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Letters
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On these friendly deliberations between Mr Mensch and myself, Dr Carter merely smiled, prepared in any case to vote negatively on all nominations except A. B. Cook’s, which he had put before us in the opening minutes of our opening session. I should add that, there being in the bylaws of the college and of the faculty as yet no provision for the nomination of candidates for honorary degrees, our procedure was ad hoc as our committee; but I was given to understand, by Sticklish insinuation, that if our nomination were not unanimous and soon forthcoming, Schott would empower his academic vice-president to form a new committee; further, that if our choice proved displeasing to the administration, the Faculty of Letters could expect no budgetary blessings next fiscal. Schott himself, with more than customary tact, merely declared to me his satisfaction, at this point in our discussions, that we had decided to honour a native son…

“I.e., the Fair-Land Muse himself,” Mr Mensch dryly supposed on hearing this news (the epithet from Cook’s own rhyme for Maryland, in its local two-syllable pronunciation). I then conveyed to him, and do now to you, in both instances begging leave not to reveal my source, that I had good reason to believe that beneath his boorish, even ludicrous, public posturing, Andrew Burlingame Cook VI (his full denomination!) is a dark political power, in “Mair’land” and beyond: not a kingmaker, but a maker and unmaker of kingmakers: a man behind the men behind the scenes, with whose support it was, alas, not unimaginable after all that John Schott might one day cross the Bay to “Annapolis, maybe even Washington.” To thwart Cook’s nomination, then, and haply thereby to provoke his displeasure with our acting president, might be to strike a blow, at least a tap, for decent government!

I speak lightly, sir (as did Germaine de Staël even in well-founded fear of her life), but the matter is not without gravity. This Cook is a menace to more than the art of poetry, and any diminution of his public “cover,” even by denying him an honour he doubtless has his reasons for desiring, is a move in the public weal.

And I now believe, what I would not have done a fortnight past, that with your help—i.e., your “aye”—he may be denied. “Of course,” Mr Mensch remarked to me one evening, “there’s always my old friend B…” I asked (excuse me) whom that name might name, and was told: not only that you were born and raised hereabouts, made good your escape, and from a fit northern distance set your first novels in this area, but that my friend himself—our friend – was at that moment under contract to write a screenplay of your newest book, to be filmed on location in the county. How would your name strike Carter, Schott, and company? It just might work, good Ambrose thought, clearly now warming to his inspiration and wondering aloud why he hadn’t hit on it before – especially since, though he’d not corresponded with you for years, he was immersed in your fiction; is indeed on leave from teaching this semester to draft that screenplay.

In sum, it came (and comes) to this: John Schott’s appointment to the presidency of MSU is quietly opposed, in our opinion, by moderate elements on the board of regents and the Tidewater Foundation, and it can be imagined that, among the more knowledgeable of these elements, this opposition extends to the trumpeting false laureate as well. Their support comes from the radical right and, perversely, the radical left (that minority of two or three bent on destroying universities altogether as perpetuators of bourgeois values). A dark-horse nominee of the right colouration might just slip between this Scylla and this Charybdis.

Very casually we tried your name on Harry Carter, and were pleased to observe in his reaction more suspicious curiosity than actual opposition. This curiosity, moreover, turned into guarded interest when Ambrose pointed out (as if the thought had just occurred to him) that the “tie-in” at our June commencement of the filming of your book and the county’s Tercentennial (itself to involve some sort of feature on “Dorchester in Art and Literature”) would no doubt occasion publicity for Marshyhope U. and the Tower of Truth. He, Ambrose – he added with the straightest of faces – might even be able to work into the film itself some footage of the ceremonies, and the Tower…

This was last week. Our meeting ended with a sort of vote: two-nothing in favour of your nomination, Dr Carter abstaining. To my surprise, the acting president’s reaction, relayed through both Dr Carter and Miss Stickles, is cautious nondisapproval, and today I am authorised to make the invitation.

