Текст книги "Miss Peregrine's Home For Peculiar Children"
Автор книги: Ransom Riggs
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Текущая страница: 5 (всего у книги 17 страниц)
* * *
I walked back by moonlight, feeling small. I found my dad in the pub at the same table where he’d been, a half-eaten plate of beef and gravy congealing into grease before him. “Look who’s back,” he said as I sat down. “I saved your dinner for you.”
“I’m not hungry,” I said, and told him what I’d learned about Grandpa Portman.
He seemed more angry than surprised. “I can’t believe he never brought this up,” he said. “Not one time.” I could understand his anger: it was one thing for a grandparent to withhold something like that from a grandchild, quite another for a father to keep it from his son—and for so long.
I tried to steer the conversation in a more positive direction. “It’s amazing, isn’t it? Everything he went through.”
My father nodded. “I don’t think we’ll ever know the full extent of it.”
“Grandpa Portman really knew how to keep a secret, didn’t he?”
“Are you kidding? The man was an emotional Fort Knox.”
“I wonder if it doesn’t explain something, though. Why he acted so distant when you were little.” Dad gave me a sharp look, and I knew I needed to make my point quickly or risk overstepping. “He’d already lost his family twice before. Once in Poland and then again here—his adopted family. So when you and Aunt Susie came along ...”
“Once bombed, twice shy?”
“I’m serious. Don’t you think this could mean that maybe he wasn’t cheating on Grandma, after all?”
“I don’t know, Jake. I guess I don’t believe things are ever that simple.” He let out a sigh, breath fogging the inside of his beer glass. “I think I know what all this really explains, though. Why you and Grandpa were so close.”
“Okay ...”
“It took him fifty years to get over his fear of having a family. You came along at just the right time.”
I didn’t know how to respond. How do you say I’m sorry your father didn’t love you enough to your own dad? I couldn’t, so instead I just said goodnight and headed upstairs to bed.
* * *
I tossed and turned most of the night. I couldn’t stop thinking about the letters—the one my dad and Aunt Susie had found as kids, from this “other woman,” and the one I’d found a month ago, from Miss Peregrine. The thought that kept me awake was this: what if they were the same woman?
The postmark on Miss Peregrine’s letter was fifteen years old, but by all accounts she’d been blown into the stratosphere back in 1940. To my mind, that left two possible explanations: either my grandfather had been corresponding with a dead person—admittedly unlikely—or the person who wrote the letter was not, in fact, Miss Peregrine, but someone who was using her identity to disguise her own.
Why would you disguise your identity in a letter? Because you have something to hide. Because you are the other woman.
What if the only thing I had discovered on this trip was that my grandfather was an adulterous liar? In his last breaths, was he trying to tell me about the death of his adopted family—or admit to some tawdry, decades-long affair? Maybe it was both, and the truth was that by the time he was a young man he’d had his family torn apart so many times he no longer knew how to have one, or to be faithful to one.
It was all just guesswork, though. I didn’t know, and there was no one to ask. Anyone who might have had the answer was long dead. In less than twenty-four hours, the whole trip had become pointless.
I fell into an uneasy sleep. At dawn, I woke to the sound of something in my room. Rolling over to see what it was, I bolted upright in bed. A large bird was perched on my dresser, staring me down. It had a sleek head feathered in gray and talons that clacked on the wooden dresser as it sidled back and forth along the edge, as if to get a better look at me. I stared back rigidly, wondering if this could be a dream.
I called out for my dad, and at the sound of my voice the bird launched itself off the dresser. I threw my arm across my face and rolled away, and when I peeked again it was gone, flown out the open window.
My dad stumbled in, bleary-eyed. “What’s going on?”
I showed him the talon marks on the dresser and a feather that had landed on the floor. “God, that’s weird,” he said, turning it over in his hands. “Peregrines almost never come this close to humans.”
I thought maybe I’d heard him wrong. “Did you say peregrines?”
He held up the feather. “A peregrine falcon,” he said. “They’re amazing creatures—the fastest birds on earth. They’re like shape-shifters, the way they streamline their bodies in the air.” The name was just a weird coincidence, but it left me with an uncanny feeling I couldn’t shake.
