Текст книги "Letters"

Автор книги: John Barth

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Текущая страница: 37 (всего у книги 75 страниц)

Hum, says I. You could help, you know, says he. Forget it, says I: I’m sorry your mum’s dying; I’m happy you’ve done with that Marsha Blank, and happier yet your muse is singing along. If that gives you a leg up on Prinz and his nutty movie, well and good. But I shan’t pat you on the head for making a fool of me, with Bea Golden or generally; and to suggest I pander to your billygoatery is bloody sick if you ask me.

He liked that: put a great load in me directly we got back to 24 L, another this morning early before he took off for the hospital. But last night it was Bea, Bea, Bea. The Original Floating Theatre II is in Cambridge for the weekend; B.G. was to have flown down yesterday to open in their revival of The Parachute Girl, but stayed behind to do her “Minstrel Show” at the Remobilisation Farm. She’ll arrive today, worse luck, if Mr Bray hasn’t flown away with her; the rest of the Baratarians too, to recommence the movie after Marshyhope’s commencement. Big things are planned for the 4th of July, but Ambrose hopes to Make His Next Move even before then.

Andrea King Mensch is indeed terminal. Ambrose is taking it hard. La Giulianova is Right There, of course and thank God, ministering to her and being very real and strong and Mediterranean about last things. I must hope – and a slender hope it is – that the Litt.D. business this afternoon will put my friend in mind of our old connexion, in better days, on the Ad Hoc Committee for Honorary Doctoral Nominations.

Time now to robe for the ritual consummation of that committee’s work, which I approach with considerable misgivings – indeed, in a flat-out funk that I’ve tried in vain to smother under these many pages. I haven’t even mentioned that John Schott and Shirley Stickles, when I stopped at my office yesterday, were thick as thieves in hers, and saluted me stiffly indeed, very stiffly.

Hm!

Must run. Jee-sus!

G.

T: Lady Amherst to the Author. The Marshyhope commencement debacle, and its consequences.

Office of the Provost

Faculty of Letters

Marshyhope State University

Redmans Neck, Maryland 21612

Saturday, 28 June 1969

John:

Total disgrace!

I’m in this office for the last time, Where it All Began with that wretch of an Ambrose, that beast of an Ambrose. Cleaning out the desk he once laid me on. Packing up my personals.

I have been fired, John. Sacked! Cashiered! Not only as acting provost, but from the Faculty of Letters altogether! I am unemployed; when my visa expires I shall have to leave or be deported! John Schott has appointed Harry Carter as provost. Marshyhope’s Distinguished Visiting Lecturer in English next September will be A. B. Cook VI—whose punitive doing, for all I know, this may well be.

Fired!

The commencement ceremonies? A debacle. Drew Mack’s “pink-necks” rioted after all: the last American campus demonstration of the season. They caught “us” completely off “our” guard, lulled by their earlier shows of reasonable apathy. A well-planned caper, assisted surprisingly by Merope Bernstein and her crew, who came all the way down from Fort Erie to spray stolen Vietnam defoliants on the elms and ivy of Redmans Neck.

Ambrose was in on it. Seems to have been, anyroad; we don’t talk much. His (unscheduled, unexpected, out-of-order) “acceptance statement” upon receipt of his honorary doctorate appears to have been the demonstrators’ cue. Whilst Prinz’s cameras rolled, and – as provost of his faculty – I cited his “provocative contributions to the life and health of the classical avant-garde tradition in 20th-century letters,” Ambrose appropriated the microphone and launched into a distracted discourse on the mythical-etymological connexions of the alphabet with the calendar and of writing with trees: how “the original twelve consonants” each represented a lunar month, the five vowels the equinoxes and solstices (A and I representing the winter solstice in its aspects of birth and death respectively); how therefore the Moon is the mother of Letters (the man’s mother’s dying is his only excuse); how spelling is related to magic, as in spellbound, and author to augur, and pencil to penis; how book > M.E. boke > O.E. bok meaning “beech tree,” and codex > L. caudex meaning “tree-trunk,” and a leaf is a leaf in both cases…

“Right on!” cried Merry B. and her Remobilisers, and let go with their herbicides, the others with their raised fists and Ho Ho Ho Chi Minh’s, before the state police could nab them.

