Текст книги "Paper Towns"

Автор книги: John Green

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Текущая страница: 8 (всего у книги 18 страниц)

17

Mom came into my room the next morning and said, “You didn’t even close the door last night, sleepyhead,” and I opened my eyes and said, “I think I have a stomach bug.” And then I motioned toward the trash can, which contained puke.

“Quentin! Oh, goodness. When did this happen?”

“About six,” I said, which was true.

“Why didn’t you come get us?”

“Too tired,” I said, which was also true.

“You just woke up feeling ill?” she asked.

“Yeah,” I said, which was untrue. I woke up because my alarm went off at six, and then I snuck into the kitchen and ate a granola bar and some orange juice. Ten minutes later, I stuck two fingers down my throat. I didn’t want to do it the night before because I didn’t want it stinking the room up all night. The puking sucked, but it was over quickly.

Mom took the bucket, and I could hear her cleaning it out in the kitchen. She returned with a fresh bucket, her lips pouting with worry. “Well, I feel like I should take the day—” she started, but I cut her off.

“I’m honestly fine,” I said. “Just queasy. Something I ate.”

“Are you sure?”

“I’ll call if it gets worse,” I said. She kissed my forehead. I could feel her sticky lipstick on my skin. I wasn’t really sick, but still, somehow she’d made me feel better.

“Do you want me to close the door?” she asked, one hand on it. The door clung to its hinges, but only barely.

“No no no,” I said, perhaps too nervously.

“Okay,” she said. “I’ll call school on my way to work. You let me know if you need anything. Anything. Or if you want me to come home. And you can always call Dad. And I’ll check up on you this afternoon, okay?”

I nodded, and then pulled the covers back up to my chin. Even though the bucket had been cleaned, I could smell the puke underneath the detergent, and the smell of it reminded me of the act of puking, which for some reason made me want to puke again, but I just took slow, even mouth breaths until I heard the Chrysler backing down the driveway. It was 7:32. For once, I thought, I would be on time. Not to school, admittedly. But still.

I showered and brushed my teeth and put on dark jeans and a plain black T-shirt. I put Margo’s scrap of newspaper in my pocket. I hammered the pins back into their hinges, and then packed. I didn’t really know what to throw into my backpack, but I included the doorjamb-opening screwdriver, a printout of the satellite map, directions, a bottle of water, and in case she was there, the Whitman. I wanted to ask her about it.

Ben and Radar showed up at eight on the dot. I got in the backseat. They were shouting along to a song by the Mountain Goats.

Ben turned around and offered me his fist. I punched it softly, even though I hated that greeting. “Q!” he shouted over the music. “How good does this feel?”

And I knew exactly what Ben meant: he meant listening to the Mountain Goats with your friends in a car that runs on a Wednesday morning in May on the way to Margo and whatever Margotastic prize came with finding her. “It beats calculus,” I answered. The music was too loud for us to talk. Once we got out of Jefferson Park, we rolled down the one window that worked so the world would know we had good taste in music.

We drove all the way out Colonial Drive, past the movie theaters and the bookstores that I had been driving to and past my whole life. But this drive was different and better because it occurred during calculus, because it occurred with Ben and Radar, because it occurred on our way to where I believed I would find her. And finally, after twenty miles, Orlando gave way to the last remaining orange tree groves and undeveloped ranches – the endlessly flat land grown over thick with brush, the Spanish moss hanging off the branches of oak trees, still in the windless heat. This was the Florida where I used to spend mosquito-bitten, armadillo-chasing nights as a Boy Scout. The road was dominated now by pickup trucks, and every mile or so you could see a subdivision off the highway – little streets winding for no reason around houses that rose up out of nothing like a volcano of vinyl siding.

Farther out we passed a rotting wooden sign that said GROVE-POINT ACRES. A cracked blacktop road lasted only a couple hundred feet before dead-ending into an expanse of gray dirt, signaling that Grovepoint Acres was what my mom called a pseudovision – a subdivision abandoned before it could be completed. Pseudovisions had been pointed out to me a couple times before on drives with my parents, but I’d never seen one so desolate.

We were about five miles past Grovepoint Acres when Radar turned down the music and said, “Should be in about a mile.”

I took a long breath. The excitement of being somewhere other than school had started to wane. This didn’t seem like a place where Margo would hide, or even visit. It was a far cry from New York City. This was the Florida you fly over, wondering why people ever thought to inhabit this peninsula. I stared at the empty asphalt, the heat distorting my vision. Ahead, I saw a strip mall wavering in the bright distance.

“Is that it?” I asked, leaning forward and pointing.

“Must be,” Radar said.

