Текст книги "Sweet Filthy Boy"
Автор книги: Christina Lauren
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Текущая страница: 17 (всего у книги 19 страниц)
Chapter TWENTY
IT’S STILL DARK when I step out onto the sidewalk, and the lobby door swings closed behind me. A taxi waits, headlamps extinguished while it idles at the curb, its shape swathed in a circle of artificial yellow light from the streetlamp above. The driver glances at me from over the top of his magazine, expression sour, face lined in what appears to be a permanent look of distaste.
I’m suddenly aware of how I must look—hair a mess and last night’s makeup still smudged around my eyes, dark jeans, dark sweater—like some sort of criminal slinking off into the shadows. The phrase “fleeing the scene of the crime” rings through my head and I sort of hate how accurate it feels.
He steps from the cab and meets me at the back of the car, trunk already open and smoldering cigarette suspended from his frowning mouth.
“American?” he asks, his accent as thick as the puffs of smoke that escape with every syllable.
Irritation grates at my nerves but I only nod, not bothering to ask how he knew or why because I already know: I stick out like a sore thumb.
Either he doesn’t notice my lack of response or he doesn’t care because he takes my suitcase, lifts it without effort, and deposits it in the trunk of the car.
It’s the same bag I arrived with, the same one I hid after only a few days because it looked too new and out of place in the middle of Ansel’s warm and comfortable flat. At least that’s what I’d told myself at the time, tucking it away inside the closet near his bedroom door where it wouldn’t serve as a daily reminder of my impermanence here, or that my place in his life would end as soon as the summer did.
I open my own door and climb inside; closing it with the least amount of sound I can manage. I know how well noises travel through the open windows and I absolutely don’t let myself look up or imagine him lying there in bed, waking to an empty flat or hearing the closing of a taxi door on the street below.
The driver drops into the seat in front of me and meets my eyes in the rearview mirror expectantly. “Airport,” I tell him, before looking quickly away.
I’m not even sure what I’m feeling as he puts the car into gear and slips into the street. Is it sadness? Yes. Worry, anger, panic, betrayal, guilt? All of those. Have I made a mistake? Has this entire thing been one colossal bad choice after another? I had to leave anyway, I tell myself; this was just a little ahead of schedule. And even if I didn’t, it was right to get some space, some perspective, some clarity . . . right?
I almost laugh. I feel anything but clarity.
I vacillate so wildly between last night was no big deal and last night was a deal breaker, between leaving is the right thing to do and turn around you’re making a huge mistake! that I begin to doubt every thought I have. Being alone and stuck in my own head on a thirteen-hour flight is going to be torture.
The taxi moves too fast through the empty streets, and my stomach lurches much in the same way it did that first morning here, but for an entirely different reason this time. There’s a part of me that would almost welcome throwing up right now, would find it preferable to the constant, pressing ache I’ve had since last night. At least I know vomiting would pass and I could close my eyes, pretend the world isn’t spinning, that there isn’t really a hole in my chest, the edges raw and jagged.
The city whips by in a blur of stone and concrete, industrial silhouettes dotting the same horizon as buildings that have stood for hundreds of years. I press my forehead to the glass and try to block out every moment of that first morning with Ansel. How sweet and attentive he was, and how I worried I was ruining it all and it would be over before it ever really began.
The sun isn’t up yet but I can make out trees and grassy fields, muddied blurs of green that border the freeway and bridge the distance between stretches of urban sprawl. I have the eeriest sensation of moving backward through time, and erasing everything.
I pull out my phone and bring up the airline app, log in, and search through the available flights. My decision to leave looks even more glaring in the too-bright light of the screen as it cuts through the darkness, reflecting back to me in the windows at my side.
I hover over the arrival city and nearly laugh at my imagined dilemma over choices, because I know I’ve already decided what I’m going to do.
The first flight of the day leaves in just over an hour, and it seems too easy to make the necessary selections and book my return trip with barely a hiccup.
Finished, I shut off my phone and tuck it away, watching out at the bleary city as it begins to wake on the other side of the glass.
There were no messages so I can assume Ansel is still asleep, and if I close my eyes I can still see him, body stretched over the mattress, jeans barely clinging to his hips. I can remember the way his skin looked in the low light while I gathered my things, the way the shadows drew him like canvas covered in charcoal. I can’t bring myself to imagine him waking up and realizing I’m gone.
