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Pygmalion and Three Other Plays
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Текст книги "Pygmalion and Three Other Plays"


Автор книги: George Bernard Shaw


Соавторы: John A. Bertolini

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Текущая страница: 10 (всего у книги 44 страниц)

LADY BRITOMART Ah! Barbara! Your pet! You would sacrifice Stephen to Barbara.

UNDERSHAFT Cheerfully. And you, my dear, would boil Barbara to make soup for Stephen.

LADY BRITOMART Andrew: this is not a question of our lik ings and dislikings: it is a question of duty. It is your duty to make Stephen your successor.

UNDERSHAFT Just as much as it is your duty to submit to your husband. Come, Biddy! these tricks of the governing class are of no use with me. I am one of the governing class myself; and it is waste of time giving tracts to a missionary. I have the power in this matter; and I am not to be humbugged into using it for your purposes.

LADY BRITOMART Andrew: you can talk my head off; but you cant change wrong into right. And your tie is all on one side. Put it straight.

UNDERSHAFT [disconcerted] It wont stay unless it’s pinned – [he fumbles at it with childish grimaces].

STEPHEN comes in.

STEPHEN [at the door] I beg your pardon [about to retire].

LADY BRITOMART No: come in, Stephen. [STEPHEN comes forward to his mother’s writing table.]

UNDERSHAFT [not very cordially] Good afternoon.

STEPHEN [coldly] Good afternoon.

UNDERSHAFT [to LADYBRITOMART] He knows all about the tradition, I suppose?

LADY BRITOMART Yes. [To STEPHEN.] It is what I told you last night, Stephen.

UNDERSHAFT [sulkily] I understand you want to come into the cannon business.

STEPHEN I go into trade! Certainly not.

UNDERSHAFT [opening his eyes, greatly eased in mind and manner] Oh! in that case – !

LADY BRITOMART Cannons are not trade, Stephen. They are enterprise.

STEPHEN I have no intention of becoming a man of business in any sense. I have no capacity for business and no taste for it. I intend to devote myself to politics.

UNDERSHAFT [rising] My dear boy: this is an immense relief to me. And I trust it may prove an equally good thing for the country. I was afraid you would consider yourself disparaged and slighted. [He moves towards STEPHEN as if to shake hands with him.]

LADY BRITOMART [rising and interposing] Stephen: I cannot allow you to throw away an enormous property like this.

STEPHEN [stiffly] Mother: there must be an end of treating me as a child, if you please. [LADY BRITOMART recoils, deeply wounded by his tone.] Until last night I did not take your attitude seriously, because I did not think you meant it seriously. But I find now that you left me in the dark as to matters which you should have explained to me years ago. I am extremely hurt and offended. Any further discussion of my intentions had better take place with my father, as between one man and another.

LADY BRITOMART Stephen! [She sits down again; and her eyes fill with tears.]

UNDERSHAFT [with grave compassion] You see, my dear, it is only the big men who can be treated as children.

STEPHEN I am sorry, mother, that you have forced me —

UNDERSHAFT [stopping him] Yes, yes, yes, yes: thats all right, Stephen. She wont interfere with you any more: your independence is achieved: you have won your latchkey. Dont rub it in; and above all, dont apologize. [He resumes his seat.] Now what about your future, as between one man and another – I beg your pardon, Biddy: as between two men and a woman.

LADY BRITOMART [who has pulled herself together strongly] I quite understand, Stephen. By all means go your own way if you feel strong enough. [STEPHEN sits down magisterially in the chair at the writing table with an air of affirming his majority.]

UNDERSHAFT It is settled that you do not ask for the succession to the cannon business.

STEPHEN I hope it is settled that I repudiate the cannon business.

UNDERSHAFT Come, come! dont be so devilishly sulky: it’s boyish. Freedom should be generous. Besides, I owe you a fair start in life in exchange for disinheriting you.You cant become prime minister all at once. Havnt you a turn for something? What about literature, art and so forth?

STEPHEN I have nothing of the artist about me, either in faculty or character, thank Heaven!

UNDERSHAFT A philosopher, perhaps? Eh?

