Текст книги "Дизайн для реального мира"

Автор книги: Виктор Папанек

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^{New York: Harper & Row, 1964.}

^{Brightbill, Charles K. The Challenge of Leisure. New York: Spectrum, 1960.}

^{Brown, James A.C. Techniques of Persuasion. Middlesex: Penguin, 1963.}

^{Cassirer, Ernst. An Essay on Man. New Haven, Connecticut:}

^{Yale University Press, 1944.}

^{___. Language and Myth. New York: Harper & Brothers, 1946.}

^{___. The Myth of the State. London: Oxford University Press, 1946.}

^{Galbraith, John Kenneth. The Voice of the Poor.}

^{Cambridge, Massachusetts: Harvard University Press, 1983.}

^{Goodman, Paul. Art and Social Nature.}

^{New York: Arts and Science Press, 1946.}

^{___. Compulsory Mis-education. Middlesex: Penguin, 1971.}

^{___. Drawing the Line. New York: Random House, 1962.}

^{___. Growing Up Absurd. London: Sphere, 1970.}

^{___. Like a Conquered Province: The Moral Ambiguity of America.}

^{New York: Random House, 1967.}

^{___. Notes of a Neolithic Conservative. New York: Random House, 1970.}

^{___. Utopian Essays and Practical Proposals . New York: Vintage, 1964.}

^{Gorer, Geoffrey . Hot Strip Tease. London: Graywells Press, 1934.}

^{Gurko, Leo . Heros, Highbrows and the Popular Mind.}

^{New York: Charter Books, 1962.}

^{Hofstadter, Richard. Anti-intellectualism in American Life.}

^{London: Jonathan Cape, 1964.}

^{Hofstadter, Richard, and Wallace, Michael. American Violence.}

^{New York: Knopf, 1970.}

^{Jacobs, Norman (ed.). Culture for the Millions? Boston: Beacon, 1964.}

^{Joad, C.E.M. Decadence. London: Faber, 1948.}

^{Kefauver, Estes. In a Few Hands: Monopoly Power in America.}

^{Middlesex: Penguin, 1966.}

^{Kerr, Walter. The Decline of Pleasure.}

^{New York: Simon & Schuster, 1964.}

^{Kronhausen, Dr. Phyllis, and Kronhausen, Dr. Eberhard. Erotic Art.}

^{London: W.H. Alien, 1971.}

^{___. The First International Exhibition of Erotic Art. Catalogue.}

^{Copenhagen, Denmark: Uniprint, 1968.}

^{___. The Second International Exhibition of Erotic Art. Catalogue.}

^{Copenhagen, Denmark: Uniprint, 1969.}

^{Kiinen, James Simon. The Strawberry Statement: Notes of a College}

^{Revolutionary. New York: Random House, 1969.}

^{Larrabee, Eric, and Meyersohn, Rolf (eds.). Mass Leisure.}

^{New York: Free Press, 1958.}

^{Legman, Gershon. The Fake Revolt.}

^{New York: The Breaking Point Press, 1966.}

^{___. Love and Death: A Study in Censorship .}

^{New York; The Breaking Point Press, 1949.}

^{___. (ed.). Neurotica: 1948-1951. New York: Hacker, 1963.}

^{___. Rationale of the Dirty Joke: An Analysis of Sexual Humour.}

^{London: Panther, 1972.}

^{Levy, Mervyn. The Moons of Paradise: Reflections on the Female Breast in Art.}

^{New York: Citadel, 1965.}

^{MacDonald, Dwight. Masscult and Midcult.}

^{New York: Random House, 1961.}

^{McLuhan, Marshall. Culture is Our Business. New York: McGraw-Hill, 1970.}

^{___. The Gutenberg Galaxy. London: Routledge & Kegan Paul, 1962.}

^{___. The Mechanical Bride. London: Routledge & Kegan Paul, 1967.398 Библиография}