You are, then, sir, by way of being a compromise candidate, who will, I hope, so far from feeling therein compromised, come to the aid of your friend, your native county, and its “largest single economic [and only cultural] entity” by accepting this curious invitation. Moreover, by accepting it promptly, before the opposition (some degree of which is to be expected) has time to rally. That Schott even tentatively permits this letter implies that A. B. Cook VI has been sounded out and, for whatever mysterious reasons, chooses not to exercise his veto out of hand. But Ambrose informs me, grimly, that there is a “Dr Schott” in some novel of yours, too closely resembling ours for coincidence, and not flatteringly drawn: should he get wind of this fact (Can it be true? Too delicious!) before your acceptance has been made public…

Au revoir, then, friend of my friend! I hold your first novel in my hand, eager to embark upon it; in your own hand you may hold some measure of our future here (think what salubrious effect a few well-chosen public jibes at the “Tow’r of Truth” and its tidewater laureate might have, televised live from Redmans Neck on Commencement Day!). Do therefore respond at your earliest to this passing odd epistle, whose tail like the spermatozoon’s far outmeasures its body, the better to accomplish its single urgent end, and – like Molly Bloom at the close of her great soliloquy (whose author was, yes, a friend of your friend’s friend) – say to us yes, to the Litt.D. yes, to MSU yes, and yes Dorchester, yes Tidewater, Maryland yes yes yes!

Yours,

GGP(A)

B: Todd Andrews to his father. The death and funeral of Harrison Mack, Jr.

Dorset Hotel

High Street

Cambridge, Maryland 21613

March 7, 1969

Mr. Thomas T. Andrews, Dec’d

Plot # 1, Municipal Cemetery

Cambridge, Maryland 21613

Dear Father:

Brrr! Old fellow in the cellarage, what gripes you? Every night since Tuesday’s full moon you’ve crawled about (in your Sunday best) under the stage of my drifting dreams… like me some 30 years ago under the stage of Captain Adams’s showboat, trying unsuccessfully to turn myself off. Last night I left a particularly good dream to investigate the noise (in the dream it was a certain August afternoon 37 years past; I and the century were 32 and off weekending with my friends the Macks in their Todds Point summer cottage; Harrison Mack, alive and happily uncrowned, had gone for ice; I was napping; so was the century; Jane Mack—26 again and naked! – was just about to slip in from the kitchen and take me by the sweetest surprise of my life…), and there you swung, Father mine, blackfaced and belted ’round the neck as in February 1930, not a smudge on you. No returning to my Floating Theatre then! And tonight, soixante-neuf once more with this kinky crone of a century, here in my old hotel room – that’s not a March draft I feel on my hackles; those clunks and clanks aren’t sclerosis of the heat pipes or Captain Adams retuning his calliope: it’s you, old mole! Come to join the party? Come to watch through the keyhole while your old son (older than his dad now!) tries to get it up for Grandma Mack?

We fetch one body to the boneyard; a hearseful of ghosts hitches home with us.

Very well, groundhog: I’m late with the letter for your 39th deathday, and better the dead father should hear from the son than vice versa. February 2, it happens, was the day we buried Harrison Mack, His Majesty having died by his own design (but not by his own hand) four days earlier, to no one’s surprise. Harrison’s “identification” with George III, as his doctors called it, had gone beyond even my description in last February’s letter. Everyone at Tidewater Farms went about in Regency getup – except Harrison himself, for the reason I’ve mentioned before (which will make the contest over his estate even livelier than the fight over his father’s): that the more accurate his madness became, so to speak, the more he fancied himself, not George III sane, but George III mad; a George III, moreover, who in his madness believed himself to be Harrison Mack sane. Thus in the end he pretended to think everyone in the house crazy for wearing 1815 costume – and managed his business affairs with more clarity and good sense than at any time since the onset of his “madness” in the latter 1950’s.