The taxi stops at the curb and I see the price on the meter. My fingers tremble as I find my wallet and count out the fare. The broad, colorful bills still look so foreign in my hand that on impulse I fold the entire stack, pressing them into the driver’s waiting palm.
On the plane there are no phones, no emails. I haven’t bothered to pay for internet and so there’s nothing to distract me from the loop of images and words echoed back to me in dramatic—and maddening—slow motion: Perry’s expression slowly morphing from amiable to calculating, then from calculating to irate. Her voice as she asked how I was enjoying her bed, her fiancé. The sound of footsteps, of Ansel, of our shouted words and the sensation of rushing blood filling my head, my pulse hijacking every sound.
Aside from the few hours of sleep I manage to snag, this is the soundtrack throughout my entire flight and if possible, I feel even worse when we finally touch down.
I move in a fog from the plane to customs to baggage claim, where my single enormous suitcase waits for me on the spinning carousel. It no longer looks as new, marred in a few places as if it’s been thrown around and dropped, caught against the moving conveyer belt; it looks pretty close to how I feel.
At a coffee shop nearby, I open my laptop and find the file I’ve neglected all summer, labeled only “Boston.”
Inside is all the information I need for school, the emails about schedules and orientation that have arrived in the last few weeks, ignored but tucked safely away where I promised myself I’d deal with them later.
Apparently, later is today.
With the energy provided by a pot of coffee and the growing buzz over finally making the right decision, I log in to the Boston University MBA student portal.
I decline my financial aid.
I decline my spot in the program.
I finally make the decision I should have made ages ago.
And then I call my former academic advisor, and prepare to grovel.
I STARE AT the FOR RENT section in the local newspaper. Part of the deal in my agreeing to attend graduate school was that my dad would pay for my apartment. But after what I’ve just done, I don’t think he’ll support me, even if from where I stand it feels like the best compromise. I know he’ll be more likely to break something with his bare hands than give me a penny. I can’t bring myself to live under his thumb anymore anyway. Living in Paris has pretty much shot my budget to hell, but after a quick glance at the paper, there are a few places I can afford . . . especially if I can find a job relatively soon.
I’m still not ready to turn on my phone and face what I’m sure is a mountain of missed calls and texts from Ansel—or even worse, nothing at all—and so I use a payphone in front of a 7-Eleven just down the street from the coffee shop.
My first call is to Harlow.
“Hello?” she says, clearly distrustful of the unknown number. I’ve missed her so much that I feel tears sting at the corners of my eyes.
“Hey,” I say, that single word thick and coated in homesickness.
“Oh my God, Mia! Where the fuck are you?” There’s a moment of pause where I imagine she pulls the phone from her ear and glances at the number again. “Holy shit, are you here?”
I swallow back a sob. “I landed a couple of hours ago.”
“You’re home?” she shouts.
“I’m in San Diego, yeah.”
“Why aren’t you at my house right now?”
“I have to get a few things organized.” Like my life. In France, I found my spot in the distance. Now I just need to keep my eyes pinned to it.
“Organized? Mia, what happened to Boston?”
“Listen, I’ll explain later but I’m wondering if you can talk to your dad for me?” I take a shaky breath. “About my annulment.” And there it is, the word that has been tickling in the back of my thoughts. Saying it out loud sucks.
“Oh. So it went downhill.”
“It’s complicated. Just, talk to your dad for me, okay? I need to take care of some stuff but I’ll call you.”
“Please come over.”
Pressing the heel of my hand to my temple, I manage, “I’ll come over tomorrow. Today I just need to get my head on straight.”
After a long beat, she says, “I’ll have Dad call his lawyer tonight, and let you know what he says.”
“Thanks.”
“Do you need anything else?”
Swallowing, I manage, “I don’t think so. Going to look at apartments. After I check into a motel and catch a nap.”
“Apartments? Motel? Mia, just come stay here with me. I have an enormous place and can definitely work on my sex-volume issue if it means I get you as a roomie.”
Her apartment would be ideal, in La Jolla and perfectly situated between the beach and campus, but now that my plan has formed, it’s unbreakable. “I know I sound like a psychopath, Harlow, but I promise, I’ll explain why I want to do it this way.”
After a long beat I can sense her acquiescence, and for Harlow, that was remarkably easy. I must sound as determined as I feel. “Okay. Love you, Sugarcube.”
“Love you back.”