^{___. Understanding Media. London: Routledge & Kegan Paul, 1964}

^{___. and Carpenter, Edmund. Explorations in Communication.}

^{London: Jonathan Cape, 1970.}

^{___. and Watson, Wilfred. From Cliche to Archetype. New York: Viking 1}

^{___. and Fiore, Quentin. The Medium Is the Message.}

^{Middlesex: Penguin, 1971.}

^{___. and Parker, Harley. Through the Vanishing Point.}

^{New York: Harper & Row, 1968.}

^{___. and Papanek, Victor). Verbi-voco– Visual Explorations.}

^{New York: Something Else Press, 1967.}

^{___. and Fiore, Quentin. War and Peace in the Global Village.}

^{New York: Bantam, 1968.}

^{Mannheim, Karl. Ideology and Utopia.}

^{London: Routledge & Kegan Paul, 1966.}

^{Mehling, Harold. The Great Time Killer. New York: World, 1962.}

^{Mesthene, Emmanuel G. Technological Change.}

^{Cambridge, Massachusetts: Harvard University Press, 1970.}

^{Molnar, Thomas. The Decline of the Intellectual.}

^{New York: Meridian, 1961.}

^{Myrdal, Jan and Kessle, Gun. Angkor: An Essay on Art and Imperialism.}

^{London: Chatto & Windus, 1971.}

^{O'Brian, Edward J. The Dance of the Machines. New York: Macaulay, 1929.}

^{Packard, Vance. The Hidden Persuaders. Middlesex: Penguin, 1970.}

^{___. The Status Seekers. Middlesex: Penguin, 1971.}

^{___. The Wastemakers. Middlesex: Penguin, 1970.}

^{Palm, Goran. As Others See Us. Indianapolis: Bobbs-Merrill, 1968.}

^{Reich, Charles A. The Greening of America. Middlesex: Penguin, 1972.}

^{Repo, Satu (ed.). This Book is About Schools.}

^{New York: Pantheon Books, 1970.}

^{Riesman, David. Faces in the Crowd.}

^{New Haven, Connecticut: Yale University Press, 1952.}

^{___. Individualism Reconsidered. New York: Free Press, 1954.}

^{___. The Lonely Crowd, rev. ed. New Haven, Connecticut:}

^{Yale University Press, 1950.}

^{Rosenberg, Bernard, and White, David M. Mass Culture.}

^{New York: Free Press, 1957.}

^{Roszak, Theodore. The Making of a Counter Culture.}

^{London: Faber, 1971.}

^{Ryan, Willima. Blaming the Victim . Orbach & Chambers, 1971.}

^{Snow, C.P. The Two Cultures : And a Second Look.}

^{Cambridge: Cambridge University Press, 1963.}

^{Thomson, Denys. Discrimination and Popular Culture.}

^{Middlex: Pengiun, 1970.}

^{Toffler, Alvin . The Culture Consumers . New York: St. Martin’s, 1964.}

^{Veblen, Thorstein. The Theory of the Leisure Class.}

^{London: Alien & Unwin, 1971.}

^{Wagner, Geoffrey. Parade of Pleasure: A Study of Popular Iconography}

^{in the USA. London: Derek & Verschoyle , 1954.}

^{Walker, Edward L., and Heyns, Roger W. An Anatomy for Conformity .}

^{London: Brooks-Cole, 1968.}

^{Warshow, Robert. The Immediate Experience.}

^{New York: Doble-day, 1963.}

^{Yong, Wayland. Eros Denied: Sex in Western Society.}

^{London: Corgi, 1968.}

^{Дизайн и различные культуры}

^{Austin, Robert, and Ueda, Koichiro. Bamboo. Tokyo: Weatherhill, 1978.}

^{Belo, Jane. Traditional Balinese Culture.}

^{New York: Columbia University Press, 1970.}

^{Benrimo, Dorothy. Camposantos.}

^{Fort Worth, Texas: Amon Carter Museum, 1966.}