Jane spared herself (no way she could’ve known it was his final year) by going off to England in pursuit of chimeras of her own. Who can blame her? In her absence, Lady Amherst (Germaine Pitt, from the college) took charge of the household, luckily for Harrison. Drawing on her acquaintance with British history and manners – and the admirable tolerance of the English for eccentricity, especially among the gentry – she directed the masquerade with skill, even with good taste. She herself took the role of “Lady Elizabeth Pembroke,” the king’s early friend and focus of his senile dreams, the love of his life: they gave his biography a happy ending by coming back to each other’s arms “in his latter years,” as they put it, since they could not agree what year it was. In “Lady Liza’s” pretended view, Harrison being 73, 1968 was 1812 at the latest, and he had at least eight more years to live. To this, George III would reply that “Harrison Mack” was but a figment of his mad imagination, whose age had no bearing on his own; that inasmuch as he dated his irrevocable madness from the death of his daughter and his retirement from the throne (i.e., his disowning of Jeannine Mack after her first divorce, his retirement from Mack Enterprises, and his moving to Redmans Neck – all in 1960), “1968” was actually 1819: he would be 81 on June 4 and would die next January 29. Lady Amherst would point out that if events were to determine dates rather than vice versa, he had even longer than eight years to live, for the Regency had yet to be established. Did he really believe that his son was running Mack Enterprises and the Tidewater Foundation?

Thus she explained Harrison’s old quarrel with Drew Mack, not with any ill will toward the boy (she’s a decent sort, Lady A.; even Jane still admires her; no malice in her that I can see toward anyone but Schott & Co., who deserve it), but to keep Harrison from reasoning himself into your country before his time. In the same vein, with a kind of dark understanding between them that I can only half follow myself (and half is too much by half on this subject), she’d remind him that the Revolution itself was still some years to come: 1968 could well be 1768, and himself in the prime of his career! But Harrison would answer with a rueful smile that he was not so easily gulled, even by those dear to him: she knew as well as he that the “revolution to come” would be not the First but the Second, and that its direction was neither in his hands, who had lost America in 1776, nor in his “self-styled son’s,” who had nearly lost Canada in 1812, but in hands more powerful and adroit than either’s.

With uneasy glances at me – how many of these history lessons, so tender and so serious, yet so lunatic, I audited! – Lady A. could rejoin only that Harrison was forsaking fact for speculation: if he put off dying until the commencement of that “Second Revolution,” he had at least a hundred fifty years to live.

“Not years, dear Liza,” the king would say – or “Germaine” if he was calling himself “Harrison” at the moment. “You and Todd will bury me next Groundhog’s Day.”

And we did. I daresay it took some enterprise in the inner sanctums of Harrison Mack’s incorporated psyche to bring about his first stroke in mid-January and hold off the second till the month’s end. The first fetched Jane home from her adventures and left her husband blind (“Why not 1813 and seven years to go?” I asked Lady A., having checked the history books on G. III’s blindness. But she declared, in tears, he was another king now, old broken Lear, and she no longer “Elizabeth Pembroke” but a superannuate Cordelia). The second stroke killed him. On your deathday – which Harrison still remembered as the cause of my endless Inquiry, my presence in this hotel, my old Floating Opera story, these epistles to the dead-letter file in the Cambridge P.O., the whole bearing of my life – we put him under in their family plot at Tidewater Farms.

