Текст книги "The curious case of the Clockwork Man"

Автор книги: Mark Hodder

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“Always the same bloody dream!” Burton grumbled.

“It's not surprising, really,” the poet noted. “Any man who had a spear shoved through his ugly mug would probably have nightmares about it.”

“How long?”

“The spear?”

“Was I unconscious for, you blessed clown.”

“You were in a high fever for five days then slept almost solidly for three more. Doctor Steinhaueser has been popping in every few hours to keep you dosed up with quinine. We forced chicken broth into you twice daily, though I doubt you remember any of that.”

“I don't. The last thing I recollect is talking with Brunel in the priory. Eight days! What happened? Last time I saw you, you'd just taken a tumble through some trees.”

“Yes, that confounded swan was an unmanageable blighter! I rounded up a little squadron of constables and we drove the pantechnicon to Scotland Yard. Of course, it was an utter waste of time; there were neither fingerprints nor any other admissible evidence to connect it either with the Brundleweed robbery or with Brunel and his clockwork men.

“Anyway, while I was having my cuts and bruises attended to by the Yard physician, William Trounce, Herbert Spencer, and Constable Bhatti all came limping in for the same treatment. We knew you'd get word to us, so after we'd been bandaged, soothed, patted on our heads, and sent on our merry way, we regrouped in Trounce's office, sat steaming by the fire, and waited. When the parakeet arrived and delivered your message, we gathered a force together and raced to Crouch End on velocipedes. You were unconscious inside the priory with the diamonds at your side. There was no sign of Isambard Kingdom Brunel.”

“Did you find one of Babbage's devices? On a plinth?”

“Yes. Trounce took it in as evidence. The diamonds were returned to Brundleweed. He's not happy, though. It turns out that Brunel made off with a select few and left fakes in their place.”

“The black ones? Francois Garnier's Choir Stones?”

“Yes. How did you know?”

“I'll tell you later, Algy. But you're wrong. It wasn't Brunel who took the originals. I need to sleep now. I'll write up a full report when my strength is back. Oh, by the way, what became of Herbert Spencer?”

“He got a little reward from Scotland Yard for helping us out. Miss Mayson has given him an occasional job, too. He cleans out the parakeet cages at the automated animal academy.”

“He must have a thick skin!”

“He doesn't need one. Apparently the birds have taken a shine to him and barrage him with compliments!” Swinburne stood. “I'm staying in the spare bedroom. Just ring if you need anything.”

“Thank you,” Burton replied sleepily as his friend departed.

He lay back with his hands behind his head and stared at the ceiling.

Two weeks passed.

Burton worked on an expanded edition of his book The Lake Regions of Central Africa.

He slowly regained his strength. His long-suffering housekeeper, Mrs. Iris Angell, cooked him magnificent meals and despaired when he sent them back barely touched. His appetite had always been slight, but now-as she told him every single morning and every single evening-he needed sustenance.

She underestimated his iron constitution.

Little by little, the gaunt hollows beneath his scarred cheekbones filled out; the dark shadows around his eyes faded; his hands steadied.

Algernon Swinburne, now living back in his own apartment on Grafton Street, Fitzroy Square, was a frequent visitor and observed with satisfaction the normal swarthiness returning to his friend's jaundiced countenance.

Burton eventually got around to writing a report detailing his confrontation with Sir Charles Babbage. He held nothing back.

Rolling the document, he placed it in a canister, which he slotted into an odd-looking copper and glass contraption on his desk. He dialed the number 222 and pressed a button. There came a gasp, a plume of steam, a rattle, and the canister shot away down a tube, en route to the prime minister's office.

He was just settling in his armchair and reaching for a cigar when there came a knock and Mrs. Angell entered.

“There's a Countess Sabina to see you, sir.”

“Is there, by James!? Send her up, please!”

“Should I chaperone?”

“There's no need, Mrs. Angell. The countess and I are acquainted.”

Moments later, a woman stepped into the study. She was tall and may once have possessed an angular beauty, but now looked careworn; her face was lined, her chestnut hair shot through with grey, her fingernails bitten and unpainted. Her eyes, though, were extraordinary-large, slightly slanted, and of the darkest brown.

She was London's foremost cheiromantist and prognosticator, and had given Burton much to think about during the Spring Heeled Jack case.

“Countess!” he exclaimed. “This is an unexpected pleasure! Please sit down. Can I get you anything?”

“Just water, please, Captain Burton,” she answered, in a musical, slightly accented voice.

He crossed to the bureau and poured her a glass while she sat and patted down her black crinoline skirt and straightened her bonnet.

“I'm sorry to intrude,” she said as he handed her the drink and sat opposite. “My goodness, you look ill!”

“Recovering, Countess, and I assure you, your visit is very welcome and no intrusion at all. Can I be of some service?”

“Yes-no-yes-I don't know-maybe the other way around. I-I have been having visions, Captain.”

“And they concern me in some way?”