Over breakfast, I began to wonder if I’d given up too easily. Though it was true there was no one left alive whom I could talk to about my grandfather, there was still the house, a lot of it unexplored. If it had ever held answers about my grandfather—in the form of letters, maybe, or a photo album or a diary—they’d probably burned up or rotted away decades ago. But if I left the island without making sure, I knew I’d regret it.
And that is how someone who is unusually susceptible to nightmares, night terrors, the Creeps, the Willies, and Seeing Things That Aren’t Really There talks himself into making one last trip to the abandoned, almost-certainly-haunted house where a dozen or more children met their untimely end.
Chapter Five
It was an almost-too-perfect morning. Leaving the pub felt like stepping into one of those heavily retouched photos that come loaded as wallpaper on new computers: streets of artfully decrepit cottages stretched into the distance, giving way to green fields sewn together by meandering rock walls, the whole scene topped by scudding white clouds. But beyond all that, above the houses and fields and sheep doddering around like little puffs of cotton candy, I could see tongues of dense fog licking over the ridge in the distance, where this world ended and the next one began, cold, damp, and sunless.
I walked over the ridge and straight into a rain shower. True to form, I had forgotten my rubber boots, and the path was a rapidly deepening ribbon of mud. But getting a little wet seemed vastly preferable to climbing that hill twice in one morning, so I bent my head against the spitting rain and trudged onward. Soon I passed the shack, dim outlines of sheep huddled inside against the chill, and then the mist-shrouded bog, silent and ghostly. I thought about the twenty-seven-hundred-year-old resident of Cairnholm’s museum and wondered how many more like him these fields held, undiscovered, arrested in death; how many more had given up their lives here, looking for heaven.
By the time I reached the children’s home, what had begun as a drizzle was a full-on downpour. There was no time to dally in the house’s feral yard and reflect upon its malevolent shape—the way the doorless doorway seemed to swallow me as I dove through it, the way the hall’s rain-bloated floorboards gave a little beneath my shoes. I stood wringing water from my shirt and shaking out my hair, and when I was as dry as I was going to get—which was not very—I began to search. For what, I wasn’t sure. A box of letters? My grandfather’s name scribbled on a wall? It all seemed so unlikely.
I roved around peeling up mats of old newspaper and looking under chairs and tables. I imagined uncovering some horrible scene—a tangle of skeletons dressed in fire-blackened rags—but all I found were rooms that had become more outside than inside, character stripped away by moisture and wind and layers of dirt. The ground floor was hopeless. I went back to the staircase, knowing this time I would have to climb it. The only question was, up or down? One strike against going upstairs was its limited options for quick escape (from squatters or ghouls or whatever else my anxious mind could invent) other than hurling myself from an upper-story window. Downstairs had the same problem, and with the added detractor of being dark, and me without a flashlight. So upstairs it was.
The steps protested my weight with a symphony of shudders and creaks, but they held, and what I discovered upstairs—compared to the bombed-out ground floor, at least—was like a time capsule. Arranged along a hallway striped with peeling wallpaper, the rooms were in surprisingly good shape. Though one or two had been invaded by mold where a broken window had let in the rain, the rest were packed with things that seemed only a layer or two of dust away from new: a mildewed shirt tossed casually over the back of a chair, loose change skimming a nightstand. It was easy to believe that everything was just as the children had left it, as if time had stopped the night they died.
I went from room to room, examining their contents like an archaeologist. There were wooden toys moldering in a box; crayons on a windowsill, their colors dulled by the light of ten thousand afternoons; a dollhouse with dolls inside, lifers in an ornate prison. In a modest library, the creep of moisture had bowed the shelves into crooked smiles. I ran my finger along the balding spines, as if considering pulling one out to read. There were classics like Peter Pan and The Secret Garden, histories written by authors forgotten by history, textbooks of Latin and Greek. In the corner were corralled a few old desks. This had been their classroom, I realized, and Miss Peregrine, their teacher.
I tried to open a pair of heavy doors, twisting the handle, but they were swelled shut—so I took a running start and rammed them with my shoulder. They flew open with a rasping shriek and I fell face-first into the next room. As I picked myself up and looked around, I realized that it could only have belonged to Miss Peregrine. It was like a room in Sleeping Beauty’s castle, with cobwebbed candles mounted in wall sconces, a mirrored vanity table topped with crystal bottles, and a giant oak bed. I pictured the last time she’d been here, scrambling out from under the sheets in the middle of the night to the whine of an air-raid siren, rounding up the children, all groggy and grasping for coats on their way downstairs.
