Текст книги "The Complete Short Stories"
Автор книги: James Graham Ballard
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He moved towards the door, when he reached it looked back to see Kaldren standing in the shadow of the three giant letters on the far wall, his eyes staring listlessly at his feet.
As Powers drove away he noticed that Kaldren had gone up on to the roof, watched him in the driving mirror waving slowly until the car disappeared around a bend.
Five
The outer circle was now almost complete. A narrow segment, an arc about ten feet long, was missing, but otherwise the low perimeter wall ran continuously six inches off the concrete floor around the outer lane of the target bull, enclosing the huge rebus within it. Three concentric circles, the largest a hundred yards in diameter, separated from each other by ten-foot intervals, formed the rim of the device, divided into four segments by the arms of an enormous cross radiating from its centre, where a small round platform had been built a foot above the ground.
Powers worked swiftly, pouring sand and cement into the mixer, tipping in water until a rough paste formed, then carried it across to the wooden forms and tamped the mixture down into the narrow channel.
Within ten minutes he had finished, quickly dismantled the forms before the cement had set and slung the timbers into the back seat of the car. Dusting his hands on his trousers, he went over to the mixer and pushed it fifty yards away into the long shadow of the surrounding hills.
Without pausing to survey the gigantic cipher on which he had laboured patiently for so many afternoons, he climbed into the car and drove off on a wake of bone-white dust, splitting the pools of indigo shadow.
He reached the laboratory at three o’clock, jumped from the car as it lurched back on its brakes. Inside the entrance he first switched on the lights, then hurried round, pulling the sun curtains down and shackling them to the floor slots, effectively turning the dome into a steel tent.
In their tanks behind him the plants and animals stirred quietly, responding to the sudden flood of cold fluorescent light. Only the chimpanzee ignored him. It sat on the floor of its cage, neurotically jamming the puzzle dice into the polythene bucket, exploding in bursts of sudden rage when the pieces refused to fit.
Powers went over to it, noticing the shattered glass fibre reinforcing panels bursting from the dented helmet. Already the chimp’s face and forehead were bleeding from self-inflicted blows. Powers picked up the remains of the geranium that had been hurled through the bars, attracted the chimp’s attention with it, then tossed a black pellet he had taken from a capsule in the desk drawer. The chimp caught it with a quick flick of the wrist, for a few seconds juggled the pellet with a couple of dice as it concentrated on the puzzle, then pulled it out of the air and swallowed it in a gulp.
Without waiting, Powers slipped off his jacket and stepped towards the X-ray theatre. He pulled back the high sliding doors to reveal the long glassy metallic snout of the Maxitron, then started to stack the lead screening shields against the rear wall.
A few minutes later, the generator hummed into life.
The anemone stirred. Basking in the warm subliminal sea of radiation rising around it, prompted by countless pelagic memories, it reached tentatively across the tank, groping blindly towards the dim uterine sun. Its tendrils flexed, the thousands of dormant neural cells in their tips regrouping and multiplying, each harnessing the unlocked energies of its nucleus. Chains forged themselves, lattices tiered upwards into multi-faceted lenses, focused slowly on the vivid spectral outlines of the sounds dancing like phosphorescent waves around the darkened chamber of the dome.
Gradually an image formed, revealing an enormous black fountain that poured an endless stream of brilliant light over the circle of benches and tanks. Beside it a figure moved, adjusting the flow through its mouth. As it stepped across the floor its feet threw off vivid bursts of colour, its hands racing along the benches conjured up a dazzling chiaroscuro, balls of blue and violet light that exploded fleetingly in the darkness like miniature star-shells.
Photons murmured. Steadily, as it watched the glimmering screen of sounds around it, the anemone continued to expand. Its ganglia linked, heeding a new source of stimuli from the delicate diaphragms in the crown of its notochord. The silent outlines of the laboratory began to echo softly, waves of muted sound fell from the arc lights and echoed off the benches and furniture below. Etched in sound, their angular forms resonated with sharp persistent overtones. The plastic-ribbed chairs were a buzz of staccato discords, the square-sided desk a continuous doublefeatured tone.
