Текст книги "The Luminaries"

Автор книги: Eleanor Catton

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VENUS IN AQUARIUS

In which Sook Yongsheng forgets his shilling; Lydia Wells becomes hysterical; and we receive an answer from the realm of the dead.

What a different gathering this was to the clandestine council that had assembled in the Crown Hotel three weeks ago! The Crown had played host to a party of twelve, which, following Moody’s arrival, became a party of thirteen; here, in the front room of the Wayfarer’s Fortune, they were a party of eleven seeking to summon a twelfth.

Charlie Frost, under Joseph Pritchard’s instruction, kept his eyes fixed upon Lydia Wells as the widow led the seven ticket holders into the parlour where Ah Sook and Ah Quee, shining with greasepaint, sat cross-legged on either side of the hearth. The drapes had been drawn over the parlour windows, and all but one of the paraffin lamps had been doused, giving the room a pinkish glow. Above this last lamp a tin dish of attar had been placed on a metal stand, and the liquid, gently heated by the warmth of the flame, filled the room with the pleasant scent of roses.

Mrs. Wells invited the men to take their seats, which, in the interval while the other guests departed the Wayfarer’s Fortune and dispersed into the night, had been arranged in a circle in the middle of the room. There was much embarrassment and nervousness in the room as the seven guests were seated. One man kept emitting a high-pitched giggle; others grinned and elbowed their mates in the ribs. Mrs. Wells paid these disturbances no notice. She was busy arranging five candles in a star pattern upon a plate, and lighting them, one by one. When the candles were lit, and the paper spill extinguished, Lydia Wells seated herself at last, and remarked, in a voice that was suddenly hushed and conspiratorial, that Anna Wetherell, these hours past, had been preparing her mind for the impending communion with the dead. She was not to be spoken to, when she made her entrance in the parlour, for even the smallest disturbance could disrupt her state of mind, which in turn would disrupt the widow’s own transmissions. Did the present company consent to ignore her?

The present company consented.

Did the present company consent to assist the widow’s transmissions further, by maintaining a state of mental receptivity for the duration of the event? Would every man agree to keep his mind cool and open, his limbs relaxed, his breathing deep and rhythmic, and his attention focused absolutely, like that of a monk at prayer?

This was assured.

‘I cannot tell you what will happen in this room tonight,’ the widow went on, still speaking in a voice of conspiracy. ‘Perhaps the furniture will move about. Perhaps we will feel breezes—the breath of the underworld, some might call it—as the spirits around us are disturbed. Perhaps the dead will speak through the mouths of the living. Or perhaps they will reveal themselves by the presentation of a token.’

‘What do you mean, a token?’ one of the diggers said.

Lydia Wells turned her calm gaze upon the speaker. ‘Sometimes,’ she said quietly, ‘and for reasons unknown to us, the dead are unable to speak. When this happens, they choose to communicate in other ways. I was party to a séance in Sydney where this occurred.’

‘What happened?’

Mrs. Wells became glazed. ‘A woman had been killed in her own home,’ she said, ‘under circumstances that were a touch mysterious—and some months following her death, a select group of spiritists convened at her house, to contact her.’

‘How was she killed?’

‘The family dog went savage,’ said Lydia Wells. ‘Quite out of character, the beast attacked her—and ripped out her throat.’

‘Hideous.’

‘Ghastly.’

‘The circumstances of her death were suspicious,’ the widow continued, ‘not the least because the dog was shot before its true nature could be established by the law. But the case was closed, and the woman’s husband, wild with grief, quit the house and sailed away. Some months later, a servant who had been employed in the house brought the matter to a medium’s attention. We arranged for a séance to be held in the very room in which this woman had been killed.

‘A gentleman in our group—not the medium, but another spiritist of high renown—happened to be wearing a pocket watch that evening. The watch was tucked inside his vest pocket, with the chain pinned to his breast. He had wound it, he assured us afterwards, before he arrived at the house, and the piece kept very good time. Well, that night—during the séance—there came a queer little whirring noise from his vest. We all heard it, though we did not know what it was. He retrieved the piece, and found to his astonishment that the dial now read three minutes past one. He insisted that he had wound the watch at six o’clock, and it was not yet nine. There was no way that the hands could have moved so far on their own accord, and he could hardly have turned the knob by accident! He tried the knob—and found that it had stuck. It was broken. In fact the piece never worked again.’

‘But what did it mean?’ someone said. ‘Three minutes past one?’

The widow’s voice became low. ‘We could only assume,’ she said, ‘that the spirit of the dead woman was trying to tell us something, very urgently. The time of her death, perhaps? Or was she delivering a warning? A death that was yet to come?’

