Текст книги "Tarzan. Complete Collection"

Автор книги: Edgar Burroughs

"That's a swell idea, Dan; get in a lot of sex stuff and a triangle and a ballroom or cabaret scene—a big one with a jazz orchestra. What we want is something different."

"That ought to fix it so that we can use this fellow," said Puant, "for it won't make much difference who takes the part of Tarzan."

"How about it, Mr. Clayton?" inquired Potkin with an ingratiating smile.

At this juncture Reece and Brouke romped in from the kitchen, each with a bottle. The host was following, expostulating.

"Have a drink, everybody!" cried Brouke, "The party's goin' stale."

They passed about the room filling up glasses with neat bourbon or gin; sometimes they mixed them. They paused occasionally to take a drink themselves. Finally they disappeared into the hallway looking for other empty glasses.

"Well," demanded Potkin, after the interruption had passed, "how about it?"

Clayton eyed him questioningly. "How about what?"

"I'm going to make a jungle picture," explained Potkin. "I got a contract for a Tarzan picture, and I want a Tarzan. I'll make a test of you tomorrow morning."

"You think I might fill the r61e of Tarzan of the Apes?" inquired Clayton, as a faint smile touched his lips.

"You ain't just what I want, but you might do. You see, Mr. Puant, here, can write a swell Tarzan story even if we ain't got no Tarzan at all. And, say! it will make you. You ought almost to pay me for such a chance. But I tell you what I do; I like you, Mr. Clayton; I give you fifty dollars a week, and look at all the publicity you get that it don't cost you nothing. You be over at the studio in the morning; and I make a test of you, eh?"

Clayton stood up. "I'll think it over," he said and started across the room.

A good-looking young woman came running in from the reception hall. Brooke was pursuing her. "Leave me alone, you cad!" she cried.

The greying host was close behind Brouke. "Leave my wife alone," he shouted, "and get out of here!"

Brouke gave the man a push that sent him staggering back against a chair, over which he fell in a heap next to the wall; then he seized the woman, lifted her in his arms, and ran out into the hall.

Clayton looked on in amazement. He turned and saw the girl, Maya, at his elbow. "Your friend is getting a little rough," she said.

"He is not my friend," replied Clayton. "I just met him this evening. He invited me to come to this party that is being given by a friend of his."

The girl laughed. "Friend of his!" she mimicked. "Joe never saw any of you guys before. You—" she looked at him closely—"you don't mean to say you didn't know you were crashing a party in a stranger's house!"

Clayton looked bewildered. "They were not friends of these people?" he demanded. "Why didn't they order us out? Why didn't they call the police?"

"And have the police find a kitchen full of booze? Quit your kidding, Big Boy."

A woman's scream was wafted down from the upper floor. The host was staggering to his feet. "My God, my wife!" he cried.

Clayton sprang into the hall and leaped up the stairs. He heard cries coming from behind a closed door; it was locked; he put his shoulder to it, and it flew open with a crash.

Inside the room a woman was struggling in the clutches of the drunken Brouke. Clayton seized the man by the scruff of the neck and tore him away. Brouke voiced a scream of pain and rage; then he turned upon Clayton, but he was helpless in the giant grip of those mighty muscles.

A police siren wailed in the distance. That seemed to sober Brouke. "Drop me, you damn fool," he cried; "here come the police!"

Clayton carried the struggling man to the head of the stairs and pitched him down; then he turned back to the room where the woman lay on the floor where she had fallen. He raised her to her feet.

"Are you hurt?" he asked.

"No, just frightened. He was trying to make me tell him where I kept my jewels."

The police siren sounded again, much closer now. "You better get out. Joe's awful sore. He'll have all three of you arrested."

Clayton glanced toward an open window, near which the branches of a great oak shone in the light from the street lamps in front of the house. He placed a foot upon the sill and leaped into the darkness. The woman screamed.

In the morning Clayton found Reece waiting for him in the lobby of the hotel. "Great little party, eh, what?" demanded the young man.

"I thought you would be in jail," said Clayton.

"Not a chance. Billy Brouke has a courtesy card from one of the big shots. Say, I see you're going to work for Abe Potkin, doing Tarzan."

"Who told you that?"

