Текст книги "The Goldfinch "

Автор книги: Donna Tartt

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Текущая страница: 47 (всего у книги 55 страниц)

“Boris—” standing there, it had crashed in on me all at once, in a sick rush, what a dumb fucking thing I’d stepped into—

“No worries! I have done the worrying for you. Because—” patting me on the shoulder—“Sascha is too nervous. He is afraid to show his face in Amsterdam—afraid it will get back to Horst. For good reason. And this is very very good news for us.

“So.” He snapped the gun shut: chrome silver, mercury black, with a smooth density that blackly distorted the space around it like a drop of motor oil in a glass of water.

“Don’t tell me you’re taking that,” I said, in the incredulous silence that followed.

“Well, yes. For holster—to keep in holster only. But wait, wait,” he said, lifting a palm, “before you start—” although I wasn’t talking, I was only standing there blank with horror—“how many times do I have to say it? Is only for looks.”

“You’ve got to be kidding.”

“Dress-up,” he said briskly, as if I had not spoken. “Pure make-believe. So they will be worried to try something if they see it on me, okay?” he added, when I still stood staring. “Safety measure! Because, because,” he said over me, “you are the rich man, and we are the bodyguards and this is how it is. They will expect it. All very civilized. And if we move our coat just so—” he had a concealed-carry holster at his waist—“they will be respectful and not try anything. Much more dangerous to wander in like—” he rolled his eyes around the room in the manner of a daffy girl.

“Boris.” I felt ashen and woozy. “I can’t do this.”

“Can’t what?” He pulled back his chin and looked at me. “Can’t get out of the car and stand with me for five minutes while I get your fucking picture for you? What?”

“No, I mean it.” The gun was lying on the bedspread; the eye was drawn to it; it seemed to crystallize and magnify all the bad energy humming in the air. “I can’t. Seriously. Let’s just forget it.”

“Forget?” Boris made a face. “Don’t do this! You have brought me over here for nothing and now I am in a pinch. And now—” flinging out an arm—“last minute, you start making conditions and saying ‘unsafe, unsafe’ and telling me how to do things? Don’t you trust me?”

“Yes, but—”

“Well, then. Trust me on this, please. You’re the buyer,” he said impatiently, when I didn’t answer. “That’s the story. It’s been set up.”

“We should have talked about this earlier.”

“Oh, come on,” he said in exasperation, picking the gun off the bed and sticking it into the holster. “Please do not argue with me, we are going to be late. You would never have seen it at all, if you stayed in the bathroom two minutes longer! Never known I had a weapon on me at all! Because—Potter, listen to me. Will you listen, please? Here is all that will happen. We walk in, five minutes, stand stand stand, we do all the talking, talk only, you get your picture, everyone is happy, we leave and we go get some dinner. Okay?”

Gyuri, who had moved over from the window, was looking me up and down. With a worried frown, he said something to Boris in Ukrainian. An obscure exchange followed. Then Boris reached to his wrist and began to unbuckle his watch.

Gyuri said something else, shaking his head vigorously.

“Right,” said Boris. “You are right.” Then, to me, with a nod: “Take his.”

Platinum Rolex President. Diamond-crusted dial. I was trying to think of some polite way to refuse when Gyuri pulled the whopping bevel-cut diamond off his pinky and—hopefully, like a child presenting a home-made gift—held them both to me on his open hands.

“Yes,” said Boris when I hesitated. “He is right. You do not look rich enough. I wish we had some different shoes for you,” he said, looking critically at my black monk straps, “but those will have to work. Now, we will put the money in this bag here”—leather grip, full of stacked bills—“and go.” Working quickly, clever hands, like a hotel maid making a bed. “Biggest bills on top. All these nice hundreds. Very pretty.”

vii.

OUT ON THE STREET: holiday splendor and delirium. Reflections danced and shimmered on black water: laced arcades above the street, garlands of light on the canal boats.