Were you scared? I wondered. Did you hear the planes coming?
I began to feel unusual. I imagined I was being watched; that the children were still here, preserved like the bog boy, inside the walls. I could feel them peering at me through cracks and knotholes.
I drifted into the next room. Weak light shone through a window. Petals of powder-blue wallpaper drooped toward a couple of small beds, still clad in dusty sheets. I knew, somehow, that this had been my grandfather’s room.
Why did you send me here? What was it you needed me to see?
Then I noticed something beneath one of the beds and knelt down to look. It was an old suitcase.
Was this yours? Is it what you carried onto the train the last time you saw your mother and father, as your first life was slipping away?
I pulled it out and fumbled with its tattered leather straps. It opened easily—but except for a family of dead beetles, it was empty.
I felt empty, too, and strangely heavy, like the planet was spinning too fast, heating up gravity, pulling me toward the floor. Suddenly exhausted, I sat on the bed—his bed, maybe—and for reasons I can’t quite explain, I stretched out on those filthy sheets and stared at the ceiling.
What did you think about, lying here at night? Did you have nightmares, too?
I began to cry.
When your parents died, did you know it? Could you feel them go?
I cried harder. I didn’t want to, but I couldn’t stop myself.
I couldn’t stop myself, so I thought about all the bad things and I fed it and fed it until I was crying so hard I had to gasp for breath between sobs. I thought about how my great-grandparents had starved to death. I thought about their wasted bodies being fed to incinerators because people they didn’t know hated them. I thought about how the children who lived in this house had been burned up and blown apart because a pilot who didn’t care pushed a button. I thought about how my grandfather’s family had been taken from him, and how because of that my dad grew up feeling like he didn’t have a dad, and now I had acute stress and nightmares and was sitting alone in a falling-down house and crying hot, stupid tears all over my shirt. All because of a seventy-year-old hurt that had somehow been passed down to me like some poisonous heirloom, and monsters I couldn’t fight because they were all dead, beyond killing or punishing or any kind of reckoning. At least my grandfather had been able to join the army and go fight them. What could I do?
When it was over, my head was pounding. I closed my eyes and pushed my knuckles in to stop them from hurting, if only for a moment, and when I finally released the pressure and opened them again, a miraculous change had come over the room: There was a single ray of sun shining through the window. I got up, went to the cracked glass, and saw that it was both raining and shining outside—a bit of meteorological weirdness whose name no one can seem to agree on. My mom, I kid you not, refers to it as “orphans’ tears.” Then I remembered what Ricky says about it—”the Devil’s beatin’ his wife!”—and I laughed and felt a little better.
Then, in the patch of quickly fading sun that fell across the room, I noticed something I hadn’t before. It was a trunk—or the edge of one, at least—poking out from under the second bed. I went over and peeled back the bed sheet that hid most of it from view.
It was a big old steamer trunk latched with a giant rusting padlock. It couldn’t possibly be empty, I thought. You don’t lock an empty trunk. Open me! it fairly seemed to cry out. I am full of secrets!
I grabbed it by the sides and pulled. It didn’t move. I pulled again, harder, but it wouldn’t give an inch. I wasn’t sure if it was just that heavy, or if generations of accumulated moisture and dust had somehow fused it to the floor. I stood up and kicked it a few times, which seemed to jar things loose, and then I managed to move it by pulling on one side at a time, shimmying it forward the way you might move a stove or a fridge, until it had come out all the way from under the bed, leaving a trail of parenthetical scars in the floor. I yanked on the padlock, but despite a thick encrustation of rust it seemed rock solid. I briefly considered searching for a key—it had to be here somewhere—but I could’ve wasted hours looking, and the lock was so decayed that I wondered if the key would even work anymore. My only option was to break it.
Looking around for something that might do the job, I found a busted chair in one of the other rooms. I pried off a leg and went to town on the lock, raising the leg over my head like an executioner and bringing it down as hard as I could, over and over, until the leg itself finally broke and I was left holding a splintered stump. I scanned the room for something stronger and quickly spotted a loose railing on the bed frame. After a few stomping kicks, it clattered to the floor. I wedged one end through the lock and pulled the other end backward. Nothing happened.