On what grounds does G. get sacked for A.‘s misconduct? (Ambrose was arrested too, but no charges placed; his part-time connexion with MSU is of course terminated; the board of regents will doubtless revoke his degree at their next meeting.) Schott needed no grounds: I was nontenured; my contract was renewable year by year. Even so, there are protocols of due notice; the American Association of University Professors has its rules and guidelines, I don’t have to tell you. Was I inclined to invoke them, Schott wanted to know on the Sunday, when he got ’round to ringing me up? I jolly was! Why then, says he, our grounds will be either Moral Turpitude or Academic Incompetence Stemming from Mental Instability, depending. Depending on bloody what? Why, depending just for one example on whether my behaviour as confessed in my letter to you of 7 June, of which they had the carbon, was real or fantasized: e.g., my Living in Sin with Ambrose (Schott actually used that term), my use of illegal drugs, my generally immoral and profligate course of life. If I did not repudiate my letter, Moral Turpitude; if I did, Mental Instability, which my sudden change of manner and costume frankly inclined him to favour. Even the fact that I would type out such a document in my office, to a man I did not know personally, and make a carbon, argued the latter. To be sure, the 18-page document was unsigned; but there were emendations in my hand. No one could deny me my day in court, if I was determined to Hang It All Out; but…

I hung it all up. God damn writing! This bloody farking scribbler’s itch that you (most recently) seduced me into scratching! (Write > M.E. writen > O.E. writan: to tear or scratch. Ditto scribe, and pace Ambrose.) Yes, yes, yes: that one time – when, like this, I was in the office, and for a change not longhanding it – I made a carbon, such a relief it was to feel businesslike when Ambrose had begun to make a public arse of me with such a vengeance. It gave my weekly confession at once a more official and (what have I to lose now?) a more fictitious aspect: as if I were a writer writing first-person fiction, an epistolary novelist composing – and editing, alas, in holograph – instead of a stateless 50-year-old widow, failed mother, failed writer, and scholar of no consequence, tyrannised and humiliated by a younger “lover” as she enters her menopause with little to look back upon except abortive liaisons with a number of prominent novelists, and nothing to look forward to.

And of course it took me no time at all to feel a greater fool yet for making that carbon, for editing it, for writing to you in the first place; and I “destroyed” the copy (i.e., wadded and wastecanned it) but posted the letter; and Shirley Stickles got to the wastecan before the custodian did, unless that worthy was in on the plot too; and it was too late to undo the award to Ambrose, they’d just have to hope, but once they were safely past 21 June they’d cut off the pair of us, using my letter as their trump card…

Et voilà!

Well: I am at the end of my forties, and the rest. I have been carrying on like a madwoman, and madly confessing it by the ream. The crowning irony now occurs to me: that perhaps you too believe, at least suspect, that I’m making all this up! Fantasizing! Writing fiction!

Jee-bloody-farking-sus!

Alors: if I am truly turpitudinous, and not hallucinating my tender connexion with Doctor Mensch, then I am now altogether reliant upon that spectacularly unreliable fellow. My “hope” this time last week was that Marshyhope’s commencement might remind him fondly of ours. Ha! Now my only hope is that I’m pregnant, and that conceiving a bastard by that bastard will restore him to me and to his senses. Some hope, whilst he climbs all over Bea Golden (but not yet into her knickers, not yet, not yet) as the Baratarians reenact on Bloodsworth Island Admiral Cockburn’s Rape of Hampton, Virginia, in 1813!

Total, total disgrace, such as my namesake never knew. This dispossessed augur can scratch her poor encausticked penis across these miserable beech leaves no further. Where is the peace Mann promised his ruined

G?

O: Lady Amherst to the Author. The Fourth Stage concludes; the Fifth begins. Magda’s confession. The Gadfly fiasco reenacted: an Unfilmable Sequence.

24 L Street

Dorset Heights, Maryland 21612

5 July ’69

J.,

Oh, yes: still here. And still scratching.

You recall last Saturday’s last hope? No sooner hoped than hopeless. True, when the Mother of Alphabets rose full on the Sunday (the “Hot Moon,” and it has indeed been sweltering hereabouts), I failed to flow with my recent celestial regularity, and for some moments dared imagine – But it was a cruel false hope: next day, her name day, the last of the sorry month, I began, if not to flow, at least erratically to leak, and have dripped and dribbled this week through in pre-Ambrosian style.

As befits what looks to be the commencement of my post-Ambrosian life. Having been the efficient cause of my dismissal from Academe, the man has, as of Monday last, dismissed me, and as of yesterday abandoned me. Whilst I write this in air-conditioned solitude at 24 L, he is alone at “Barataria” with his new mistress, Jeannine Patterson Mack Singer Bernstein Golden, of whom he made triumphant conquest last night by the rockets’ red glare.