It’s a plot of which “Farmer George” (so G. III and H.M. II liked to call themselves) is the sole identified tenant: long before there was a Maryland it had been an Algonquin burial ground; from George I the First to George III the Second, that aboriginal fertilizer had nourished crop after crop for English and American planters: tobacco, cotton, corn, tomatoes. Harrison acquired it (and the rest of Redmans Neck) from old Colonel Morton in 1955, when Mack Enterprises picked up Morton’s Marvelous Tomatoes. The burial ground he reclaimed for its original crop; the other 1,999 acres he put into soybeans, stables, mansion-houses, the Mack Enterprises Research and Development Facility, the Tidewater Foundation, and Tidewater Technical College. This reclamation, or recycling, was more or less the theme of my eulogy, which I delivered at Jane’s request. Harrison—my Harrison, back when Jane was our Jane (Spanish Civil War days, Roosevelt days, sweet days of last night’s dream, that Depressioned you to death and brought me to life!) – Harrison would’ve got a kick out of it. My text was the motto of Marshyhope State University College: Praeteritas futuras fecundant, which the Undergraduate Bulletin approximates as “The future is enriched by the past.” As befits a good agribusiness school, Tidewater Tech (on which we first bestowed the motto) used to misrender it “The past is the seedbed of the future.” But we knew what we meant, Harrison and I: not fecundant even in the sense of “fertilizes,” but stercorant: The past manures the future.

I’d proposed it as the Mack family motto in 1935—Floating Theatre days! – when we learned that Harrison’s father, in his last years, had caused his poop to be preserved in pickle jars. In ’37, when we used those jars (I mean the gardener’s misuse of them as fertilizer for Mrs. Mack’s zinnias) to win Harrison the family estate, I proposed it again, in English, to Jane – but the Macks had tired by then of our ménage à trois and were beginning to lose their sense of humor. Imagine my surprise, as they say, in 1957 or thereabouts (Eisenhower days! Middle middle age!), when they and I resumed our acquaintance and I learned (a) that Mack Pickles, now known as Mack Enterprises, was diversifying into soya-oil plastics, chemical fertilizers, artificial preservatives, and frozen-food plants; (b) that Jane herself was more and more the guiding force of the company; and (c) that as Harrison willingly gave way to her and to his new eccentricities, his old sense of humor began to return, and Praeteritas futuras stercorant (soberly given by their P.R. people as “The future grows out of the past”) was the corporation motto! Above it, on letterhead, label, and billboard, an elderly gentleman in muttonchop whiskers, pince-nez spectacles, and Edwardian greatcoat, standing in a newly furrowed field amid a horse-drawn plow, a three-masted ship, and a single-stacked factory, shook hands across the generations with a horn-rimmed, crew-cut, gratefully grinning young man (not futuras after all, but the praesentis of the 1950’s) waist-deep in soybeans, diesel tractors, propellor-engined airliners, and half a dozen smoking stacks.

Even in his next-to-last year, when Jane vetoed the effluent-purifiers and electrostatic precipitators urged upon Mack Enterprises by the new environmentalists, Harrison was capable of sighing slyly, “The past craps up the future.” And so my eulogy turned Ecclesiastes into a prophet of industrial recycling and rebirth control, as who should say to scrap metal, “Out of Buicks art thou come; to Buicks thou shalt return”; or compare my friend’s body in the Indian graveyard to those fish (I worked in the resurrected Christ somewhere along here) that Squanto taught the Pilgrim fathers to plant with their corn.

Praeteritas futuras fecundant: The king is dead; long live the king!

Lady Amherst, a better Latinist than I, detected the irony, but took it as it was intended and without offense. Her new friend Ambrose Mensch was all grins; but people regard him as an oddball anyhow. The widow was moved, not indecorously, and thanked me afterward, with no detectable irony of her own, for “a lovely tribute to the Harrison we both loved so.” The rest of the company either took my words at face value or paid them no attention. Drew Mack was there, stony-faced, with his handsome wife, Yvonne, both in dark dashikis for the occasion. His sister – now Jeannine Patterson Mack Singer Bernstein Golden, by my count; “Bea Golden” on last summer’s programs of The Original Floating Theatre II—was supported in her grief and gin (so the recipe smelt to me, flavored with latakia and too much of something by Givenchy) by the remarkable “Reggie Prinz”: his Jewish Afro more formidable than Yvonne Mack’s Afro Afro, his wire-rimmed eyeglasses harking back to Old Man Praeteritas in the picture, his hands (despite himself, I trust) framing hypothetical cinema-shots of ourselves, the house, the grave, nearby Marshyhope Creek and College. Of him, no doubt, more later. Who else? The ubiquitous but elusive Laureate of Maryland, A. B. Cook, read off a poem for the occasion, the closing alexandrines of which—

