Текст книги "Size 12 Is Not Fat"

Автор книги: Meg Cabot

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Текущая страница: 16 (всего у книги 19 страниц)

“Oh,” Frank say. “Because, you know, you’ve got your blood all over it.”

“Frank,” Patty says. “Shut up.”

“It’s all right,” Cooper says, as he studies the many weirdos out his window who make up the street life of the West Village.

It’s all right!My heart swells. Cooper had said it’s all right that I got my blood all over his leather jacket! Probably because, you know, we’ll be dating after this, and he’s just going to give the coat to me anyway. And I’ll have it—and Cooper—always, to keep me warm.

But then Cooper adds, “I know of a dry cleaner who’s good at getting bloodstains out.”

You know, it just isn’t my day.

25

Hello

Do I have the right number?

Hello

Yes, I’m looking for my lover

Hello

Can you get him

On the line for me?

Hello

I know he used to live there

Hello

I know he used to care

Hello

Please get my lover on the line

For me

“Hello”

Performed by Heather Wells

Composed by Jones/Ryder

From the album Magic

Cartwright Records

Patty drops us off at the brownstone, even though Frank insists it isn’t safe there, what with somebody wanting to kill me and all.

All I want to do is take a bath and crawl into my own bed and sleep for a thousand years. I don’t want to have a big long discussion about whether whoever is trying to kill me knows where I live. Frank wants me to go stay with him and Patty.

Until Cooper points out that that might put Indy at risk.

At first I’m kind of shocked, you know, that Cooper would say something so horrible. It’s only when I see how swiftly Frank says that he thinks it would be better if I just stay at Cooper’s, after all, what with Cooper being a trained crime fighter, that I realize what Cooper was up to. He knows I just want to go home. He knows I don’t want to stay in Frank and Patty’s guest room.

And because he’s Cooper, and he’s always doing nice things for me—giving me a free apartment when I have nowhere else to go, and no money for rent anyway; taking me to a party he doesn’t really want to go to, since he might run into a former flame, with whom things had ended badly; risking his own life to save mine; that kind of thing—he’d done his best to get me what he knew I wanted.

Except, of course, the one thing I want more than anything.

But apparently that, for reasons I’ll probably never know—and am pretty sure I don’t want to, anyway—he’s not prepared to give me.

Which is totally fine. I mean, I understand. I’ll just open my OWN doctor’s office/detective agency/jewelry shop, without his help.

Of course, having the kids on my own might be harder, but I’m sure I’ll manage somehow.

Fortunately, I have an unlisted number, so there aren’t any reporters lurking on my front stoop when we pull up. Just the usual drug dealers.

Lucy is wild with joy to see me—though I have to ask Cooper to walk her for the time being, since there’s no way I can hold a leash with my torn-up hands. Once the two of them are gone, I slip upstairs to my apartment, where I peel off my grimy clothes and slide, at long last, into the tub.

Although it turns out that bathing with stitches in your hands is no joke. I have to get out of the tub and go into the kitchen, pull out some rubber gloves, and put those on before I can wash my hair, because the doctor warned me that if I got the stitches wet, my hands might fall off, or something.

Once I get all the elevator grime and blood off me, let the bath refill, and I just lay there, soaking my sore shoulder for a while, wondering what I’m going to do now.

I mean, things aren’t exactly looking good. Someone is trying to kill me… probably the same someone who’d already killed two people, at least. The only common denominator between the dead girls appears to be the president of the college’s son.

But, at least according to the police, it’s unlikely that Chris Allington was the one who’d tried to blow me up, because he’d been out of town at the time.

Which means that someone besides Chris is trying to kill me. And maybe that someone, and not Chris, killed the two girls.

But who? And why? Why would someone have killed Elizabeth Kellogg and Roberta Pace in the first place? What could they have possibly done to deserve to die? I mean, besides move into Fischer Hall. Oh, and date—albeit briefly—Chris Allington.