“This is all going to be very easy and comfortable,” said Boris, who was clicking around on the radio past Bee Gees, past news in Dutch, in French, trying to find a song. “I am counting on the fact that they want this money quick. Sooner they get rid of the picture—less chance running crossways of Horst. They will not be looking too closely at that bank draft or deposit slip. That six hundred thousands figure is all they will see.”

I was sitting alone in the back seat with the bag of money. (“Because, you must accustom yourself, sir, to being distinguished passenger!” Gyuri had said when he circled around and opened the back door of the car for me to get in.)

“You see—what I hope will fool him—deposit slip is perfectly legitimate,” Boris was saying. “So is bank draft. It is just from bad bank. Anguilla. Russians in Antwerp—here too, on P. C. Hooftstraat—they come here to invest, wash money, buy art, ha! This bank was fine six weeks ago but it is not fine now.”

We were past the canals, past the water. On the street: multicolored neon angels, in silhouette, leaning out from the tops of the buildings like ship figureheads. Blue spangles, white spangles, tracers, cascades of white lights and Christmas stars, blazing, impenetrable, no more to do with me than the implausible pinky diamond glittering on my hand.

“See, what I have to tell you,” said Boris, forgetting the radio and turning to address me in the back seat, “I want to tell you not to worry. With all my heart,” he said, knitting his eyebrows and reaching out encouragingly to shake my shoulder. “Everything is fine.”

“Piece of cake!” said Gyuri, and beamed in the rear view mirror, happy to have produced the phrase.

“Here is plan. Do you want to know the plan?”

“I guess I’m supposed to say yes.”

“We are dropping the car off. Out of the city a bit. Then Cherry will meet us at location, and drive us to meeting in his car.”

“And this is all going to be peaceful.”

“Absolutely. And because why? You have the cash! That’s all they want. And even with fake bank draft—good deal for them. Forty thousand dollars for no work? Not much! Afterwards—Cherry will leave us back off at the garage, with the picture—and then—we go out! we celebrate!”

Gyuri muttered something.

“He is complaining about the garage. Just so you know. He thinks it is a bad idea. But—I do not want to go in my own car, and last thing we need is to get hit with a parking ticket.”

“Where is the meeting?”

“Well—bit of a headache. We have to drive out of the city and then back in. They insisted on their own place and Cherry agreed because—well, really, it is better. At least, on their ground, we can count on no interference from the cops.”

We had gotten to a lonelier stretch of road, straight and desolate, where the traffic was sparse and the streetlamps were farther apart, and the bracing crack and sparkle of the old city, its lighted tracery, its hidden design—silver skates, happy children beneath the tree—had given way to a more familiar urban bleakness: Fotocadeau, Locksmith Sleutelkluis, signs in Arabic, Shoarma, Tandoori Kebab, gates down, everything closed.

“This is the Overtoom,” said Gyuri. “Not very interesting or nice.”

“This is my boy Dima’s parking garage. He has put out the Full sign for tonight so no one to bother us. We will be in the long term—ah,” he screamed, “blyad,” as a honking van cut in front of us from nowhere, forcing Gyuri to swerve and slam on the brakes.

“Sometimes people here are little bit aggressive for no reason,” said Gyuri gloomily as he put on his blinker and made the turn into the garage.

“Give me your passport,” Boris said.

“Why?”

“Because, am going to lock it in the glove box for when we get back. Better not to have it on you, just in case. I am putting in mine, too,” he said, holding it up for me to see. “And Gyuri’s. Gyuri is honest born American citizen—yes,” he said, over Gyuri’s laughing interjection, “all very nice for you, but for me? very very hard to get an American passport and I really do not want to lose this thing. You know, don’t you Potter,” he said, looking at me, “that you are required now by law in Netherlands to carry ID at all times? Random street checks—non-compliance punished. I mean—Amsterdam? What kind of police state thing is this? Who would believe it? Here? Me—never. Not in one hundred years. Anyway”—shutting and locking the glove box—“better a fine and talk our way out of it than the real thing on us if we are stopped.”

viii.

