Текст книги "Rashomon Gate "

Автор книги: Ingrid J. Parker

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When Nishioka was gone, Hirata said irritably, "How can he talk that way about Sato? He is getting almost as bad as Takahashi."

Akitada looked at the door through which Nishioka had left and frowned. "I confess he makes me very nervous. If he really noticed something that points to the murderer, he is being very foolish. But about Sato he may well be right. I have found the man with two women. The first was the murdered girl. The other one was a very handsome woman his own age. To be sure, both women were playing the lute at the time, but clearly they also were on very familiar terms with him."

"I cannot believe it of him. He is a married man with children."

Akitada gave the older man a pitying look and watched him redden. He said, "Remember that Sato is quite strong, especially his hands."

Hirata poured down the rest of his wine before asking, "You really think he strangled the girl and then killed Oe to protect his position here?"

Akitada did not reply right away. He could imagine Sato committing Oe's murder. The music master was unconventional and, in anger at his treatment by Oe, might have decided to mock the institution's sacred canon by leaving its most famous representative tied around the neck of the patron sage. And removing Oe's trousers might be the gesture of a man who had been accused of sexual impropriety himself. But he was still not convinced the murders were connected. Finally, he said, "I do not know what to think."

Hirata twisted his hands. His fingers trembled. "I hope it had nothing to do with the note."

"Yes. Ishikawa's continued absence is worrisome," agreed Akitada. "Are you feeling quite well?"

"Yes, yes. Just some indigestion," said Hirata. "Ishikawa is a big, strong fellow all right. I am ashamed to admit that I never liked him very much. I had much rather he were the killer than Fujiwara, or even poor Sato. But why would Ishikawa kill Oe? It was Oe who had reason to kill Ishikawa."

"I am afraid we won't know that until we speak to him. He must have at least part of the answer about Oe."

"Who does?" asked a sharp voice. Kobe pushed the door back on its tracks and strode in unceremoniously, followed by a clerk carrying writing utensils.

Ignoring Hirata's greetings and offer of wine, Kobe sat down with a grunt and gestured to his clerk to do likewise.

"Well?" he persisted, looking from Akitada to Hirata and back.

Akitada answered. "Professor Hirata and I were concerned about the disappearance of one of the students. His name is Ishikawa. He is a graduate student who used to read Oe's papers for him. He should be in his dormitory, but seems to have left very early this morning. Since he is one of the last people seen with Oe, I thought that he must have valuable information."

Kobe's eyes went to his clerk who had set up a small portable desk and was rubbing a worn block of ink across a wetted stone. The sound was irritating in the quiet room. When the man finished and reached for his brush, Kobe turned back to them. "This Ishikawa. Full name, place of birth, name and hometown of parents, profession of father and appearance of suspect!"

"Suspect?" stammered Hirata, but he supplied the information. When the clerk had written it down, Kobe asked, "Is this Ishikawa likely to have gone off with the fellow Ono?"

Akitada stared at Kobe. "Why Ono? Is he gone too?"

Hirata said, "Nonsense. Ono must be at home with his mother. She is crippled. They live on Takatsukasa Street west of the palace."

Kobe shook his head. "One of my men checked. He is not at home, and his mother does not know where he went. She is not even sure he came home last night."

Hirata and Akitada looked at each other in dismay.

Kobe said impatiently, "Well? Is this Ishikawa all you have thought of? He's the right size for it apparently. But so is Fujiwara."

"I see you have had second thoughts about poor Nagai being guilty," said Akitada with a grimace. "He simply is not strong enough. But it is only fair to add that neither Professor Hirata nor I think Fujiwara a likely suspect either."

Kobe snapped, "I have not eliminated anyone. The killer may have had an accomplice." He paused to let this sink in, then continued, "As to Fujiwara, he had a motive and is strong enough to haul the body about. Perhaps you should know that your colleagues have been quite forthcoming about each other and the late Oe. It appears that just about everybody here hated the man. To save you the trouble of protecting your colleagues, let me fill you in. Ono hated Oe because he was an abusive tyrant; Sato was about to be dismissed on charges brought by Oe; Tanabe was being forced into retirement, because Oe thought he was senile; both Fujiwara and Takahashi had been publicly shamed by him. Takahashi, by the way, is a positive waterfall of information about the faculty's various and varied offenses." Kobe grinned unpleasantly. "Do either of you have anything to add to the list of motives for murder?"