Is that it? Is that what had caused their deaths? The fact that they’d dated Chris? Had Magda been right? Not about the girls having killed themselves because, after waiting so long to have sex, they’d found out it really isn’t the earth-shattering thing they’d been led to believe. But about the girls dying because of the sex—not at their own hand, but the hand of someone who didn’t approve of what they’d just done.

Someone like Mrs. Allington, maybe? What was it that Chris’s mother had said to me, just before the elevator incident? Something about “you girls.”

“You girls are forever bothering him,” she’d said. Or something like that.

You girls. There’d been something deeply antagonistic in Mrs. Allington’s manner, an emotion far stronger than simple annoyance over my waking her up. Is Mrs. Allington one of those jealous mothers, who thinks no other woman is good enough for her precious son? DidMrs. Allington kill Elizabeth and Roberta? And did she then try to kill me when I got too close to discovering her secret?

Oh my God! That’s it! Mrs. Allington is the killer! Mrs. Allington! I’m brilliant! Perhaps the most brilliant detective mind since Sherlock Holmes! Wait. Is he even real? Or fictional? He’s fictional, right?

Well, okay, then. I am the most brilliant detective mind since… since… Eliot Ness! He’s real, right?

“Heather?”

I start, sloshing hot water and soap suds over the side of the tub.

But it’s just Cooper.

“Just checking you’re okay,” he says, through the closed door. “You need anything?”

Um, yes. You. In here with me, naked. Now.

“No, I’m fine,” I call. Should I tell him that I’d figured out who’d done this to me? Or wait until I’m out of the tub?

“Well, when you’re through, I thought I’d order something to eat. Indian okay with you?”

Hmmmm. Vegetable samosas.

“Fine,” I call.

“Okay, well, come out soon. There’s something I need to talk to you about.”

Something he needs to talk to me about? Like what? Like his true feelings for me?I’ve always thought of you as one of the – He never had finished telling me what he’s always thought of me as.

Is he going to tell me now? Am I sure I want to know?

Two minutes later I slide into my usual seat at my kitchen table, bundled in my terry-cloth robe, with a towel wrapped around my wet hair. Oh, I want to know. I want to know all right.

Across the table from me, Cooper says, “That was fast.”

Then he opens up his laptop.

Wait a minute. His laptop? What kind of guy uses audiovisual aids to tell a girl what he thinks of her?

“How much do you know,” Cooper asks, “about Christopher Allington?”

“Christopher Allington?” My voice cracks. Maybe because it was hoarse from all the screaming I’d done earlier in the day. Or maybe because I’m in shock over the fact that what Cooper wants to talk to me about isn’t his true feelings for me, but his suspicions about Chris. Hello. Annoying.

“But it couldn’t have been Chris,” I say, to get Cooper off that subject, and back onto, you know, me. “Detective Canavan said he—”

“When I investigate a case,” Cooper interrupts calmly, “I investigate it from all angles. Right now, Christopher appears to be the common link between all the victims. What I’m asking is, what do you know about him?”

“Well,” I say. Maybe Vulcan mind control would work again. WHAT HAVE YOU ALWAYS THOUGHT ABOUT ME? “Not much.”

“Do you know where he went for undergrad?”

“No,” I say. WHAT HAVE YOU ALWAYS THOUGHT ABOUT ME? Then, glancing at his face, I ask, “Why? Do you know where Chris went as an undergrad?”

“Yes,” Cooper says. “Earlcrest.”

“Earl what?” I ask. Vulcan mind control does not appear to be working! Instead of telling me what he’s always thought about me, he’s blathering about Chris Allington. Who cares about Chris? What about how you feel about ME?

“Earlcrest College,” Cooper says. “Chris went there for undergrad.”

“What are you talking about, Cooper?” I wish the Indian food would hurry up and come. My stomach is growling. “And how do you even know where Chris went?”

Cooper shrugs his broad shoulders. “SIS.” he says.

“S.O.S?” I echo, confused.

“No, SIS. Student Information System.” When I continue to look blank, he sighs. “Ah, yes. How could I forget? You’re computer illiterate.”