^{Beurdeley, Jean-Michel. Thai Forms. Freiburg". Office du Livre, 1979.}

^{Bhagwati, Jagdish. The Economics of Underdeveloped Countries.}

^{London: Weidenfeld & Nicholson, 1966.}

^{Carpenter, Edmund. Eskimo. Toronto: University of Toronto Press, 1959.}

^{Cavarrubias, Miguel. Bait. New York: Knopf, 1940.}

^{___. Mexico South. New York: Knopf, 1946.}

^{Cordry, Donald, and Cordry, Dorothy. Mexican Indian Costumes.}

^{Austin: University of Texas Press, 1968.}

^{Gushing, Frank Hamilton. Zuni Fetishes.}

^{Flagstaff, Arizona: KG Editions, 1966.}

^{de Bermudez, Graciela Samper (ed.). Artesanias de Colombia.}

^{Bogota: Litografia Arco, 1978.}

^{Dennis, Wayne. The Hopi Child. New York: Science Editions, 1965}

^{DePoncins, Contran. Eskimos. New York: Hastings House, 1949.}

^{Eliade, Mircea. Shamanism: Archaic Techniques of Ecstasy.}

^{London: Routledge & Kegan Paul, 1964.}

^{Gardi, Ren6. African Crafts and Craftsmen.}

^{New York: Van Nostrand Reinhold, 1969.}

^{___. ArchitecturesansArchitecte. Bern: Buchler&Co., 1974.}

^{Glynn, Prudence. Skin to Skin: Eroticism in Dress.}

^{London: George Alien & Unwin, 1982.}

^{Grass, Antonio. Animates mitologicos. Bogota: Litografia Arco, 1979.}

^{___. Diseno Precolumbina Colombiano. Bogota: Museo del Oro, 1972.}

^{Harris, Marvin. Cultural Materialism. New York: Random House, 1979.}

^{Harrison, Paul. Inside the Third World. Middlesex: Penguin, 1979.}

^{___. The Third World Tomorrow. Middlesex: Penguin, 1980.}

^{Heineken, Ту, and Heineken, Kyoko. Tansu: Traditional Japanese Cabinetry.}

^{Tokyo: Weatherhill, 1981.}

^{Herrigel, Eugen. Zen in the Art of Archery.}

^{London: Routledge & Kegan Paul, 1953.}

^{Hiler, Hilaire. From Nudity to Raiment. London: W. & G. Foyle Ltd., 1930.}

^{Hokusai. One Hundred Views of Mount Fuji.}

^{New York: Frederik Publications, 1958.}

^{Kasba 64 Study Group. Living on the Edge of the Sahara.}

^{The Hague: Government Publishing Office, 1973.}

^{Kwamiys, Takeji. Katachi: Japanese Pattern and Design in Wood,}

^{Paper and Clay. New York: Abrams, 1967.}

^{Jenness, Diamond. The People of the Twilight.}

^{Chicago: University of Chicago Press, Phoenix, 1959.}

^{Kakuzo, Okakura. The Book of Tea. Tokyo: Turtle, 1963.}

^{Kitzo, Harumichi. Cha-No-Yu. Tokyo: Shokokusha, 1953.}

^{___ .Formation of Bamboo. Tokyo: Shokokusha, 1958.}

^{___ .Formation of Stone. Tokyo: Shokokusha, 1958.}

^{Kubler, Geerge. The Shape of Time.}

^{New Haven, Connecticut: Yale University Press, 1962.}

^{Lee, Sherman E. The Genius of Japanese Design. Tokyo: Kodansha, 1981.}

^{Leppe, Markus. Vaivaisukot. Helsinki, Finland: Werner Soderstrom, 1967.}

^{Liebow, Elliot. Tally's Corner. Boston: Little, Brown, 1967.}

^{Linton, Ralph. The Tree of Culture. New York: Knopf, 1955.}

^{Lip, Evelyn. Chinese Geomancy. Singapore: Times Books International, 1979-}

^{Lopez, Oscar Hidalgo. Manual de construction con bambu.}

^{Bogota: National University of Colombia, 1981.}

^{McPhee, Collin. A House in Bali. New York: John Day, 1946.}

^{Music in Bali. New Haven, Connecticut: Yale University Press, 1966.}