I hung on it with all my weight, lifting my feet off the floor like I was doing a pull-up with the rail. The trunk creaked a little, but that was it.
I started to get mad. I kicked the trunk and pulled on that rail with every bit of my strength, the veins bulging out of my neck, yelling, Open god damn you, open you stupid trunk! Finally my frustration and anger had an object: If I couldn’t make my dead grandfather give up his secrets, I would damn well pry the secrets out of this old trunk. And then the rail slipped and I crashed to the floor and got the wind knocked out of me.
I lay there and stared at the ceiling, catching my breath. The orphans’ tears had ended and now it was just plain old raining outside, harder than ever. I thought about going back to town for a sledgehammer or a hacksaw—but that would only raise questions I didn’t feel like answering.
Then I had a brilliant idea. If I could find a way to break the trunk, I wouldn’t have to worry about the lock at all. And what force would be stronger than me and my admittedly underdeveloped upper-body muscles wailing on the trunk with random tools? Gravity. I was, after all, on the second floor of the house, and while I didn’t think there was any way I could lift the trunk high enough to get it through a window, the rail along the top of the staircase landing had long ago collapsed. All I had to do was drag the trunk down the hall and push it over. Whether its contents would survive the impact was another issue—but at least I’d find out what was inside.
I hunkered down behind the trunk and began pushing it toward the hall. After a few inches its metal feet dug into the soft floor and it ground stubbornly to a halt. Undeterred, I moved around to the other side, gripped the padlock with both hands and pulled backward. To my great surprise it moved two or three feet in one go. It wasn’t a particularly dignified way of working—this squatting, butt-scooting motion I had to repeat over and over, each slide of the trunk accompanied by an ear-splitting metal-on-wood shriek—but before long I’d gotten it out of the room and was dragging it, foot by foot, doorway by doorway, toward the landing. I lost myself in the echoing rhythm of it, working up a manly lather of sweat in the process.
I finally made it to the landing and, with one final indelicate grunt, pulled the trunk onto it after me. It slid easily now, and after a few more shoves I had it teetering precariously on the edge; one last nudge would be enough to send it over. But I wanted to see it shatter—my reward for all this work—so I got up and carefully shuffled toward the edge until I could glimpse the floor of the gloomy chamber below. Then, holding my breath, I gave the trunk a little tap with my foot.
It hesitated for a moment, wobbling there on the edge of oblivion, and then pitched decisively forward and fell, tumbling end over end in beautiful balletic slow-motion. There came a tremendous echoing crash that seemed to rattle the whole house as a plume of dust shot up at me from below and I had to cover my face and retreat down the hall until it cleared. A minute later I came back and peeked again over the landing and saw not the pile of smashed wood that I had so fondly hoped for, but a jagged trunk-shaped hole in the floorboards. It had fallen straight through into the basement.
I raced downstairs and wriggled up to the edge of the buckled floor on my belly like you would a hole in thin ice. Fifteen feet below, through a haze of dust and darkness, I saw what remained of the trunk. It had shattered like a giant egg, its pieces all mixed up in a heap of debris and smashed floorboards. Scattered throughout were little pieces of paper. It looked like I’d found a box of letters, after all! But then, squinting, I could make out shapes on them—faces, bodies—and that’s when I realized they weren’t letters at all, but photographs. Dozens of them. I got excited—and then just as quickly went cold, because something dreadful occurred to me.
I have to go down there.
* * *
The basement was a meandering complex of rooms so lightless I may as well have explored them blindfolded. I descended the creaking stairs and stood at the bottom for a while, hoping my eyes would eventually adjust, but it was the kind of dark there was no adjusting to. I was also hoping I’d get used to the smell—a strange, acrid stink like the supply closet in a chemistry classroom—but no such luck. So I shuffled in, with my shirt collar pulled up over my nose and my hands held out in front of me, and hoped for the best.
I tripped and nearly fell. Something made of glass went skidding away across the floor. The smell only seemed to get worse. I began to imagine things lurking in the dark ahead of me. Forget monsters and ghosts—what if there was another hole in the floor? They’d never find my body.