Ignoring these sounds once they had been perceived, the anemone turned to the ceiling, which reverberated like a shield in the sounds pouring steadily from the fluorescent tubes. Streaming through a narrow skylight, its voice clear and strong, interweaved by numberless overtones, the sun sang.
It was a few minutes before dawn when Powers left the laboratory and stepped into his car. Behind him the great dome lay silently in the darkness, the thin shadows of the white moonlit hills falling across its surface. Powers freewheeled the car down the long curving drive to the lake road below, listening to the tyres cutting across the blue gravel, then let out the clutch and accelerated the engine.
As he drove along, the limestone hills half hidden in the darkness on his left, he gradually became aware that, although no longer looking at the hills, he was still in some oblique way conscious of their forms and outlines in the back of his mind. The sensation was undefined but none the less certain, a strange almost visual impression that emanated most strongly from the deep clefts and ravines dividing one cliff face from the next. For a few minutes Powers let it play upon him, without trying to identify it, a dozen strange images moving across his brain.
The road swung up around a group of chalets built on to the lake shore, taking the car right under the lee of the hills, and Powers suddenly felt the massive weight of the escarpment rising up into the dark sky like a cliff of luminous chalk, and realized the identity of the impression now registering powerfully within his mind. Not only could he see the escarpment, but he was aware of its enormous age, felt distinctly the countless millions of years since it had first reared out of the magma of the earth’s crust. The ragged crests three hundred feet above him, the dark gulleys and fissures, the smooth boulders by the roadside at the foot of the cliff, all carried a distinct image of themselves across to him, a thousand voices that together told of the total time that had elapsed in the life of the escarpment, a psychic picture defined and clear as the visual image brought to him by his eyes.
Involuntarily, Powers had slowed the car, and turning his eyes away from the hill face he felt a second wave of time sweep across the first. The image was broader but of shorter perspectives, radiating from the wide disc of the salt lake, breaking over the ancient limestone cliffs like shallow rollers dashing against a towering headland.
Closing his eyes, Powers lay back and steered the car along the interval between the two time fronts, feeling the images deepen and strengthen within his mind. The vast age of the landscape, the inaudible chorus of voices resonating from the lake and from the white hills, seemed to carry him back through time, down endless corridors to the first thresholds of the world.
He turned the car off the road along the track leading towards the target range. On either side of the culvert the cliff faces boomed and echoed with vast impenetrable time fields, like enormous opposed magnets. As he finally emerged between them on to the flat surface of the lake it seemed to Powers that he could feel the separate identity of each sand-grain and salt crystal calling to him from the surrounding ring of hills.
He parked the car beside the mandala and walked slowly towards the outer concrete rim curving away into the shadows. Above him he could hear the stars, a million cosmic voices that crowded the sky from one horizon to the next, a true canopy of time. Like jostling radio beacons, their long aisles interlocking at countless angles, they plunged into the sky from the narrowest recesses of space. He saw the dim red disc of Sirius, heard its ancient voice, untold millions of years old, dwarfed by the huge spiral nebulae in Andromeda, a gigantic carousel of vanished universes, their voices almost as old as the cosmos itself. To Powers the sky seemed an endless babel, the time-song of a thousand galaxies overlaying each other in his mind. As he moved slowly towards the centre of the mandala he craned up at the glittering traverse of the Milky Way, searching the confusion of clamouring nebulae and constellations.
Stepping into the inner circle of the mandala, a few yards from the platform at its centre, he realized that the tumult was beginning to fade, and that a single stronger voice had emerged and was dominating the others. He climbed on to the platform, raised his eyes to the darkened sky, moving through the constellations to the island galaxies beyond them, hearing the thin archaic voices reaching to him across the millennia. In his pockets he felt the paper tapes, and turned to find the distant diadem of Canes Venatici, heard its great voice mounting in his mind.