“I am not! I surf the Net all the time. I do all your bills—”

“But your office is still antiquated. SIS hasn’t been extended to the dormitory director’s offices yet.”

“Residence hall,” I correct him, automatically.

“Residence hall,” he says. Cooper is a flurry of activity. He’s striking keys on the computer way faster than I can change chords on my guitar. “Here, look. I’m accessing SIS now to show you what I mean about Christopher Allington. Okay.” Cooper turns the screen to face me. “Allington, Christopher Phillip. Take a look.”

I peer at the tiny monitor. Christopher Allington’s entire academic record is there, along with a lot of other personal information, like his LSAT scores and his course schedule and stuff. Chris, it turns out, has been through a lot of prep schools. He’d been thrown out of one in Switzerland for cheating, and another one in Connecticut, reason for expulsion unspecified. But he had still managed to get into the University of Chicago, which I’ve heard is quite selective. I wonder what strings his dad had pulled to help him out there.

But Chris’s sojourn in the Windy City didn’t last long. He’d dropped out after only a single semester. Then he’d seemed to take some time off… a good four years, as a matter of fact.

Then suddenly he’d shown up at Earlcrest College, from which he’d graduated last year somewhat older than the rest of his class, but with a B.A., just the same.

“Earlcrest College,” I say. “That’s where his dad used to be president. Before he got hired at New York College.”

“Ah, nepotism,” Cooper says, with a grin. “As alive and well in the halls of academia as ever.”

“Okay,” I say, still confused. “So he got kicked out of a few places as a kid, and could only get into a college his dad’s president of. What does that prove? Not that he’s a psychopathic murderer.” I can’t believe I’m the one arguing for Chris’s innocence now. Is his mom really that much more appealing as a murderer? “And how did you access his file, anyway? Isn’t it supposed to be private?”

“I have my ways,” Cooper says, turning the computer screen back in his own direction.

“Oh my God.” Is there no end to this man’s fabulousness? “You hacked into the student system!”

“You were always curious about what I do all day,” he says with a shrug. “Now you know. Part of it, anyway.”

“I can’t believe it,” I say. “You’re a computer nerd!” This changes everything. Now we’re going to have to open a doctor’s office slash detective agency slash jewelry shop slash computer hacking service. Oh, wait, what about my songs?

Cooper ignores me. “I think there’s got to be something here,” he says, tapping the laptop. “Something we’re missing. The only connection between the girls seems to be Allington. He’s the only one we know about, but, given what I see here, there must be something else. I mean, besides the fact that both girls were virgins with residence hall records before Chris got his hands on them… ”

Mrs. Allington. It’s on the tip of my tongue to say What about Mrs. Allington? I mean, she had the motive. She obviously had—what was it that Sarah would call it? An Oedipus complex? Only the opposite, because she had it for her son, not her dad…

Well, okay, Mrs. Allington has that thing where she thinks her son is hot, and she resents the girls who pursue him. Resents them enough to kill them, though? And could Mrs. Allington really have made that bomb? The one on top of the elevator? I mean, if you could just go out and buy a bomb at Saks, I totally think Mrs. Allington would.

But you can’t. You have to make a bomb. And to make a bomb, you have to be sober. I’m pretty sure, anyway.

And Mrs. Allington has never once been sober—that I could tell—since she’d moved in to Fischer Hall.

I sigh and glance out the window. I can see the lights on in the president’s penthouse. What are the Allingtons doing up there? I wonder. It’s close to seven o’clock. Probably watching the news.

Or, perhaps, plotting to kill more innocent virgins?

The front door buzzer goes off, making me jump.

“That’s dinner,” Cooper says, and gets up. “I’ll be right back.”

He goes downstairs to get the Indian food. I keep on looking out the window while I wait for him to get back. Below the penthouse, lights appear in windows on other floors of Fischer Hall as the residents got home from class or dinner or their workouts or rehearsals. I wonder if any of the tiny figures I can see in any of the windows is Amber, the little redhead from Idaho. Is she sitting in her room, waiting for a call from Chris? Does she know he’s hiding out in the Hamptons? Poor little Amber. I wonder what she did to get in trouble with Rachel this morning.