"It's in Louella Parsons' column in the Examiner."

"I'm not."

"You're wise. But I'll tell you a good bet, if you are thinking of getting into the movies. Prominent Pictures is casting a new Tarzan picture, and —"

A bell boy approached them. "Telephone call for you, Mr. Clayton," he said.

Clayton stepped to the booth and picked up the receiver.

"This is Clayton," he said.

"This is the casting office of Prominent Pictures. Can you come right over for an interview?"

"I'll think about it," replied Clayton, and hung up.

"That was Prominent Pictures calling me," he said as he rejoined Reece. "They want me to come over for an interview."

"You'd better go; if you get in with Prominent, you're made."

"It might be interesting."

"Think you could do Tarzan?"

"I might."

"Dangerous part. I wouldn't want any of it in mine."

"I think I'll go over." He turned toward the street.

"Say, old man," said Reece, "could you let me have ten until Saturday?"

The casting director sized Clayton up. "You look all right to me; I'll take you up to Mr. Goldeen; he's production manager. Had any experience?"

"As Tarzan?"

The casting director laughed. "I mean in pictures."

"No."

"Well, you might be all right at that. You don't have to be a Barrymore to play Tarzan. Come on, we'll go up to Mr. Goldeen's office."

They had to wait a few minutes in the outer office, and then a secretary ushered them in.

"Hello, Ben!" the casting director greeted Goldeen. "I think I've got just the man for you. This is Mr. Clayton, Mr. Goldeen."

"For what?"

"For Tarzan."

"Oh, m-m-m."

Goldeen's eyes surveyed Clayton critically for an instant; then the production manager made a gesture with his palm as though waving them away. He shook his head. "Not the type," he snapped. "Not the type, at all."

As Clayton followed the casting director from the room the shadow of a smile touched his lips.

"I'll tell you what," said the casting director; "there may be a minor part in it for you; I'll keep you in mind. If anything turns up, I'll give you a ring. Good-bye!"

Later in the day as Clayton was looking through an afternoon paper he saw a banner spread across the top of the theatrical page:

CYRIL WAYNE TO DO TARZAN

FAMOUS ADAGIO DANCER SIGNED BY PROMINENT PICTURES

FOR STELLAR ROLE IN FORTHCOMING PRODUCTION

A week passed. Clayton was preparing to leave California and return home. The telephone in his room rang. It was the casting director at Prominent Pictures. "Got a bit for you in the Tarzan picture," he announced. "Be at the studio at seven-thirty tomorrow morning."

Clayton thought a moment. "All right," he said; "seven– thirty."

He felt that it might be an interesting experience that would round out his stay in Hollywood.

"Say, you," shouted the assistant director, "what's your name?"

"Clayton."

"Oh, you're the guy that takes the part of the white hunter that Tarzan rescues from the lion."

Cyril Wayne, garbed in a loin cloth, his body covered with brown make-up, was eyeing Clayton and whispering to the director, who now also turned and looked.

"Geeze!" exclaimed the director. "He'll steal the picture. What dumb-egg ever cast him?"

"Can't you fake it?" asked Wayne.

"Sure, just a flash of him. We won't show his face at all. Let's get busy and rehearse the scene. Here, you, come over here. What's your name?"

"Clayton."

"Listen, Clayton. You're supposed to be comin' straight toward the camera through this jungle in the first shot. You're scared stiff; you keep lookin' behind you. You're about all in, too; you stagger like you was about ready to fall down. You see, you're lost in the jungle. There's a lion stalkin' you. We'll cut the lion shots in. Then in the last scene the lion is right behind you—and the lion's really in this scene with you, but you needn't be scared; he won't hurt you. He's perfectly tame and gentle. You scream. You draw your knife. Your knees shake. Tarzan hears you and comes swinging through the trees. Say, is that double here that's goin' to swing through the trees for Cyril?" he interrupted himself to address his assistant. Assured that the double was on the set, he continued, "The lion charges; Tarzan swings down between you and the lion. We get a close up of you there; keep your back to the camera. Then Tarzan leaps on the lion and kills it. Say, Eddie, has that lion tamer that's doublin' for Cyril in the kill got his make-up on even? He looked lousy in the rushes yesterday."