Akitada avoided looking at Hirata, who had started breathing hard again. He shook his head. "I see you have not wasted any time."

"In that case," said Kobe, "I will now hear your stories. Names, ranks, places of residence and relationship to the murdered man first. You start, Hirata."

Hirata gasped his way through the information, and Akitada followed suit. When the preliminaries were out of the way, Kobe asked, "When did you last see Oe alive?"

Akitada repeated what he had told Kobe earlier. Hirata confirmed it and added that he had accompanied the group that had removed Oe from the gathering as far as the gate to the park and then returned to his seat in the pavilion.

"Where were Ono and Ishikawa taking him?" Kobe asked Hirata.

"I assumed to his home. It is in the western part of the city." Kobe grunted and sat lost in thought. Then he asked, "Can anyone confirm the time when you returned home?"

"What?" cried Hirata, flushing. "Surely you cannot think either of us—"

"You had better tell the captain what he wants to know," said Akitada soothingly. "I expect he asks everybody. As for me, I left before the last segment of the contest, but spent the rest of the evening reading in my room at home. I had no cause to speak either to my family or any servants."

Hirata stammered, "I went home after it was all over. It was late. But my daughter may have heard me come in."

The clerk was writing busily while Kobe sat, staring at the ceiling with pursed lips.

"Er," said Hirata awkwardly, "perhaps now that we are done, you will take a cup of wine, Captain?"

"I do not drink during an investigation," said Kobe coldly. Then he looked at Akitada and remarked, "It occurs to me that you are tall and strong enough for the job yourself, Sugawara."

Akitada's jaw dropped.

Kobe let his narrowed eyes move from Akitada to Hirata and back again.

He said, "I am told that you two are very close. You, Sugawara, owe Hirata a lot. In fact, you are like a son to him, because he raised you."

Akitada flushed with anger. "Not precisely. What is your point, Captain?"

Kobe did not answer. His eyes went back to Hirata, and he said, "Takahashi says that you have been on bad terms with Oe since the last examination."

Hirata flushed guiltily. "That is not true," he blustered. "Oe and I were not exactly friends, but we were certainly on speaking terms."

"Hmm," said Kobe thoughtfully. "I have an idea that something was wrong with that examination. And then there is the matter of Oe's new summerhouse." He shook his head. "It smells of blackmail, and blackmail makes a very good motive for murder."

Hirata had turned absolutely white and was grasping his chest. He gaped at Kobe in horror and gasped, "Are you accusing me of having Oe killed?"

Akitada snapped, "That is absolutely ridiculous!" But he knew that Kobe's mistake made it impossible now to tell him of the note. It would be interpreted as a desperate attempt to put the blame on a dead man.

The captain looked pleased. "Let's say I am considering possibilities. Of course," he said, studying his fingernails, "Hirata's not young or strong enough to accomplish it unaided, but then he has an assistant who certainly is." And now he looked fully at Akitada.

Hirata was scrambling to his feet, crying, "It is outrageous to suggest such a thing . . . all lies!"Then he groaned, his legs buckled, and he collapsed. Akitada jumped up to go to his aid. Hirata's face was covered in perspiration and his lips were turning blue.

"What is it, sir?" Akitada asked, slipping his arm under the older man's head. "Shall I send for a doctor?"

Kobe said, "A convenient spell. I expect the good professor will recover as soon as I leave."

Hirata twitched in Akitada's arms, muttering, "No. It's nothing. It'll pass." But he was still gasping for air, though a little color was seeping back into his face.

"Calm yourself, sir," Akitada said through clenched teeth as he helped Hirata sit upright. "The captain is playing with us, like a fisherman who hopes to catch his fish by dangling a special bait before him. Hardly what one would expect of a gentleman, of course, but the police evidently have their own methods." He gave Kobe a furious look.

Kobe bared his teeth in a nasty smile, then got up. "I told you," he said, "I have eliminated no one. You may both go home now, but do not leave the city."

Twelve

The Umbrella Maker's House

Pleased with his kite-flying success, Tora left the university for his second assignment. It occurred to him belatedly that he had spent far more time playing children's games than was justifiable for an investigator of crimes, particularly since he also hoped to look in on Michiko. Although his grumbling stomach reminded him that it was time for his evening rice, he ignored the hunger pangs and his aching legs and walked briskly to the sixth ward where he asked directions to the house of the umbrella maker Hishiya.

