Текст книги "Lawrence: The Uncrowned King of Arabia"
Автор книги: Michael Asher
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In 1918, Thomas had been commissioned by the American government to produce material which would generate enthusiasm for the war among the American people. Finding that the Western Front, with its dirt, disease and monotonous stalemate, presented no image worth carrying home, Thomas had been steered by John Buchan, Britain’s propaganda chief, to the more photogenic Eastern front. In March 1918 Thomas had met Lawrence in Jerusalem, and the arch-propagandist in Lawrence had immediately recognized the efficacy of publicity. He had arranged for Thomas to visit him in Aqaba, where he had not only posed for him happily in Arab costume, but had succeeded in getting him permission to film the Bedu. Thomas wrote later that it was not Lawrence himself, but his fellow British officers who tended to be camera-shy. Although Thomas returned to the United States too late for his material to perform its original function, his post-war presentation in London was a phenomenal success. It quickly boosted Lawrence to superstar status: in Britain alone it was watched by more than a million people, including the King – who asked for a private showing. It succeeded by harnessing a series of heroic archetypes which appealed deeply to the subliminal consciousness of a people whose nation had just survived a devastating war. In a very real sense, ‘Colonel Lawrence’ redeemed the souls and the seemingly pointless deaths of thousands of Britain’s young men. Thomas claimed that Lawrence had been regarded by the Arabs as ‘a sort of supernatural being’ who had been sent from heaven to deliver them from their oppressors; he declared that Lawrence had done more to unify the Arabs than anyone since the age of the ‘Great Caliphs’. Lawrence had achieved this, he said, by ‘transforming himself into an Arab’ and wandering around the Arabian deserts with only two companions, persuading individual tribesmen to join the revolt by pure rhetoric. This ‘youth’ had, he said, become virtually the ruler of the Holy Land of the Arabs and the commander-in-chief of thousands of Bedu. It was a compelling picture: the messianic nature of the story was just what the audience wanted to hear. It also expressed precisely the kind of mythological, archetypal images in which Lawrence himself had always liked to deal. In early 1920 he wrote to Sir Archibald Murray, his former Chief in Cairo, who objected to certain comments Thomas had made about him in the lecture, noting that he himself had to ‘sit still’ while Thomas called him ‘Prince of Mecca’ and ‘other beastly things’, 13yet a year earlier Lawrence had announced to the King of England that he was ‘a prince among the Arabs’ and even used the title ‘Prince of Mecca’ deliberately in the 1922 edition of Who’s Who. The truth was that Lawrence loved Thomas’s lecture, was fascinated by it, went to see it several times, and hated himself for loving it. Lawrence called the publicity ‘rank’, yet when Thomas asked him what his attitude to mis-statements would be, he answered that he would neither confirm nor deny them. Thomas, who, unlike Lawrence’s later biographers, had actually met Lawrence during the campaign, wrote that he revelled in being the leader of an army, a strategist, and a maker of history: ‘he got a real thrill,’ he wrote, ‘out of the kudos that accrued from his success.’ 14
Thomas’s presentation was an exercise in mass manipulation, and its effects were staggering: within weeks many who had opposed or criticized Lawrence were praising him unreservedly, realizing that they, too, were accessories in the heroic story. So powerful did the mythical image become that in the ensuing years it was almost impossible for anyone to make a balanced statement about Lawrence: all but the most iconoclastic felt that it was expected of them to pay lip-service to the official version, and to oppose it became almost tantamount to treason. Lawrence’s fame opened every door: prominent writers, artists, poets – many of those who might be thought of as capable of individual and independent views – simply accepted passively the verdict of the crowd. (There were some exceptions: neither Kipling nor Doughty joined in the popular circus.) Such is the overwhelming power of fame: not that Lawrence did not deserve to be famous, but that the fame itself became a fantastic entity quite out of proportion to the reality, bathing everything Lawrence did or touched in a gaudy, neon glow. Lawrence became a ‘hero’, that is, not a creature of flesh and blood living in the real world, but a composite character inhabiting what today we might call ‘cyberspace’ – the collective consciousness – an imaginary focus of human aspirations and desires. He became so bound up with many people’s concept of what it was to be British that any criticism of Lawrence came to be seen in some quarters as an attack on the British themselves. It was not until the 1960s – long after Lawrence’s death – that a writer named Richard Aldington had the courage to stand up and point out the absurdity of the worship of Lawrence as a secular saint – and Aldington’s ‘debunking’ was made with such ill-conceived sarcasm and vitriol that he virtually demolished his own case.