Ben pushed the power button on the stereo, and we all got very quiet as Ben pulled into a parking lot long since reclaimed by the gray sandy dirt. There had once been a sign for these four storefronts. A rusted pole stood about eight feet high by the side of the road. But the sign was long gone, snapped off by a hurricane or an accumulation of decay. The stores themselves had fared little better: it was a single-story building with a flat roof, and bare cinder block was visible in places. Strips of cracked paint wrinkled away from the walls, like insects clinging to a nest. Water stains formed brown abstract paintings between the store windows. The windows were boarded up with warped sheets of particleboard. I was struck by an awful thought, the kind that cannot be taken back once it escapes into the open air of consciousness: it seemed to me that this was not a place you go to live. It was a place you go to die.

As soon as the car stopped, my nose and mouth were flooded with the rancid smell of death. I had to swallow back a rush of puke that rose up into the raw soreness in the back of my throat. Only now, after all this lost time, did I realize how terribly I had misunderstood both her game and the prize for winning it.

I get out of the car and Ben is standing next to me, and Radar next to him. And I know all at once that this isn’t funny, that this hasn’t been prove-to-me-you’re-good-enough-to-hang-out-with-me. I can hear Margo that night as we drove around Orlando. I can hear her saying to me, “I don’t want some kids to find me swarmed with flies on a Saturday morning in Jefferson Park.” Not wanting to be found by some kids in Jefferson Park isn’t the same thing as not wanting to die.

There is no evidence that anyone has been here in a long time except for the smell, that sickly sour stench designed to keep the living from the dead. I tell myself she can’t smell like that, but of course she can. We all can. I hold my forearm up to my nose so I can smell sweat and skin and anything but death.

“MARGO?” Radar calls. A mockingbird perched on the rusted gutter of the building spits out two syllables in response. “MARGO!” he shouts again. Nothing. He digs a parabola into the sand with his foot and sighs. “Shit.”

Standing before this building, I learn something about fear. I learn that it is not the idle fantasies of someone who maybe wants something important to happen to him, even if the important thing is horrible. It is not the disgust of seeing a dead stranger, and not the breathlessness of hearing a shotgun pumped outside of Becca Arrington’s house. This cannot be addressed by breathing exercises. This fear bears no analogy to any fear I knew before. This is the basest of all possible emotions, the feeling that was with us before we existed, before this building existed, before the earth existed. This is the fear that made fish crawl out onto dry land and evolve lungs, the fear that teaches us to run, the fear that makes us bury our dead.

The smell leaves me seized by desperate panic – panic not like my lungs are out of air, but like the atmosphere itself is out of air. I think maybe the reason I have spent most of my life being afraid is that I have been trying to prepare myself, to train my body for the real fear when it comes. But I am not prepared.

“Bro, we should leave,” Ben says. “We should call the cops or something.” We have not looked at each other yet. We are all still looking at this building, this long-abandoned building that cannot possibly hold anything but corpses.

“No,” Radar says. “No no no no no. We call if there’s something to call about. She left the address for Q. Not for the cops. We have to find a way in there.”

“Inthere?” Ben says dubiously.

I clap Ben on the back, and for the first time all day, the three of us are looking not forward but at one another. That makes it bearable. Something about seeing them makes me feel as if she is not dead until we find her. “Yeah, in there,” I say.

I don’t know who she is anymore, or who she was, but I need to find her.

18

We walk around the back of the building and find four locked steel doors and nothing but ranch land, patches of palmettos dotting an expanse of gold-green grass. The stench is worse here, and I feel afraid to keep walking. Ben and Radar are just behind me, to my right and left. We form a triangle together, walking slowly, our eyes scanning the area.

“It’s a raccoon!” Ben shouts. “Oh, thank God. It’s a raccoon. Jesus.” Radar and I walk away from the building to join him near a shallow drainage ditch. A huge, bloated raccoon with matted hair lies dead, no visible trauma, its fur falling off, one of its ribs exposed. Radar turns away and heaves, but nothing comes out. I lean down next to him and put my arm between his shoulder blades, and when he gets his breath back, he says, “I am so fucking glad to see that dead fucking raccoon.”

But even so, I cannot picture her here alive. It occurs to me that the Whitman could be a suicide note. I think about things she highlighted: “To die is different from what any one supposed, and luckier.” “I bequeath myself to the dirt to grow from the grass I love, / If you want me again look for me under your bootsoles.” For a moment, I feel a flash of hope when I think about the last line of the poem: “I stop some where waiting for you.” But then I think that the Idoes not need to be a person. The Ican also be a body.

Radar has walked away from the raccoon and is tugging on the handle of one of the four locked steel doors. I feel like praying for the dead – saying Kaddish for this raccoon – but I don’t even know how. I’m so sorry for him, and so sorry for how happy I am to see him like this.

“It’s giving a little,” Radar shouts to us. “Come help.”