This marshy Indian Plot where sleeping Mack’s interr’d

Shall grow the royal Tow’r his Dreams on us conferr’d—

brought stifled groans from Lady A. and young Mensch and pursed the lips of Cook’s even more elusive son, introduced to me later as Henry Burlingame VII. John Schott, however, was moved to single-handed applause, as it were, and triumphant red-faced glare. As for Jerome Bray, the final graveside guest – a madder chap in my estimation than poor Harrison at his dottiest, and whose presence there no one could account for – his face was impassive as a visitor’s from another country, or planet.

How comes A. B. Cook VI, you ask, to have a son named Henry Burlingame VII? So did I, of the ever-smiling laureate himself, at the reception after the funeral, and was answered by Lord Tennyson paraphrased:

If you knew that flower’s crannies,

You would know what God and man is.

Overhearing which, Lady Amherst commented with just-audible asperity, “We’d know of more than one marshy plot too, I daresay.” Schott harrumphed; Cook bowed to his critic; Ambrose Mensch, at her side, wondered as if innocently whether “royal dreams” was in good eulogistic taste, considering. “Not to mention the play on interred,” Lady A. added coolly. At the time I thought she referred merely and cleverly to the stercorant business in my tribute.

To all such jibes the Maryland Laureate was deaf. His son (who, one now discovered, spoke English with a heavy Québécois accent) politely asked Lady A. to explain the pun; Mensch volunteered for that duty and led the lad aside, out of earshot of Jane, who was listening with strained but ever cool expression to Schott’s hearty condolences while, as it seemed to me, trying to catch my attention. “Bea Golden” was in smoky conversation and transaction with the bartender, while managing simultaneously to keep an eye on her current lover and, if I’m not mistaken, on Ambrose Mensch as well, whom she’d greeted earlier with a string of Dahlings effusive even for her. Drew and Yvonne Mack consulted each other; Mr. Bray, himself. Reggie framed us all in his imaginary camera.

Of Jeannine Mack’s paternity, Father of mine, I’m still in doubt, 35 years after the fact. If she’s Harrison’s daughter, she’s a throwback to some pickle farmer earlier than her grandsire. What I see in her, alas for “Bea Golden,” is our own progenitors, yours and mine: the drawling, cracker Andrewses from down-county. Misfortunate child, her red-neck genes never at home in those blue-blood boarding schools and hunt clubs! For all her mahvelouses, put her in any pahty and it’s the help she’ll be most at home with: the barkeep, the waiters and musicians. No question she’d’ve flourished as a down-home Andrews, drinking beer and making out at fifteen and sixteen in the back seats of Chevrolets; left to herself she’d ’ve been impregnated at seventeen by some local doctor’s boy during the Choptank Yacht Regatta and settled down happily somewhere in the county to raise a family; by now their kids would be off to college; they themselves would be tired of weekend adulteries with the local country-clubbers; they’d be buckled down comfortably for a boozy but respectable middle age, he in waterfront real estate and Annapolis politics, she on the school board and tercentennial committee. As is, she’s staler at 35 than her mother at 63. The very obverse of her brother, Jeannine has, I am confident, never in her incoherent life voluntarily read a newspaper, much less a book, or been moved by a work of art or a bit of history, reflected on life beyond her own botch of it, felt compassion for the oppressed, or loved a fellow human being. I’m told she’s divorcing again, and feels the charmless Prinz to be her great chance…

Ach, Hebe Tochter, mein Herz schmerz!