^{Malinowski, Bronislaw. Magic, Science and Religion.}

^{New York: Anchor, 1954.}

^{___. Sex and Repression in Savage Society.}

^{London: Routledge & Kegan Paul, 1927.}

^{Manker, Ernst. People of Eight Seasons: The Story of the Lapps.}

^{New York: Viking, 1964.}

^{Mead, Margaret. Coming of Age in Samoa. Middlesex: Penguin, 1971.}

^{__. Cultural Patterns and Technological Change. New York: Mentor, n.d.}

^{__. Growing up in New Guinea. Middlesex: Penguin, 1970.}

^{__. Male and Female. Middlesex: Penguin, 1970.}

^{___. Sex and Temperament. New York: Morrow, 1935.}

^{Meyer, Karl. Teotihuacan. Milan: Mondadori, 1973.}

^{Michener, James A. Hokusai Sketchbooks. Tokyo: Tuttle, 1958.}

^{Mookerjee, Ajit. TantraArt. New Delhi, India: Kumar Gallery, 1967.}

^{Mowat, Parley. People of the Deer. New York: Pyramid, 1968.}

^{Nicolaisen, Johannes. Ecology and Culture of the Pastoral Tuareg.}

^{Copenhagen: National Museum of Copenhagen, 1963.}

^{Oka, Hideyuki. How to Wrap Five Eggs. New York: Harper & Row, 1967.}

^{Ortega у Gasset, Josft. The Dehumanization of Art. Translated by Weyl.}

^{Princeton, New Jersey: Princeton University Press, 1948.}

^{Ortiz, Alfonso. The Tewa World: Space, Time, Being,}

^{& Becoming in a Pueblo Society.}

^{Chicago: University of Chicago Press, 1969.}

^{Page, Susanne, and Page, Jake. Hopi. New York: Abrams, 1982.}

^{Pianzola, Maurice. Brasil Barroco. Rio de Janeiro: Edicao Funarte, 1980.}

^{Ramseyer, Urs. The Art and Culture of Bali.}

^{Oxford: Oxford University Press, 1977.}

^{Reichard, Gladys A. Navajo Religion: A Study of Symbolism.}

^{Princeton, New Jersey: Bollingen Series,}

^{Princeton University Press, 1950.}

^{Richards, Audrey I. Hunger and Work in a Savage Tribe.}

^{New York: Meridian, 1964.}

^{Rodman, Selven. Popular Artists of Brazil.}

^{Old Greenwich: Devin-Adair, 1977.}

^{Roediger, Virginia More. Ceremonial Costumes of the Pueblo Indians.}

^{Berkeley: University of California Press, 1961.}

^{Rudofsky, Bernard. Architecture without Architects.}

^{New York: Museum of Modern Art, 1964.}

^{___. Are Our Clothes Modern? Chicago: Paul Theobald, 1949.}

^{___. Behind the Picture Window. New York: Oxford University Press 10}

^{___. The Kimono Mind. London: Gollancz, 1965.}

^{___. The Prodigious Builders. New York: Harcourt Brace Jovanovich 197}

^{___. Streets for People. New York: Doubleday, 1969.}

^{___. The Unfashionable Human Body. New York: Doubleday, 1971.}

^{Saunders, E. Dale. Mudra: A Study of Symbolic Gestures in Japanese Buddhist}

^{Sculpture. London: Routledge & Kegan Paul, 1960.}

^{Schafer, Edward H. The Golden Peaches of Samarkand:}

^{A Study of Tang Exotics. Berkeley: University of California Press, 1963.}

^{___. Tu Wan's Stone Catalogue of Cloudy Forest. Berkeley:}

^{University of California Press, 1961.}

^{Scully, Vincent. Pueblo: Mountain, Village, Dance.}

^{New York: Viking Press, 1975.}

^{Sesoko, Tsune. The I-Ro-Ha of Japan. Tokyo: Cosmo Corporation, 1979.}

^{Spencer, Robert F. The North Alaskan Eskimo: A Study in Ecology}