Ben and I both put our arms around Radar’s waist and pull back. He puts his foot up against the wall to give himself extra leverage as he pulls, and then all at once they collapse onto me, Radar’s sweat-soaked T-shirt pressed up against my face. For a moment, I’m excited, thinking we’re in. But then I see Radar holding the door handle. I scramble up and look at the door. Still locked.

“Piece of shit forty-year-old goddamned doorknob,” Radar says. I’ve never heard him talk like this before.

“It’s okay,” I say. “There’s a way. There has to be.”

We walk all the way around to the front of the building. No doors, no holes, no visible tunnels. But I need in. Ben and Radar try to peel the slabs of particleboard from the windows, but they’re all nailed shut. Radar kicks at the board, but it doesn’t give. Ben turns back to me. “There’s no glass behind one of these boards,” he says, and then he starts jogging away from the building, his sneakers splashing sand as he goes.

I give him a confused look. “I’m going to bust through the particleboard,” he explains.

“You can’t do that.” He is the smallest of our light trio. If anyone tries to smash through the boarded-up windows, it should be me.

He balls his hands into fists and then extends his fingers out. As I walk toward him, he starts talking to me. “When my mom was trying to keep me from getting beat up in third grade, she put me in tae kwon do. I only went to like three classes, and I only learned one thing, but the thing comes in handy sometimes: we watched this tae kwon do master punch through a thick wooden block, and we were all like, dude, how did he do that, and he told us that if you move as though your hand will go through the block, and if you believe that your hand will go through the block, then it will.”

I’m about to refute this idiotic logic when he takes off, running past me in a blur. His acceleration continues as he approaches the board, and then utterly without fear, he leaps up at the last possible second, twists his body sideways – his shoulder out to bear the brunt of the force – and slams into the wood. I half-expect him to burst through and leave a Ben-shaped cutout, like a cartoon. Instead, he bounces off the board and falls onto his ass in a patch of bright grass amid the sea of sandy dirt. Ben rolls onto his side, rubbing his shoulder. “It broke,” he announces.

I assume he means his shoulder as I race toward him, but then he stands up, and I’m looking at a Ben-high crack in the particle-board. I start kicking at it, and the crack spreads horizontally, and then Radar and I get our fingers inside the crack and start tugging. I squint to keep the sweat from burning my eyes, and pull with all my force back and forth until the crack starts to make a jagged opening. Radar and I urge it on with silent work, until eventually he has to take a break and Ben replaces him. Finally we are able to punch a big chunk of the board into the minimall. I climb in feetfirst, landing blindly onto what feels like a stack of papers.

The hole we’ve carved into this building gives a little light, but I can’t even make out the dimensions of the room, or whether there is a ceiling. The air in here is so stale and hot that inhaling and exhaling feel identical.

I turn around and my chin hits Ben’s forehead. I find myself whispering, even though there’s no reason to. “Do you have a—”

“No,” he whispers back before I can finish. “Radar, did you bring a flashlight?”

I hear Radar coming through the hole. “I have one on my key chain. It’s not much, though.”

The light comes on, and I still can’t see very well, but I can tell we’ve stepped into a big room filled with a labyrinth of metal shelves. The papers on the floor are pages from an old day-by-day calendar, the days scattered through the room, all of them yellowing and mouse-bit. I wonder if this might once have been a little bookstore, although it’s been decades since these shelves held anything but dust.

We fall into line behind Radar. I hear something creak above us, and we all stop moving. I try to swallow the panic. I can hear each of Radar’s and Ben’s breaths, their shuffling footsteps. I want out of here, but that could be Margo creaking for all I know. It could also be crack addicts.

“Just the building settling,” Radar whispers, but he seems less sure than usual. I stand there unable to move. After a moment, I hear Ben’s voice. “The last time I was this scared, I peed myself.”

“The last time I was this scared,” Radar says, “I actually had to face a Dark Lord in order to make the world safe for wizards.”

I made a feeble attempt. “The last time I was this scared I had to sleep in Mommy’s room.”

Ben chuckles. “Q, if I were you, I would get that scared Every. Single. Night.”

I’m not up for laughing, but their laughter makes the room feel safer, and so we begin to explore. We walk through each row of shelves, finding nothing but a few copies of Reader’s Digestfrom the 1970s lying on the floor. After a while, I find my eyes adjusting to the darkness, and in the gray light we start walking in different directions at different speeds.

“No one leaves the room until everyone leaves the room,” I whisper, and they whisper okay’sback. I get to a side wall of the room and find the first evidence that someone has been here since everyone left. A jagged semicircular, waist-high tunnel has been cut out of the wall. The words TROLL HOLE have been spray-painted in orange above the hole, with a helpful arrow pointing down to the hole. “Guys,” Radar says, so loud that the spell breaks for just a moment. I follow his voice and find him standing by the opposite wall, his flashlight illuminating another Troll Hole. The graffiti doesn’t look particularly like Margo’s, but it’s hard to tell for sure. I’ve only seen her spray-paint a single letter.