INSIDE THE PARKING GARAGE, which vibrated depressingly with olive-green light, there were a number of empty spaces in the long-term area despite the Full sign. As we nosed into the space a man in a sports coat lounging against a white Range Rover threw his cigarette in a spit of orange cinders and walked toward the car. His receding hairline, his tinted aviators and his taut military torso gave him the wind-whipped look of an ex-pilot, a man who monitored delicate instruments at some test site in the Urals.

“Victor,” he said, when we got out of the car, crushing my hand in his. Gyuri and Boris received a thump on the back. After terse preliminaries in Russian, a baby-faced curly-headed teenager climbed out of the driver’s seat and was greeted, by Boris, with a slap on the cheek and a jaunty seven note whistle: On the Good Ship Lollipop.

“This is Shirley T,” he said to me, rumpling the corkscrew curls. “Shirley Temple. We all call him that—why? Can you guess?”—laughing as the kid, unable to help it, smiled in embarrassment, displaying deep dimples.

“Do not be deceived by looks,” said Gyuri to me quietly. “Shirley looks like baby but he has as much onions as any of us here.”

Politely, Shirley nodded at me—did he speak English? it didn’t seem so—and opened the back door of the Range Rover for us and the three of us climbed in—Boris, Gyuri, and me—while Victor Cherry sat up front and talked to us from the passenger seat.

“This should be easy,” he said to me formally as we pulled out of the garage and back out onto the Overtoom. “Straightforward pawn.” Up close his face was broad and knowing, with a small prim mouth and a wry alertness that made me feel somewhat less agitated about the logic of the evening, or the lack of it: the car changes, the lack of direction and information, the nightmare foreignness. “We are doing Sascha a favor and because of that? He is going to behave nice to us.”

Long low buildings. Disjointed lights. There was a sense that it wasn’t happening, that it was happening to someone who wasn’t me.

“Because can Sascha walk in bank and get a loan on the painting?” Victor was saying, pedantically. “No. Can Sascha walk in a pawn shop and get a loan on the painting? No. Can Sascha due to circumstances of theft go to any of his usual connections from Horst and get a loan on the painting? No. Therefore Sascha is extremely glad of the appearance of mystery American—you—who I have hooked him up with.”

“Sascha shoots heroin the way that you and I breathe,” said Gyuri to me quietly. “One stitch of money and he is out buying big load of drugs like clockwork.”

Victor Cherry adjusted his glasses. “Exactly. He is not art lover and he is not particular. He is utilizing picture like high interest credit card or so he thinks. Investment for you—cash for him. You front him the money—you hold the painting as security—he buys schmeck, keeps half, steps on the rest and sells it, and returns with double your money in one month to pick up the painting. And if? In one month he does not return with double your money? The painting is yours. Like I said. Simple pawn.”

“Except not so simple—” Boris stretched, and yawned—“because when you vanish? and bank draft is bad? What can he do? If he runs to Horst and calls for help on this one he will have his neck broken for him.”

“I am glad they have changed the meeting place so many times. It is a little bit ridiculous. But it helps because today is Friday,” said Victor, taking off his aviators and polishing them on his shirt. “I made them think you were backing out. Because they kept cancelling and changing the plan—you did not even arrive until today, but they do not know that—because they kept changing the plan I told them you were tired and nervous of sitting around Amsterdam with suitcase of green waiting to hear from them, you’d re-banked your moneys and were flying back to U.S. They did not like to hear that. So—” he nodded at the bag—“here it is the weekend, and banks are closed, and you are bringing what cash you have, and—well, they have been talking to me plenty, lots of time on the phone and I have met with them once already down in a bar in the Red Light, but they have agreed to bring the painting and make the exchange tonight without prior meeting of you, because I have told them your plane leaves tomorrow, and because they have fucked around on their end it is bank draft for the balance or nothing. Which—well, they did not like, but they accepted as proper explanation for bank draft. Makes things easier.”