The light was fading, but he found the street easily. The poorer sort of artisans lived and worked here. Small, narrow houses were crammed together, eaves touching eaves. Tora knew such places well. Behind this block of houses would be a bit of open ground, sometimes made into a tiny garden, but most often just an alley collecting debris and starving dogs.

He saw the umbrella maker's sign, but walked past the house, getting a general impression of the neighborhood and hoping for a bit of gossip with one of the neighbors. He had reached the end of the block without seeing a soul– most people would be eating– when he heard a door opening and then the angry voice of a woman and a cry of pain. When he turned to look, he saw that a small servant girl had come from the umbrella maker's house and was scurrying off with a big basket on her arm. In the doorway stood a buxom female, shaking her fist.

Tora waited until the woman had gone back inside and then ran after the little maid. He caught up with her at the next corner.

"Good evening, little sister," he cried, falling into step beside her.

The little girl– she could be no more than ten or eleven years old– jumped and turned a tear-stained, homely face up to him. She was a pale and very thin child, and her eyes were filled with fear. "Excuse me, sir," she whispered, "I must hurry," and started to run.

"Wait!" Tora persisted, lengthening his stride and straining his sore muscles. "I'll walk with you. You work for the umbrella maker, don't you?"

She slowed down. "Yes," she said, looking up at him uncertainly. Seeing his friendly smile, she relaxed a little.

"I'm sorry if I frightened you, little sister," Tora told her. "I heard you cry out. Was that your mistress?"

Fresh tears rose to her eyes and welled over. She wiped them away with a grimy hand, leaving black smudges behind, and nodded. "She always beats me," she said. "I really try to do the work, but I am small and get tired easily, and I'm always hungry. I think if she'd give me more food, I'd be stronger."

The words had poured forth in one gulp and ended in a sob. Tora felt in his sleeve for his coppers. "Look, I haven't had my evening rice yet. How about you and me having a bowl of noodle soup together?"

The plain, bony face lit up, but she shook her head. "I daren't," she said. "I'm to fetch the vegetables for their dinner. She'll beat me even worse if I'm late."

"Come," said Tora, taking her small, sticky hand in one of his and relieving her of the large basket with the other. "I was on my way to see your master. I'll explain when we get back."

They walked to a neighborhood vegetable market near a small temple. Tora supervised the purchase, making sure she got the largest radish and the freshest mushrooms, before stopping a noodle vendor and ordering two large bowls of the hot soup.

The man carefully lowered his bamboo pole with the kettle and basket of bowls suspended at each end and ladled out two steaming servings of broth thick with fat noodles and bits of vegetables.

"Now let's eat. And take your time!" Tora told the frail child. "I'll speak to your master when we get back."

"Oh, the master's not home yet. Just the mistress and her guest. "The girl stared at the food hungrily and licked her lips. Watching her, Tora was reminded of the little lord. They were about the same age, at the extremes of a rigid class system– but both were sad, lonely and fearful. His own life had been hard, but at least he had never lacked love or the joys of childhood play.

"Never mind. Eat!" he said gruffly.

They sat on the steps of the temple. It almost took Tora's appetite away to see how she gobbled her food. He waited until she was done and then asked, "Does your master beat you too?"

She shook her head. "Oh, no! He's kind, but during the day he goes to the big market to sell his umbrellas and I stay with her. Sometimes in the evening, he asks me if I get enough to eat or where I got a bruise, but she's always there and she looks at me like a devil, so I say 'yes' and 'I fell down the stairs.' And she says I'm a clumsy, stupid girl and she has to do all the work herself because he cannot afford to hire decent servants."

"And your parents?"

"My father's dead, and my mother couldn't keep me. Not with five younger ones to feed."

"Hmm." Tora poured the rest of his noodles into her bowl. "I'm not very hungry," he lied. When she had finished his portion also, he asked, "Don't the Hishiyas have a grown daughter? How about talking to her?"

"She got murdered a couple of days ago," said the little girl in a matter-of-fact tone. No doubt, her own troubles overshadowed any concern for others. "She was never home, anyway. Only to sleep, and sometimes not even that. She was the master's daughter. The mistress is his second wife."

"I expect they were very sad when they found out," said Tora.

"Well, Master cried." She took his bowl and stacked it into her own. "But not her!" She spat. "When he was gone she danced a little dance and sang all day long."

"Really? Was there bad blood between them?"