^{and Society. Washington, D.C.: Smithsonian Institution Press, 1969.}

^{Spies, Walter, and de Zote, Beryl. Dance and Drama in Bali.}

^{London: Faber, 1938.}

^{Suzuki, Daisetz T. Zen and Japanese Culture.}

^{London: Routledge & Kegan Paul, 1959.}

^{Sze, Mai-Mai. The Too of Painting. 2 vols.}

^{London: Routledge & Kegan Paul, 1957.}

^{Tange, Kenzo, and Gropius, Walter. Katsura:}

^{Tradition and Creation in Japanese Architecture.}

^{New Haven, Connecticut: Yale University Press, 1960.}

^{Tange, Kenzo, and Kawazoe, Noboru. Ise: Prototype of Japanese Architecture.}

^{Cambridge, Massachusetts: M.I.T. Press, 1965.}

^{Thiry, Paul and Mary. Eskimo Artifacts: Designed for Use.}

^{Seattle: Superior Publishing Co., 1977.}

^{Valladares, Clarival and do Prado. Artesanato brasileiro.}

^{Rio de Janeiro: Edicao Funarte, 1980.}

^{Vazquez, Ramirez. Mexico: The National Museum of Anthropology. Lausanne:}

^{Helvetica Press, 1968.}

^{Viezzer, Moema. Si mepermiten hablar...}

^{Bolivia: underground pamphlet, 1977.}

^{Wagley Charles. Welcome of Tears : The Tapirape Indians of Central Brazil.}

^{New York; Oxford University Press, 1977.}

^{Watts, Alan R. Beat Zen, Square Zen and Zen.}

^{San Francisco: City Lights, 1959-}

^{___. The Joyous Cosmology. New York: Pantheon Books, 1962.}

^{___. Nature, Man and Woman. New York: Pantheon Books, 1958.}

^{Wichmann, Siegfried. Japonisme. New York: Harmony Books, 1981.}

^{Wyman, Leland C. (ed.~).Beautyway:ANavajo Ceremonial. Princeton,}

^{New Jersey: Bollingen Series, Princeton University Press, 1957.}

^{Yee, Chiang. The Chinese Eye. New York: Norton, 1950.}

^{__. Chinese Calligraphy. London: Methuen, 1954.}

^{Yoshida, Mitsukuni, et al. Japan Style. Tokyo: Kondansha, 1981.}

^{Книги и публикации дизайнеров и других авторов}

^{Akerman, Nordal. Kan Vi Krympa Sverige?}

^{Stockholm: Raben & Sjogren, 1980.}

^{Brecht, Bertolt. Gesammelte Werke.}

^{Frankfurt, Germany: Suhr-kamp Verlag, 1967.}

^{Cleaver, Eldridge. Sou! on Ice. London: Jonathan Cape, 1969.}

^{___. Eldridge Cleaver: Post-Prison Writings and Speeches.}

^{London: Jonathan Cape, 1969.}

^{Debray, Regis. Revolution in the Revolution. Middlesex: Penguin, 1968.}

^{Deshusses, Jerome. The Eighth Night of Creation.}

^{New York: The Dial Press, 1982.}

^{Dow, Alden B. Reflections. Midland, Michigan: Northwood Institute, 1970.}

^{Fanon, Frantz. The Wretched of the Earth. Middlesex: Penguin, 1967.}

^{Fischer, Ernst. The Necessity of Art: A Marxist Approach.}

^{Middlesex: Pelican, 1964.}

^{Freire, Paulo. Cultural Action for Freedom. Middlesex: Penguin, 1972.}

^{___. Educacao como Prdtica da Liberdade. Sao Paulo: P. P. C, 1967.}

^{.__• Pedagogy of the Oppressed. Middlesex: Penguin, 1972.}

^{Frisch, Bruno. Die Vierte Welt: Modell einer neuen Wirklichkeit.}

^{Stuttgart: DVA, 1970.}

^{Gardner, John. On Moral Fiction. New York: Basic Books, 1977.}

^{Gonzales, Xavier. Notes About Painting. New York: World, 1955.}

^{Greene, Herb. Mind & Image: An Essay on Art and Architecture.}

^{Lexington: University Press of Kentucky, 1976.}

^{Greenough, Horatio. Form and Function.}