STEPHEN I make no such ridiculous pretension.

UNDERSHAFT Just so. Well, there is the army, the navy, the Church, the Bar. The Bar requires some ability. What about the Bar?

STEPHEN I have not studied law. And I am afraid I have not the necessary push – I believe that is the name barristers give to their vulgarity – for success in pleading.

UNDERSHAFT Rather a difficult case, Stephen. Hardly anything left but the stage, is there? [STEPHEN makes an impatient movement.] Well, come! is there anything you know or care for?

STEPHEN [rising and looking at him steadily] I know the difference between right and wrong.

UNDERSHAFT [hugely tickled] You dont say so! What! no capacity for business, no knowledge of law, no sympathy with art, no pretension to philosophy; only a simple knowledge of the secret that has puzzled all the philosophers, baffled all the lawyers, muddled all the men of business, and ruined most of the artists: the secret of right and wrong. Why, man, youre a genius, a master of masters, a god! At twenty-four, too!

STEPHEN [keeping his temper with difficulty] You are pleased to be facetious. I pretend to nothing more than any honorable English gentleman claims as his birthright [he sits down angrily].

UNDERSHAFT Oh, thats everybody’s birthright. Look at poor little Jenny Hill, the Salvation lassie! she would think you were laughing at her if you asked her to stand up in the street and teach grammar or geography or mathematics or even drawingroom dancing; but it never occurs to her to doubt that she can teach morals and religion. You are all alike, you respectable people. You cant tell me the bursting strain of a ten-inch gun, which is a very simple matter; but you all think you can tell me the bursting strain of a man under temptation.You darent handle high explosives; but youre all ready to handle honesty and truth and justice and the whole duty of man, and kill one another at that game. What a country! what a world!

LADY BRITOMART [uneasily] What do you think he had better do, Andrew?

UNDERSHAFT Oh, just what he wants to do. He knows nothing; and he thinks he knows everything. That points clearly to a political career. Get him a private secretaryship to someone who can get him an Under Secretaryship; and then leave him alone. He will find his natural and proper place in the end on the Treasury bench.[70]70
  In the House of Commons (Parliament’s lower house), the Treasury bench is the first row of seats on the right of the Speaker, where cabinet members sit.


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STEPHEN [springing up again] I am sorry, sir, that you force me to forget the respect due to you as my father. I am an Englishman; and I will not hear the Government of my country insulted. [He thrusts his hands in his pockets, and walks angrily across to the window.]

UNDERSHAFT [with a touch of brutality] The government of your country! I am the government of your country: I, and Lazarus. Do you suppose that you and half a dozen amateurs like you, sitting in a row in that foolish gabble shop, can govern Undershaft and Lazarus? No, my friend: you will do what pays u s. You will make war when it suits us, and keep peace when it doesnt. You will find out that trade requires certain measures when we have decided on those measures. When I want anything to keep my dividends up, you will discover that my want is a national need. When other people want something to keep my dividends down, you will call out the police and military. And in return you shall have the support and applause of my newspapers, and the delight of imagining that you are a great statesman. Government of your country! Be off with you my boy, and play with your caucuses and leading articles[71]71
  Caucuses are small councils within a political party that determine party positions; leading articles are the leading editorials in newspapers.


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and historic parties and great leaders and burning questions and the rest of your toys. I am going back to my counting house to pay the piper and call the tune.

STEPHEN [actualty smiling, and putting his hand on his father’s shoulder with indulgent patronage] Really, my dear father, it is impossible to be angry with you. You don’t know how absurd all this sounds to m e. You are very properly proud of having been industrious enough to make money; and it is greatly to your credit that you have made so much of it. But it has kept you in circles where you are valued for your money and deferred to for it, instead of in the doubtless very old-fashioned and behind-the-times public school and university where I formed my habits of mind. It is natural for you to think that money governs England; but you must allow me to think I know better.

UNDERSHAFT And what does govern England, pray?

STEPHEN Character, father, character.

UNDERSHAFT Whose character?Yours or mine?

STEPHEN Neither yours nor mine, father, but the best elements in the English national character.