Do I seem calm? I am, rather: that bitter hopeless peace old Thomas promised. Everyone is being frightfully understanding: good Magda Giulianova Mensch, of whom more to come; Todd Andrews; Jane Mack; even Drew Mack, who regrets by telephone that his disruption of the MSU commencement cost me my job (an example of bourgeois capitalist academic capriciousness, says Drew). My old friend “Juliette Récamier” has written sympathetically from her current post at Nanterre (don’t ask me how she heard so fast), where “for such an outrage [as my cashiering] we would burn down the university.” Oh, yes, and “Monsieur Casteene” also deplores (from Castines Hundred) John Schott’s move, of which he disclaims foreknowledge; nor had he imagined, when as A. B. Cook he accepted Schott’s invitation to visit Marshyhope for the fall semester (a detail he neglected to mention in our Remarkable Conversation) that he would be replacing me. He’d hoped, as my temporary colleague, to change my mind yet about publishing his ancestor’s letters: a service to himself, to historiography, and to the 2nd Revolution which he now prayed my altered circumstances might reincline me to, but which he would not solicit from me against my wishes. He is making “other arrangements” for their publication. If things should go ill between me and my current friend, God forbid, and I needed a change of scene, I was of course welcome at any time, and for any time, to Castines Hundred.

I thanked him politely for the invitation, but told him that things between my current friend and me were just dandy.

I have not mentioned that, even as he left me for Bea Golden (more precisely, upon Monday’s evidence that his low-motile swimmers had failed again with me, but before his Independence Day triumph over Reg Prinz), Ambrose informed me that our affair is not ended; only its 4th Stage, corresponding – somehow – to his failed marriage. As I was not pregnant, the 5th Stage would now commence – it was how he felt—and he hoped it would be of short duration, for he could not imagine my enjoying it any more than #4. I was a fool, he added (not for the first time since Commencement Day), to have persisted in this one-way correspondence with you, and especially to have made a carbon of such compromising stuff: but in my circumstances it was an understandable and forgivable folly. He was very sorry that it and he had cost me my job; contemptuous as he was of John Schott’s vulgar ambitions and pretentions, he was not finally so of mass public colleges like Marshyhope, as long as one did not mistake their activity for first-class education. He knew I’d done excellent things for the few really able students who had come my way, and at least no harm to the commonalty. Even he is sympathetic!

He could scarcely say what had possessed him at the exercises: he’d had an equivocal hint from Prinz, who had it from Drew Mack, that the radicals might be Up To Something after all; we both had heard from Bea with some amusement that Merope Bernstein had mobilised herself and disappeared in a hurry from the Farm when her ex-stepmother, after a sympathetic reunion, had cautioned her that Jerome Bray might well materialise in Fort Erie. But there wasn’t “really” any prearrangement: it had merely occurred to Ambrose that some sort of neo-Dadaist, bourgeois-baiting stunt would suit the movie, and he was distraught about his mother’s dying, and for that matter he was professionally preoccupied with the roots of writing, its mythical connexions with Thoth and Hermes, ibis and crane, moon and phallus and lyre strings… He too had been disrupted!

Oh, yes, and by the way: he still loved me, he declared; still hoped to impregnate and to marry me. To that end we ought still to Have Sex from time to time, once my bleeding stopped, what? Not to worry about the rent and the groceries; we’d manage. But I might be seeing a bit less of him in the days ahead, when he suspected that Andrea’s condition, his authorial concerns, and his activities in Prinz’s film might all approach critical levels.

Have I mentioned that, unaccountably, I Still Love Him too? Elsewise I’d clear straight out of this incubator of mildew and mosquitoes and get me to the clear cold air of Switzerland, or the at-least-civilised perversions of my “Juliette” in Nanterre. I could truly almost wish I were lesbian! When Magda came ’round this morning – ostensibly to ask whether I wanted to go with her to visit Mother Mensch in hospital, but actually to comfort me for Ambrose’s infidelity – when to the surprise of both of us we found ourselves embracing and enjoying a good womanly weep together – I was so moved by her direct understanding and sympathy, so relieved to be close to another woman for a change, I could almost have Gone Right On. She too, I half think, and altogether guiltlessly. There was a rapport there… But we didn’t, and I’m not, and what would please me even better would be to be sexless altogether, as shall doubtless come to pass soon enough. In the meanwhile, and mean it is, I love and crave (and miss) that unconscionable sonofabitch Ambrose; that – that scratcher of my itch; that writer.