“Much easier,” said Boris. “I was not sure how bank draft was going to go over. Better if they think the bank draft is their own fault for dicking around.”

“What’s the place?”

“Lunchcafe.” He pronounced it as one word. “De Paarse Koe.”

“That means ‘the Purple Cow’ in Dutch,” said Boris helpfully. “Hippie place. Close to the Red Light.”

Long lonely street—shut-up hardware stores, stacks of brick by the side of the road, all of it important and hyper-significant somehow even though it was speeding by in the dark much too fast to see.

“Food is so awful,” said Boris. “Sprouts and some hard old wheat toast. You would think hot girls go there but is just old gray-head women and fat.”

“Why there?”

“Because quiet street in the evening,” said Victor Cherry. “Lunchcafe is closed, after hours, but because semi-public nothing will get out of control, see?”

Everywhere: strangeness. Without noticing it I’d left reality and crossed the border into some no-man’s-land where nothing made sense. Dreaminess, fragmentation. Rolled wire and piles of rubble with the plastic sheeting blown to the side.

Boris was speaking to Victor in Russian; and when he realized I was looking at him, he turned to me.

“We are only saying, Sascha is in Frankfurt tonight,” he said, “hosting party at a restaurant for some friend of his just got out of jail, and we are all of us confirmed on this from three different sources, Shirley too. He thinks he is being smart, staying out of town. If it gets back to Horst what has happened here tonight he wants to be able to throw up his hands and say, ‘Who, me? I had nothing to do with it.’ ”

“You,” said Victor to me, “you are based in New York. I have said you are an art dealer, arrested for forgery, and now run an operation like Horst’s—much smaller scale in terms of paintings, much larger in terms of money.”

“Horst—God bless him,” said Boris. “Horst would be the richest man in New York except he gives it all away, every cent. Always has. Supports many many persons besides himself.”

“Bad for business.”

“Yes. But he enjoys company.”

“Junkie philanthropist, ha,” said Victor. He pronounced it philanthropist. “Good they die off time to time or who knows how many schmeckheads crammed in that dump with him. Anyway—less you say in there, the better. They will not be expecting polite conversation. This is all business. It will be fast. Give him the bank draft, Borya.”

Boris said something sharp in Ukrainian.

“No, he should produce it himself. It should be from his hand.”

Both bank draft, and deposit slip, were printed with the words Farruco Frantisek, Citizen Bank Anguilla, which only increased the sense of dream trajectory, a track speeding up too fast to slow down.

“Farruco Frantisek? I’m him?” Under the circumstances it felt like a meaningful question—as if I might be somehow disembodied or at least had passed beyond a certain horizon where I was freed of basic facts like identity.

“I did not choose the name. I had to take what I could get.”

“I’m supposed to introduce myself as this?” There was something wrong with the paper, which was too flimsy, and the fact that the slips said Citizen Bank and not Citizen’s Bank made them look all wrong.

“No, Cherry will introduce you.”

Farruco Frantisek. Silently I tried the name out, turned my tongue around it. Even though it was a hard name to remember, it was just strong and foreign enough to carry the lost-in-space hyperdensity of the black streets, tram tracks, more cobblestones and neon angels—back in the old city now, historic and unknowable, canals and bicycle racks and Christmas lights shaking on the dark water.

“When were you going to tell him?” Victor Cherry was asking Boris. “He needs to know what his name is.”

“Well now he knows.”

Unknown streets, incomprehensible turns, anonymous distances. I’d stopped even trying to read the street signs or keep track of where we were. Of everything around me—of all I could see—the only point of reference was the moon, riding high above the clouds, which though bright and full seemed weirdly unstable somehow, void of gravity, not the pure anchoring moon of the desert but more like a party trick that might pop out at a conjurer’s wink or else float away into the darkness and out of sight.

ix.