What part did Lawrence himself play in the creation of this legend? There can be no doubt that his sensitivity and his tendency to project the mundane into the mythological played a major role. Mythogeny – the creation of myth – is a two-way process. The hero-in-the-making must have a feeling for the myth he is in – the capacity to reflect what is projected upon him by others – to provide, as it were, the raw material upon which the legend can be built. Lowell Thomas revealed later that Lawrence had actually visited him at Richmond regularly and had consulted with him. Thomas wrote that he had often asked Lawrence if certain anecdotes were true, upon which Lawrence would giggle and reply: ‘History is not made up of the truth anyway, so why worry?’ 15Yet Lawrence’s masochistic nature prevented him from simply accepting the adulation of others. He was not vain: his exhibitionism was, as can be frequently observed throughout his life, not of the narcissistic kind. He felt himself to be fundamentally ‘unclean’ and needed to show this to the world also. His life thus became a ceaseless dialectic between his exultation in his success and his instinctive need for self-degradation. Thomas recognized that Lawrence loved fame, but wanted at the same time to flee from it: ‘He would protest that he wanted to be left alone by the world,’ Thomas wrote,’… but at heart he loved it all.’ 16It was Thomas himself who wrote the famous line about Lawrence having a talent for ‘backing into the limelight’, 17and George Bernard Shaw – no doubt one of the most perceptive men of his day – who called him a born actor, writing: ‘when he was in the middle of the stage, with ten limelights blazing on him, everyone pointed at him and said: “See! He is hiding. He hates publicity.”‘ 18Lawrence pre-empted all these comments, though, when he admitted that he had ‘a craving to be famous; and a horror of being known to like being known’. 19His predicament was remarkably like that of J. M. Barrie’s rascally old Etonian, Captain Hook, whose ‘vitals were tortured’ by the reflection that it was ‘bad form’ to think about having ‘good form’, and that one could only truly have ‘good form’ without knowing it. As Lyn Cowan has commented, such a trait is perfectly consistent with masochism: ‘the masochist reveals that he is a forceful actor,’ she has written. ‘He must act, and lives to act, and hates to act. So great is his inner torment that it must hide behind curtains and burst forth on to centre stage.’ 20Lawrence both helped to create and then tried to deny the myth, telling Joseph Conrad that the ‘Lawrence of Arabia’ legend was all untrue: that his success had been exaggerated out of all proportion: ‘You see I know how false the praise is,’ he wrote later, ‘how little the reality compared with the legend: how much luck: how little merit.’ 21Yet He acknowledged that the legend had a life of its own, when he announced: ‘Colonel Lawrence still goes on; only I have stepped out of the way.’
At almost the moment when ‘Colonel Lawrence’ was being born, however, Lawrence discovered that he was not ‘T. E. Lawrence’ at all. In April 1919 his father died of influenza, and he flew back from the Peace Conference for the funeral to discover his true identity. Thomas had inherited the Chapman baronetcy from his uncle in 1914, although, of course, he had never used the tide. Lawrence now discovered that he was the son of Sir Thomas Chapman, who was the heir to vast estates in Ireland. His reaction to this revelation is difficult to gauge. From an early age, he had sensed that there was something strange about his parents’ relationship. It cannot have escaped his notice, for instance, that while other children had cousins, grandparents, aunts and uncles, he seemed to have no relatives at all. He claimed to have known that he was illegitimate before he was ten, but according to notes taken down by Charles Bell of the Ashmolean from David Hogarth, he knew only a garbled version of the story. He believed that Thomas was not his real father, but had married his mother – a servant in another man’s house – after she had acquired some or all of her sons. Lawrence maintained that he had not ‘given a straw’ about his illegitimacy: it had not affected his childhood, and it certainly had not affected his success. Arnie Lawrence, who himself had burst into raucous laughter when Ned first told him the truth, said that his brother felt no bitterness about his inheritance: ‘He cannot possibly have felt any grievance …’ Arnie wrote, ‘because the money had actually come to his father, and why should he regret Bob’s exclusion from the landed estate (but he did once remark how funny it would be if Bob had been able to become Sir Montague)?’ 22Moreover, since Lawrence frequently wrote to acquaintances informing them that his name was ‘not really’ Lawrence, he cannot have felt a great sense of shame. Lawrence’s biographers have frequently attempted to turn his story into a tale of existential guilt over his family circumstances. Apart from some play over his name, and an assertion of his ‘Irishness’ which was new, though, the revelation came too late either to mould his character or to affect his career: when he learned the truth in 1919, he was already on the way to becoming a national hero.