And I have got clear ahead of my story. No question but moviemakers have the world in their pocket in our century, as we like to imagine the 19th-century novelists did in theirs. Let Ambrose ask the skipper of the Original Floating Theatre II to delay his leaving Cambridge for half an hour so that he can make a few notes thereupon for a novel in progress: the chap wouldn’t have considered it. But let a perfectly unknown Reg Prinz show up with camera crew and the vaguest intentions in the world… the world stops, reenacts itself for take after take, does anything it can imagine its Director might wish of it!

The showboat was docked at Long Wharf on the weekend of the Marshyhope fiasco: we were to have gone to see Bea do her Mary-Pickford-of-the-Chesapeake on the Saturday evening – and Ambrose actually went, straight out of the pokey, as did Prinz & Co., but yours truly was too ill with consternation for further vaudeville. The O.F.T. II was to have sailed on the Monday, but lingered till the Wednesday, cast and all, so that Prinz could get footage for possible use, and agreed to an unscheduled return to Cambridge on 4 July so that he could combine shots of the locally famous fireworks display with – here we go – a “sort of remake” of the Gadfly excitement of just a fortnight past! History really is that bird you mention somewhere, who flies in ever diminishing circles until it disappears up its own fundament!

En attendant, as I despaired here in Dorset Heights, and wondered where on earth a sacked acting provost might go from Marshyhope, the cinematographic action shifted down-county to “Barataria,” where it and Ambrose and Bea got on quite well without me. I wonder who does Prinz’s cost accounting? That set, elaborate for him, was built months ago and has scarcely been used; as of the end of Giles Goat-Boy (I’m done), there is no mention of the 1812 War in your works. But on 23 June 1813, a British naval force attempted to dislodge Jean Lafitte’s Baratarians from their stronghold on Grand Terre Island, near New Orleans, and on the following day Admiral Cockburn’s Chesapeake fleet sacked Hampton, Virginia, raping a number of American ladies in the process. It was decided to combine “echoes” of both events in an obscure bravura scene shot on their approximate sesquicentennial down at the Bloodsworth Island set. Don’t ask me why they didn’t throw in Napoleon’s abdication on the 22nd (which coincided nicely with my cashiering and Jerome Bonaparte Bray’s abandoning the goat farm and pursuing Bea to Maryland on the Sunday), or Custer’s Last Stand against Sitting Bull at Little Big Horn on the 25th.

Don’t ask me either what exactly went on down there. I was – perhaps you noticed? – still too distressed in last Saturday’s letter to be either a good listener to, or a good reporter of, the news. Ambrose passed through on the Thursday and the Friday en route to spend time with his mother and his daughter; we slept together (this was just before the Hot Moon rose and my last hopes sank); I gather from his perfunctory accounts that Bea was as frightened of Mr Bray as he and Prinz were intrigued by him, and that the chap had fastened himself upon the company like a solicitous mosquito. Merry Bernstein (before she jumped the bail Drew Mack put up for her and fled underground upon Bray’s appearance in Cambridge) had confided to Bea that Bray’s assault on her, in her flat at Chautauqua back in May, had been of a bizarre anal character and literally venomous: she believed he had sodomized her with some exotic C.I.A. poison on his member, out of spite for her leaving him; she warned her ex-stepmother that the man was scarcely human. At this point Bea was still as much amused as alarmed by Cook’s protestations; she confided to Ambrose (a mark of their increased chumminess) that the story had reminded her of Merope’s father, whose penchant for anal copulation had been a factor in their divorce. She’d learned, she said, to keep a tight arse in such company. Ambrose himself was still fascinated by the correspondence of some of Bray’s obsessions—1st and 2nd Cycles, Midpoints and Phi-points, Fibonacci numbers, Proppian formulae – with his own preoccupations, of which they seemed to him a mad and useful limiting case. Bray’s rôle as a new rival for Bea’s favours did not much concern him: it seemed to frighten her closer, and Bray himself appeared to regard him as an ally against Reg Prinz – who, we must remember, was at this time still Bea’s lover.