Harlow emails me a short list of places to check out, with her thoughts and comments on each one. I’m sure she called her parents’ Realtor and had her find things that were fit to exact specifications of safety, space, and price, but even though she doesn’t know where I want to live, I’m so grateful for Harlow’s busybody tendencies that I nearly want to weep.
The first apartment I see is nice and definitely in my price range, but way too far from UCSD. The second is close enough that I could walk but it’s directly over a Chinese restaurant. I debate with myself for an entire hour before deciding there’s no way I could stand smelling like kung pao twenty-four hours a day.
The third is listed as “cozy,” furnished, above a garage, in a quiet residential neighborhood, and two blocks from a bus stop that’s a direct line to the college. And thank God, because after paying the long-term airport parking bill I had upon returning, there’s no way I’ll be able to afford a campus parking permit. I’m relieved the apartment was listed only this morning, because I’m sure it will be snatched up quickly. Harlow is a goddess.
The street is lined with trees and I stop in front of the wide yellow house. A wide lawn spreads out on both sides of the stone walkway, and the front door is painted a deep green. Whoever lives here has a way with plants, because the yard is impeccable, the flower beds thriving.
It reminds me of the Jardin des Plantes, and the day I spent there with Ansel, learning—and promptly forgetting—the name for everything in French, walking for hours with my hand in his, and the promise of a future where I could do that with him whenever I wanted.
The woman who owns the house, Julianne, leads me inside, and it’s as close to perfect as I can imagine. It’s tiny, but warm and nice with tan walls and clean white trim. A cream-colored sofa sits in the center of the single main room. One corner opens to a small kitchen with a window that looks down into the shared backyard. The open floor plan reminds me so much of Ansel’s flat that for a painful heartbeat, I have to close my eyes and take a deep breath.
“One bedroom,” she says, and crosses the room to flip on a light.
I follow and peek in. A queen bed fills almost the entire space, a set of white bookcases suspended above.
“Bathroom in there. I’m usually gone before the sun is up so you can park back here.”
“Thanks,” I tell her.
“The closets are small, there’s horrible water pressure, and I guarantee the teenage boys who take care of the lawn will be absolute piglets when they see you, but it’s cute and quiet and there’s a washer and dryer in the garage you can use whenever,” she says.
“It’s perfect,” I say, looking around. “A washer and dryer sound like absolute heaven and I can definitely handle piglet teenage boys.”
“Yay!” she says, smiling wide, and for a tiny, desperate heartbeat I can imagine living here, taking the bus to school, starting to figure out my life in the sweet studio above her garage. I want to tell her, Please, let me move in right now.
But of course she’s rational, and with a tiny apology in her eyes asks me to fill out the background check form. “I’m sure it will be fine,” she says with a wink.
I’VE ONLY BEEN gone a few weeks, but checking into a motel in my hometown makes me feel like I’m returning to a city that has long since evolved without me. As I drive to the motel, I find a hidden pocket of San Diego I’ve never explored before, and although the corner of my dark city feels oddly foreign, the idea that there’s a different future for me here from any I had imagined before is powerfully reassuring.
My mother would kill me for not staying at home. Harlow wants to kill me for not staying with her. But even in the dim light and the cacophony of the I-5 freeway just outside my window, it’s exactly what I need. I check my bank balance for about the fiftieth time since landing. If I’m careful, I could make it to the start of school, and by then—thanks to my former advisor and the man who has gained me entrance to the MBA program that once heavily courted me at UCSD—I’ll have a small, rare stipend to help make ends meet. But even though the rent is reasonable in the studio, it would still be tight and my stomach flips imagining having to ask my father for money. I haven’t talked to him in over a month.
You are married? You have a husband, no? Ansel said, and God, that night feels so long ago. Curling into sheets that smell like bleach and cigarette smoke instead of summer grass and spice, I struggle to breathe and not completely lose my shit at eight at night in a dark motel room.
My neglected phone suddenly feels heavy in my pocket and I pull it out, let my finger hover over the button before I finally power it on.
It takes a few moments to load, but when it does, I see I have twelve missed calls from Ansel, six voicemails, and even more texts.
Where are you? the first one says.
You’ve left, haven’t you. Your suitcase is gone.
You didn’t take everything. I imagine him waking, finding me gone, and then walking from room to room, seeing the things I must have chosen to bring with me and the things I left behind.
Your ring isn’t here, did you take it? Please call me.