Then I realized, in a minor stroke of genius, that by dialing up a menu screen on the cellphone I kept in my pocket (despite being ten miles from the nearest bar of reception), I could make a weak flashlight. I held it out, aiming the screen away from me. It barely penetrated the darkness, so I pointed it at the floor. Cracked flagstone and mouse turds. I aimed it to the side; a faint gleam reflected back.
I took a step closer and swept my phone around. Out of the darkness emerged a wall of shelves lined with glass jars. They were all shapes and sizes, mottled with dust and filled with gelatinous-looking things suspended in cloudy fluid. I thought of the kitchen and the exploded jars of fruits and vegetables I’d found there. Maybe the temperature was more stable down here, and that’s why these had survived.
But then I got closer still, and looked a little harder, and realized they weren’t fruits and vegetables at all, but organs. Brains. Hearts. Lungs. Eyes. All pickled in some kind of home-brewed formaldehyde, which explained the terrific stench. I gagged and stumbled away from them into the dark, simultaneously grossed out and baffled. What kind of place was this? Those jars were something you might expect to find in the basement of a fly-by-night medical school, not a house full of children. If not for all the wonderful things Grandpa Portman had said about this place, I might’ve wondered if Miss Peregrine had rescued the children just to harvest their organs.
When I’d recovered a little, I looked up to see another gleam ahead of me—not a reflection of my phone, but a weak glimmer of daylight. It had to be coming from the hole I’d made. I soldiered on, breathing through my pulled-up shirt and keeping away from the walls and any other ghastly surprises they might’ve harbored.
The gleam led me around a corner and into a small room with part of the ceiling caved in. Daylight streamed through the hole onto a mound of splintered floorboards and broken glass from which rose coils of silty dust, pieces of torn carpet plastered here and there like scraps of desiccated meat. Beneath the debris I could hear the scrabble of tiny feet, some rodentine dark-dweller that had survived the implosion of its world. In the midst of it all lay the demolished trunk, photographs scattered around it like confetti.
I picked my way through the wreckage, high-stepping javelins of wood and planks studded with rusting nails. Kneeling, I began to salvage what I could from the pile. I felt like a rescue worker, plucking faces from the debris, brushing away glass and wood rot. And though part of me wanted to hurry—there was no telling if or when the rest of the floor might collapse on my head—I couldn’t stop myself from studying them.
At first glance, they looked like the kind of pictures you’d find in any old family album. There were shots of people cavorting on beaches and smiling on back porches, vistas from around the island, and lots of kids, posing in singles and pairs, informal snapshots and formal portraits taken in front of backdrops, their subjects clutching dead-eyed dolls, like they’d gone to Glamour Shots in some creepy turn-of-the-century shopping mall. But what I found really creepy wasn’t the zombie dolls or the children’s weird haircuts or how they never, ever seemed to smile, but that the more I studied the pictures, the more familiar they began to seem. They shared a certain nightmarish quality with my grandfather’s old photos, especially the ones he’d kept hidden in the bottom of his cigar box, as if somehow they’d all come from the same batch.
There was, for instance, a photo of two young women posed before a not-terribly-convincing painted backdrop of the ocean. Not so strange in and of itself; the unsettling thing was how they were posed. Both had their backs to the camera. Why would you go to all the trouble and expense of having your picture taken—portraits were pricey back then—and then turn your back on the camera? I half-expected to find another photo in the debris of the same girls facing forward, revealing grinning skulls for faces.
Other pictures seemed manipulated in much the same way as some of my grandfather’s had been. One was of a lone girl in a cemetery staring into a reflecting pool—but two girls were reflected back. It reminded me of Grandpa Portman’s photo of the girl “trapped” in a bottle, only whatever darkroom technique had been used wasn’t nearly as fake-looking. Another was of a disconcertingly calm young man whose upper body appeared to be swarming with bees. That would be easy enough to fake, right? Like my grandfather’s picture of the boy lifting what was certainly a boulder made from plaster. Fake rock—fake bees.
The hairs on the back of my neck stood up as I remembered something Grandpa Portman had said about a boy he’d known here in the children’s home—a boy with bees living inside him. Some would fly out every time he opened his mouth, he had said, but they never stung unless Hugh wanted them to.