Well: at some point in the shooting, Mr Bray – an amateur Stanislavski-Method actor, it would seem, as well as something of an amateur historian – carried over into the Rape-of-Hampton sequence his piratical characterisation from the Assault on Barataria (sound effects courtesy of the U.S. Navy), in which he’d taken the rôle of one John Blanque, a Creole friend of Jean Lafitte’s in the Louisiana legislature who later joined the buccaneering crew. Now it happens that Admiral Cockburn blamed the rape of the Virginia women, not on his English sailors, but on a gang of unruly French chasseurs britanniques whom he had impressed from the Halifax prison-ships into his Chesapeake service, and as the two events were being as it were montaged… Our Beatrice finds herself not only leapt upon, per program, by two extras and stripped fetchingly of her hoopskirts and petticoats to the accompaniment of “Gallic” grunts and leers, but “rescued” suddenly by Monsieur Blanque, who with surprising strength flings other Baratarians off her (one has a swelling the size of a goose egg on his thigh) and very nearly accomplishes Penetration before his victim – who must have felt herself back in her blue-movie period – can unman him with a parasol to the groin.

Yup, parasol. It was late June, Prinz had reasoned; they’d’ve had parasols. And never mind verisimilitude, he liked the fetishistic look of naked ladies with open parasols, and had instructed the girls to hold tight to their accessories whilst being stripped. Our pirate now clutches his family jewels and begs Bea’s pardon: he was overcome with love; it was that season of year. Ambrose not quite to the rescue this time, but nearby enough to get his comforting arms about the victim, I daresay – who is inclined to bring assault charges against Bray until Prinz dissuades her. Indeed, the familiarity of the tableau – Bea in extremis, the Author to the rescue (sort of), Bray apologising – has given the Director an Idea: inasmuch as the movie reenacts and re-creates events and images from “the books,” which do likewise from life and history and even among themselves, why should it not also reenact and echo its own events and images?

Ambrose is enchanted, Bray is willing, Bea is appalled, Prinz is boss. The 4th of July re-creation of the Gadfly party is devised. But it mustn’t be a strictly programmed reenactment: we are on the Choptank now, aboard the O.F.T. II, with a different backup cast. Time has moved on: it will be Independence Day; never mind the War of 1812. Let each principal, independently, imagine variations on the original Gadfly sequence.

How is it, I wonder, Prinz gets so much said when I’m not there to hear him? In any case, my own variation, proposed at once, was that this time around I stay home in bed. Ambrose’s idea – which, along with my menstruation and the completing of his Perseus-Medusa story in first draft, kept him from me most of the week since my last letter – was to reply to Prinz’s triumphantly Unwritable Scene (on the beach of Ocean City back on 12 May) with a victoriously Unfilmable Sequence.

He was in a high state of excitement; didn’t even remark upon the fact, if he noticed it, that since the full moon I’d ceased to wear my teenybopper costumes, too depressed to give a damn what he thought. Did I not agree, he demanded to know, that we were amid a truly extraordinary coming together of omens, echoes, prefigurations? Item: On the Tuesday noon, 1 July, the midpoint of the year, he was in midst of a fiction about the classical midpoint of man’s life, and felt himself personally altogether nel mezzo del cammin etc. Item: Our sacking from Marshyhope U. had occurred (so said his desk calendar) on the anniversary of the end of Napoleon’s 100 Days. Item: Wednesday the 2nd, when Prinz began preparing his reenactment of the Gadfly’s grounding and Ambrose all but wound up his tale of Perseus and Medusa, was the date on which in 1816 the French frigate Méduse ran aground off the Cape Verde Islands and put out the raft that inspired Géricault’s famous painting; the frigate itself had just the year before – and at just this same time of year – been involved in Napoleon’s postabdication scheme to run the British blockade at Rochefort and escape to America. And – get this, now – he had just that day (i.e., midday Thursday, 3 July) been informed by Todd Andrews, whom he’d happened to meet in the Cambridge Hospital and with whom he’d had a chat about the strange Mr Bray, that that gentleman had once represented himself to the Tidewater Foundation as the Emperor Bonaparte, and had even mentioned, in one of his mad money-begging letters, his abdication, his flight to Rochefort, the plan to run him through the British blockade, his final decision to surrender and plead for passport to America: where (Bray is alleged to have alleged) he lives in hiding to this day, making ready his return from his 2nd Exile!

But we are not done. Item: Among the American friends of the emperor’s brother Jérôme Bonaparte was the King family of “Beverly,” in nearby Somerset County; and among the several plans to rescue Napoleon from St Helena, one of the more serious was that of Mayor Girod of New Orleans, who built a fast ship in Charleston to run the emperor across the Atlantic and into the trackless Maryland marshes, where he would hide in a secret room in the Beverly estate until the coast was clear enough for him to remove to New Orleans. Only the news of Bonaparte’s death in 1821 kept the Séraphine from sailing. And who are these Kings of Somerset if not the ancestors of Ambrose’s mother Andrea King, from whom he had both this story as a child and his adult nom de plume?