Charlie Frost found that he was breathing shallowly.

‘What happened next?’ Nilssen whispered.

‘We decided to stay in the drawing room until three minutes past one in the morning,’ said Lydia Wells. ‘Perhaps, we thought, the spirit was inviting us to stay until that time—at which point something was to happen. We waited until the hour struck one; we waited in silence for one minute—two minutes—three—and then, exactly at that moment, there was a terrible crash: a painting tumbled from its hook upon the wall. We all turned, and saw, behind it, a hole in the plaster. The painting had been put up, you see, to mask the hole.

‘Well, the women in the group were screaming; there was noise all about; you can imagine the commotion. Someone found a knife, and cut out the piece of plaster—and lo and behold, lodged into the plaster, there was a ball of shot.’

Frost and Nilssen exchanged a quick glance. The widow’s story had reminded them both of the bullet that had vanished from Anna Wetherell’s bedchamber, in the upper room of the Gridiron Hotel.

‘Was the case ever solved?’ somebody said.

‘Oh, yes,’ the widow said. ‘I shan’t go into the details—there are too many—but you can look it all up in the papers if you’re curious. You see, the woman was never savaged by a dog at all. She had been murdered by her own husband—and he’d shot the dog, and slashed her throat himself, to cover it up.’

There were murmurs of distress around the room.

‘Yes,’ said Lydia Wells. ‘Tragic, the whole story. Elizabeth something, the woman’s name was. I forget the last name. Well, the good news was that when the case reopened, they had two clues on their side: first, that she had been killed by a ball from a Colt Army handgun … and second, that the precise time of her death was three minutes past one.’

The widow was quiet for a moment, and then she laughed. ‘But you aren’t here tonight to hear me tell tales!’ She rose from her chair. Several of the assembled men made to rise also, out of politeness, but the widow put up her hand, stalling them. ‘I regret to say that the sceptics of the world are very many,’ she said, ‘and for every good-hearted man, there are ten more who are not good at all. There may be men among you who will attempt to deny whatever happens tonight, or who will attempt to discredit me. I invite you all to look around you, now, and to reassure yourselves that this room contains no tricks or deceits or follies of any kind. I know as well as you that there are many pretenders in the art of fortune telling, but you may rest assured that I am not one of them.’ She spread her arms and said, ‘You can see that I am concealing nothing on my person. Don’t worry—you are free to look.’

There was tittering at this, and much shuffling as the men looked around them, examining the ceiling, the chairs, the paraffin lamp on the table, the candles, the rug upon the floor. Charlie Frost kept his eyes on Lydia Wells. She did not look tense. She twirled around, revealing that she was hiding nothing in her skirts, and then seated herself very easily, smiling at the room at large. She picked at a loose thread upon her sleeve and waited until the men were still.

‘Excellent,’ she said, when the collective attention had focused upon her once again. ‘Now that we are all happy, and ready, I shall cut the lights, and await Anna’s arrival.’

She leaned forward and doused the paraffin lamp, plunging them all into the gloom of candlelight. After several seconds of quiet, there came three knocks at the parlour door behind them, and Lydia Wells, still fussing over the lamp, called, ‘Come!’

The door opened, and the seven men turned. Frost, forgetting Pritchard’s instruction for a moment, looked too.

Anna was standing in the doorway with an expression of ghostly vacancy upon her face. She was still wearing the mourning dress she had been gifted by Aubert Gascoigne, but if the dress had been ill fitting once, it looked wretched on her now. The gown hung from her shoulders as though from a rail. The waist, though plainly cinched, was loose, and the tatted collar masked an almost concave breast. Her face was very pale, her expression sombre. She did not look at the faces of the assembled crowd. With her eyes fixed upon the middle distance, she came forward, slowly, and sank into the vacant armchair facing Lydia Wells.

Why, thought Frost, as she sat down, she is starving! He glanced at Nilssen, meaning to catch the other man’s eye, but Nilssen was frowning at Anna, an expression of grave perplexity upon his face. Too late, Frost remembered his own assignation, and turned back to the widow—who, in the brief moment while every man’s head was turned towards the door, had done something. Yes: she had done something, certainly, for she was smoothing down her dress in a self-conscious, satisfied way, and her expression had suddenly become brisk. What had she done? What had she altered? In the dim light he could not tell. Frost cursed himself for having looked away. This was just the kind of subterfuge that Pritchard had predicted. He vowed that he would not look away a second time.