Like an endless river, so broad that its banks were below the horizons, it flowed steadily towards him, a vast course of time that spread outwards to fill the sky and the universe, enveloping everything within them. Moving slowly, the forward direction of its majestic current almost imperceptible, Powers knew that its source was the source of the cosmos itself. As it passed him, he felt its massive magnetic pull, let himself be drawn into it, borne gently on its powerful back. Quietly it carried him away, and he rotated slowly, facing the direction of the tide. Around him the outlines of the hills and the lake had faded, but the image of the mandala, like a cosmic clock, remained fixed before his eyes, illuminating the broad surface of the stream. Watching it constantly, he felt his body gradually dissolving, its physical dimensions melting into the vast continuum of the current, which bore him out into the centre of the great channel, sweeping him onward, beyond hope but at last at rest, down the broadening reaches of the river of eternity.
As the shadows faded, retreating into the hill slopes, Kaldren stepped out of his car, walked hesitantly towards the concrete rim of the outer circle. Fifty yards away, at the centre, Coma knelt beside Powers’ body, her small hands pressed to his dead face. A gust of wind stirred the sand, dislodging a¥ strip of tape that drifted towards Kaldren’s feet. He bent down and picked it up, then rolled it carefully in his hands and slipped it into his pocket. The dawn air was cold, and he turned up the collar of his jacket, watching Coma impassively.
‘It’s six o’clock,’ he told her after a few minutes. ‘I’ll go and get the police. You stay with him.’ He paused and then added: ‘Don’t let them break the clock.’
Coma turned and looked at him. ‘Aren’t you coming back?’
‘I don’t know.’ Nodding to her, Kaldren swung on his heel.
He reached the lake road, five minutes later parked the car in the drive outside Whitby’s laboratory.
The dome was in darkness, all its windows shuttered, but the generator still hummed in the X-ray theatre. Kaldren stepped through the entrance and switched on the lights. In the theatre he touched the grilles of the generator, felt the warm cylinder of the beryllium end-window. The circular target table was revolving slowly, its setting at 1 r.p.m., a steel restraining chair shackled to it hastily. Grouped in a semicircle a few feet away were most of the tanks and cages, piled on top of each other haphazardly. In one of them an enormous squid-like plant had almost managed to climb from its vivarium. Its long translucent tendrils clung to the edges of the tank, but its body had burst into a jellified pool of globular mucilage. In another an enormous spider had trapped itself in its own web, hung helplessly in the centre of a huge three-dimensional maze of phosphorescing thread, twitching spasmodically.
All the experimental plants and animals had died. The chimp lay on its back among the remains of the hutch, the helmet forward over its eyes. Kaldren watched it for a moment, then sat down on the desk and picked up the phone.
While he dialled the number he noticed a film reel lying on the blotter. For a moment he stared at the label, then slid the reel into his pocket beside the tape.
After he had spoken to the police he turned off the lights and went out to the car, drove off slowly down the drive.
When he reached the summer house the early sunlight was breaking across the ribbon-like balconies and terraces. He took the lift to the penthouse, made his way through into the museum. One by one he opened the shutters and let the sunlight play over the exhibits. Then he pulled a chair over to a side window, sat back and stared up at the light pouring through into the room.
Two or three hours later he heard Coma outside, calling up to him. After half an hour she went away, but a little later a second voice appeared and shouted up at Kaldren. He left his chair and closed all the shutters overlooking the front courtyard, and eventually he was left undisturbed.
Kaldren returned to his seat and lay back quietly, his eyes gazing across the lines of exhibits. Half-asleep, periodically he leaned up and adjusted the flow of light through the shutter, thinking to himself, as he would do through the coming months, of Powers and his strange mandala, and of the seven and their journey to the white gardens of the moon, and the blue people who had come from Orion and spoken in poetry to them of ancient beautiful worlds beneath golden suns in the island galaxies, vanished for ever now in the myriad deaths of the cosmos.
1960
The Last World of Mr Goddard
For no apparent reason, the thunder particularly irritated Mr Goddard. All day, as he moved about his duties as ground floor supervisor, he listened to it booming and rolling in the distance, almost lost amid the noise and traffic of the department store. Twice, on some pretext, he took the lift up to the roof-top cafeteria and carefully scanned the sky, searching the horizons for any sign of storm-cloud or turbulence. As usual, however, the sky was a bland, impassive blue, mottled by a few clumps of leisurely cumuli.
This was what worried Mr Goddard. Leaning on the cafeteria railing he could hear the thunder distinctly, cleaving the air only a thousand feet above his head, the huge claps lumbering past like the colliding wing streams of enormous birds. Intermittently the sounds would stop, to re-start a few minutes later.