"Everything's all O.K., Chief," replied the assistant.

"All ready then—everybody!" yelled the director. "Get in there, Clayton, and remember there's a lion behind you and you're scared stiff."

The rehearsal was satisfactory and the first shots pleased the director; then came the big scene in which Wayne and Clayton and the lion appeared. The lion was large and handsome. Clayton admired him. The trainer cautioned them all that if anything went wrong they were to stand perfectly still, and under no circumstances was any one to touch Leo.

The cameras were grinding; Clayton staggered and half fell. He looked fearfully behind him and uttered a scream of terror. Cyril Wayne dropped from the branch of a low tree just as the lion emerged from the jungle behind Clayton. And then something went wrong.

The lion voiced an ugly roar and crouched. Wayne, sensing danger and losing his head, bolted past Clayton; the lion charged. Leo would have passed Clayton, who had remained perfectly still, and pursued the fleeing Wayne; but then something else happened.

Clayton, realizing more than any of the others the danger that menaced the actor, sprang for the beast and leaped upon its back. A powerful arm encircled the lion's neck. The beast wheeled and struck at the man-thing clinging to it, but the terrible talons missed their mark. Clayton locked his legs beneath the sunken belly of the carnivore. The lion threw itself to the ground and lashed about in a frenzy of rage.

With his hideous growls mingled equally bestial growls from the throat of the man. The lion regained its feet and reared upon its hind legs. The knife that they had given Clayton flashed in the air. Once, twice, three times it was driven deep into the side of the frenzied beast; then Leo slumped to the ground, shuddered convulsively and lay still.

Clayton leaped erect; he placed one foot upon his kill and raised his face to the heavens; then he checked himself and that same slow smile touched his lips.

An excited man rushed onto the set. It was Benny Goldeen, the production manager.

"My God!" he cried. "You've killed our best lion. He was worth ten thousand dollars if he was worth a cent. You're fired!"

The clerk at The Roosevelt looked up. "Leaving us, Mr. Clayton?" he asked politely. "I hope you have enjoyed Hollywood."

"Very much indeed," replied Clayton; "but I wonder if you could give me some information?"

"Certainly; what is it?"

"What is the shortest route to Africa?"

THE END

EDGAR RICE BURROUGHS TARZAN AND THE LEOPARD MEN BOOK 18 IN THE TARZAN SERIES Serialized in The Blue Book Magazine, August 1932—January 1933

First Book Edition—Edgar Rice Burroughs, Inc., September 1935

TABLE OF CONTENTS

                      Chapter 1. Storm

                      Chapter 2. The Hunter

                      Chapter 3. Dead Men Who Spoke

                      Chapter 4. Sobito, The Witch– Doctor

                      Chapter 5. "Unspeakable Boor!"

                      Chapter 6. The Traitor

                      Chapter 7. The Captive

                      Chapter 8. Treason Unmasked

                      Chapter 9. The Leopard God

                      Chapter 10. While The Priests Slept

                      Chapter 11. Battle

                      Chapter 12. The Sacrifice

                      Chapter 13. Down River

                      Chapter 14. The Return Of Sobito

                      Chapter 15. The Little Men

                      Chapter 16. A Clue

                      Chapter 17. Charging Lions

                      Chapter 18. Arrows Out Of The Night

                      Chapter 19. "The Demons Are Coming!"

                      Chapter 20. "I Hate You!"

                      Chapter 21. Because Nsenene Loved

                      Chapter 22. In The Crucible Of Danger

                      Chapter 23. Converging Trails

CHAPTER 1.—STORM

The girl turned uneasily upon her cot. The fly, bellying in the rising wind, beat noisily against the roof of the tent. The guy ropes creaked as they tugged against their stakes. The unfastened flaps of the tent whipped angrily. Yet in the midst of this growing pandemonium, the sleeper did not fully awaken. The day had been a trying one. The long, monotonous march through the sweltering jungle had left her exhausted, as had each of the weary marches that had preceded it through the terrible, grueling days since she had left rail-head in that dim past that seemed now a dull eternity of suffering.

Perhaps she was less exhausted physically than before, as she was gradually becoming inured to the hardships; but the nervous strain of the past few days had taken its toll of energy since she had become aware of the growing insubordination of the native men who were her only companions on this rashly conceived and illy ordered safari.