That’s when it hits me.

My lips part, but for a minute, no sound comes out from between them. Amber. I had forgotten all about Amber, and her meeting with Rachel this morning. What had Rachel needed to see Amber about? Amber herself hadn’t known why she’d been scheduled for a mandatory meeting with the dorm director. What had Amber done?

Amber hadn’t done anything. Anything except talk to Chris Allington.

That’s all Amber had done.

And Rachel knew it, because she’d seen me with the two of them in front of the building after the lip-synch contest.

Just like she’d seen Roberta and Chris at the dance. And Elizabeth and Chris—where? Where had she seen them together? At orientation, maybe? A movie night?

Except that it didn’t matter. Like it didn’t matter that it was Rachel who’d told Julio to get me because Gavin was elevator surfing again.

Like it didn’t matter that it was Rachel who’d snuck onto the penthouse roof and tried to push that planter onto my head.

Like it didn’t matter that when the second girl died, Rachel hadn’t been in the cafeteria, like she was supposed to have been. No, I’d met her coming from the ladies’ room… around the corner from the stairs she’d been hurrying down, after pushing Roberta Pace to her death.

And the reason the elevator key had been missing, and then reappeared in such a short space of time that day? Rachel had had it. Rachel, the one person in Fischer Hall no desk attendant would ask to sign out a key, or even question the presence of behind the desk. Because she’s the hall director.

And the girls who’d died—they hadn’t died because they had files in Rachel’s office.

They had files in Rachel’s office because she’d singled them out to die.

“Hope you’re hungry,” Cooper says, returning to my apartment holding a big plastic I ♥ NY bag. “They messed up and gave us chickenand shrimp dansak… ” His voice trails off. “Heather?” Cooper is peering at me strangely, his blue eyes concerned. “Are you okay?”

“Earlcrest,” I manage to grunt.

Cooper puts the bag on the kitchen table and stares down at me.

“Yeah,” he says. “That’s what I thought you said. What about it?”

“Where is it?”

Cooper bends over to refer to his computer screen. “Uh, I don’t—oh, Indiana. Richmond, Indiana.”

I shake my head, so hard the towel slips from it, and my damp hair falls down over my shoulders. No. NO WAY.

“Oh my God,” I breathe. “Oh my God.”

Cooper is staring at me like I’ve lost my mind. And you know what? I think I have. Lost my mind, I mean. Because how could I not have seen it before now, even though it had been staring me right in the face….

“Rachel worked there,” I manage to rasp. “Rachel worked at a dorm in Richmond, Indiana, before she moved here.”

Cooper, who’d been pulling white paper containers from the I ♥ NY bag, pauses. “What are you talking about?”

“Richmond, Indiana,” I repeat. My heart is thumping so hard that I can see the lapel of my terry-cloth robe leaping over my breast with every beat. “The last place Rachel worked was in Richmond, Indiana… ”

Comprehension dawns across Cooper’s face.

“Rachel worked at Earlcrest? You think… you think Rachel’s the one who killed those girls?” He shakes his head. “Why? You think she was that desperate to win a Pansy Award?”

“No.” No way is Rachel going around pushing people down the elevator shafts of Fischer Hall in order to get herself a Pansy, or even a promotion.

Because it isn’t a promotion Rachel is after.

It’s a man.

A heterosexual man, worth more than a hundred thousand dollars a year, if you count the trust fund he’s supposed to have.

Christopher Allington. Christopher Allington is that man.

“Heather,” Cooper says. “Heather? Look. I’m sorry. But there’s no way. Rachel Walcott is not a killer.”

I suck in my breath.

“How do you know?” I ask. “I mean, why not? Why not her, as opposed to someone else? Because she’s a woman? Because she’s pretty?”

“Because it’s crazy,” Cooper says. “Come on, it’s been a long day. Maybe you should get some rest.”