*
Lawrence was not satisfied that the Hashemites had been fairly treated by the Allies. The Allied victory over the Turks, whose prospects had appeared so rosy in October 1918, indeed, had very quickly dissolved into chaos. Anti-British uprisings under Zaghlul Pasha and his Wafd party in Egypt had been suppressed with great violence in 1919, when British troops had opened fire on rioting crowds, RAF aircraft had bombed and strafed civilians, ring-leaders had been arrested and tortured. In Kurdistan, a nationalist movement had been nipped in the bud by a British column. In Mesopotamia, there was a savage rebellion against the British Mandate, only stamped out by 40,000 troops at a cost of Ј40 million – three times the total amount spent during the Arab Revolt. There were as many as 10,000 casualties, including 400 British soldiers. In Palestine there was growing tension between Arabs and Jews, and in Syria Feisal’s displaced tribesmen were eyeing their French conquerors malevolently from the wings. In short, as Winston Churchill put it: ‘the whole of the Middle East presented a most melancholy and alarming picture’. 23
In February 1921, Churchill took over as Colonial Secretary and decided that the situation must be redressed. He gathered around him a team of experts, including Lawrence, who agreed, less reluctantly than many had expected, to become his adviser on Arab Affairs. Though Churchill came from a far more privileged background, he and Lawrence were made of similar stuff. Both were intuitive, both romantic, both had suffered childhood traumas (Churchill had been emotionally neglected by his promiscuous mother), neither was physically impressive, but both had overcome physical limitations by tremendous willpower and courage, both were rhetoricians, master propagandists and master wordsmiths. Their admiration was mutual. It was Churchill’s intention to hold a conference in Cairo calling together all the parties concerned with policy in the Near East and hammer out a settlement once and for all. The conference met at the Mena House hotel in Cairo, under the shadow of the pyramids, in March 1921 and included almost every British soldier and administrator concerned in the Middle East question. The decision, which had been made previously in consultation with Feisal in London, was to revoke the British Mandate in Iraq and hand the administration over to an Arab government, with the recommendation that Feisal should be king subject to a general plebiscite. Britain would then enter an alliance with Feisal, and withdraw British troops in favour of Lord Trenchard’s RAF bombers. In April Lawrence and Churchill travelled to Jerusalem to confer with Sharif Abdallah, who the previous year had arrived at Ma’an with a force of tribesmen ready to attack the French in Syria. ‘Abdallah proposed that he should govern a single state consisting of Trans-Jordan and Palestine, but this plan was rejected due to Britain’s promises to the Jews. Instead, ‘Abdallah was confirmed as provisional governor of Trans-Jordan, and Lawrence remained in the country as British representative until December, when he returned to Britain, satisfied that he had done his best to fulfil his wartime pledges to the Hashemites: ‘[Churchill] made straight all the tangle,’ Lawrence wrote, ‘finding solutions fulfilling (I think) our promises in letter and spirit (where humanly possible) without sacrificing any interest of our Empire or any interest of the people concerned. So we were quit of our war-time Eastern adventure, with clean hands, but three years too late to earn the gratitude which peoples, if not states, can pay.’ 24
It was, said Arab historian George Antonius, a statement ‘so palpably untenable as to cast serious doubts on Lawrence’s understanding of the issues involved’. 25In fact, the Cairo Conference heralded a period of unrest in the Middle East which had scarcely been surpassed even under Ottoman rule. Iraq failed to enjoy a single year of peace until the end of the Second World War, and remains in dire straits today. The same can obviously be said for Palestine. In Syria, the French met with severe opposition until they finally accepted an Arab administration in 1936. Only in Trans-Jordan, a relatively poor country, mostly desert, was some semblance of balance maintained by the Arab Legion under the gifted administrator John Bagot Glubb. King Hussain, the fox who had conspired from his youth to create an independent Hejaz, was driven from his own country in 1924 by ‘Abdal Azziz ibn Sa’ud, the desert puritan who was the real victor of the Arab Revolt. The ‘war-time Eastern adventure’ is still with us, and we are not quit of it with clean hands yet.
Lawrence was never to return to Arabia, however. He had done what he could for the Arabs, had, rightly or wrongly, emerged as the greatest hero of history’s most devastating war, and was obliged to carry the fantastic ‘Lawrence of Arabia’ with him for the rest of his life. He might have named his job – it was even rumoured (by Lawrence himself) that Churchill had offered him the post of High Commissioner in Egypt, in the footsteps of Kitchener, McMahon and Allenby. But Lawrence had no taste for high office. The reward he chose for his wartime service was the most curious one imaginable: he chose to join the armed services as a private soldier, thus bringing to full circle the ambition he had nurtured when, at the age of seventeen, he had run away from home.