The girl nodded. "They quarreled all the time. Master would leave to get away from them."

"What did they quarrel about?"

"The young miss had pretty things, and the mistress was forever borrowing them. The young miss didn't like it. And then the young miss would talk about the guests, and the mistress would get very angry."

Tora pricked up his ears. "Your master had many visitors?"

"Not the master." She stood up and took the bowls back to the vendor. When she returned, she said, "We must go now. Thank you very much for the good noodles." Reaching for the basket with the vegetables, she added, "I feel much stronger now and can carry the basket very well."

"Not on your life," said Tora, snatching the basket away. "How would it look if a strong young fellow like me let a little lady like you carry such a very large radish by herself?"

She giggled. "I'm no lady. And you shouldn't be carrying vegetables, sir," she protested.

"I'm not proud. Come, we'll chat as we walk. What about those guests?"

She suddenly looked wise beyond her years. "Oh, they come to see the mistress. There's one at the house now. She says they're cousins from her village, but I've seen them around town."

Tora whistled a few notes of a popular salacious ditty, then asked, "And the daughter? Did she entertain guests, too?"

"Oh, no. The mistress would not have allowed it. She was that jealous of Miss Omaki. Specially when Miss Omaki started getting all the presents from her gentleman."

Tora looked down at the little maid fondly. What a very useful child she was! "Was she going to get married then? What sort of fellow was her betrothed?"

The term puzzled the girl. "Her betrothed? I don't know that word. I've never seen Miss Omaki's gentleman. The mistress only called Miss Omaki names, like 'slut' and 'whore.' I know what those mean, and I don't think she would've done that if Miss Omaki was about to get married, do you?"

"No, I expect not. Well, here we are!" Tora paused before the umbrella maker's house and looked it over. "Did they give you Miss Omaki's room?" he asked.

"Oh, no. I sleep in the kitchen. Miss Omaki's room is upstairs in the back. The mistress has locked it up, because Miss Omaki's things are still in it." The little girl looked nervously at the upper part of the house. "I don't go up there. A dead person's spirit stays in the house for forty-nine days and nights, and I bet Miss Omaki's spirit is angry the mistress is wearing her things."

Tora felt his own hair bristle. He wished the girl had not mentioned spirits. "Well, come on," he said gruffly.

The little maid gave him an anxious look. "You will talk to her so she won't beat me again? You promised."

"Yes."

She took the basket and opened the door. They stepped into the dark front room of the house. The little maid struck a flint and lit an oil lamp. The room was deeper than it was wide. To their left was a kitchen area. Its floor was bare earth and the customary two plaster ovens with their rice steamers were built into the side wall of the house. A fire under one of the steamers was nearly out. The girl exclaimed and, dropping her basket, she ran to put more wood on and to blow at the glowing embers.

On the right side, a raised wooden platform held neat stacks of materials for making umbrellas. Bamboo shafts, rolls of oiled and painted paper, pots of glue, hemp and dried grasses for tying were all kept in tidy bundles and rows. On one side lay a pile of half-finished umbrellas.

In the back, a steep stairway climbed by way of stacked storage cabinets to a loft, and beyond this a narrow passage led to the rear. There was no one about.

"Oh, mistress?" shouted the girl, rising from her efforts with a fresh coat of ashes and soot on her pinched face. Her voice echoed from the smoke-blackened ceiling rafters.

"What do you want?" a shrill voice responded from somewhere beyond the stairs. "You're late! Get busy with those vegetables!"

"There's someone to see you," cried the girl.

After a moment's silence, there was the sound of a door and some whispered conversation. The door slid shut, and soft steps padded towards them.

"You should have said so right away, girl!" said the lady of the house, emerging from the dark passage into the faint light. She pulled some shimmering yellow garment around her and peered towards Tora uncertainly. He stepped forward into the light and bowed. Taking in his neat blue cotton robe with its black belt, and then his broad shoulders and slim hips, his handsome face and his neatly tied hair, she reached up to touch her own hair. "Oh!"

Tora eyed her with equal interest. The yellow garment seemed to be a fancy embroidered jacket, and she wore it over a thin under robe. She appeared to be in her thirties, her face somewhat coarse but not unattractive, and her body well-padded.

She asked, "Would the honored gentleman like to order an umbrella?" and came towards him with mincing steps, swinging her hips from side to side. Pointing to the platform, she said, "Please to be seated, while I get the patterns." Slipping dirty feet out of straw sandals, she stepped onto the platform to lay out a cushion for Tora. As she bent, he could see that she was naked under her robe.