I could think of only one explanation. My grandfather’s pictures had come from the trunk that lay smashed before me. I wasn’t certain, though, until I found a picture of the freaks: two masked ruffle-collared kids who seemed to be feeding each other a coil of ribbon. I didn’t know what they were supposed to be, exactly—besides fuel for nightmares; what were they, sadomasochistic ballerinas?—but there was no doubt in my mind that Grandpa Portman had a picture of these same two boys. I’d seen it in his cigar box just a few months ago.
It couldn’t have been a coincidence, which meant that the photos my grandfather had shown me—that he’d sworn were of children he’d known in this house—had really come from this house. But could that mean, despite the doubts I’d harbored even as an eight-year-old, that the pictures were genuine? What about the fantastic stories that went along with them? That any of them could be true—literally true—seemed unthinkable. And yet, standing there in dusty half-light in that dead house that seemed so alive with ghosts, I thought, maybe ...
Suddenly there came a loud crash from somewhere in the house above me, and I startled so badly that all the pictures slipped from my hands.
It’s just the house settling, I told myself—or caving in! But as I bent down to gather the photos, the crash came again, and in an instant what meager light had shone through the hole in the floor faded away, and I found myself squatting in inky darkness.
I heard footsteps, and then voices. I strained to make out what they were saying, but I couldn’t. I didn’t dare move, afraid that the slightest motion would set off a noisy avalanche of debris all around me. I knew that my fear was irrational—it was probably just those dumb rapper kids pulling another prank—but my heart was beating a hundred miles an hour, and some deep animal instinct commanded me to be silent.
My legs began to go numb. As quietly as I could, I shifted my weight from one leg to the other to get the blood flowing again. A tiny piece of something came loose from the pile and rolled away, making a sound that seemed huge in the silence. The voices went quiet. Then a floorboard creaked right over my head and a little shower of plaster dust sprinkled down. Whoever was up there, they knew exactly where I was.
I held my breath.
Then, I heard a girl’s voice say softly, “Abe? Is that you?”
I thought I’d dreamed it. I waited for the girl to speak again, but for a long moment there was only the sound of rain banking off the roof, like a thousand fingers tapping way off somewhere. Then a lantern glowed to life above me, and I craned my neck to see a half dozen kids kneeling around the craggy jaws of broken floor, peering down.
I recognized them somehow, though I didn’t know where from. They seemed like faces from a half-remembered dream. Where had I seen them before—and how did they know my grandfather’s name?
Then it clicked. Their clothes, strange even for Wales. Their pale unsmiling faces. The pictures strewn before me, staring up at me just as the children stared down. Suddenly I understood.
I’d seen them in the photographs.
The girl who’d spoken stood up to get a better look at me. In her hands she held a flickering light, which wasn’t a lantern or a candle but seemed to be a ball of raw flame, attended by nothing more than her bare skin. I’d seen her picture not five minutes earlier, and in it she looked much the same as she did now, even cradling the same strange light between her hands.
I’m Jacob, I wanted to say. I’ve been looking for you. But my jaw had come unhinged, and all I could do was stare.
The girl’s expression soured. I was wretched looking, damp from rain and dust-covered and squatting in a mound of debris. Whatever she and the other children had been expecting to find inside this hole in the floor, I was not it.
A murmur passed among them, and they stood up and quickly scattered. Their sudden movement knocked something loose in me and I found my voice again and shouted for them to wait, but they were already pounding the floorboards toward the door. I tripped through the wreckage and stumbled blindly across the stinking basement to the stairs. But by the time I made it back to the ground floor, where the daylight they’d stolen had somehow returned, they had vanished from the house.
I bolted outside and down the crumbling brick steps into the grass, screaming, “Wait! Stop!” But they were gone. I scanned the yard, the woods, breathing hard, cursing myself.
Something snapped beyond the trees. I wheeled around to look and, through a screen of branches, caught a flash of blurred movement—the hem of a white dress. It was her. I crashed into the woods, sprinting after. She took off running down the path.
I hurdled fallen logs and ducked low branches, chasing her until my lungs burned. She kept trying to lose me, cutting from the path into the trackless forest and back. Finally the woods fell away and we broke into open bogland. I saw my chance. Now she had nowhere to hide—to catch her I had only to pour on the speed—and with me in sneakers and jeans and her in a dress it would be no contest. Just as I started to catch up, though, she made a sudden turn and plunged straight into the bog. I had no choice but to follow.