“I am not tired,” I say. “Think about it, Cooper. I mean,really think about it. Elizabeth and Roberta met with Rachel before they died—I bet the stuff in their files, the stuff about their moms calling, isn’t even true. I bet their mothers never called. And now Amber… ”

“There are seven hundred residents of Fischer Hall,” Cooper points out. “Are all the ones who had meetings with Rachel Walcott dead?”

“No, just the ones who also had relationships with Christopher Allington.”

Cooper shakes his head.

“Heather, try to look at this logically. How could Rachel Walcott have the physical strength to throw a full-grown, struggling young woman down an elevator shaft? Rachel can’t weigh more than a hundred and twenty pounds herself. It’s just not possible, Heather.”

“I don’t know how she’s doing it, Cooper. But I do know that it’s a bit of a coincidence that both Rachel and Chris were at Earlcrest last year, and now they’re both here at New York College. I would bet cash money that Rachel followed Christopher Allington—and his parents—here.”

When he continues to look hesitant, I stand up, push back my chair, and say, “There’s only one way we’ll ever know for sure.”

26

What’d I do

To get you so mad?

What’d I say

That’s got you feeling so bad?

I never meant it

I swear it’s not true

The only guy I care about

Has always been you.

Oh, don’t go away mad.

Come on over, let me

Make you feel glad

“Apology Song”

Performed by Heather Wells

Composed by Caputo/Valdez

From the album Summer

Cartwright Records

Not surprisingly, Cooper balks at the idea of driving all the way to the Hamptons at seven o’clock on a weeknight just to have a word with a man the police themselves won’t even haul in for questioning.

When I remind him that Chris is more likely to talk to either of us than the police, Cooper is still not convinced. He insists that after the injuries I’d sustained that morning, what I need is a good night’s sleep, not a six-hour drive to East Hampton and back.

When I remind him that it is our duty as good citizens to do whatever we can to see that this woman is put behind bars before she kills again, Cooper assures me that he’ll call Detective Canavan in the morning and tell him my theory.

“But by morning Amber might be dead!” I cry. I know she’s not dead yet, because I’ve just called her room and learned, from her roommate, that she is watching a movie in another resident’s room down the hall.

“If the residence hall director requests a meeting with her,” I’d said, semi-hysterically, to Amber’s roommate, “tell Amber she is NOT to go to it. Do you understand?”

“Um,” the roommate said. “Okay.”

“I mean it,” I’d cried, before Cooper could pry the phone from my hand. “Tell Amber that the assistant director of Fischer Hall says that if the residence hall director requests another meeting with her, she is not to go. Or even open her door to her. Do you understand me? Do you understand that you will be in very big trouble with the assistant director of Fischer Hall if you do not deliver this message?”

“Uh,” the roommate said. “Yeah. I’ll give her the message.”

Which is probably not the most subtle way to have gotten my point across. But at least I know Amber is safe.

For the time being.

“We’ve got to go, Cooper!” I urge him, as soon as I’ve put the phone down. “I’ve got to know, now!”

“Heather,” Cooper says, looking frustrated. “I swear to God, of all the people I’ve ever met, you have got to be the most—”

I suck in my breath. He’s going to say it! Whatever it was he’d been about to say in my office! He’s going to say it now!

Except that back then—in my office, I mean—it had sounded like what he’d been about to say was complimentary. Judging from the way his jaw is clenched now, though, I don’t think he’s about to say something nice about me. In fact, I’m pretty sure I don’t want to hear his next words.

Because, truthfully, the thing with Rachel is more important.

Which is why I say, “This is stupid. You know, there are trains to the Hamptons. I’ll just go look up the schedule online and—”

I don’t know if he gave in because he realized it was the only way to shut me up, or if he was genuinely concerned that I might do myself harm on the LIRR. Maybe he was just trying to placate the crazy injured girl.

In any case, in the time it takes me to get dressed, Cooper has retrieved his car—a ’74 BMW 2002, a vehicle that invariably causes the drug dealers on my street to hoot tauntingly, because, in their opinion, the only good BMW is a new one—from its parking garage. He isn’t happy about it, or anything. In fact, I’m pretty sure he was cursing whatever impulse had prompted him to ask me to move in with him in the first place.