Mr Goddard was not the only one to notice them – the people at the tables on the terrace were craning up at the sourceless din, as perplexed as himself. Normally Mr Goddard would have exchanged some pleasantry with them – his elderly grey-haired figure in its old-world herringbone suit had been a byword for kindly concern for over twenty years – but today he hurried past without even looking at them. Down on the ground floor he felt less uneasy, but throughout the afternoon, while he roved among the busy counters, patting the children on the head, he listened to the thunder sounding faintly in the distance, inexplicable and strangely threatening.
At six o’clock he took up his position in the time-keeper’s booth, waited impatiently until the final time card had been stamped, then handed over to the night watchman, and the last of the staff had left for home. As he made his way out, pulling on his ancient overcoat and deerstalker, the clear evening air was still stirred by occasional rumblings.
Mr Goddard’s house was less than half a mile away, a small two-storey villa surrounded by tall hedges. Superficially dilapidated though still sound, at first glance it was indistinguishable from any other bachelor residence, although anyone entering the short drive would have noticed one unusual feature – all the windows, both upstairs and down, were securely shuttered. Indeed, they had remained shuttered for so long that the ivy growing across the front of the house had matted itself through the wooden slats, here and there pulling apart the rotting wood.
Closer inspection at these points would have revealed, behind the dusty panes, the interlocking diagonals of steel grilles.
Collecting a bottle of milk off the doorstep, Mr Goddard let himself into the kitchen. This was furnished with an armchair and a small couch, and served him as his living room. He busied himself preparing an evening meal. Halfway through, a neighbouring cat, a regular visitor, scratched at the door and was allowed in. They sat at the table together, the cat on its customary cushion up on one of the chairs, watching Mr Goddard with its small, hard eyes.
Shortly before eight o’clock Mr Goddard began his invariable evening routine. Opening the kitchen door, he glanced up and down the side entrance, then locked it behind him, securing both windows and door with a heavy drop bar. He next entered the hail, ushering the cat before him, and began his inspection of the house.
This was done with great care, using the cat as his sixth sense. Mr Goddard watched it carefully, noting its reactions as it wandered softly through the deserted rooms, singing remotely to itself.
The house was completely empty. Upstairs the floorboards were bare, the windows without curtains, lamp bulbs shadeless. Dust gathered in the corners and stained th fraying Victorian wallpaper. All the fireplaces had been bricked up, and the bare stonework above the mantels showed that the chimneys had been solidly filled in.
Once or twice Mr Goddard tested the grilles, which effectively turned the room into a succession of steel cages. Satisfied, he made his way downstairs and went into the front room, noting that nothing was amiss. He steered the cat into the kitchen, poured it a bowl of milk as a reward and slipped back into the hallway, latching the door behind him.
One room he had still not entered – the real lounge. Taking a key from his pocket, Mr Goddard turned the lock and let himself through.
Like the other rooms, this was bare and unfurnished, except for a wooden chair and a large black safe that stood with its back to one wall. The other distinctive feature was a single light bulb of considerable power suspended on an intricate pulley system from the centre of the ceiling.
Buttoning his jacket, Mr Goddard went over to the safe. Massive and ancient, it was approximately three feet wide and deep. Once it had been painted a dark bottle green, but by now most of the paint had peeled, revealing a dull black steel. A huge door, the full width and depth of the safe, was recessed into its face.
Beside the safe was the chair, a celluloid visor slung over its back. Mr Goddard pulled this on, giving himself the look of a refined elderly counterfeiter about to settle down to a hard evening’s work. From his key chain he selected a small silver key, and fitted it into the lock. Turning the handle full circle, he drew the caissons back into the door, then pulled steadily with both hands and swung it open.
The safe was without shelves, a single continuous vault. Occupying the entire cavity, separated from the three-inch-thick walls by a narrow interval, was a large black tin document box.
Pausing to regain his breath, Mr Goddard heard a dull rumble of thunder sound through the darkness beyond the shuttered windows. Frowning involuntarily, he suddenly noticed a feathery thudding noise coming from inside the safe. He bent down and was just in time to see a large white moth emerge from the space above the document box, ricocheting erratically off the roof, at each impact sending a dull echo reverberating through the tin walls.