THE PURPLE COW WAS on an untravelled one-way street just wide enough for a car to go through. All the other businesses around—pharmacy, bakery, bike shop—were shut tight, everything but an Indonesian restaurant on the far end. Shirley Temple let us off out front. On the opposite wall, graffiti: smiley face and arrows, Warning Radioactive, stenciled lightning bolt with the word Shazam, dripping horror-movie letters, keep it nice!

I looked in through the glass door. The place was long and narrow, and—at first glance—empty. Purple walls; stained glass ceiling lamp; mismatched tables and chairs painted kindergarten colors and the lights low except for a grillside counter area and a lighted cold case glowing in back. Sickly house plants; signed black-and-white photo of John and Yoko; bulletin board shaggy with leaflets and flyers for satsangs and yoga classes and varied holistic modalities. On the wall was a mural of the Tarot arcana and, in the window, a flimsy computer-printed menu featuring a number of Everett-style wholefoods: carrotsoup, nettlesoup, nettlemash, lentil-nutspie—nothing very appetizing, but it made me remember that the last honest-to-God, more-than-a-few-bites meal I’d eaten had been the take-out curry in bed back at Kitsey’s.

Boris saw me looking at it. “I am hungry too,” he said, rather formally. “We will go get a really good dinner together. Blake’s. Twenty minutes.”

“You’re not going in?”

“Not yet.” He was standing slightly to the side, out of view of the glass doors, looking up and down the street. Shirley Temple was circling the block. “Don’t be here talking to me. Go with Victor and Gyuri.”

The man who sloped up to the glass door of the cafe was a scrawny, sketchy, twitchy-looking guy in his sixties, with a long narrow face and long freak hair past his shoulders and a peaked denim cap straight from Soul Train 1973. He stood there with his ring of keys and looked past Victor to me and Gyuri and seemed undecided whether to let us in. His close-set eyes, his brushy gray eyebrows and his puffy gray moustache gave him the look of a suspicious old schnauzer dog. Then another guy appeared, much much younger and much much bigger, half a head taller even than Gyuri, Malaysian or Indonesian with a face tattoo and eyepopping diamonds in his ears and a black topknot on the crown of his head that made him look like one of the harpooners from Moby Dick, if one of the harpooners from Moby Dick had happened to be wearing velvet track pants and a peach satin baseball jacket.

The old tweaker was making a call on his mobile. He waited, his eyes cagily on us the whole while. Then he made another call and turned his back and walked away into the depths of the lunchcafe, talking, palm pressed to cheek and ear in the manner of a hysterical housewife while the Indonesian stood in the glass door and watched us, unnaturally still. There was a brief exchange and then the old tweaker returned and with wrinkled brow and seeming reluctance began fumbling with the key ring, turning the key in the lock. The minute we were in he began yammering to Victor Cherry and throwing his arms about, while the Indonesian strolled over and leaned against the wall with his arms folded, listening.

Some disturbance, definitely. Discomfort. What language were they speaking? Romanian? Czech? What it was about I had not a clue but Victor Cherry seemed cold and annoyed while the old gray-head tweaker grew more and more agitated—angry? no: irritable, frustrated, wheedling even, a whine climbing in his voice, and all the time the Indonesian kept his eyes on us with the unsettling stillness of an anaconda. I stood about ten feet away and—despite Gyuri, with moneybag, pressing in on me much too close—put on a self-consciously blank expression and pretended to examine the signs and slogans on the wall: Greenpeace, Fur-Free Zone, Vegan Friendly, Protected by Angels! Having bought enough drugs in enough dodgy situations (cockroach apartments in Spanish Harlem, piss-smelling stairwells in the St. Nicholas projects), I knew enough not to be interested, since—in my experience anyway—transactions of this nature were mostly the same. You acted relaxed and disengaged, didn’t talk unless you had to and spoke in a monotone when you did, and—as soon as you got what you came for—left.