21. In Speed We Hurl Ourselves Beyond the Body
The RAF, RTC and death 1922 – 35
On 30 August 1922, a small, ragged-looking man named John Hume Ross hovered shakily outside the RAF recruiting-office in Henrietta Street, central London, wondering whether or not to enter. Finally, after rushing to a public lavatory to ease the ‘melting of his bowels’ from fright, he resolved to walk in. He was confronted by a stern-looking Warrant Officer, Sergeant-Major McGee, who thought him suspicious-looking, and called his officer, Captain W. E. Johns, an aspiring author who would later entertain the boys of the world with his ‘Biggies’ books. McGee made a signal to Johns, indicating that Ross might be a crook, for he had no identity-papers or references with him. Johns sent Ross away to get references and his birth certificate, and while he was gone contacted the registry of births at Somerset House, ascertaining that there was no John Hume Ross’ born on the date the man had given. When ‘Ross’ returned with references which were obviously forged, the Sergeant-Major showed him out.
To Johns’s astonishment, however, the little man was back within the hour, in the company of an official messenger from the Air Ministry who carried a message signed by the Chief of Air Staff, Lord Trenchard, that Ross was to be enlisted as an Aircraftman Second Class. However, there was still the medical examination to contend with, and the two RAF doctors found that Ross not only bore signs of voluntarily inflicted beating, 1but was also severely malnourished. The doctors rejected him as unfit. Johns took the case to his Commanding Officer, who telephoned the Air Ministry. When he had finished, he put the phone down and said: ‘Watch your step. This man is Lawrence of Arabia. Get him in, or you’ll get your bowler hat!’ 2Johns returned to the doctors with this sensational news, but they adamantly refused to sign. Johns was obliged to bring in a civilian doctor to get Lawrence of Arabia enlisted as a private in the RAF.
It is not given to every man to realize his life’s fantasy, but then the fantasies of many men revolve around dreams of grandeur, wealth and success. Lawrence’s curious psychology – the ‘reverse exhibitionism’ which was the social expression of his masochism – made sure that his fantasies always extended in the opposite direction – towards degradation, poverty, self-denial and enslavement. Short of being an actual slave or a prisoner in jail, the situation which best allowed Lawrence to experience such degradation was in the ranks of the armed forces. He later said that it had been his wartime experience with army and RAF personnel which had encouraged him to join the ranks: ‘These friendly outings with the armoured car and Air Force fellows were what persuaded me that my best future, if I survived the war, was to enlist,’ he wrote. 3In January 1922, though, while still working for the Colonial Office, he had written to Trenchard, Chief of the Air Staff – whom he had met at the Cairo Conference in 1921 – that he would like to join the RAF ‘in the ranks, of course’. He told Trenchard that his reason for enlisting was to obtain material for a book about the Royal Air Force ‘from the ground’. When Trenchard – with Churchill’s agreement – finally issued the order that John Hume Ross’ should be admitted to the RAF as ‘AC 2’ (Aircraftman 2nd Class) No. 352087 on 16 August, he wrote, ‘He is taking this step to learn what is the life of an airman.’ 4He later wrote to an acquaintance that he had joined up because he had found himself destitute, and enlisting in the ranks was a quick and easy way of staying alive.