UNDERSHAFT Stephen: Ive found your profession for you. Youre a born journalist. I’ll start you with a high-toned weekly review. There!

STEPHEN goes to the smaller writing table and busies himself with his letters.

SARAH, BARBARA, LOMAX, and CUSINS come in ready for walking. BARBARA crosses the room to the window and looks out. CUSINS drifts amiably to the armchair, and LOMAX remains near the door, whilst SARAH comes to her mother.

SARAH Go and get ready, mamma: the carriage is waiting. [LADY BRITOMART leaves the room.]

UNDERSHAFT [to SARAH] Good day, my dear. Good afternoon, Mr. Lomax.

LOMAX (vaguely] Ahdedoo.

UNDERSHAFT [to CUSINS] Quite well after last night, Euripides, eh?

CUSINS As well as can be expected.

UNDERSHAFT Thats right. [To BARBARA.] So you are coming to see my death and devastation factory, Barbara?

BARBARA [at the window] You came yesterday to see my salvation factory. I promised you a return visit.

LOMAX [coming forward between SARAH and UNDERSHAFT] Youll find it awfully interesting. Ive been through the Woolwich Arsenal; and it gives you a ripping feeling of security, you know, to think of the lot of beggars we could kill if it came to fighting. [To UNDERSHAFT, with sudden solemnity.] Still, it must be rather an awful reflection for you, from the religious point of view as it were. Youre getting on, you know, and all that.

SARAH You dont mind Cholly’s imbecility, papa, do you?

LOMAX [much taken aback] Oh I say!

UNDERSHAFT Mr. Lomax looks at the matter in a very proper spirit, my dear.

LOMAX Just so. Thats all I meant, I assure you.

SARAH Are you coming, Stephen?

STEPHEN Well, I am rather busy – er – [Maananimously.] Oh well, yes: I’ll come. That is, if there is room for me.

UNDERSHAFT I can take two with me in a little motor I am experimenting with for field use. You wont mind its being rather unfashionable. It’s not painted yet; but it’s bullet proof.

LOMAX [appalled at the prospect of confronting WILTON CRESCENT in an unpainted motor] Oh I say!

SARAH The carriage for me, thank you. Barbara doesnt mind what shes seen in.

LOMAX I say, Dolly old chap: do you really mind the car being a guy? Because of course if you do I’ll go in it. Still —

CUSINS I prefer it.

LOMAX Thanks awfully, old man. Come, Sarah. [He hurries out to secure his seat in the carriage. SARAH follows him.]

CUSINS [moodily walking across to LADY BRITOMART’s writing table] Why are we two coming to this Works Department of Hell? that is what I ask myself.

BARBARA I have always thought of it as a sort of pit where lost creatures with blackened faces stirred up smoky fires and were driven and tormented by my father? Is it like that, dad?

UNDERSHAFT [scandalized] My dear! It is a spotlessly clean and beautiful hillside town.

CUSINS With a Methodist chapel? Oh do say theres a Methodist chapel.

UNDERSHAFT There are two: a Primitive one[72]72
  Primitive Methodists belong to a branch of the church that adheres more strictly to original Methodist doctrine.


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and a sophis ticated one. There is even an Ethical Society;[73]73
  Group that looks to reason instead of to a supernatural being as the basis for moral behavior.


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it is not much patronized, as my men are all strongly religious. In the High Explosives Sheds they object to the presence of Agnostics as unsafe.

CUSINS And yet they dont object to you!

BARBARA Do they obey all your orders?

UNDERSHAFT I never give them any orders. When I speak to one of them it is “Well, Jones, is the baby doing well? and has Mrs. Jones made a good recovery.” “Nicely, thank you, sir.” And thats all.

CUSINS But Jones has to be kept in order. How do you maintain discipline among your men?