Young, slight of build, accustomed to no sustained physical effort more gruelling than a round of golf, a few sets of tennis, or a morning canter on the back of a well-mannered mount, she had embarked upon this mad adventure without the slightest conception of the hardships and dangers that it would impose. Convinced almost from the first day that her endurance might not be equal to the heavy tax placed upon it, urged by her better judgment to turn back before it became too late, she had sturdily, and perhaps stubbornly, pushed on deeper and deeper into the grim jungle from which she had long since practically given up hope of extricating herself. Physically frail she might be for such an adventure, but no paladin of the Round Table could have boasted a sturdier will.

How compelling must be the exigency that urged her on! What necessity strove her from the paths of luxury and ease into the primeval forest and this unaccustomed life of danger, exposure, and fatigue? What ungovernable urge denied her the right of self– preservation now that she was convinced that her only chance of survival lay in turning back? Why had she come? Not to hunt; she had killed only under the pressure of necessity for food. Not to photograph the wild life of the African hinterland; she possessed no camera. Not in the interests of scientific research; if she had ever had any scientific interest it had been directed principally upon the field of cosmetics, but even that had languished and expired in the face of the fierce equatorial sun and before an audience consisting exclusively of low crowed, West Africans. The riddle, then, remains a riddle as unfathomable and inscrutable as the level gaze of her brave grey eyes.

The forest bent beneath the heavy hand of Usha, the wind. Dark clouds obscured the heavens. The voices of the jungle were silenced. Not even the greatest of the savage beasts risked calling the attention of the mighty forces of Nature to their presence. Only the sudden flares of the windswept beast-fires illumined the camp in fitful bursts that wrought grotesquely dancing shadow-shapes from the prosaic impedimenta of the safari, scattered upon the ground.

A lone and sleepy askari, bracing his back against the growing gale, stood careless guard. The camp slept, except for him and one other; a great hulking native, who crept stealthily toward the tent of the sleeping girl.

Then the fury of the storm broke upon the crouching forest. Lightning flashed. Thunder boomed, and rolled, and boomed again. Rain fell. At first in great drops and then in solid, wind-sped sheets it enveloped the camp.

Even the sleep of utter exhaustion could not withstand this final assault of Nature. The girl awoke. In the vivid and almost incessant flashes of lightning she saw a man entering the tent. Instantly she recognized him. The great, hulking figure of Golato the headman might not easily be mistaken for another. The girl raised herself upon an elbow.

"Is there something wrong, Golato?" she asked. "What do you want?"

"You, Kali Bwana," answered the man huskily.

So it had come at last! For two days she had been dreading it, her fears aroused by the changed attitude of the man toward her; a change that was reflected in the thinly veiled contempt of the other members of her party for her orders, in the growing familiarities of their speech and actions. She had seen it in the man's eyes.

From a holster at the side of her cot she drew a revolver. "Get out of here," she said, "or I'll kill you."

For answer the man leaped toward her. Then she fired.

Moving from west to east, the storm cut a swath through the forest. In its wake lay a trail of torn and twisted branches, here and there an uprooted tree. It sped on, leaving the camp of the girl far behind.

In the dark a man crouched in the shelter of a great tree, protected from the full fury of the wind by its hoary bole. In the hollow of one of his arms something cuddled close to his naked hide for warmth. Occasionally he spoke to it and caressed it with his free hand. His gentle solicitude for it suggested that it might be a child, but it was not. It was a small, terrified, wholly miserable little monkey. Born into a world peopled by large, savage creatures with a predilection for tender monkey meat he had early developed, perhaps inherited, an inferiority feeling that had reduced his activities to a series of screaming flights from dangers either real or imaginary.

His agility, however, often imparted a certain appearance of reckless bravado in the presence of corporeal enemies from whom experience had taught him he could easily escape; but in the face of Usha, the wind, Ara, the lightning, and Pand, the thunder, from whom none might escape, he was reduced to the nadir of trembling hopelessness. Not even the sanctuary of the mighty arms of his master from whose safe embrace he had often thrown insults into the face of Numa, the lion, could impart more than a fleeting sense of security.