And I feel bad about it. I really do.

But not enough to tell him to forget the whole thing. Because, you know, a girl’s life is at stake.

It’s easy to find the Allingtons’ weekend place. I mean, they’re in the East Hampton phone book. If they didn’t want people to drop in, they’d have had an unlisted number, right?

And okay, there’s this big wrought-iron gate at the end of their driveway, with a built-in intercom and everything, that might lead the average person to believe visitors were unwelcome.

But I for one didn’t fall for it. I hop out of the car and go to press on the buzzer. And even when no one answers, I’m not discouraged. Well, very much.

“Heather,” Cooper says, from the driver’s window of his car, which he’s rolled down. “I don’t think anybody’s going to—”

But then the intercom crackles, and a voice that is unmistakably Chris’s says,“What?”

I can understand why he’s so testy. I’d sort of been leaning on the buzzer, knowing that eventually the person inside would be driven insane and have to answer. It’s a trick I’d picked up from the reporters who used to stake out the place Jordan and I had shared.

“Um, hi, Chris,” I say into the intercom. “It’s me.”

“Me who?” Chris demands, still sounding annoyed.

“You know,” I say, trying to sound girlishly flirtatious. “Let me in.”

Then I add the three little words I’d learned from Justine’s files that few students—and that’s what Chris is, after all—can resist: “I brought pizza.”

There’s a pause. Then the gate slowly starts to open.

I hurry back to the car, where Cooper is sitting, looking—even if I do say so myself—vaguely impressed.

“Pizza,” he echoes. “I’ll have to remember that one.”

“Works every time,” I say. I don’t mention how I knew. I’m kind of sick of Justine, to tell the truth.

We pull into the circular driveway, and Villa d’Allington, in all its white stucco glory, looms ahead of us.

I’ve been to the Hamptons before, of course. The Cartwrights have a house there, right on the water, surrounded on three sides by a federally protected bird sanctuary, so no else can build there, and ruin the view.

I’ve been to other people’s homes there as well—houses that were considered architectural marvels and once even a chateau that had been transported, brick by brick, from the south of France. Seriously.

But I’ve never seen anything quite like the Allingtons’ house. Not in the Hamptons, anyway. Stark white and massive, filled with airy, Mediterranean archways and bright, flowering plants, the place is lit up as brightly as Rockefeller Center.

Only instead of a great big gold guy looming over a skating rink, there’s a great big white house looming over a swimming pool.

“How about,” Cooper says, as we get out of the car, “you let me do the talking for a change.”

I narrow my eyes at him. “You aren’t going to hit him, are you?”

“Why would I do that?” Cooper asks, sounding surprised.

“Don’t you hit people? I mean, in your line of work?”

“Can’t remember the last time I did,” Cooper says, mildly.

A little bit disappointed, I say, “Well, I think Christopher Allington’s the type of guy you’d like to hit. If you hit people.”

“He is,” Cooper agrees, with a faint smile. “But I won’t. At least, not right away.”

We hear them first, and see them as soon as we part the morning glories that hang like a curtain over one of the archways. Ducking through the sweet-smelling vines, we end up in the backyard. To the left of the shimmering pool is a hot tub, steaming in the cool night air.

In the hot tub are two people, neither of whom, I’m thankful to see, is President Allington or his wife. I think that might have killed me, the sight of President Allington in a Speedo.

They don’t notice us right away, probably because of all the steam and the bright floodlights that light the deck around the pool, but cast the hot tub area in shadow. Scattered here and there along the wide wooden planks of the patio are lounge chairs with pale pink cushions. Off to one side of the pool is a bar, a real bar with stools in front of it and a back-lit area that’s filled with bottles.

I approach the hot tub and clear my throat noisily.

Chris lifts his face from the girl whose breasts he was nuzzling and blinks at us. He is clearly drunk.