I delete the rest of the messages but not the voicemails, a secret part of me knowing I’ll want to listen to them later when I’m alone and missing him. Well, missing him more.
I’m not even sure how to reply.
I realize now that Ansel can’t be the answer to my problems. He fucked up by not telling me the truth about Perry and their past, but I’m fairly sure it had more to do with him being a stupid boy than wanting to keep me in the dark. This is why you get to know someone before you marry them. And the truth is that his lie was convenient for me, too. I’d been hiding in Paris, using him and the thousands of miles between France and the States to avoid the things that are wrong with my life: my dad, my leg, my inability to create a new future for myself beyond the one I lost. Perry might have been a total bitch but she was right about one thing: the only one moving forward in this relationship was Ansel. I was content to sit there, waiting, while he went out and conquered the world.
I roll onto my back and instead of replying to Ansel, I write a group text to my girls.
I think I found a place to live. Thanks for sending the list, H. I’m really trying not to lose my calm right now.
Let us come to your motel, Harlow answers. We’re going nuts not knowing what the hell is happening.
Tomorrow, I promise them.
Hang in there, Lola says. Life is built of these little horrible moments and the giant expanses of awesome in between.
I love you, I reply. Because she’s right. This summer was the most perfect stretch of awesome I’ve ever had.
Chapter TWENTY-ONE
JULIANNE REALLY IS a goddess because she calls before eight in the morning. With the time change, I was awake before five, and have been pacing the tiny motel room like a madwoman, praying it would all work out and I wouldn’t have to spend another day apartment hunting.
“Hello?” I answer, phone trembling in my shaking hand.
I can hear the smile in her voice. “Ready to move in?”
I give her my most grateful—and enthusiastic—yes and then I look around the dingy room after I hang up, and laugh. I’m ready to move into an apartment ten minutes away from my parents’ house, and I hardly have anything to take with me.
But before I can go, there’s one more call I need to make. As much as my dad refused to acknowledge my passion for dance, or even be kind about it, there is one person who was at every dance recital, who drove me to every rehearsal and performance, and hand-sewed my costumes. She did my makeup when I was tiny and watched me do it myself when I grew older, and stubbornly independent. She cried during my solos, and stood up to cheer. I’m horrified to realize only now that Mom weathered my father’s disapproval for years while I was dancing, and she weathered it because it was what I wanted to be doing. She was there when I moved into the hospital room for a month and quietly drove me, when I was depressed and deadened, to the dorms at UCSD.
I wasn’t the only one who lost a dream after my accident. Of anyone in my life, my mother will understand the choice I’m making.
I can hear the shock in her voice when she answers. “Mia?”
“Hi, Mom.” I squeeze my eyes closed, overcome with an emotion I’m not sure I’ll be very good at articulating. My family doesn’t discuss feelings, and the only way I learned was through threat of torture by Harlow. But my awareness of Mom’s strength during my childhood and what she did to help me chase my dream is probably one I should have had a long time ago. “I’m home.” I pause, adding, “I’m not going to Boston.”
My mom is a quiet crier; she’s a quiet everything. But I know the cadence of her tiny gasping breaths as well as I know the smell of her perfume.
I give her the address to my apartment, tell her I’m moving in today and that I’ll tell her everything if she comes to see me. I don’t need my things, I don’t need her money. I just sort of need my mom.
TO SAY I resemble my mother is an understatement. When we’re together, I always feel like people think I’m the Marty McFly version of her that has traveled from the eighties to present day. We have the same build, identical hazel eyes, olive skin, and dark, straight hair. But when she steps out of her enormous Lexus at the curb and I see her for the first time in over a month, I have the sense that I’m looking at my reflection in some sort of fun-house mirror. She looks the same as she always does—which is to say not exactly thriving. Her resignation, her life settling, could have been me. Dad never wanted her to work outside the home. Dad never took much interest in her hobbies: gardening, ceramics, living greener. She loves my father, but she’s resigned herself to a relationship that doesn’t give her much at all.
She feels tiny in my arms when I hug her, but when I pull back and expect to see worry or hesitation—she shouldn’t be cavorting with the enemy, David will be furious!—I see only an enormous grin.
“You look amazing,” she says, pulling my arms to the side to take me in.
This . . . okay, this surprises me a little. I showered under the dull dribble of a motel shower, have no makeup on, and would probably perform crude sexual acts for access to a washing machine. The mental picture I have of myself falls somewhere between homeless shelter and zombie. “Thanks?”