Pooh, said I, that’s a game anyone can play who knows a tad of history: the game of Portentous Coincidences, or Arresting But Meaningless Patterns. And I volunteered a couple of items of my own, gratis: That the British man-of-war that accepted Napoleon’s surrender and fetched him from Rochefort to England was named after Perseus’s cousin Bellerophon; that the officer who then transported him to exile in St Helena instead of to America was the same Admiral Cockburn who had raped Hampton, burnt Washington, and bombarded Fort McHenry in Baltimore in previous summers; that my late husband’s ancestor William Pitt, Earl Amherst (a nephew of Lord Jeffrey), stopped at St Helena to converse with Napoleon in 1816, after the wreck of his ship Alceste in Korean waters; that my other famous forebears Mme de Staël and Lord Byron first met at just about this time, and among their connexions was surely their strong shared interest in the exiled emperor (Byron’s Ode to Napoleon Buonaparte dates from 1815; the “Ode to St Helena” in Canto III of Childe Harold from 1816). And one of B.‘s cousins, Captain Sir Peter Parker of H.M.S. Menelaus, was killed in a diversionary action on Maryland’s Eastern Shore during Cockburn’s assault on Washington and Baltimore, the news whereof inspired Byron to add to his Hebrew Melodies an ode “On the Death of Sir Peter Parker.” And the ship which carried Napoleon III to his American exile in 1837 was named for Perseus’s wife, Andromède; and it was the same Louis Napoleon’s grotesque replay of his uncle’s career that prompted Marx’s essay On the 18th Brumaire etc., in which he made his celebrated, usually misquoted observation of History’s farcical recyclings. And none of this, in my opinion, meant anything more than that the world is richer in associations than in meanings, and that it is the part of wisdom to distinguish between the two.

“Thou’rt a very prig and pedant,” said my lover, not unkindly, and kissed my forehead, and repeated his hope that our connexion would survive the hard weather he foresaw, our 5th Stage.

Two things worthy of note occurred that same day, Thursday the 3rd, both reported to me by Magda when she called on me in the evening (Ambrose was Out). One was that the general migration of Strange Birds down the flyway from the Great Lakes to the Chesapeake had fetched to Dorchester County not only Bea Golden and Jerome Bray but, that very afternoon, the former Mrs Ambrose Mensch, née Marsha Blank, a.k.a. Pocahontas of the Remobilisation Farm: she had telephoned that morning from across the Bay (Chautaugua, surely) to announce that she was en route to Bloodsworth Island on business for her “employer” and, as she would be passing through town, wished to take her daughter to dinner. Magda was distressed: the woman’s infrequent, imperious visits never failed to disturb poor Angela’s fragile tranquillity, the more precarious lately anyroad on account of her grandmother’s condition. Ambrose too was always distracted by fury for days after, she said, even when things were serene on other fronts: given Andrea’s dying, the Marshyhope incident, the new crisis at Mensch Masonry, and what she gathered was the less than blissful state of affairs at 24 L, she feared for him as well as for Angela when he should learn of Marsha’s presence on the scene.

New crisis?

About the foundation work for the Marshyhope Tower, which was already showing such unexpected, impermissible signs of settling that there was real doubt whether construction could continue. Bankruptcy loomed, larger than usual. Peter was at a loss to account for the phenomenon: it appeared that the analyses of his test borings had actually been falsified to give optimistic results, on the basis of which he had made the winning low bid! He had already, at his own cost, exceeded the specifications of his contract when actual excavation had revealed a ground situation at variance with his predictions; someone had bribed the building inspectors not to disclose the truth earlier; to correct the problem now, with the superstructure so far along, he had not the resources.

What was more – and this alarmed l’Abruzzesa more than any threat of poverty or the disagreeable reappearance of Marsha Blank – Peter himself was not well. He had lately had difficulty walking; had developed a positive limp in his left leg, which he’d been as loath to acknowledge to her as he’d been to acknowledge that it was his own late father who, almost certainly, had falsified those core samples from Redmans Neck. But their family doctor had confided to her privately that X rays had been made and Tests taken; that, though Peter had sworn him to silence, he felt it a disservice to his patient and to her not to tell her that her husband had cancer of the bone in his lower left leg. Inasmuch as Peter would not consent, whilst his mother lay dying, to the prompt surgery his own condition called for, the doctor had to hope that his elder and terminal patient would get on with it before his younger became terminal too.