"Do not trouble," said Tora, tearing his eyes away from her heavy breasts and seating himself on the edge of the platform. He gave her an admiring smile, showing off his white teeth, and said, "I came to speak to your husband, ma'am, but on another matter. Your little maid was kind enough to show me the way. I'm afraid I made her late, because I had some business to take care of first."

The woman waved the apology aside, saying, "Please don't worry! There is plenty of time. But my husband will be late." She glanced nervously at the darkness outside the window, then smiled at Tora and asked, "Can I be of some assistance?"

"Ah." Tora stroked his small mustache and eyed the lady appreciatively. "It is my very good luck to find his beautiful lady instead."

"Oh!" She batted her eyes and touched her hair again. "I'm afraid you caught me at my worst. I was taking a nap."

"You look elegant. Your husband is a lucky man. At least he shows his appreciation!" Tora touched the hem of the yellow jacket admiringly.

"Oh, this? My husband didn't give that to me. He's an old man who has no interest in such things. Besides he barely scrapes together enough to put food on the table. I married beneath my station." She noticed the little maid, who was still standing there, clutching the basket of vegetables and watching the exchange open-mouthed. "How filthy you are, girl! Go wash your face!" she cried. "And get on with the laundry while you're at it!"

"But you said to fix the vegetables for the evening rice . . . ." One look at her mistress's face, however, made her set down the basket and scurry along the passage and out the back door into the yard.

"Please excuse this humble and uncomfortable place," the woman said, kneeling down near Tora. "Will you take a cup of wine?"

"You are very kind," said Tora, stealing another look at her charms. "I wish I could, but I'm on duty. But perhaps you can help me."

Her eyes widened. "On duty? How can I be of service to the honored gentleman?"

"I came to ask some questions about your daughter Omaki."

"Omaki?" Her face stiffened and a wary look came into her eyes. "She's not my daughter. She's my husband's. Besides, she's dead."

"I know. That's why I'm here. A very unfortunate case. You certainly have my deepest sympathy."

She quickly lowered her eyes, nodded, and raised an embroidered sleeve to her face.

"I'm attached to the Ministry of Justice you see," Tora continued, pleased with himself at the choice of words. She looked up at that, clearly impressed, and he decided to stretch the truth a little further. "Since Captain Kobe of the metropolitan police is following up another lead, we have been asked to investigate this end of the case."

"You don't look old enough to be with the Ministry of Justice," she said dubiously.

Tora gave her another brilliant smile and bowed. "Thank you, ma'am, for the compliment. Actually I'm just a 'junior junior,' so to speak. I got lucky with a case in the provinces and was transferred here. Now I'm trying to make my way in the capital. I don't like to trouble folk when they're mourning a loved one, but you surely want the killer caught, and I'd be glad to get some help." He looked at her pleadingly.

"Well," she said, frowning. "I don't know . . . . Haven't they caught the killer already? That student she was seeing? I expect it was his child she was expecting. Or maybe not, and that's what made him mad enough to kill her."

"There," cried Tora. "That's exactly what I need. A woman's impression of what was going on. I knew right away that you would have a sharp eye and a fine understanding. Look at the way you knew I was too young for my job. I don't believe you miss much when it comes to sizing up people and their feelings. So you knew Omaki was seeing the student?"

"Yes. He walked her home from work a few times. A silly, ugly thing with ears like handles on a jug. Even Omaki made fun of him. I thought she didn't like him, but I guess I was wrong about that."

"Well," said Tora, "we're not supposed to talk about a case with the people concerned, but since you already know . . . Omaki used to visit him at the university, and he wrote poems about her."

She moved a little closer to him, listening avidly. "Poems? You don't mean it! So maybe it was his kid after all. Does his family have any money?"

"I don't think so."

"Then Omaki must've been mad to mess around with him. And look what it got her!"

"Actually," said Tora, "it looks like he didn't kill her. Could there have been another man?"

She thought, chewing her lip. "I suppose it's possible," she said. "She met a lot of people at her work. Sometimes they'd even give her presents."

"Could you find out about that?" He smiled at her and stroked his mustache, letting his eyes travel slowly to her large, dark-skinned breasts, half exposed where her jacket gaped.