The corners of the room had now vanished entirely into black. The only light came from the flickering glow of the candles in the centre of the group, and around it the eleven faces had a greying, ghostly look. Without taking his eyes from the widow’s face, Frost noted that in fact the circle of chairs was not perfectly circular: it was more nearly an ellipsis, placed with its longest axis pointing to the door, and Lydia seated at its farthest end. By placing the seats in this configuration, she had been able to ensure that every man’s head would turn towards the door—and away from her—when Anna arrived. Well, Frost thought, the Chinese men, at least, must have seen the sleight of hand that she had performed in that quick instant when Anna appeared in the doorway. He made a second mental note: to question them once the séance was over.

The group now joined hands, at the widow’s instruction; and then, in the fluttering light of the candles, Lydia Wells heaved a great sigh, smiled, and closed her eyes.

The widow’s visitation took a very long time coming. The group sat in perfect silence for nigh on twenty minutes, each man holding himself very still, breathing rhythmically, and waiting for a sign. Charlie Frost kept his eyes on Mrs. Wells. At length she set up a humming sound, low at the back of her throat. The humming thickened, acquired pitch; soon one could make out words, some nonsensical, some recognisable only by their shapes, their syllables. These too thickened into phrases, entreaties, commands: finally Mrs. Wells, arching her back, made her request of the world of the dead: to give up the shade of Emery Staines.

Later, Frost would describe the scene that followed as, variously, a ‘fit’, a ‘seizure’, and a ‘prolonged convulsion’. He knew that none of these explanations was quite right, for none conveyed, accurately, either the elaborate theatrics of Lydia Wells’s performance, or Frost’s acute embarrassment, in witnessing them. Mrs. Wells called out Staines’s name, again and again, intoning the words with a lover’s dying fall—and when no answer came, she became agitated. She suffered paroxysms. She repeated syllables, like a babbling child. Her head lolled against her chest, reared back, lolled again. Presently her convulsions began approaching a kind of climax. Her breathing became faster and faster—and then suddenly quelled. Her eyes snapped open.

Charlie Frost felt a cold jolt of unease: Lydia Wells was staring directly at him, and the expression on her face was unlike any he had seen her wear before: it was rigid, bloodless, fierce. But then the flames from the candles ducked and leaped and he saw that Lydia Wells was not looking at him, but past him, over his shoulder, to where Ah Sook sat in the corner in his Oriental pose. Frost did not blink; he did not look away. Then Lydia Wells gave a strange sound. Her eyes rolled back in her head. The muscles in her throat began to pulse. Her mouth moved strangely, as though she were chewing on the air. And then in a voice that did not belong to her she said:

‘Ngor yeu nei wai mut haak ngor dei gaa zuk ge ming sing tung wai waai ngor ge sing yu fu zaak. Mou leon nei hai bin, dang ngor co yun gaam cut lai, ngor yat ding wui wan dou nei. Ngor yeu wan nei bou sou—’

And she gave a great shudder, and pitched sideways, onto the floor. In the very same moment (Frost would discuss this inexplicable event with Nilssen for weeks to come) the paraffin lamp on the table lurched violently to the side, coming down upon the plate of candles that had been set out next to it. This was a mistake that ought to have been very easily righted, for the glass globe of the lamp did not shatter, and the paraffin did not spill—but there was a colossal whoosh of flame, and the circle of men was suddenly illuminated: the entire surface of the table was burning.

In the next moment everyone burst into life. Someone shouted to cover the fire. One of the diggers pulled the widow to safety, and two others cleared the sofa; the fire was doused with shawls and blankets; the lamp was knocked away; everyone was talking at once. Charlie Frost, wheeling round in the sudden darkness, saw that Anna Wetherell had not moved, and her expression had not changed. The sudden blaze of the fire did not seem to have alarmed her in the slightest.

Someone lit the lamp.

‘Was that it? Was that what was supposed to happen?’

‘What did she say?’

‘Clear a space, would you?’

‘Coo—to see us all lit up like that!’

‘Some kind of primitive—’

‘Make sure she’s breathing.’

‘Have to admit, I didn’t expect—’

‘Did it mean anything, do you think? What she said? Or was it—’

‘That wasn’t Emery Staines, sure as I’m—’

‘Another spirit? Working through—’

‘The way the lamp moved of its own accord like that!’

‘We ought to ask the johnnies. Hi! Was that Chinese?’

‘Does he understand?’

‘Was that Chinese, that she was speaking just now?’

But Ah Quee did not appear to understand the question. One of the diggers leaned over and tapped him on the shoulder.

‘What was that, eh?’ he said. ‘What was it that she said? Was it Chinese, what she was saying? Or some other tongue?’

Ah Quee returned his gaze without understanding, and did not speak. It was Ah Sook who answered.

‘Lydia Wells speak Cantonese,’ he said.