None of these explanations was the complete truth, as Lawrence himself admitted: ‘Honestly I couldn’t tell you exactly why I joined up,’ he wrote Robert Graves; ‘… it was a necessary step, forced on me by an inclination towards ground level: by a despairing hope that I’d find myself on common ground with men: by a little wish to become a little more human …’ 5If Lawrence’s enlistment in the ranks seems perverse, then it must be remembered that he had run away from home to do exactly that at seventeen, and had fantasized about serving in the ranks, or being a deserter from them, all his life. He inhabited a masochistic world of reverse values – for him pain was pleasure, servitude freedom, and self-denial orgiastic self-indulgence: as he was to tell Charlotte Shaw later, ‘ Il faut souffrir pour etre content.’ 6 His service in the ranks of first the RAF, then the army, then the RAF again, which extended for most of the rest of his life, was for Lawrence not a penance but the ultimate reward for his struggles and achievements. The ‘official’ explanation – that Lawrence joined the forces for ‘security’ – will not wash: he would have had far more financial security as an officer or an official of the Colonial Office, without the constant hardships and threat of violence he experienced in his first years in the ranks. In one sense his enlistment allowed him to avoid the responsibility which international notoriety had given him. It removed from him the burden of playing the hero, and yet, in itself, made him far more remarkable than those ‘Ordinary’ war heroes who did the ‘vulgar things expected of them’ such as accepting knighthoods, awards and high office. There was also a more positive side to his enlistment, however: Lawrence had long ago sensed in himself a powerful competitive force, and during the occupation of Damascus, when he had been briefly de factoruler of the city, had seen clearly that if given opportunity the dragon within would emerge as a fully-fledged tyrant. Any high post would have provided such an opportunity, and in order to prevent the ‘beast’ from emerging Lawrence felt the need to be physically shackled and confined. Service in the ranks would allow him to exert moral power through his influential friends, without the inevitable corruption of spirit that material wealth and physical power would bring. If there had ever been any danger that ‘Lawrence of Arabia’ might be forgotten, his enlistment in the ranks made certain that he would not – paradoxically, it was the ultimate self-advertisement. On another level, though, his years of military service may be seen as a self-prescribed ‘cure’ for his paraphilia – an attempt to ‘balance’ whatever it was he felt was out of kilter in his psyche, and to make himself whole again: ‘partly,’ he wrote Robert Graves in 1923, ‘I came in here to eat dirt until it’s normal to me.’ 7‘It’s going to be a brain sleep, and I’ll come out of it less odd than I went in: or at least less odd in other men’s eyes.’ 8
Great secrecy and a conspiratorial air accompanied his enlistment, but it is clear that he took few pains to conceal his true identity. Before he had left the recruitment office that first day, Johns already knew who he was: ‘Lawrence knew that I knew,’ said Johns, ‘because I had a long talk with him while he was waiting for the train to take him to Uxbridge.’ 9Johns had also telephoned through to the Recruit Depot at Uxbridge to warn his opposite number there, Flight-Lieutenant Nelson, that Lawrence of Arabia was on the way incognito,so his ‘secret’ was well known from the moment he arrived at the Depot, to almost everyone except the ordinary Aircraftmen and NCOs with whom he shared his life. Lawrence spent two months at Uxbridge and found the life one of drudgery, alternating between kitchen fatigues, drill and PT. In an exhausted and malnourished state when he joined up, he was also deeply depressed and drained of energy after writing Seven Pillars,and hoped the RAF would help bring him out. He was older than most of the recruits and physically debilitated. He could not keep up with them during PT, fumbled his drill, and was victimized by the Adjutant, ‘Stiffy’ Breese, to whom he had unfortunately had the cheek to apply for a private room in which to pursue his writing – a clear indication that he had not yet wholeheartedly adopted his role of ordinary airman – almost, perhaps, a deliberate attempt to bait authority. Breese wrote later that ‘Ross’ had been constantly ‘up’ for dirtiness, insubordination, refusing to obey direct orders, and being late on parade. Breese recalled that in his defence ‘Ross’ had simply remarked with Oxford hauteur that ‘he had always felt a little tired in the early morning’. 10His fellow Aircraftmen thought him ‘a queer sort ofbloke’:’… the erks (Aircraftmen) found him useful,’ one of his room-mates recalled; ‘… he was always good for half-crowns, books, technical advice etc.’ 11Although, on one level, Lawrence sought acceptance by the ‘erks’, he also purposely retained his oddness, writing to Edward Garnett that in the barrack-room he was ‘apart’ and felt like a ‘dragon-fly among wasps’ or a ‘wasp among dragon-flies’. 12His old propensity for fitting into a community without belonging to it quickly reasserted itself.