She nodded and took a sip of water. “When you came to me last year,” she continued, “I saw that you had embarked upon a course never meant for you, yet one that would lead to greater contentment.”

“I remember. You said that for me the wrong path is the right path.”

“Yes. But in recent days, I have been increasingly aware of the alternative, Captain, by which I mean the original path. Not just yours, but that which we were all destined to tread until the stilt-man drove us from it.”

“Edward Oxford. He was a meddler with time.”

“With time,” she echoed, softly. Her eyes seemed to be focused on the far distance. “I'm sorry,” she whispered. “I had intended to talk to you first but it is overwhelming me. I cannot stop it. I have to-I have to-”

Burton lunged forward and caught the glass as it dropped from her loose fingers. Her eyes rolled up into her head and she began to rock slightly in her chair. She started to speak in a voice that sounded weirdly different from her own, as if she was far away and talking to him through a length of pipe.

“I will speak. I will speak. It is all wrong. No one is as they should be. Nothing is as intended. The storm will break early and you shall witness the end of a great cycle and the horrifying birth pains of another; the past and the future locked together in a terrible conflict.”

A coldness gripped Burton.

“Beware, Captain, for a finger of the storm reaches back to touch you. There are layers upon layers, one deception concealing another-and that one but a veil over yet another. Do not believe what you see. The little ones are not as they appear. The puppeteer is herself a puppet and the sorcerer is not yet born. The dead shall believe themselves living.”

Her head fell back and a horribly tormented groan escaped her.

“No,” she whispered. “No. No. No. I can hear the song but it should not be sung! It should not be sung! The stilt-man broke the silence of the ages and the sorcerer hears; and the puppeteer hears; and the dead hear; and, oh, God help me-” her voice suddenly rose to a shriek “-I hear, too! I hear, too!”

She clapped her hands to her ears, arched her back, thrashed in her seat, and slumped into a dead faint.

“My God!” Burton gasped. He took her by the shoulders and straightened her; pushed his handkerchief into the glass of water and folded it over her brow; went to a drawer and retrieved a bottle of smelling salts. Moments later she was blinking and coughing.

He poured her a small brandy. “Here, take this.”

She gulped it, spluttered, breathed heavily, and slowly calmed.

“My apologies. Did I fall into a trance?”

“You did.”

“I suspected something of the sort might happen, though I hoped I might have more control over it. For two weeks I've felt the urge to see you, to transmit a message to you, but I did not know what it was, so I didn't come.”

Burton repeated what she had told him.

“Do you know what it means?” he asked.

“I never know. When I'm spellbound, I'm unaware of what I say, and it seldom makes sense to me afterward.”

Burton gazed at her thoughtfully. “Is there something else, Countess? Even though the message has been delivered, you seem uneasy.”

The prognosticator suddenly stood and paced back and forth, wringing her gloved hands.

“It's-it's-it's that I can't trust that the message is valid, Captain.”

“Why do you say that?”

“Because-I know it sounds strange-but this, what I do, my ability to glimpse not only the future, but futures -plural-should not be possible!”

“I'm not sure I understand what you mean. You have a reputation for accuracy and I've seen it demonstrated. Plainly, it is not only possible but also actual.”

“Yes, and that's the problem! Prognostication, cheiromancy, spiritualism-these things are spoken of in the other history, but they do not work there, and those who claim such powers are regarded as nothing but charlatans and swindlers.”

Burton got to his feet, took his visitor by the upper arms, and turned her to face him.

“Countess, you and I are privy to a fact that very, very few people know: namely, that the natural course of time has been interfered with. The history we are living is different from what would otherwise have been. People are being exposed to opportunities and challenges they perhaps should not experience, and it is changing them entirely. Future mechanisms, hinted at in conversations between Edward Oxford's companion, Henry Beresford, and Isambard Kingdom Brunel, are being developed according to current knowledge, giving us a glut of contraptions that, in all probability, should never have existed at all. Yet, amid all this chaos and confusion, there is one thing we can be certain of: changing time cannot possibly alter natural laws. I don't know whether spiritualist powers belong to the science of physics or to the science of biology; I know only that they are real. You are the living evidence.”

Countess Sabina's eyes met his, and in them he saw utter conviction as she said: “And yet, in the world that should have been, they are not real. They are not real. Somehow, Captain Burton, I feel this is the key!”

“The key to what?”

“To-to the survival of the British Empire!”

Later that same day, Burton was standing by one of his study windows smoking a Manila cheroot, filling the room with its pungent scent and staring sightlessly at the street below, when a messenger parakeet landed on the sill. Raising the window, he received: “Message from that dung-squeezer, Detective Inspector Trounce. Message begins. Word has reached me that you're back on your feet, you dirty shunt-knobbler. I'll call round at eight this evening. Message ends.”

Burton chuckled. Dirty shunt-knobbler. He must tell Algy that one.

He did, later, when Swinburne visited, and the poet roared with laughter, which was cut short when Fidget, Burton's basset hound, bit his ankle.