“Thank God you’re not going to Boston.”
And with that, she turns and opens the back of her SUV and pulls out a giant box with surprising ease. “I brought your books, the rest of your clothes. When your dad calms down you can come pick up anything I’ve missed.” She stares at my surprised expression for a beat before nodding to the car. “Grab a box and show me your place.”
With every step we climb to my little apartment above the garage, an epiphany hits me directly in the gut.
My mom needs a purpose as much as any of us do.
That purpose used to be me.
Ansel was as scared to face his past as I was to face my future.
I push open the front door, giant box nearly tumbling out of my arms onto the floor, and I somehow manage to make it to the table in the living-dining room. Mom puts the box of my clothes down on the couch and looks around. “It’s small, but really sweet, Lollipop.”
I don’t think she’s called me that since I was fifteen. “I kind of love it, actually.”
“I can bring you some of the photographs from Lana’s studio, if you want some art?”
My blood buzzes in my veins. This is why I came home. My family. My friends. A life here that I want to make. “Okay.”
Without much more preamble she sits down and looks directly at me. “So.”
“So.”
Her attention moves to my left hand, hanging motionless at my side, and it’s only now that I realize I’m still wearing my wedding band. She doesn’t even look a little bit surprised. “How was Paris?”
With a deep breath, I move to sit beside her on the couch and unload everything in a tumble of words. I tell her about the suite in Vegas, about how I felt it was my last hurrah of sorts, the last fun I would have until some undetermined point when I would snap out of it and magically realize I wanted to be just like my father. I tell her about meeting Ansel, the sunshine of him, and how I nearly felt like I was confessing to him that night. Unloading. Unburdening.
I tell her about the marriage. I skip one hundred percent of the sex part.
I tell her about escaping my life to go to Paris, about the perfection of the city, and how it felt initially to wake up and realize I was married to a complete stranger. But also, that it went away and what came instead was a relationship I’m not sure I want to give up.
Again, I skip every detail of the sex part.
It’s hard to explain the Perry story, because even as I begin, she has to sense that it’s the reason I left. So when I get to the part about the party, and being cornered by the Beast, I almost feel like an idiot for not having seen it coming a mile away.
But Mom doesn’t. She still gasps, and it’s that tiny reaction that unleashes the flood of tears, because this entire time I’ve wondered how huge an idiot I am. Am I a minor idiot, who should have stayed to hash it out with the hottest man alive? Or am I an enormous idiot for leaving over something anyone else would consider minuscule?
The problem with being in the eye of the storm is you have no sense of how big it really is.
“Honey,” Mom says, and nothing else follows. It doesn’t matter. The single word holds a million others that communicate sympathy and a sort of fierce mama-bear protectiveness. But also: concern for Ansel, since I’ve painted him accurately, I think. He’s good, and he’s loving. And he likes me.
“Honey,” she repeats quietly.
Another epiphany hits me: I’m not quiet because I stutter. I’m quiet because I’m like my mother.
“Okay, so.” I pull my knees to my chest. “There’s more. And this is why I’m here, instead of Boston.” I tell her about walking the city with Ansel, and our conversations about school, and my life, and what I want to do. I tell her that he’s the one who convinced me—even if he doesn’t know it—to move home and go back to my old dance studio at night to teach, and to attend school here during the day so that I’m as prepared as I can be to run my own business someday. To teach kids how to move and dance however their bodies want. I assure her that Professor Chatterjee has agreed to admit me to the MBA program at UCSD, in my old department.
After taking this all in, Mom leans back and studies me for a beat. “When did you grow up, Lollipop?”
“When I met him.” Ugh. Stab to the gut. And Mom can see it, too. She puts her hand on my hand, over my knee.
“He sounds . . . good.”
“He is good,” I whisper. “Other than the secrecy over the Beast, he’s amazing.” I pause and then add, “Is Dad going to shun me forever?”
“Your father is difficult, I know, but he’s also smart. He wanted you to get your MBA so you have options, not so you’d be exactly like him. The thing is, sweetheart, you never had to use it to do what he wanted. Even he knows that, no matter how much pressure he puts on you to follow his path.” Standing, my mom makes her way to the door and pauses for a beat as I let it fully sink in that I really don’t know my dad very well. “Help me bring in the last couple of boxes and then I’m heading home. Come over for dinner next week. Right now you have other things to fix.”