If Lawrence had really desired anonymity, he could have found it. If he had really meant to leave ‘Colonel Lawrence’ behind and find the shape of the ‘worm inside the caddis shell’, as he put it, it would have been possible. As Bernard Shaw so acutely observed, though, Lawrence sought to hide always in full spotlight on mid-stage. Anonymity was not really his objective: his purpose in joining up was to abase himself and be seen to abase himself: to suffer and be seen to suffer. Just as his night expeditions to dive through the ice on the Cherwell in his college days had been made with the object of shocking ‘orthodox folk’, so his service as a ‘beast’ in the ranks had to be communicated to the exalted personages among whom Lawrence would otherwise have lived. They must be enjoined to share in his degradation. It had been his own choice to join the RAF as a ranker: indeed, most of his acquaintances including Winston Churchill and Lord Trenchard had tried to dissuade him from it. Yet once he had chosen his path, he proceeded to write sheaves of letters to the great and powerful of the land, wallowing in the self-abasement he had opted for voluntarily. Lawrence’s desire to exhibit the disgusting conditions of his life can be felt almost palpably in his letter to Bernard Shaw: ‘You ask for details of what I’m doing in the RAF,’ he wrote. ‘Today I scrubbed the kitchen out in the morning … Yesterday I washed up the dishes in the sergeants’ mess in the morning (messy feeders, sergeants: plates were all butter and tomato sauce, and the washing water was cold) … I’ve been dustman, and clerk, and pig-stye cleaner, and housemaid and scullion … but the life isn’t so bad …’ 13There is a curious parallel between Lawrence’s service life and his attitude to Seven Pillars,which he was revising during his first weeks in the RAF. Once again, it was a book no one had obliged him to write, revealing ‘secrets’ and ‘private matters’ no one had asked him to reveal: yet once it was completed and coyly passed around his inner circle, he continually bemoaned and bewailed its inadequacy: ‘if you say it’s rot,’ he wrote Shaw, who had received one of the original bound copies, ‘I’ll agree with you and cackle with pleasure at finding my judgement doubled.’ 14‘I wish the beastly book had never been written,’ he wrote Edward Garnett, almost as though he had had no hand in it. 15Lawrence’s attitude to the publication of Seven Pillarsis also a perfect showcase of his personality – the personality Liddell Hart described as that of ‘a woman wearing a veil while exposing the bosom’. The book was completed in 1922, and Lawrence might well have published it then and simply forgotten about it. Instead, he proceeded to waft it enticingly under the noses of the public for the rest of his life – first releasing eight copies to privileged friends, then, four years later, a limited edition for subscribers and an abridged version with most of the controversial material removed. He continued to rework the text for years, thus ensuring that interest in the book and consequently in himself, the author, was never allowed to subside. This is not the behaviour of someone who genuinely seeks anonymity.
If he had really wished his identity to remain secret, he need not have befriended George Bernard Shaw – one of Britain’s most famous writers – nor any of the other powerful souls he corresponded with, including Churchill, Lord Trenchard, Leo Amery – First Lord of the Admiralty – and even the former Prime Minister, Lloyd George. The humble Aircraftman, fresh from his pig-swilling and scrubbing, would inform the hero of his youth, Charles Doughty – with just a soupзon of patronage – that of the current Ministry (of Defence), ‘three or four are Fellows of All Souls, and most of the others are friends of mine. The Duke of Devonshire, & Lord Salisbury, & Amery and Wood and three or four others.’ 16What Doughty thought of this is not recorded: he appreciated Lawrence’s attempts to help him re-issue his book Arabia Deserta, and to obtain a civil-list pension for him, but he returned Seven Pillarswithout comment: this, perhaps, was comment enough. Lawrence also pestered Air Vice-Marshal Sir Oliver Swann, the RAF Chief of Personnel and Training, whom Trenchard had ordered to arrange his enlistment, but who had strongly disapproved of the matter. Since Lawrence was now on the lowest rung of the RAF ladder, it must have given him exquisite delight to address the Air Vice-Marshal as ‘Swann’, knowing that, lowly as he was, he had the backing of the highest in the land. Although Lawrence claimed to have left ‘Colonel Lawrence’ behind, the contrast between his two identities ‘Lawrence of Arabia – national hero’ and ‘Aircraftman Class 2 Ross’ was an endless source of pleasure and amusement to him. It made a travesty of the social hierarchy – the class snobbery which had marred the lives of his parents – and became a hugely enjoyable game. Just as ‘Lawrence of Arabia’ had been able to flit from ‘Prince of Mecca’ to ‘British Intelligence Officer’, so Ross could now navigate in the course of a day from ‘pig-stye keeper’ to international diplomat: ‘In case I’m wanted by the Colonial Office,’ AC 2 Ross wrote the glowering Air Vice-Marshal, casually, ‘I’ll send you a note as often as I change station.’ 17Swann was not amused, and sensed, perhaps, that he was a pawn in Lawrence’s private games: ‘One would think from the letters, that I was a close correspondent of [his],’ he wrote, ‘possibly even a friend of his’ … ‘But as a matter of fact … I disliked the whole business … I discouraged communication with him … his eventual discovery at Farnborough was solely due to carelessness at the Colonial Office and Lawrence’s unfortunate love of drawing a veil of mystery about himself.’ 18