^{Washington, D.C.: privately published, 1811.}

^{Guevara, Che. Bolivian Diary.}

^{London: Cape & Lorrimer 1968}

^{___. Guerrilla Warfare. Middlesex: Penguin, 1969.}

^{Harris, Marvin. Cultural Materialism: The Struggle for a Science of Cult}

^{New York: Random House, 1979.}

^{Kennedy, Robert F. Го Seek a Newer World.}

^{London: Michael Joseph, 1968.}

^{Koestler, Arthur. Arrow in the Blue. London: Hutchinson, 1969.}

^{___. Dialogue with Death. London: Hutchinson, 1966.}

^{___. The Invisible Writing. London: Hutchinson, 1969.}

^{___. Scum of the Earth. London: Hutchinson, 1968.}

^{Laing, R.D. The Politics of Experience. Middlesex: Penguin, 1970.}

^{Mailer, Norman. The Armies of the Night. Middlesex: Penguin, 1970.}

^{___. Miami and the Siege of Chicago. Middlesex: Penguin, 1971.}

^{Mao Tse-tung. Collected Writings. 5 vols. Peking:}

^{Foreign Language Press, 1964.}

^{___. On Art and Literature. Peking: Foreign Language Press, 1954.}

^{___. On Contradiction. Peking: Foreign Language Press.}

^{___. On the Correct Handling of Contradictions among the People.}

^{Peking: Foreign Language Press, 1957.}

^{Marcuse, Herbert. Das Ende der Utopie. Berlin: Maikowski, 1967.}

^{___. One-Dimensional Man. London: Routledge & Kegan Paul, 1964.}

^{Marin, John. The Collected Letters of John Marin.}

^{New York: Abelard-Schuman, n.d.}

^{Miller, Henry. My Bike and Other Friends.}

^{Santa Barbara, California: Capra Press, 1978.}

^{Myrdal, Jan. Confessions of a Disloyal European.}

^{London: Chatto & Windus, 1968.}

^{___. Report from a Chinese Village. Middlesex: Penguin, 1967.}

^{___. Samtida. Stockholm: Norstedt, 1967.}

^{Perlman, Janice E . The Myth of Marginality:}

^{Urban Poverty and Politics in Rio de Janeiro.}

^{Berkeley: University of California Press, 1976.}

^{Richards, M.C. Centering: In Pottery, Poetry and the Person.}

^{Middletown, Connecticut: Wesleyan University Press, 1964.}

^{Saarinen, Eliel. Search for Form. Detroit: Kennikat Press, 1970.}

^{Safdie,Moshe. Beyond Habitat.}

^{Cambridge, Massachusetts: M.I.T. Press, 1970.}

^{___. For Everyone a Garden. Cambridge, Massachusetts: M.I.T. Press, 1974.}

^{___. Form and Purpose. Boston: Houghton Mifflin Co., 1982.}

^{St. Exupery, Antoinede. Bekenjitnis einer Freundschaft Dusseldorf,}

^{Germany: Karl Rauch, 1955.}

^{___. Garnets. Paris: Gallimard, 1953.}

^{___. Flight to Arras. Middlesex: Penguin, 1967.}

^{___. Freiden OderKrieg? Diisseldorf, Germany: Karl Rauch, 1957.}

^{___. Gebete der Einsamkeit. Diisseldorf, Germany: Karl Rauch, 1956.}

^{___. Lettres a Vamie inventee. Paris: Plon, 1953.}

^{___. Lettres a so mere. Paris: Gallimard, 1955.}

^{___. lettres dejeunesse. Paris: Gallimard, 1953.}

^{___. The Little Prince. Middlesex: Penguin, 1970.}

^{___. NightFlight. Middlesex: Penguin, 1939.}

^{___. A Sense of Life. New York: Funk & Wagnalls, 1965.}

^{___. Wind, Sand and Stars. Middlesex: Penguin, 1971.}

^{___. The Wisdom of the Sands. New York: Harcourt, Brace, 1952.}

^{Servan-Schreiber, Jean Jacques. The American Challenge.}