I’D PROMISED LOLA and Harlow that they could come over as soon as I was moved in, but after unpacking, I’m exhausted and want nothing other than sleep.
In bed, I hold my phone so hard in my hand I can feel my palm grow slippery and I struggle to not reread every one of Ansel’s steady messages for the hundredth time. The one that arrived since I unpacked says: If I came to you, would you see me?
I laugh, because despite everything, it’s not like I can just decide to stop loving him; I wouldn’t ever refuse to see him. I can’t even bring myself to take off my wedding ring.
Looking down at my phone, I open the text window and reply for the first time since I left him sleeping in the apartment. I’m in San Diego, safe and sound. Of course I’d see you, but don’t come until it works for the case. You’ve worked too hard. I reread what I’ve written and then add, I’m not going anywhere.
Except back to the States while you lie sleeping, I think.
He replies immediately. Finally! Mia why did you leave without waking me? I’ve been going crazy over here.
And then another: I can’t sleep. I miss you.
I close my eyes, not realizing until now how much I needed to hear that. The sensation pulls tight in my chest, a rope wrapped around my lungs, smashing them together. My careful mind tells me to just say thank you, but instead I quickly type Me too, and toss my phone away, onto the bed before I can say more.
I miss him so much I feel like I’m tied in a corset, unable to suck enough air into my lungs.
By the time I pick it up again, it’s the next morning and I’ve missed his next three texts: I love you. And then: Please tell me I haven’t ruined this.
And then, Please Mia. Say something.
This is when I break down for the second time, because from the time stamp I know he wrote it in his office, at work. I can imagine him staring at his phone, unable to concentrate or get anything done until I replied. But I didn’t. I curled up into a ball and fell asleep, needing to shut down as if I’d unplugged.
I pick up my phone again, and even though it’s seven in the morning, Lola answers on the first ring.
ONLY A LITTLE over an hour later I throw open the door and rush into a mass of arms and wild hair.
“Quit hogging her,” a voice says over Harlow’s shoulder and I feel another set of arms.
You’d never know it hasn’t even been two months from the way I start sobbing onto Lola’s shoulder, holding on to both of them as if they might float away.
“I missed you so much,” I say. “You’re never leaving. It’ll be small but we can make it work. I was in Europe. I can totally get with this now.”
We stumble into my tiny living room, a mess of laughter and tears, and I shut the door behind us.
I turn to find Harlow watching me, sizing me up.
“What?” I ask, looking down at my yoga capris and T-shirt. I realize I don’t look red-carpet ready, but her inspection feels a little unnecessary. “Ease up, Clinton Kelly. I’ve been unpacking and then sleeping.”
“You look different,” she says.
“Different?”
“Yeah. Sexier. Married life was good for you.”
I roll my eyes. “I assume you’re referring to my little muffin top. I have a new unhealthy relationship with pain au chocolat.”
“No,” she says, moving closer to examine my face. “You look . . . softer? But in a good way. Feminine. And I like the hair a little longer.”
“And the tan,” Lola adds, dropping onto the couch. “You do look good. Your rack, too.”
I laugh, squeezing into the seat next to her. “This is what France with no job and a patisserie around the corner will get you.”
We all fall silent and after what feels like an eternity of silence, I realize I’m the one who has to address the fact that I was in France, and now I’m here.
“I feel like a horrible human being for how I left.”
Lola pins me with her glare. “You are not.”
“You might disagree when I explain.”
Harlow’s hand is already raised in the air. “No need. We know what happened, no thanks to you, you withholding asshole.”
Of course they’ve heard the entire story. More accurately, Lola heard it from Oliver who heard it from Finn who had the good luck of calling Ansel only an hour after he woke to find his wife and all her belongings gone. For a bunch of dudes, they’re awfully gossipy.
We catch each other up in the easy shorthand we’ve developed over the past nearly twenty years, and it’s so much easier to spill everything for the second time since I’ve been back.
“He fucked up,” Harlow assures me once I get to the part where we’re headed together to the party. “Everyone knows it. Apparently Finn and Oliver have been telling him to fill you in about the situation for weeks now. Perry calls him all the time, texts him constantly, and calls Finn and Oliver to talk about it nonstop. Their breakup didn’t seem to surprise anyone but her, and even that seems to be up for debate. I guess Ansel was worried it would spook you and is counting the days until he can move back here. From everything I’ve heard, he’s completely head over heels in love with you.”