Mr Goddard smiled broadly to himself, as if divining something that had puzzled him all day. Leaning on the safe, he watched the moth circle the light, frantically shaking to pieces its damaged wings. Finally it plunged into one of the walls and fell stunned to the floor. Mr Goddard went over and swept it through the door with his foot, then returned to the safe. Reaching inside, with great care he lifted the document box out by the handles fastened to the centre of the lid.
The box was heavy. It required all Mr Goddard’s efforts to steer it out without banging it against the safe, but with long practice he withdrew it in a single motion. He placed it gently on the floor, pulled up the chair and lowered the light until it was a few inches above his head. Releasing a catch below the lid, he tilted it back on its hinges.
Below him, brightly reflected in the light, was what appeared to be an elaborate doll’s house. In fact, however, it was a whole complex of miniature buildings, perfectly constructed models with carefully detailed roof-tops and cornices, walls and brickwork so exactly duplicating the original that but for the penumbral figure of Mr Goddard looming out of the darkness they might have passed for real buildings and houses. The doors and windows were exquisitely worked, fitted with minute lattices and panes, each the size of a soap flake. The paving stones, the street furniture, the camber of the roadways, were perfect scale reductions.
The tallest building in the box was about fourteen inches high, containing six storeys. It stood at one corner of a crossroads that traversed the centre of the box, and was obviously a replica of the department store at which Mr Goddard worked. Its interior had been furnished and decorated with as much care as its external faade; through the windows could be seen the successive floors laid out with their miniature merchandise, rolls of carpet on the first, lingerie and women’s fashions on the second, furniture on the third. The roof-top cafeteria had been equipped with small metal chairs and tables, set with plates, cutlery and bowls of tiny flowers.
On the corners to the left and right of the store were the bank and supermarket, with the town hall diagonally opposite. Again, these were perfect replicas of their originals: in the drawers behind the counters in the bank were bundles of minuscule banknotes, a glitter of coins like heaps of silver dust. The interior of the supermarket was an exercise in a thousand virtuosities. The stalls were stacked with pyramids of tins and coloured packets almost too small for the eye to distinguish.
Beyond the buildings dominating the crossroads were the lesser shops and premises lining the side-streets – the drapers, a public house, shoeshops and tobacconists. Looking around, the entire town seemed to stretch away into the distance. The walls of the box had been painted so skilfully, with such clever control of perspective, that it was almost impossible to tell where the models ended and the walls intervened. The micro-cosmic world was so perfect in its own right, the illusion of reality so absolute that it appeared to be the town itself, its very dimensions those of reality.
Suddenly, through the warm early morning sunlight, a shadow moved. The glass door of one of the shoeshops opened, a figure stepped out for a moment onto the pavement, glanced up and down the still deserted street, then retreated into the dark recesses of the shop’s interior. A middle-aged man in a grey suit and white collar, it was presumably the manager opening the shop in the morning. In agreement with this, a second doorway opened farther down the street; and this time a woman came out of a hairdresser’s, and began to wind down the blind. She wore a black skirt and pink plastic smock. As she went back into the salon she waved to someone walking down the street towards the town hall.
More figures emerged from the doorways, strolled along the pavements talking to each other, starting the day’s business. Soon the streets were full; the offices over the shops came to life, typists moving in among the desks and filing cabinets. Signs were put up or taken down; calendars moved on. The first customers arrived at the department store and supermarket, ambled past the fresh counter displays. At the town hall clerks sat at their ledgers, in their private offices behind the oak panelling the senior officials had their first cups of tea. Like a well-ordered hive, the town came to life.
High above it all, his gigantic face hidden in the shadows, Mr Goddard quietly watched his lilliputian scene like a discreet aged Gulliver. He sat forward, the green shade shielding his eyes, hands clasped lightly in his lap. Occasionally he would lean over a few inches to catch a closer glimpse of the figures below him, or tilt his head to see into one of the shops or offices. His face showed no emotion, he seemed content to be simply a spectator. Two feet away the hundreds of tiny figures moved about their lives, and a low murmur of street noises crept out into the room.