‘Yes?’ Nilssen said eagerly, swivelling about. ‘And what did she say?’

Ah Sook studied him. ‘“One day I come back and kill you. You kill a man. He die—so you die. I come back and kill you, one day.”’

Nilssen’s eyes went wide; his next question died on his lips. He turned to Anna—who was looking at Ah Sook, her expression faintly perplexed. Charlie Frost was frowning.

‘Where’s Staines in all of that?’ demanded one of the diggers.

Ah Sook shook his head. ‘Not Staines,’ he said quietly. He got up from his cushion suddenly, and walked to the window, folding his arms.

‘Not Staines?’ said the digger. ‘Who then?’

‘Francis Carver,’ said Ah Sook.

There was an explosion of outrage around the room.

‘Francis Carver? How’s that for a séance—when he isn’t even dead? Why—I could talk to Carver myself; I’d only have to knock upon his door!’

‘But he’s at the Palace,’ said another. ‘That’s fifty yards away from where we are.’

‘That’s not the point.’

‘I mean you can’t deny that something strange—’

‘I could have talked to Carver myself,’ the digger repeated, stubbornly. ‘I don’t need a medium for that.’

‘What about the lamp, though? How do you account for the lamp?’

‘It jumped across the room!’

‘It levitated.’

Ah Sook had stiffened. ‘Francis Carver,’ he said, directing his question to Harald Nilssen. ‘At the Palace Hotel?’

Nilssen frowned—surely Ah Sook knew this already! ‘Yes, Carver’s staying at the Palace,’ he said. ‘On Revell-street. The building with the blue edging, you know. Next to the hardware store.’

‘How long?’ said Ah Sook.

Nilssen looked even more confused. ‘He’s been here for three weeks,’ he said, lowering his voice. ‘Since the night—I mean, since the Godspeed came to ground.’

The other men were still arguing.

‘It’s not a séance unless it’s talking with the dead.’

‘No—when you talk to Carver, it’s you who ends up dead!’

They laughed at this, and then the digger’s mate said, ‘Rum do, you’re thinking? Some kind of a hoax?’

The stubborn digger looked inclined to agree, but he cast a glance over at Lydia Wells. The widow was still unconscious, and her face was very pale. Her mouth was partly open, showing the glint of a molar and a dry tongue, and her eyes were fluttering weakly beneath the lids. If she was shamming, the digger thought, then she was shamming extraordinarily well. But he had paid for a communion with Emery Staines. He had not paid to hear a string of Chinese syllables and then watch a woman fall into a faint. Why, how could he be sure that the words were even Chinese? She might have been speaking gibberish! The Chinese fellow might be in on the secret, and she might have paid him a fee, to corroborate the lie.

But the digger had a cowardly temperament; he did not voice these opinions aloud. ‘Wouldn’t want to say,’ he said at last, but he still looked surly.

‘Well, we’ll ask her, when she comes around.’

‘Frank Carver speaks Chinese?’ one of the others said, in a voice of incredulity.

‘He goes back and forth from Canton, does he not?’

‘Born in Hong Kong.’

‘Yes, but to speak the language—as they do!’

‘Makes you think different of the man.’

At this point the digger who had been discharged to the kitchen returned with a glass of water, and threw it across Lydia’s face. Gasping, she revived. The men crowded closer, asking in an anxious chorus after her health and safety, so that it was some moments before the widow had a chance to respond. Lydia Wells looked from face to face in some confusion; after a moment, she even managed a weak laugh. But her laughter was without its usual surety, and as she accepted a glass of Andalusian brandy from the man at her elbow her hand visibly trembled.

She drank, and in the moments that followed, all manner of questions were put to her—what had she seen? What could she remember? Whom had she channelled? Had she made any contact with Emery Staines?

Her answers were disappointing. She could remember nothing at all from the point she fell into her trance—which was unusual, she said, for usually she could recall her ‘visions’ very well indeed. The men prompted her, but without success; she simply could not remember anything at all. When it was revealed to her that she had spoken in a foreign tongue, quite fluently and for some time, she looked genuinely puzzled.

‘But I don’t know a word of Chinese,’ she said. ‘Are you sure? And the johnnies confirmed it? Real Chinese? You’re really sure?’

This was confirmed, with much perplexity and excitement.

‘And what is all this mess?’ She gestured weakly at the scorched table and the remains of the fire.

‘The lamp just fell,’ said one of the diggers. ‘It just fell, of its own accord.’

‘It did more than fall: it levitated!’

Lydia looked at the paraffin lamp a moment, and then seemed to rouse herself. ‘Well!’ She raised herself a little higher on the sofa. ‘So I channelled the ghost of a Chinaman!’

