, she would stare at the bedroom clock, as if waiting for something to happen.
Five years later, after I resigned from NASA, we made our first trip to Cape Kennedy. A few military units still guarded the derelict gantries, but already the former launching site was being used as a satellite graveyard. As the dead capsules lost orbital velocity, they homed on to the master radio beacon. As well as the American vehicles, Russian and French satellites in the joint Euro-American space projects were brought down here, the burned-out hulks of the capsules exploding across the cracked concrete.
Already, too, the relic hunters were at Cape Kennedy, scouring the burning saw grass for instrument panels and flying suits and – most valuable of all – the mummified corpses of the dead astronauts.
These blackened fragments of collar-bone and shin, kneecap and rib, were the unique relics of the space age, as treasured as the saintly bones of medieval shrines. After the first fatal accident in space, public outcry demanded that these orbiting biers be brought down to earth. Unfortunately, when a returning moon rocket crashed into the Kalahari Desert, aboriginal tribesmen broke into the vehicle. Believing the crew to be dead gods, they cut off the eight hands and vanished into the bush. It had taken two years to track them down. From then on, the capsules were left in orbit to burn out on re-entry.
Whatever remains survived the crash landings in the satellite graveyard were scavenged by the relic hunters of Cape Kennedy. This band of nomads had lived for years in the wrecked cars and motels, stealing their icons under the feet of the wardens who patrolled the concrete decks. In early October, when a former NASA colleague told me that Robert Hamilton’s satellite was becoming unstable, I drove down to Tampa and began to inquire about the purchase price of Robert’s mortal remains. Five thousand dollars was a small price to pay for laying his ghost to rest in Judith’s mind.
Eight hundred yards from the road, we crossed the perimeter fence. Crushed by the dunes, long sections of the twentyfoot-high palisade had collapsed, the saw grass growing through the steel mesh. Below us, the boundary road passed a derelict guardhouse and divided into two paved tracks. As we waited at this rendezvous, the headlamps of the wardens’ half-tracks flared across the gantries near the beach.
Five minutes later, a small dark-faced man climbed from the rear seat of a car buried in the sand fifty yards away. Head down, he scuttled over to us.
‘Mr and Mrs Groves?’ After a pause to peer into our faces, he introduced himself tersely: ‘Quinton. Sam Quinton.’
As he shook hands, his clawlike fingers examined the bones of my wrist and forearm. His sharp nose made circles in the air. He had the eyes of a nervous bird, forever searching the dunes and the grass. An Army webbing belt hung around his patched black denims. He moved his hands restlessly in the air, as if conducting a chamber ensemble hidden behind the sand hills, and I noticed his badly scarred palms. Huge weals formed pale stars in the darkness.
For a moment, he seemed disappointed by us, almost reluctant to move on. Then he set off at a brisk pace across the dunes, now and then leaving us to blunder about helplessly. Half an hour later, when we entered a shallow basin near a farm of alkali-settling beds, Judith and I were exhausted, dragging the suitcases over the broken tyres and barbed wire.
A group of cabins had been dismantled from their original sites along the beach and re-erected in the basin. Isolated rooms tilted on the sloping sand, mantelpieces and flowered paper decorating the outer walls.
The basin was full of salvaged space material: sections of capsules, heat shields, antennas and parachute canisters. Near the dented hull of a weather satellite, two sallow-faced men in sheepskin jackets sat on a car seat. The older wore a frayed Air Force cap over his eyes. With his scarred hands, he was polishing the steel visor of a space helmet. The other, a young man with a faint beard hiding his mouth, watched us approach with the detached and neutral gaze of an undertaker.
We entered the largest of the cabins, two rooms taken off the rear of a beach-house. Quinton lit a paraffin lamp. He pointed around the dingy interior. ‘You’ll be… comfortable,’ he said without conviction. As Judith stared at him with unconcealed distaste, he added pointedly: ‘We don’t get many visitors.’
I put the suitcases on the metal bed. Judith walked into the kitchen and Quinton began to open the empty case.
‘It’s in here?’
I took the two packets of $100 bills from my jacket. When I had handed them to him, I said: ‘The suitcase is for the… remains. Is it big enough?’
Quinton peered at me through the ruby light, as if baffled by our presence there. ‘You could have spared yourself the trouble. They’ve been up there a long time, Mr Groves. After the impact’ – for some reason, he cast a lewd eye in Judith’s direction – ‘there might be enough for a chess set.’
When he had gone, I went into the kitchen. Judith stood by the stove, hands on a carton of canned food. She was staring through the window at the metal salvage, refuse of the sky that still carried Robert Hamilton in its rusty centrifuge. For a moment, I had the feeling that the entire landscape of the earth was covered with rubbish and that here, at Cape Kennedy, we had found its source.
I held her shoulders. ‘Judith, is there any point in this? Why don’t we go back to Tampa? I could drive here in ten days’ time when it’s all over—’ She turned from me, her hands rubbing the suede where I had marked it. ‘Philip, I want to be here – no matter how unpleasant. Can’t you understand?’
At midnight, when I finished making a small meal for us, she was standing on the concrete wall of the settling tank. The three relic hunters sitting on their car seats watched her without moving, scarred hands like flames in the darkness.