Radar shines the light through the hole as I duck down and lead the way through. This room is entirely empty except for a rolled carpet in one corner. As the flashlight scans the floor, I can see glue stains on the concrete from where the carpet had once been. Across the room, I can just make out another hole cut into the wall, this time without the graffiti.

I crawl through that Troll Hole into a room lined with clothing racks, the stainless-steel poles still bolted into walls wine-stained with water damage. This room is better lit, and it takes me a moment to realize it’s because there are several holes in the roof – tar paper hangs down, and I can see places where the roof sags against exposed steel girders.

“Souvenir store,” Ben whispers in front of me, and I know immediately he is right.

In the middle of the room five display cases form a pentagon. The glass that once kept the tourists from their tourist crap has mostly been shattered and lies in shards around the cases. The gray paint peels off the wall in odd and beautiful patterns, each cracked polygon of paint a snowflake of decay.

Strangely, though, there’s still some merchandise: there’s a Mickey Mouse phone I recognize from some way back part of childhood. Moth-bit but still-folded SUNNY ORLANDO T-shirts are on display, splattered with broken glass. Beneath the glass cases, Radar finds a box filled with maps and old tourist brochures advertising Gator World and Crystal Gardens and fun houses that no longer exist. Ben waves me over and silently points out the green glass alligator tchotchke lying alone in the case, almost buried in the dust. This is the value of our souvenirs, I think: you can’t give this shit away.

We make our way back through the empty room and the shelved room and crawl through the last Troll Hole. This room looks like an office only without computers, and it appears to have been abandoned in a great hurry, like its employees were beamed up to space or something. Twenty desks sit in four rows. There are still pens on some of the desks, and they all feature oversize paper calendars lying flat against the desks. On each calendar, it is perpetually February of 1986. Ben pushes a cloth desk chair and it spins, creaking rhythmically. Thousands of Post-it notes advertising The Martin-Gale Mortgage Corp. are piled beside one desk in a rickety pyramid. Open boxes contain stacks of paper from old dot matrix printers, detailing the expenses and income of the Martin-Gale Mortgage Corp. On one of the desks, someone has stacked brochures for subdivisions into a single-story house of cards. I spread the brochures out, thinking that they may hold a clue, but no.

Radar fingers through the papers, whispering, “Nothing after 1986.” I start to go through the desk drawers. I find Q-tips and stickpins. Pens and pencils packed a dozen each in flimsy cardboard packaging with retro fonts and design. Napkins. A pair of golf gloves.

“Do you guys see anything,” I ask, “that gives any hint that anyone has been here in the last, say, twenty years?”

“Nothing but the Troll Holes,” Ben answers. It’s a tomb, everything wrapped in dust.

“So why did she lead us here?” asks Radar. We are speaking now.

“Dunno,” I say. She is clearly not here.

“There are some spots,” Radar says, “with less dust. There’s a dustless rectangle in the empty room, like something was moved. But I don’t know.”

“And there’s that painted part,” Ben says. Ben points and Radar’s flashlight shows me that a piece of the far wall in this office has been brushed over with white primer, like someone got the idea to remodel the place but abandoned the project after half an hour. I walk over to the wall, and up close, I can see that there’s some red graffiti behind the white paint. But I can only see occasional hints of the red paint bleeding through – not nearly enough to make anything out. There’s a can of primer up against the wall, open. I kneel down and push my finger into the paint. There’s a hard surface, but it breaks easily, and my finger comes up drenched in white. As the paint drips off my finger, I don’t say anything, because we’ve all come to the same conclusion, that someone has been here recently after all, and then the building creaks again and Radar drops the flashlight and curses.

“This is freaky,” he says.

“Guys,” Ben says. The flashlight is still on the ground, and I take a step back, to pick it up, but then I see Ben pointing. He is pointing at the wall. A trick of the indirect light has made the graffiti letters float up through the coat of primer, a ghost-gray print I recognize immediately as Margo’s.

YOU WILL GO TO THE PAPER TOWNS

AND YOU WILL NEVER COME BACK

I pick up the flashlight and shine it on the paint directly, and the message disappears. But when I shine it against a different part of the wall, I can read it again. “Shit,” Radar says under his breath.

And now Ben says, “Bro, can we go now? Because the last time I was this scared. . screw it. I’m freaked out. There’s nothing funny about this shit.”

There’s nothing funny about this shitis the closest Ben can come to the terror I feel, maybe. And it is close enough for me. I fast-walk toward the Troll Hole. I can feel the walls closing in on us.