He cowered and whimpered to each new gust of wind, each flash of lightning, each stunning burst of thunder. Suddenly the fury of the storm rose to the pinnacle of its Titanic might; there was the sound of rending wood from the ancient fibers of the jungle patriarch at whose foot the two had sought shelter. Catlike, from his squatting position, the man leaped to one side even as the great tree crashed to earth, carrying a half dozen, of its neighbors with it. As he jumped he tossed the monkey from him, free of the branches of the fallen monarch. He, himself, was less fortunate. A far spreading limb struck him heavily upon the head and, as he fell, pinned him to the ground.

Whimpering, the little monkey crouched in an agony of terror while the tornado, seemingly having wrought its worst, trailed off toward the east and new conquests. Presently, sensing the departure of the storm, he crept fearfully in search of his master, calling to him plaintively from time to time. It was dark. He could see nothing beyond a few feet from the end of his generous, sensitive nose. His master did not answer and that filled the little monkey with dire forebodings; but presently he found him beneath the fallen tree, silent and lifeless.

Nyamwegi had been the life of the party in the little thatched village of Kibbu, where he had gone from his own village of Tumbai to court a dusky belle. His vanity flattered by the apparent progress of his suit and by the very evident impression that his wit and personality had made upon the company of young people before whom he had capered and boasted, he had ignored the passage of time until the sudden fall of the equatorial night had warned him that he had long overstayed the time allowed him by considerations of personal safety.

Several miles of grim and forbidding forest separated the villages of Kibbu and Tumbai. They were miles fraught by night with many dangers, not the least of which to Nyamwegi were the most unreal, including, as they did, the ghosts of departed enemies and the countless demons that direct the destinies of human life, usually with malign intent.

He would have preferred to remain the night in Kibbu as had been suggested by his inamorata; but there was a most excellent reason why he could not, a reason that transcended in potency even the soft blandishments of a sweetheart or the terrors of the jungle night. It was a tabu that had been placed upon him by the witch– doctor of Tumbai for some slight transgression when the latter had discovered that, above all things, Nyamwegi would doubtless wish to spend many nights in Kibbu village. For a price the tabu might be lifted, a fact which doubtless had more to do with its imposition than the sin it purported to punish; but then, of course, the church must live—in Africa as elsewhere. The tragedy lay in the fact that Nyamwegi did not have the price; and tragedy indeed it proved for poor Nyamwegi.

On silent feet the young warrior followed the familiar trail toward Tumbai. Lightly he carried his spear and shield, at his hip swung a heavy knife; but of what potency were such weapons against the demons of the night? Much more efficacious was the amulet suspended about his neck, which he fingered often as he mumbled prayers to his muzimo, the protecting spirit of the ancestor for whom he had been named.

He wondered if the girl were worth the risk, and decided that she was not.

Kibbu village lay a mile behind when the storm overtook Nyamwegi. At first his anxiety to reach Tumbai and his fear of the night urged him on despite the buffetings of the gale; but at last he was forced to seek what shelter he could beneath a giant tree, where he remained until the greatest fury of the elements had subsided, though the lightning was still illuminating the forest as he pushed on. Thus the storm became his undoing, for where he might have passed unnoticed in the darkness the lightning revealed his presence to whatever enemy might be lurking along the trail.

He was already congratulating himself that half the journey had been accomplished when, without warning, he was seized from behind. He felt sharp talons sink into his flesh. With a scream of pain and terror he wheeled to extricate himself from the clutches of the thing that had seized him, the terrifying, voiceless thing that made no sound. For an instant he succeeded in breaking the hold upon his shoulders and as he turned, reaching for his knife, the lightning flashed, revealing to his horrified eyes a hideous human face surmounted by the head of a leopard.

Nyamwegi struck out blindly with his knife in the ensuing darkness, and simultaneously he was seized again from behind by rending talons that sank into his chest and abdomen as the creature encircled him with hairy arms. Again vivid lightning brought into high relief the tragic scene. Nyamwegi could not see the creature that gripped him from behind; but he saw three others menacing him in front and on either side, and he abandoned hope as he recognized his assailants, from their leopard skins and masks, as members of the feared secret order of Leopard Men.

Thus died Nyamwegi the Utengan.