Drew Mack, on the other hand, is altogether his father’s son, the more so with every fresh rebellion. How could Harrison ever have wondered? Underneath the beard and jeans and dashiki, Drew’s as sleek and ample as a prize Angus; the same steak-fed, Princeton-radical Harrison whom I first met in Baltimore in ’25, beaten up by Mack Senior’s strikebreakers for teaching the “Internationale” to his fellow pickle-pickets. Drew it was who revealed to me, without himself realizing it, the real sense of that pun Lady Amherst saw and groaned at. To his mother’s visible distress, and my surprise, when I made to leave for Cambridge at the end of the funeral festivities, he and Yvonne insisted on driving me (I’d come out with young Mensch); we’d no sooner squeezed into his discreetly battered Volvo wagon than he announced—

But I’m ahead of myself, and behind on my sleep. Still to describe is the ménage back at Tidewater Farms – Jane and Germaine (the latter scarcely yet moved out from the royal chambers, the former scarcely moved back in) outladying each other at one moment across the funeral baked meats, embracing tearfully the next; Ambrose and Reggie deep in cinematographic argument in the library; “Bea Golden” passed out somewhere upstairs; a raw snow just beginning to come down on Redmans Neck from a sky too leaden to alarm any groundhog with his own shadow…

But the quick must rest, if the dead will not. I’ll finish Calliope’s music another night, now I’ve got the keys tuned: introduce you to the other haunts who’ve dropped in on me lately, hic et ubique, and bring you up to date: 52nd anniversary, so I see on my calendar, of my enlistment against the kaiser in 1917.

Back to your hole, old pioner; wane with the Worm Moon! Leave me to deal with the ghosts of the living: that’s work enough for your Liebes

Todd

C: Jacob Horner to Jacob Horner. His life since The End of the Road. The remarkable reappearance, at the Remobilization Farm, of Joseph Morgan, with an ultimatum.

11 P.M. 3/6/69

TO:

Jacob Horner, Remobilization Farm, Fort Erie, Ontario, Canada

FROM:

Jacob Horner, Remobilization Farm, Fort Erie, Ontario, Canada

Cyrano de Bergerac, Elizabeth Barrett Browning, Ring Lardner, Michelangelo: happy birthday. The Alamo has fallen to Santa Anna; its garrison is massacred. FDR has closed the banks. Franco’s cruiser Baleares has been sunk off Cartagena. Napoleon’s back from Elba: we approach Day One of the Hundred Days.

In a sense, you Remain Jacob Horner. It was on the advice of the Doctor that in 1953 you Left the Teaching Profession; for a time you’d Been A Teacher of Prescriptive Grammar at the Wicomico State Teachers College in Maryland, now the Wicomico campus of Marshyhope State University.

The Doctor had brought you to a certain point in your Original Schedule of Therapies (this was October 27, 1953: anniversary of Madison’s Annexation Proclamation concerning West Florida and of Wally Simpson’s divorce, birthday of Captain Cook, Paganini, Theodore Roosevelt, Dylan Thomas, Catherine of Valois), and, as you’d Exceeded his prescriptions by perhaps Impregnating your Only Friend’s Wife, Arranging an illegal abortion which Mrs. Morgan did not survive, and Impersonating several bona fide human beings in the process, he said to you: “Jacob Horner, you mustn’t Work any longer. You will have to Sit Idle for a time.”

You Shaved, Dressed, Packed your Bags, and Called a taxi to fetch you to the terminal, where you were to Join the Doctor’s other patients for the bus ride north. While you Waited for the cab, you Rocked in your Chair and Smoked a cigarette, your Last. You were Without Weather. A few minutes later the cabby blew his horn; you Picked Up your Two Suitcases and Went Out, Leaving your bust of Laocoön where it stood, on the mantelpiece. Your Car, too, since you Saw no further use for it, you Left where it was, at the curb, and Climbed into the taxi.

Interminable, that journey, up the Susquehanna and Juniata, into the cold, dilapidated Alleghenies. You Wintered near the Cornplanter Indian Reservation in northwestern Pennsylvania. In the spring, having learned from his Indian clients that the house he’d rented, together with the village and surrounding countryside, would be under water following the government’s completion of nearby Kinzua Dam, the Doctor reestablished the Farm somewhat closer to the state line, which eventually he crossed to a pleasant site above Lily Dale, New York, Spiritualist Capital of America. There you Remained for a decade before Moving to the present establishment in Canada, at the opposite end of the Peace Bridge from Buffalo.