The tallest of the figures were no more than an inch and a half in height, yet their perfectly formed faces were completely furnished with character and expression. Most of them Mr Goddard knew by sight, many by name. He saw Mrs Hamilton, the lingerie buyer, late for work, hurrying down the alleyway to the staff entrance. Through a window he could see the managing director’s office, where Mr Sellings was delivering his usual weekly pep-talk to a trio of department heads. In the streets outside were scores of regular customers Mr Goddard had known intimately for years, buying their groceries, posting their letters, exchanging gossip.
As the scene below him unfolded, Mr Goddard gradually edged nearer the box, taking a particular interest in two or three of the score of separate tableaux. An interesting feature of his vantage point was that by some freak of architecture or perspective it afforded him a multiplicity of perfect angles by which to observe almost every one of the diminutive figures. The high windows of the bank provided him with a view of each of the clerks at their counters; a transom beyond exposed the strongroom, the rows of deposit boxes on their shelves behind the grille, one of the junior cashiers amusing himself by reading the labels. The department store, with its wide floors, he could cover merely by inclining his head. The smaller shops along the streets were just as exposed. Rarely more than two rooms deep, their rear windows and fanlights provided him all the access he needed. Nothing escaped Mr Goddard’s scrutiny. In the back alleys he could see the stacked bicycles, the charwomen’s mops in their buckets by the basement doors, the dustbins half-filled with refuse.
The first scene to attract Mr Goddard’s attention was one involving the stockroom supervisor at the store, Mr Durrant. Casting his eye at random through the bank, Mr Goddard noticed him in the manager’s office, leaning across the latter’s desk and explaining something earnestly. Usually Durrant would have been a member of the group being harangued by Mr Sellings, and only urgent business could have taken him to the bank. The manager, however, appeared to be doing what he could to get rid of Durrant, avoiding his face and fiddling with some papers. Suddenly Durrant lost his temper. Tie askew, he began to shout angrily. The manager accepted this silently, shaking his head slowly with a bleak smile. Finally Durrant strode to the door, hesitated with a look of bitter reproach, and stalked out.
Leaving the bank, and apparently oblivious of his duties at the store, he walked briskly down the High Street. Stopping at the hairdresser’s, he went in and made his way through to a private booth at the back where a large man in a check suit, still wearing a green trilby, was being shaved. Mr Goddard watched their conversation through a skylight above them. The man in the chair, the local bookmaker, lay back silently behind his lather until Durrant finished talking, then with a casual flip of one hand waved him to a seat.
Putting two and two together, Mr Goddard waited with interest for their conversation to be resumed. What he had just seen confirmed suspicions recently prompted by Durrant’s distracted manner.
However, just as the bookmaker pulled off the towel and stood up, something more important caught Mr Goddard’s eye.
* * *
Directly behind the department store was a small cul-de-sac sealed off from the alleyway leading in from the street by high wooden doors. It was piled with old packing cases and miscellaneous refuse, and its far side was formed by the rear wall of the box, a sheer cliff that rose straight up into the distant glare above. The glazed windows of a service lift shaft overlooked the yard, topped on the fifth floor by a small balcony.
It was this balcony that had attracted Mr Goddard’s attention. Two men were crouched on it, manipulating a long wooden contraption that Mr Goddard identified as a telescopic ladder. Together they hoisted it into the air, and by pulling on a system of ropes extended it against the wall to a point about fifteen feet above their heads. Satisfied, they lashed the lower end securely to the balcony railings; then one of them mounted the ladder and climbed up to its topmost rung, arms outstretched across the wall, high over the yard below.
They were trying to escape from the box! Mr Goddard hunched forward, watching them with astonishment. The top of the ladder was still seven or eight inches from the overhanging rim of the box, thirty or forty feet away from the men on the balcony, but their industry was impressive. He watched them motionlessly while they tightened the guyropes.
Dimly, in the distance, midnight chimed. Mr Goddard looked at his watch, then without a further glance into the box pushed the lamp towards the ceiling and lowered the lid. He stood up and carried the box carefully to the safe, stowed it away, and sealed the door. Switching off the light, he let himself noiselessly out of the room.