UNDERSHAFT I dont.They do. You see, the one thing Jones wont stand is any rebellion from the man under him, or any assertion of social equality between the wife of the man with 4 shillings a week less than himself, and Mrs. Jones! Of course they all rebel against me, theoretically. Practically, every man of them keeps the man just below him in his place. I never meddle with them. I never bully them. I dont even bully Lazarus. I say that certain things are to be done; but I dont order anybody to do them. I dont say, mind you, that there is no ordering about and snubbing and even bullying. The men snub the boys and order them about; the carmen snub the sweepers; the artisans snub the unskilled laborers; the foremen drive and bully both the laborers and artisans; the assistant engineers find fault with the foremen; the chief engineers drop on the assistants; the departmental managers worry the chiefs; and the clerks have tall hats and hymnbooks and keep up the social tone by refusing to associate on equal terms with anybody. The result is a colossal profit, which comes to me.

CUSINS [revolted] You really are a – well, what I was saying yesterday.

BARBARA What was he saying yesterday?

UNDERSHAFT Never mind, my dear. He thinks I have made you unhappy. Have I?

BARBARA Do you think I can be happy in this vulgar silly dress? I! who have worn the uniform. Do you understand what you have done to me? Yesterday I had a man’s soul in my hand. I set him in the way of life with his face to salvation. But when we took your money he turned back to drunkenness and derision. [With intense conviction.] I will never forgive you that. If I had a child, and you destroyed its body with your explosives – if you murdered Dolly with your horrible guns – I could forgive you if my forgiveness would open the gates of heaven to you. But to take a human soul from me, and turn it into the soul of a wolf! that is worse than any murder.

UNDERSHAFT Does my daughter despair so easily? Can you strike a man to the heart and leave no mark on him?

BARBARA [her face lighting up] Oh, you are right: he can never be lost now: where was my faith?

CUSINS Oh, clever clever devil!

BARBARA You may be a devil; but God speaks through you sometimes. [She takes her father’s hands and kisses them.] You have given me back my happiness: I feel it deep down now, though my spirit is troubled.

UNDERSHAFT You have learnt something. That always feels at first as if you had lost something.

BARBARA Well, take me to the factory of death, and let me learn something more. There must be some truth or other behind all this frightful irony. Come, Dolly. [She goes out.]

CUSINS My guardian angel! [To UNDERSHAFT.] Avaunt! [He follows BARBARA.]

STEPHEN [quietly, at the writing table] You must not mind Cusins, father. He is a very amiable good fellow; but he is a Greek scholar and naturally a little eccentric.

UNDERSHAFT Ah, quite so. Thank you, Stephen. Thank you. [He goes out.]

STEPHEN smiles patronizingly; buttons his coat responsibly; and crosses the room to the door. LADY BRITOMART, dressed for out-of-doors, opens it before he reaches it. She looks round for the others; looks at STEPHEN; and turns to go without a word.

STEPHEN (embarrassed] Mother —

LADY BRITOMART Dont be apologetic, Stephen. And dont forget that you have outgrown your mother. [She goes out.] Perivale St. Andrews lies between two Middlesex hills, half climbing the northern one. It is an almost smokeless town of white walls, roofs of narrow green slates or red tiles, tall trees, domes, campaniles, and slender chimney shafts, beautifully situated and beautiful in itself. The best view of it is obtained from the crest of a slope about half a mile to the east, where the high explosives are dealt with. The foundry lies hidden in the depths between, the tops of its chimneys sprouting like huge skittles[74]74
  pins, like bowling pins, used in the game of skittles.


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into the middle distance. Across the crest runs a platform of concrete, with a parapet which suggests
a fortification, because there is a huge cannon of the obsolete Woolwich Infant pattern peering across it at the town. The cannon is mounted on an experimental gun carriage: possibly the original model of the Undershaft disappearing rampart gun alluded to by STEPHEN. The parapet has a high step inside which serves as a seat.

BARBARA is leaning over the parapet, looking towards the town. On her right is the cannon; on her left the end of a shed raised on piles, with a ladder of three or four steps up to the door, which opens outwards and has a little wooden landing at the threshold, with a fire bucket in the corner of the landing. The parapet stops short of the shed, leaving a gap which is the beginning of the path down the hill through the foundry to the town. Behind the cannon is a trolley carrying a huge conical bombshell, with a red band painted on it. Further from the parapet, on the same side, is a deck chair, near the door of an office, which, like the sheds, is of the lightest possible construction.