In the evening of October 25, 1954—100th anniversary of the charge of the Light Brigade at Balaklava, 1651st of the beheading of the twin saints Crispin and Crispian, 142nd of Commodore Decatur’s defeat of H.M.S. Macedonia off the Azores, 1st of Renée Morgan’s death by aspiration of regurgitated sauerkraut under anesthesia during abortion – the Doctor’s new Seneca Indian assistant performed upon you at your Suggestion a bilateral vasectomy to render you sterile: a doctored male. In the evening of October 4, 1955, two years before Sputnik, happy birthday Frederic Remington, as an exercise in Scriptotherapy you Began an account of your Immobility, Remobilization, and Relapse, entitled What I Did Until the Doctor Came. By means that you have not yet Discovered (your Manuscript was lost, with certain of the Doctor’s files, in the move from Pennsylvania to New York), this account became the basis of a slight novel called The End of the Road (1958), which ten years later inspired a film, same title, as false to the novel as was the novel to your Account and your Account to the actual Horner-Morgan-Morgan triangle as it might have been observed from either other vertex.

Not long after first publication of that book, its narrative mainspring, coiled like the Chambered Nautilus or Lippes Loop, was rendered quaint as Clarissa Harlowe’s by the development, legalization, and general use of oral contraceptive pills, together with the liberalization of U.S. abortion laws. Rennie Morgan, however, and her unborn child, perhaps legitimate, remained dead.

Of the subsequent history of Joseph Morgan you Had No Inkling; of your Own there was none, virtually, in the fifteen years between 1954 and this evening. South Vietnamese Premier Ky walked out of the Paris peace conference to protest “the bombardment of his nation’s cities by North Vietnamese artillery”; U.S. Astronaut Schweickart took a space walk from the orbiting Apollo-9 vehicle; at the State University of New York at Buffalo a protest “teach-in” against U.S. involvement in Southeast Asia continued, but most classes went on as usual. You had Prepared your almanac card for the day and were Rocking in your Chair on the porch of the Remobilization Farm after dinner, along with Pocahontas, Monsieur Casteene, Bibi, and other of the patients, Regarding the foul rush of Lake Erie from under the ice toward Niagara, when Tombo X, the Doctor’s Chief Medical Assistant (and son) announced the arrival of a new patient: middleaged mothafuckin paleface hippie look like Tim Leary after a bad trip, two mothafuckin honky cats with him, go tell um get they paleface asses back to the U.S.M.F.A. As the Doctor’s Administrative Assistant, you Went to the Reception Room, accompanied by M. Casteene.

Tressed and beaded, buckskinned, sere, Joe Morgan regarded you with manic calm.

“You’re going to Rewrite History, Horner,” he declared: the same clear, still voice that had terminated your Last Conversation with him, in 1953. “You’re going to Change the Past. You’re going to Bring Rennie Back to Life.”

As before, you Could Not Reply. Gracious, ubiquitous Monsieur Casteene, frowning Tombo X, and the two impassive young men – Morgan’s sons, dear God! – led him off toward the Progress and Advice Room for his preadmission interview, and you Returned here to the porch to Write this letter.

Tomorrow, Luther Burbank Day, Madame de Staël will flee Paris to Coppet, her Swiss estate, before Napoleon’s advance. Franco will bomb Barcelona, killing 1,000. The Germans, in violation of the Locarno Pact, will occupy the Rhineland, and U.S. troops will cross the Rhine at Remagen Bridge. Jacob Horner, you Like to Imagine, will Step into the poisoned river and Sweep beneath the flaking bridge; past the poisonous plants of Ford and the intakes of the sources of their power; down the cold rapids by Goat Island; over the crumbling, tumbling American Falls at last.


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