‘Interference wasn’t what I paid for,’ the stubborn digger said.

‘No,’ said Lydia Wells, soothingly, ‘no—of course it wasn’t. Of course we must refund the cost of all your tickets … but tell me: what were the very words I spoke?’

‘Something to do with a murder,’ said Frost, who was still watching her very closely. ‘Something to do with revenge.’

‘Indeed!’ said Mrs. Wells. She seemed impressed.

‘Ah Sook said it had something to do with Francis Carver,’ said Frost.

Mrs. Wells went pale; she started forward. ‘What were the very words—the exact words?’

The diggers looked around them, but perceived only Ah Quee, who returned their gaze stonily, and did not speak.

‘He doesn’t have English.’

‘Where’s the other one?’

‘Where did he go?’

Ah Sook had extracted himself from the group some minutes before, padding from the room and into the foyer so quietly that nobody had noticed his departure. The revelation that Francis Carver had returned to Hokitika—that he had been in Hokitika for three weeks—had caused a flood of private emotion in his breast, and he desired, all of a sudden, to be alone.

He leaned against the rail of the porch and looked out, down the long arm of Revell-street, towards the quay. The long row of hanging lanterns formed a doubled seam of light that came together, in a haze of yellow, some two hundred yards to the south; their brightness was so intense that upon the camber of the street it might have been high noon, and the shadows of the alleys were made all the blacker, by contrast. A pair of drunks staggered past him, clutching one another around the waist. A whore passed in the other direction, her skirts gathered high above her knees. She looked at him curiously, and Ah Sook, after a moment of blankness, remembered that his face was still heavily painted, the corners of his eyes lengthened with kohl, his cheeks rounded with white. She called out to him, but he shook his head, and she walked on. From somewhere nearby there came a sudden roar of laughter and applause.

Ah Sook sucked his lips between his teeth. So Francis Carver had returned to Hokitika once again. He surely was not aware that his old associate was living in a hut at Kaniere, less than five miles away! Carver was not a man to bear a risk if he could remove the threat of that risk altogether. In that case, Ah Sook thought, perhaps he, Ah Sook, had the advantage. He sucked again at his teeth, and then, after a moment, shook his head: no. Lydia Wells had recognised him that morning. She would surely have relayed the news to Carver at once.

Inside, the conversation had returned to the subject of the paraffin lamp—a trick that Ah Sook had already dismissed out of hand. Lydia Wells had merely slipped a loop of thread over the knob of the lamp, at the moment she doused it. The thread was the same colour as her dress, and the other end of it was affixed to the inside of her wrist. One sharp twitch of her right hand, and the lamp would fall over the candles. The small table upon which the candles were burning had been coated with paraffin oil, which had the virtues of being both odourless and colourless, such that, to an outsider, the table might have seemed merely clean; at first contact with a naked flame, however, the surface of the table was sure to ignite. It was all a charade, a sham. Mrs. Wells had not made any kind of communion with the realm of the dead, and the words that she had spoken were not the words of a dead man. Ah Sook knew this because the words were his own.

The whore had lingered in the thoroughfare; she now called out to the men on the veranda opposite, and lifted the flounces of her skirt a little higher. The men called back in response, and one leaped up to caper. Ah Sook watched them with a distant expression. He marvelled at the strange power of feminine hysteria—that Lydia Wells might have remembered his very words, perfectly, over all these years. She did not speak Cantonese. However could she have recalled his speech, and his intonation, so exactly? That was uncanny, Ah Sook thought. For he might have taken her, by her ‘visitation’, for a true native of Canton.

In the street the men were pooling their shillings, while the streetwalker stood by. There came a whistle-blast from near the quays, and then a shout of warning from the duty sergeant, and then running footsteps, approaching. Ah Sook watched the men scatter and formed his resolution in his mind.

He would return to Kaniere that very evening, clear all his belongings from his cottage, and make for the hills. There he would apply himself wholly to the task of turning the ground. He would save every flake of dust he came upon, and live as simply as he was able, until he had amassed a total of five ounces. He would not take opium until he held five ounces in his hand; he would not drink; he would not gamble; he would eat only the cheapest and plainest of foods. But the very moment that he reached this target he would return to Hokitika. He would change the metal at the Grey and Buller Bank. He would walk across the thoroughfare to Tiegreen’s Hardware and Supply. He would lay his paper note upon the countertop. He would purchase a store of shot, a tin of black powder, and a gun. Then he would walk to the Palace Hotel, climb the stairs, open Carver’s door, and take his life. And after that? Ah Sook exhaled again. After that, nothing. After that his life would come full circle, and he could rest, at last.