She looked down, and pulled her jacket together. Flushing, she raised her eyes to his. "I might need a little time," she murmured, shifting her round hips a little and smoothing the jacket over her knees. Her eyes moved to his lips, his shoulders and his broad chest. "Could you come back?"

Tora nodded. "Tomorrow? Maybe a bit earlier than this?" He let his eyes go to her breasts again. "No point in disturbing your husband's dinner." This time she smiled and leaned towards him, the dusky globes straining from the fabric. A warm, unwashed smell came from her body.

Tora had rarely felt less desire for a female, but an investigator's work sometimes required acting skills, and he forced himself to whisper, "How delightful!" Pretending to recall his purpose, he cleared his throat. "Did your daughter ever mention any admirers to you?"

Her smile faded. "I told you, she's not my daughter," she cried petulantly. Tora apologized profusely, and she said grudgingly, "Well, she kept to herself a lot, you know. It's hard to be a second mother to someone your own age." She patted her hair and gave Tora a sidelong glance to see how he took this. He nodded sympathetically, and she went on, "And then Omaki thought she was much too fine for us after she became an entertainer in the Willow Quarter. Though in my opinion, that's not much better than being a whore."

"Ah! So she may have taken customers?"

The woman looked away. "I wouldn't go that far. At least you'd better not mention it to my husband. The old fool thinks she was a saint. And here she brought home all those expensive things! I ask you, who'd give a simple girl a fine jacket like this," she held out an embroidered sleeve, "for playing a lousy lute?" She paused. "Say! Is it true that the murderer and his family have to pay blood money to her relatives? I mean, if the killer was found, would you people make his family pay up for what he's done to us?"

Tora nodded. The woman placed her hand on his arm familiarly. "I can make it worth your while to look after our interests," she said, squeezing gently. "Humble folk like us don't know our way around police and the courts, but you, being with the Ministry of Justice, could keep your eyes and ears open and help us make our claim."

"Oh, I don't know that I can agree to be an informant to someone connected with a case," said Tora, frowning. "It's against the rules and might cost me my career, maybe even my job, to do such a thing."

"Oh!" she cried, "I wouldn't expect that. Only to get what is rightfully ours." She crept close to him on her knees and murmured, "I'd be very grateful. We are poor people and Omaki was our entire hope in our old age."

Tora raised his eyebrows. Apparently she could adjust her age from girlhood to senility at a moment's notice. He had noted that this was a skill peculiar only to the middle-aged female.

She misinterpreted his astonishment. "The girl had a brilliant career ahead of her," she cried. "Think of the money she would have earned; think of how she could have taken care of her old parents! Is it justice that all of that should be taken from us?"

"Hmm," Tora pretended to consider her claim, "there is something in what you say. I'll think about it. Of course, you are not likely to get anything unless we find the killer and he turns out to have some money."

Before she could answer, there was a loud and angry thumping noise from the back of the house. Mrs. Hishiya jumped a little and got to her feet. "It's getting late. I must see about dinner. My husband will be here any moment. Maybe you'd better not talk to him tonight. Come back tomorrow afternoon."

He knew she was eager to get rid of her impatient lover before her elderly husband returned home from the market. He nodded with a big smile and took his leave.

Outside, he walked around the block and up the dark alley, counting off roofs until he was behind the Hishiya house. A patch of light fell from the open door on a small yard where the little servant was hanging washing over a bamboo fence.

Tora remained in the shadows and studied the rear of the house. The small yard was full of the umbrella maker's materials and debris. A rain barrel leaned against one corner of the house and propped up a stack of firewood. This reached halfway up to a ledge under a single shuttered loft window. Omaki's room must be up there. Satisfied, Tora nodded to himself. There was plenty of time to go to the amusement quarter and pay another visit to the Willow.

• • •

When Tora entered the wine house, he found the auntie surrounded by her girls. She was giving them their appointments while she kept a careful eye on the entrance.

"Well, my young friend," she asked, greeting him with her gaptoothed smile, "are you ready for some serious battling on the silk mats? How many of my precious flowers can your little soldier defeat?" A chorus of giggles came from her girls.

"No, no, Auntie!" cried Tora, ogling her. "I came only to see you!" The girls hooted with laughter, and she snapped open her fan and hid behind it like a shy maiden. "Besides," he whispered in her ear, putting an arm around her broad waist, "I have only enough to buy a cup of wine for each of us. You know I'm a poor man."