At three o’clock that morning, as we lay awake on the narrow bed, Valentina Prokrovna came down from the sky. Enthroned on a bier of burning aluminium three hundred yards wide, she soared past on her final orbit. When I went out into the night air, the relic hunters had gone. From the rim of the settling tank, I watched them race away among the dunes, leaping like hares over the tyres and wire.
I went back to the cabin. ‘Judith, she’s coming down. Do you want to watch?’
Her blonde hair tied within a white towel, Judith lay on the bed, staring at the cracked plasterboard ceiling. Shortly after four o’clock, as I sat beside her, a phosphorescent light filled the hollow. There was the distant sound of explosions, muffled by the high wall of the dunes. Lights flared, followed by the noise of engines and sirens.
At dawn the relic hunters returned, hands wrapped in makeshift bandages, dragging their booty with them.
After this melancholy rehearsal, Judith entered a period of sudden and unexpected activity. As if preparing the cabin for some visitor, she rehung the curtains and swept out the two rooms with meticulous care, even bringing herself to ask Quinton for a bottle of cleanser. For hours she sat at the dressing table, brushing and shaping her hair, trying out first one style and then another. I watched her feel the hollows of her cheeks, searching for the contours of a face that had vanished twenty years ago. As she spoke about Robert Hamilton, she almost seemed worried that she would appear old to him. At other times, she referred to Robert as if he were a child, the son she and I had never been able to conceive since her miscarriage. These different roles followed one another like scenes in some private psychodrama. However, without knowing it, for years Judith and I had used Robert Hamilton for our own reasons. Waiting for him to land, and well aware that after this Judith would have no one to turn to except myself, I said nothing.
Meanwhile, the relic hunters worked on the fragments of Valentina Prokrovna’s capsule: the blistered heat shield, the chassis of the radiotelemetry unit and several cans of film that recorded her collision and act of death (these, if still intact, would fetch the highest prices, films of horrific and dreamlike violence played in the underground cinemas of Los Angeles, London and Moscow). Passing the next cabin, I saw a tattered silver space-suit spread-eagled on two automobile seats. Quinton and the relic hunters knelt beside it, their arms deep inside the legs and sleeves, gazing at me with the rapt and sensitive eyes of jewellers.
An hour before dawn, I was awakened by the sound of engines along the beach. In the darkness, the three relic hunters crouched by the settling tank, their pinched faces lit by the headlamps. A long convoy of trucks and halftracks was moving into the launching ground. Soldiers jumped down from the tailboards, unloading tents and supplies.
‘What are they doing?’ I asked Quinton. ‘Are they looking for us?’
The old man cupped a scarred hand over his eyes. ‘It’s the Army,’ he said uncertainly. ‘Manoeuvres, maybe. They haven’t been here before like this.’
‘What about Hamilton?’ I gripped his bony arm. ‘Are you sure—’
He pushed me away with a show of nervous temper. ‘We’ll get him first. Don’t worry, he’ll be coming sooner than they think.’
Two nights later, as Quinton prophesied, Robert Hamilton began his final descent. From the dunes near the settling tanks, we watched him emerge from the stars on his last run. Reflected in the windows of the buried cars, a thousand images of the capsule flared in the saw grass around us. Behind the satellite, a wide fan of silver spray opened in a phantom wake.
In the Army encampment by the gantries, there was a surge of activity. A blaze of headlamps crossed the concrete lanes. Since the arrival of these military units, it had become plain to me, if not to Quinton, that far from being on manoeuvres, they were preparing for the landing of Robert Hamilton’s capsule. A dozen half-tracks had been churning around the dunes, setting fire to the abandoned cabins and crushing the old car bodies. Platoons of soldiers were repairing the perimeter fence and replacing the sections of metalled road that the relic hunters had dismantled.
Shortly after midnight, at an elevation of forty-two degrees in the north-west, betwen Lyra and Hercules, Robert Hamilton appeared for the last time. As Judith stood up and shouted into the night air, an immense blade of light cleft the sky. The expanding corona sped towards us like a gigantic signal flare, illuminating every fragment of the landscape.
‘Mrs Groves!’ Quinton darted after Judith and pulled her down into the grass as she ran towards the approaching satellite. Three hundred yards away, the silhouette of a half-track stood out on an isolated dune, its feeble spotlights drowned by the glare.
With a low metallic sigh, the burning capsule of the dead astronaut soared over our heads, the vaporizing metal pouring from its hull. A few seconds later, as I shielded my eyes, an explosion of detonating sand rose from the ground behind me. A curtain of dust lifted into the darkening air like a vast spectre of powdered bone. The sounds of the impact rolled across the dunes. Near the launching gantries, fires flickered where fragments of the capsule had landed. A pall of phosphorescing gas hung in the air, particles within it beading and winking.
Judith had gone, running after the relic hunters through the swerving spotlights. When I caught up with them, the last fires of the explosion were dying among the gantries. The capsule had landed near the old Atlas launching pads, forming a shallow crater fifty yards in diameter. The slopes were scattered with glowing particles, sparkling like fading eyes. Judith ran distraughtly up and down, searching the fragments of smouldering metal.
Someone struck my shoulder. Quinton and his men, hot ash on their scarred hands, ran past like a troop of madmen, eyes wild in the crazed night. As we darted away through the flaring spotlights, I looked back at the beach. The gantries were enveloped in a pale-silver sheen that hovered there, and then moved away like a dying wraith over the sea.