CUSINS arrives by the path from the town.

BARBARA Well?

CUSINS Not a ray of hope. Everything perfect, wonderful, real. It only needs a cathedral to be a heavenly city instead of a hellish one.

BARBARA Have you found out whether they have done anything for old Peter Shirley.

CUSINS They have found him a job as gatekeeper and time-keeper. He’s frightfully miserable. He calls the timekeeping brainwork, and says he isnt used to it; and his gate lodge is so splendid that hes ashamed to use the rooms, and skulks in the scullery.

BARBARA Poor Peter!

STEPHEN arrives from the town. He carries a field-glass.

STEPHEN [enthusiastically) Have you two seen the place? Why did you leave us?

CUSINS I wanted to see everything I was not intended to see; and Barbara wanted to make the men talk.

STEPHEN Have you found anything discreditable?

CUSINS No. They call him Dandy Andy and are proud of his being a cunning old rascal; but it’s all horribly, frightfully, im morally, unanswerably perfect.

SARAH arrives.

SARAH Heavens! what a place! [She crosses to the trolley.] Did you see the nursing home!? [She sits down on the shell.]

STEPHEN Did you see the libraries and schools!?

SARAH Did you see the ball room and the banqueting chamber in the Town Hall!?

STEPHEN Have you gone into the insurance fund, the pension fund, the building society, the various applications of cooperation!?

UNDERSHAFT comes from the Office, with a sheaf of telegrams in his hands.

UNDERSHAFT Well, have you seen everything? I’m sorry I was called away. [Indicating the telegrams.] News from Manchuria.

STEPHEN Good news, I hope.

UNDERSHAFT Very.

STEPHEN Another Japanese victory?

UNDERSHAFT Oh, I dont know. Which side wins does not concern us here. No: the good news is that the aerial battleship is a tremendous success. At the first trial it has wiped out a fort with three hundred soldiers in it.

CUSINS [from the platform] Dummy soldiers?

UNDERSHAFT No: the real thing. [CUSINS and BARBARA exchange glances. Then CUSINS sits on the step and buries his face in his hands. BARBARA gravely lays her hand on his shoulder, and he looks up at her in a sort of whimsical desperation.] Well, Stephen, what do you think of the place?

STEPHEN Oh, magnificent. A perfect triumph of organization. Frankly, my dear father, I have been a fool: I had no idea of what it all meant – of the wonderful forethought, the power of organization, the administrative capacity, the financial genius, the colossal capital it represents. I have been repeating to myself as I came through your streets “Peace hath her victories no less renowned than War.”[75]75
  Quotation from Sonnet 16, “Cromwell, our chief of men” (lines 10-11), by English poet John Milton (1608-1674.).


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I have only one misgiving about it all.

UNDERSHAFT Out with it.

STEPHEN Well, I cannot help thinking that all this provision for every want of your workmen may sap their independence and weaken their sense of responsibility. And greatly as we enjoyed our tea at that splendid restaurant – how they gave us all that luxury and cake and jam and cream for threepence I really cannot imagine! – still you must remember that restaurants break up home life. Look at the continent, for instance! Are you sure so much pampering is really good for the men’s characters?

UNDERSHAFT Well you see, my dear boy, when you are organizing civilization you have to make up your mind whether trouble and anxiety are good things or not. If you decide that they are, then, I take it, you simply dont organize civilization; and there you are, with trouble and anxiety enough to make us all angels! But if you decide the other way, you may as well go through with it. However, Stephen, our characters are safe here. A sufficient dose of anxiety is always provided by the fact that we may be blown to smithereens at any moment.

SARAH By the way, papa, where do you make the explosives?

UNDERSHAFT In separate little sheds, like that one. When one of them blows up, it costs very little; and only the people quite close to it are killed.

STEPHEN, who is quite close to it, looks at it rather scaredly, and moves away quickly to the cannon.At the same moment the door of the shed is thrown abruptly open; and a foreman in overalls and list slippers comes out on the little landing and holds the door open for LOMAX, who appears in the doorway.