^{London: Hamish Hamilton, 1968.}

^{___. The World Challenge. New York: Simon & Schuster, 1981.}

^{Shahn, Ben. The Shape of Content. Cambridge, Massachusetts:}

^{Harvard University Press, 1957.}

^{Soleri, Paolo. Arcology: The City in the Image of Man.}

^{Cambridge, Massachusetts: M.I.T. Press, 1970.}

^{Sontag, Susan. On Photography.}

^{New York: Farrar, Straus and Giroux, 1977.}

^{Sullivan, Louis H. The Autobiography of an Idea. Chicago: Peter Smith, 1924.}

^{___. Kindergarten Chats. Chicago: Scarab Fraternity, 1934.}

^{Thoreau, Henry David. Walden and Essay on Civil Disobedience.}

^{London: Dent.}

^{Van Gogh, Vincent. The Complete Letters of Vincent Van Gogh}

^{in Three Volumes. London: Thames & Hudson, 1958.}

^{Weiss, Peter. Notizen zum Kulterellen Leben in der Demokratischen Republik}

^{VietNam. Frankfurt, Germany: Suhrkamp Verlag, 1968.}

^{Wills, Philip. Free as a Bird. London: John Murray, 1973.}

^{___. On Being a Bird. London: David & Charles, 1977.}

^{___. Where No Birds Fly. London: Newnes, 1961.}

^{Wright, Frank Lloyd. Autobiography.}

^{New York: Duel, Sloane & Pearce, 1943.}

^{___. The Disappearing City. New York: William Farquhar Payson, 1932}

^{___. The Living City. New York: Horizon, 1958.}

^{___. The New Frontier: Broadacre City. Springreen, Wisconsin:}

^{Taliesin Fellowship Publication, vol. 1, no. 1, October, 1940.}

^{___. A Testament. New York: Horizon, 1957.}

^{___. When Democracy Builds. Chicago: University of Chicago Press, 1945.}

^{Wright, Olgivanna Lloyd. The Shining Brow. New York: Horizon, 1958.}

^{Yevtushenko, Yevgeny. Collected Poems. London: Calder & Boyars, 1969.}

^{___. A Precocious Autobiography. New York: Dutton, 1963.}

^{Истоки дизайна}

^{Arnheim, Rudolf. Art and Visual Perception. London: Faber, 1967.}

^{___. Film as Art. London: Faber, 1967.}

^{___. Toward A Psychology oj Art. London: Faber, 1967.}

^{Bayer, Herbert, and Gropius, Walter. Bauhaus 1919-1928.}

^{Boston: Branford, 1952.}

^{Berenson, Bernard. Aesthetics and History.}

^{New York: Pantheon Books, 1948.}

^{Biederman, Charles. Art as the Evolution of Visual Knowledge.}

^{Redwing, Minnesota: Charles Biederman, 1948.}

^{Boas, Franz. Primitive Art. New York: Dover, 1955.}

^{Burckhardt, Lucius. Der Werkbund. Stuttgart: DVA, 1978.}

^{Conrads, Ulrich, and Sperlich, Hans G. The Architecture of Fantasy.}

^{New York: Praeger, 1962.}

^{Danz, Louis. Dynamic Dissonance in Nature and the Arts.}

^{New York: Longmans Green, 1952.}

^{___. It is Still the Morning. New York: Morrow, 1943.}

^{___. Personal Revolution and Picasso. New York: Longmans Green, 1941.}

^{___. The Psychologist Looks at Art. New York: Longmans Green, 1937.}

^{___ .ZarathustraJr.. New York: Brentano, 1934.}

^{Dorfles, Gillo. Kitsch: An Anthology of Bad Taste.}

^{London: Studio Vista, 1970.}

^{Ehrenzweig, Anton. The Hidden Order of Art. London: Paladin, 1970.}

^{Feldman, Edmund B. (ed.). Art in American Higher Institutions. Washington,}

^{D.C.: The National Art Education Association, 1970.}

^{Friedmann, Herbert. The Symbolic Goldfinch:}