The girl is, too. She says, “Hey, she hasn’t got any pizza.” She sounds disappointed about it, even though the two of them seemed to have been doing just fine for themselves in the extra cheese department.

“Hi, Chris,” I say, and I sit down on the end of one of the lounge chairs. The cushion beneath me is damp. It has rained recently in the Hamptons.

It seems to take a few seconds for Chris to recognize me. And when he does, he isn’t too happy.

“Blondie?” He reaches up to slick some of his wet hair back from his eyes. “Is that you? What are you doing here?”

“We just dropped by to ask you a few questions,” I say. Lucy has come with us—I couldn’t leave her cooped up in the brownstone all night—and now she butts her head against my knees and sits down, panting happily. “How are you, anyway?”

“I’m okay, I guess,” Chris replies. He looks up at Cooper. “Who’s he?”

“A friend,” Cooper says. Then adds, “Of hers,” I guess so there won’t be any confusion.

“Huh,” Chris says. Then, in an apparent attempt to make the best out of a bad situation, he goes, “Well. Care for a drink?”

“No, thank you,” Cooper says. “What we’d really like is to talk to you about Elizabeth Kellogg and Roberta Pace.”

Chris doesn’t look alarmed. In fact, he doesn’t even look surprised. Instead he says graciously, “Oh, sure. Sure. Oh, hey, where are my manners? Faith, honey, go inside and rustle up some grub for us, will you? And grab another bottle of wine while you’re in there, why don’t you?”

The girl in the hot tub pouts. “But, Chris—”

“Go on, honey.”

“But my name’s Hope, not Faith.”

“Whatever.” Chris slaps her on the backside as she climbs, dripping like a mermaid, from the hot tub. She has on a bathing suit, but it’s a bikini, and the top is so skimpy and her boobs so large that the tiny Lycra triangles seem like mere suggestions.

Cooper notices the bikini phenomenon right away. I can tell by his raised eyebrows. It so pays to be a trained investigator.

Her rear proves as impressive as her front. Not an ounce of cellulite. I wonder if she, like Rachel, had StairMastered it all away.

“So, Chris,” Cooper says, as soon as the girl is gone. “What’s the deal with you and Rachel Walcott?”

Chris chokes on the sip of Chardonnay he’d been taking.

“Wh-what?” he coughs, when he can speak again.

But Cooper’s just looking down at Chris the way he might have looked down at a really interesting but kind of gross bug that he’d found in his salad.

“Rachel Walcott,” he says. “She was the director of the dorm—I mean, residence hall—you lived in your senior year at Earlcrest. Now she’s running Fischer Hall, where your parents live, and where Heather here works.”

Fumbling for a pack of cigarettes and a lighter he had left by the side of the Jacuzzi, Chris pulls one out with trembling fingers and lights it. He inhales, and in the semi-darkness, the tip of the cigarette glows redly.

“Shit” is all he says.

I’m not a trained detective and all, but even I think this answer is kind of… suspicious.

“So what gives between the two of you?” Cooper asks. “You and Rachel. I mean, you might not have noticed, but people are dying—”

“I’ve noticed,” Chris says sharply. “Okay? I’ve noticed. What the fuck do you think?”

Cooper apparently doesn’t think this last part is all that necessary. You know, the bad language.

Because he says to Chris, in a much harsher voice than he’s spoken in before, “You knew? How long?”

Chris blinks up at him through the steam from the bubbling jets. “What?” he asks, like someone who isn’t sure he was hearing things right.

“How long?” Cooper demands again, in a voice that makes me glad it’s Chris he’s talking to, and not me. It also makes me doubt his story. You know, about not hitting people in his line of work. “How long have you known that Rachel was the one killing those girls?”

I can see that Chris has gone as pale as the watery lights beneath the surface of the pool, and it isn’t from the cigarette smoke.

I don’t blame him. Cooper’s scaring me a little, too.

“I didn’t know,” Chris says, in a choked voice that is quite different from the cocky one he’d used previously. “I didn’t put it together until last night, when you”—he looks at me “when you and I danced, and you told me Beth and Bobby were… were the ones who—”