LOMAX [with studied coolness] My good fellow: you neednt get into a state of nerves. Nothing’s going to happen to you; and I suppose it wouldnt be the end of the world if anything did. A little bit of British pluck is what you want, old chap. [He descends and strolls across to SARAH.]

UNDERSHAFT [to the foreman] Anything wrong, Bilton?

BILTON [with ironic calm] Gentleman walked into the high explosives shed and lit a cigaret, sir: thats all.

UNDERSHAFT Ah, quite so. [To LOMAX.] Do you happen to remember what you did with the match?

LOMAX Oh come! I’m not a fool. I took jolly good care to blow it out before I chucked it away.

BILTON The top of it was red hot inside, sir.

LOMAX Well, suppose it was! I didnt chuck it into any of your messes.

UNDERSHAFT Think no more of it, Mr. Lomax. By the way, would you mind lending me your matches?

LOMAX [offering his box] Certainly.

UNDERSHAFT Thanks. [He pockets the matches.]

LOMAX [lecturing to the company generally] You know, these high explosives dont go off like gunpowder, except when theyre in a gun. When theyre spread loose, you can put a match to them without the least risk: they just burn quietly like a bit of paper. [Warming to the scientific interest of the subject.] Did you know that, Undershaft?{32} Have you ever tried?

UNDERSHAFT Not on a large scale, Mr. Lomax. Bilton will give you a sample of gun cotton when you are leaving if you ask him. You can experiment with it at home. [Bilton looks puzzled. ]

SARAH Bilton will do nothing of the sort, papa. I suppose it’s your business to blow up the Russians and Japs; but you might really stop short of blowing up poor Cholly. [BILTON gives it up and retires into the shed.]

LOMAX My ownest, there is no danger. [He sits beside her on the shell. ]

LADY BRITOMART arrives from the town with a bouquet.

LADY BRITOMART [coming impetuously between UNDERSHAFT and the deck chair] Andrew: you shouldnt have let me see this place.

UNDERSHAFT Why, my dear?

LADY BRITOMART Never mind why: you shouldnt have: thats all. To think of all that [indicating the town] being yours! and that you have kept it to yourself all these years!

UNDERSHAFT It does not belong to me. I belong to it. It is the Undershaft inheritance.

LADY BRITOMART It is not. Your ridiculous cannons and that noisy banging foundry may be the Undershaft inheritance; but all that plate and linen, all that furniture and those houses and orchards and gardens belong to us. They belong to m e: they are not a man’s business. I wont give them up. You must be out of your senses to throw them all away; and if you persist in such folly, I will call in a doctor.

UNDERSHAFT [stooping to smell the bouquet] Where did you get the flowers, my dear?

LADY BRITOMART Your men presented them to me in your William Morris Labor Church.{33}

CUSINS [springing up] Oh! It needed only that. A Labor Church!

LADY BRITOMART Yes, with Morris’s words in mosaic letters ten feet high round the dome. NO MAN IS GOOD ENOUGH TO BE ANOTHER MAN’S MASTER. The cynicism of it!

UNDERSHAFT It shocked the men at first, I am afraid. But now they take no more notice of it than of the ten commandments in church.

LADY BRITOMART Andrew: you are trying to put me off the subject of the inheritance by profane jokes. Well, you shant. I dont ask it any longer for Stephen: he has inherited far too much of your perversity to be fit for it. But Barbara has rights as well as Stephen. Why should not Adolphus succeed to the inheritance? I could manage the town for him; and he can look after the cannons, if they are really necessary.

UNDERSHAFT I should ask nothing better if Adolphus were a foundling. He is exactly the sort of new blood that is wanted in English business. But hes not a foundling; and theres an end of it.

CUSINS [diplomatically] Not quite. [They all turn and stare at him. He comes from the platform past the shed to UNDERSHAFT. I think – Mind! I am not committing myself in any way as to my future course – but I think the foundling difficulty can be got over.

UNDERSHAFT What do you mean?

CUSINS Well, I have something to say which is in the nature of a confession.

CUSINS Yes, a confession. Listen, all. Until I met Barbara I thought myself in the main an honorable, truthful man, because I wanted the approval of my conscience more than I wanted anything else. But the moment I saw Barbara, I wanted her far more than the approval of my conscience.