“Protected by angels, my ass,” said Boris, in my ear, having sidled up noiselessly on my other side.

I said nothing. Even all these years later, it was all too easy for us to fall into the habit of whispering with our heads together like in Spirsetskaya’s class, which seemed like not a good dynamic in the situation.

“We are on time,” said Boris. “But one of their men has not shown. That is why Grateful Dead here is so jumpy. They want us to wait till he comes. It is their own fault for changing the meeting place so often.”

“What’s going on over there?”

“Let Vitya handle it,” he said, poking his shoe at a desiccated furball on the floor—dead mouse? I thought, with a start, before realizing it was a chewed-up cat toy, one of several strewn across the floor beside a clumped and piss-darkened cat tray which lay half-hidden, turds and all, at the base of a table for four.

I was wondering how a dirty cat tray placed where diners were likely to step in it was possibly convenient in terms of food-service logistics (not to mention attractive, or healthful, or even legal) when I realized the talking had stopped and the two of them had turned to Gyuri and me—Victor Cherry, the old tweaker with a wary expectant look, stepping forward, his eyes darting from me to the bag in Gyuri’s hand. Obligingly Gyuri stepped forward, opened it, set it down with a servile bow of his head, and stepped away for the old guy to look at it.

The old guy peered in, nearsightedly; his nose wrinkled. With some peevish exclamation he looked up at Cherry, who remained impassive. Another obscure exchange ensued. The grayhair seemed discontented. Then he closed the bag and stood up and looked at me, eyes darting.

“Farruco,” I said nervously, having forgotten my last name and hoping I would not be required to produce it.

Cherry gave me a look: the papers.

“Right, right,” I said, reaching in the top inside pocket of my jacket for the bank draft and the deposit slip—unfolding them, in what I hoped was a casual way, checking them out before I handed them over—

Frantisek. But just as I was extending my hand—bam, it happened like a gust of wind that blows through the house and slams a door loudly in a direction where you aren’t expecting it—Victor Cherry stepped fast behind the grayhair and whacked him on the back of the head with the pistol butt so hard his cap flew off and his knees buckled and down he went with a grunt. The Indonesian, still in his wall-slouch, seemed as startled by this as I was: he stiffened, our eyes connected in a sharp what the fuck? jolt that was almost like a glance between friends, and I couldn’t understand why he wasn’t moving away from the wall until I looked behind me and saw to my horror that Boris and Gyuri both had guns on him: Boris neatly resting the butt of the pistol in the cup of his left palm and Gyuri, one-handed, with the bag of money, backing out the front door.

Disconnected flash, someone flitting from the kitchen in back: youngish Asian woman—no, a boy; white skin, blank frightened eyes sweeping the room, Ikat print scarf, long hair flying, just as quickly gone.

“Someone’s in back,” I said rapidly, looking around, every direction, room wheeling around me like a carnival ride and heart beating so wildly I couldn’t make the words come out quite right, I wasn’t sure if anyone heard me say it—or if Cherry heard, at any rate, since he was hauling the grayhair up by the back of his jeans jacket, catching him in a chokehold, pistol at his temple, screaming at him in whatever Eastern-European tongue and jostling him to the rear as the Indonesian un-slouched himself from the wall, gracefully and carefully, and looked at Boris and me for what seemed like a long time.

“You cunts are going to be sorry for this,” he said quietly.

“Hands, hands,” said Boris cordially. “Where I can see them.”

“I don’t got a weapon.”

“Right there anyway.”

“Right you are,” said the Indonesian, just as cordially. He looked me up and down with his hands in the air—memorizing my face, I realized with a chill, image straight to data file—and then he looked at Boris.

“I know who you are,” he said.

Submarine glow of the fruit juice cooler. I could hear my own breath going in and out, in and out. Clang of metal in the kitchen. Indistinct cries.

“Down, if you please,” said Boris, nodding at the floor.