^{Its History and Significance in European Devotional Art.}

^{Princeton, New Jersey: Bollingen Series,}

^{Princeton University Press, 1946.}

^{Gamow, George. One, Two, Three... Infinity, rev. ed.}

^{New York: Viking, 1961.}

^{Gerstner, Karl. Kalte KunstP Basel, Switzerland: Arthur Niggli, 1957.}

^{Gilson, Etienne. Painting and Reality. Princeton, New Jersey:}

^{Bollingen Series, Princeton University Press, 1957.}

^{Gombrich, E.H. Art and Illusion. Oxford: Phaidon, 1962.}

^{___. Ideals and Idok. New York: E. P. Dutton, 1979.}

^{___. The Image and the Eye. Ithaca: Cornell University Press, 1979.}

^{___. Meditations on a Hobbyhorse. Oxford: Phaidon, 1963.}

^{___. The Sense of Order. Ithaca: Cornell University Press, 1979.}

^{Graves, Robert. The White'Goddess. London: Faber, 1952.}

^{Hatterer, Lawrence J. The Artist in Society: Problems and Treatment of the}

^{Creative Personality. New York: Grove Press, 1965.}

^{Hauser, Arnold. The Social History of Art. 4 vols. London:}

^{Rou-tledge & Kegan Paul, 1951.}

^{Hinz, Berthold. Art in the Third Reich. New York: Pantheon, 1979.}

^{Hogben, Lancelot. From Cave Painting to Comic Strip.}

^{New York: Chanticleer Press, 1949.}

^{Hon-En Historia. Catalogue. Stockholm: Moderna Museet, 1967.}

^{Huizinga, Johan. Homo Ludens: A Study of the Play-element}

^{in Human Culture. London: Paladin, 1970.}

^{Hulten, K.G. Pontus. The Machine as Seen at the End of the Mechanical Age,}

^{New York: Museum of Modern Art, 1968.}

^{Illich, Ivan. Energy and Equity. London: Calder & Boyars, 1974.}

^{___. Tools for Conviviality. London: Calder & Boyars, 1973.}

^{Keats, John. The Insolent Chariots. New York: Crest Books, n.d.}

^{Klingender, Francis D. Art and the Industrial Revolution.}

^{London: Paladin, 1972.}

^{Kracauer, Siegfried. From Caligari to Hitler. Princeton, New Jersey:}

^{Princeton University Press, 1947.}

^{Kranz, Kurt. Variationen tiber ein geometrisches Thema.}

^{Munich, Germany: Prestel, 1956.}

^{Langer, Susanne K. Feeling and Form. London:}

^{Routledge & Kegan Paul, 1953.}

^{___. Philosophy in a New Key. New York: Scribner, 1942.}

^{___. Problems of Art. New York: Scribner, 1957.}

^{Le Corbusier. The Modular. London: Faber, 1954.}

^{___. Modular 2. London: Faber, 1958.}

^{Lethaby, W.R. Architecture, Nature and Magic.}

^{New York: George Braziller, 1956.}

^{Malraux, Andre. The Metamorphosis of the Gods.}

^{New York: Dou-bleday, 1960.}

^{___. The Voices of Silence. New York: Doubleday, 1952.}

^{Maritain, Jacques. Creative Intuition in Art and Poetry.}

^{Princeton, New Jersey: Bollingen Series,}

^{Princeton University Press, 1953.}

^{Middleton, Michael. Group Practice in Design.}

^{London: Architectural Press, 1968.}

^{Moholy-Nagy, Sibyl. Native Genius in Anonymous Architecture.}

^{New York: Horizon, 1957.}

^{Neumann, Erich. The Great Mother: An Analysis of the Archetype.}

^{London: Routledge & Kegan Paul, 1955.}

^{Neutra, Richard. Survival through Design.}

^{New York: Oxford University Press, 1954.}

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