LADY BRITOMART Adolphus!

CUSINS It is true.You accused me yourself, Lady Brit, of joining the Army to worship Barbara; and so I did. She bought my soul like a flower at a street corner; but she bought it for herself.

UNDERSHAFT What! Not for Dionysos or another?

CUSINS Dionysos and all the others are in herself. I adored what was divine in her, and was therefore a true worshipper. But I was romantic about her too. I thought she was a woman of the people, and that a marriage with a professor of Greek would be far beyond the wildest social ambitions of her rank.

LADY BRITOMART Adolphus!!

LOMAX Oh I say!!!

CUSINS When I learnt the horrible truth —

LADY BRITOMART What do you mean by the horrible truth, pray?

CUSINS That she was enormously rich; that her grandfather was an earl; that her father was the Prince of Darkness —

UNDERSHAFT Chut!

CUSINS – and that I was only an adventurer trying to catch a rich wife, then I stooped to deceive her about my birth.

BARBARA Dolly!

LADY BRITOMART Your birth! Now Adolphus, dont dare to make up a wicked story for the sake of these wretched cannons. Remember: I have seen photographs of your parents; and the Agent General for South Western Australia knows them personally and has assured me that they are most respectable married people.

CUSINS So they are in Australia; but here they are outcasts. Their marriage is legal in Australia, but not in England. My mother is my father’s deceased wife’s sister; and in this island I am consequently a foundling. [Sensation.] Is the subterfuge good enough, Machiavelli?

UNDERSHAFT [thoughtfully] Biddy: this may be a way out of the difficulty.

LADY BRITOMART Stuff! A man cant make cannons any the better for being his own cousin instead of his proper self [she sits down in the deck chair with a bounce that expresses her downright contempt for their casuistry].

UNDERSHAFT [to CUSINS] You are an educated man. That is against the tradition.

CUSINS Once in ten thousand times it happens that the schoolboy is a born master of what they try to teach him. Greek has not destroyed my mind: it has nourished it. Besides, I did not learn it at an English public school.

UNDERSHAFT Hm! Well, I cannot afford to be too particular: you have cornered the foundling market. Let it pass. You are eligible, Euripides: you are eligible.

BARBARA [coming from the platform and interposing between CUSINS and UNDERSHAFT] Dolly: yesterday morning, when Stephen told us all about the tradition, you became very silent; and you have been strange and excited ever since. Were you thinking of your birth then?

CUSINS When the finger of Destiny suddenly points at a man in the middle of his breakfast, it makes him thoughtful. [BARBARA turns away sadly and stands near her mother, listening perturbedly.]

UNDERSHAFT Aha! You have had your eye on the business, my young friend, have you?

CUSINS Take care! There is an abyss of moral horror between me and your accursed aerial battleships.

UNDERSHAFT Never mind the abyss for the present. Let us settle the practical details and leave your final decision open. You know that you will have to change your name. Do you object to that?

CUSINS Would any man named Adolphus – any man called Dolly! – object to be called something else?

UNDERSHAFT Good. Now, as to money! I propose to treat you handsomely from the beginning. You shall start at a thousand a year.

CUSINS [with sudden heat, his spectacles twinkling with mischief ] A thousand! You dare offer a miserable thousand to the son-in-law of a millionaire! No, by Heavens, Machiavelli! you shall not cheat m e. You cannot do without me; and I can do without you. I must have two thousand five hundred a year for two years. At the end of that time, if I am a failure, I go. But if I am a success, and stay on, you must give me the other five thousand.

UNDERSHAFT What other five thousand?

CUSINS To make the two years up to five thousand a year. The two thousand five hundred is only half pay in case I should turn out a failure. The third year I must have ten per cent on the profits.

UNDERSHAFT [taken aback] Ten per cent! Why, man, do you know what my profits are?

CUSINS Enormous, I hope: otherwise I shall require twenty-five per cent.

UNDERSHAFT But, Mr. Cusins, this is a serious matter of business. You are not bringing any capital into the concern.


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