Obligingly the Indonesian got to his knees and—very slowly—stretched himself full length. But he didn’t seem rattled or afraid.

“I know you,” he said again, voice slightly muffled.

Fast darting movement in the corner of my eye, so fast I started: a cat, devil black, like a living shadow, darkness flying to darkness.

“And who am I then?”

“Borya-from-Antwerp, innit?” It wasn’t true that he didn’t have a weapon; even I could see it bulging at his armpit. “Borya the Polack? Giggleweed Borya? Horst’s mate?”

“And so if I am?” said Boris genially.

The man was silent. Boris, tossing the hair out of his eyes with a flick of his head, made a derisive noise and seemed about to say something sarcastic but just then Victor Cherry came out of the back, alone, pulling what looked like a set of flexcuffs out of his pocket—and my heart skipped to see, under his arm, a package of the correct size and thickness, wrapped in white felt and tied with baker’s twine. He dropped a knee in the Indonesian’s back and began to fumble with the cuffs at his wrists.

“Get out,” said Boris to me, and then, again—my muscles had locked up and hardened; he gave me a little push—“Go! get in the car.”

Blankly I looked around—I couldn’t see the door, there wasn’t a door—and then there it was and I scrambled out so fast I slipped and nearly fell on a cat toy, out to the Range Rover puffing at the curb. Gyuri was keeping watch out front, on the street, in the light drizzle which had just begun to fall—“In, in,” he hissed, sliding into the back seat and waving me to come in after him, just as Boris and Victor Cherry burst out of the restaurant and hopped in too and off we drove, at a sedate and anticlimactic speed.

x.

IN THE CAR, OUT on the main road again, all was jubilation: laughter, high fives, while my heart was slamming so hard I could barely breathe. “What’s going on?” I rasped, several times—gulping for breath and looking back and forth between them and then, when they kept ignoring me, babbling in a percussive mix of Russian and Ukrainian, all four of them including Shirley Temple: “Angliyski!”

Boris turned to me, wiping his eyes, and slung his arm around my neck. “Change of plans,” he said. “That was all on the fly—improvised. We could have asked for nothing better. Their third man didn’t show.”

“Catching them short-handed.”

“Flatfooted.”

“Pants down! On the crapper!”

“You”—I had to gasp to get the words out—“you said no guns.”

“Well, no one got hurt, did they? What difference does it make?”

“Why didn’t we just pay?”

“Because we lucked out!” Throwing up his arms. “Once in a lifetime chance! We had the opportunity! What were they going to do? They were two—we were four. If they had any sense, they should never have let us inside. And—yes, I know, only forty thousand, but why should I pay them one cent if I don’t have to? For stealing my own property?” Boris chortled. “Did you see the look on his face? Grateful Dead? When Cherry whipped him back of the dome?”

“You know what he was complaining about, the old goat?” said Victor, turning to me jubilantly. “Wanted it in Euros! ‘What, dollars?’ ” imitating his peevish expression. “ ‘You brought me dollars?’ ”

“Bet he wishes he had those dollars now.”

“I bet he wishes he kept his mouth shut.”

“I’d like to hear that phone call to Sascha.”

“I wish I knew the name of the guy. That stood them up. Because I would like to buy him a drink.”

“Wonder where he is?”

“He is probably at home in the shower.”

“Studying his Bible lesson.”

“Watching ‘Christmas Carol’ on television.”

“Waiting at the wrong place, most like.”

“I—” My throat was so constricted I had to swallow to speak. “What about that kid?”

“Eh?” It was raining, light rain pattering on the windshield. Streets black and glistening.

“What kid?”

“Boy. Girl. Kitchen boy. Whatever.”

“What?” Cherry turned—still winded, breathing hard. “I didn’t see anyone.”

“I didn’t either.”

“Well, I did.”

“What’d she look like?”

“Young.” I could still see the freeze-frame of the young ghostly face, mouth slightly open. “White coat. Japanese-looking.”