“Yow! Damn and blast the confounded dog! Why does he always do that?” he screeched.

“It's just his way of showing affection.”

“Can't you train him to be a little less expressive?”

They sat and chatted, relaxing in each other's company, enjoying their easy though unlikely friendship. Perhaps no stranger pair could be found in the whole of London than the brutal-faced, hard-bitten explorer and the delicate, rather effeminate-looking poet. Yet there was an intellectual-and perhaps spiritual-bond between them, which had begun with a shared love for the work of the Portuguese poet Camoens; had been sustained by a mutual need to know where their own limits lay-if, indeed, they had any; and was now strengthened by the challenges and dangers they faced together in the service of the king.

On the dot of eight, there came a hammering at the front door, followed by footsteps on the stairs and a tapping at the study door.

“Come!” Burton called.

The portal swung open and Mrs. Angell crossed the threshold. She stood nervously wrapping her hands in her pinafore.

“Detective Inspector T-Trounce and a young con-constable to see you, sir,” she stammered. “And-and-goodness gracious me!”

“Mrs. Angell? Are you quite all right?”

Trounce stepped into the room behind her. Constable Bhatti followed.

“Hallo, Captain! Hallo, Swinburne!” the Scotland Yard man cried cheerfully. “Mrs. Angell, my dear woman, don't worry yourself! I promise you, it's absolutely harmless!”

“B-but-bless my soul!” the old dame stuttered. She threw up her hands and bustled out of the room.

“What's harmless?” Burton asked.

“You look like your old self again!” Trounce exclaimed, ignoring the question. “But never mind! Worse things happen at sea!”

Swinburne gave a screech of laughter.

“Come in, gentlemen; help yourself to a drink and cigar,” Burton invited, indicating the decanter and the cigar box.

They did so, pulled over a couple of armchairs, and settled around the fireplace with the king's agent and the poet. Fidget sprawled on the hearthrug at their feet.

“We have a gift for you, Captain,” Trounce declared with a mischievous twinkle.

“Really? Why?”

“Oh, for services rendered and whatnot! Besides, I noticed that your shoes are never polished, your cuffs are frayed, and your collars need starching!”

“Ever the detective. What on earth has my personal grooming got to do with anything?”

“I'm suggesting, Captain Burton, that you're in dire need of a gentleman's gentleman-a valet!”

“I have a housekeeper and a maid. Any more staff and I'll be managing a ‘household!’”

“Only those that need managing,” Trounce said. He winked at Bhatti.

The young constable smiled and called: “Enter!”

A figure of gleaming brass walked in, closed the door, and stood, whirring softly.

Fidget yelped and dived behind a chair.

“My hat!” Swinburne exclaimed. “Is that the clockwork man of Trafalgar Square?”

“The very same!” Trounce answered. “Constable Bhatti has been studying him for the past three weeks.”

“We found a key that fitted him in the priory,” the constable added. “Then it was just a matter of experimentation. As I suspected, the little switches at the front of the babbage dictate his behaviour. He can be rendered more aggressive, subservient, independent; you can set him to respond to any voice, specific voices, or just your own. What do think, Captain Burton?”

Burton looked at each of his guests, then turned his gaze to the brass man.

“Frankly, gentlemen,” he said, “I'm at a complete loss. You mean me to keep this mechanism as a valet?”

“Yes,” Trounce said. “It will do whatever you tell it!”

Bhatti nodded and added: “It has enough independence to perform tasks without needing to be told all the time. For example, if you order it to ensure that your shoes are polished by six o'clock each morning, then it will never need telling again.”

“I wish I could say the same about my missus!” Trounce muttered.

“Wait, Captain!” Bhatti said, jumping up. He strode to the brass man and stood in front of it. “Everybody remain silent, please. Captain Burton, would you say a few words when I nod at you?”

“Words? What words?”

“Any! It doesn't matter!”

The constable took a small screwdriver from his pocket, turned to the clockwork figure, unscrewed the small porthole in its “forehead,” and used the tool to click down one of the small switches inside.

“The next voice you hear,” he told the device, “will be the only voice you obey unless it instructs you otherwise.”

He turned and nodded to Burton.

Rather self-consciously, the famous explorer cleared his throat: “I-er-I am Richard Burton and, apparently, you are now my valet.”

The brass man turned its head slightly until it appeared to be looking straight at Burton.

It saluted.

“That's its way of acknowledging your command,” said Bhatti. He reached into the porthole and flipped the switch back, then closed the little glass door and started to screw it into place.

“One moment, Constable!” Burton interrupted. “If you are all agreeable, I'd like the device set to accept commands from everyone present, and Mrs. Angell, too.”

“You're sure?” Trounce asked.

Burton nodded and pulled a cord that hung beside the fireplace. It rang a bell in the basement, summoning the housekeeper.

When she arrived, he told her about the new valet, and Bhatti went through the process again with her, with Trounce, and with Swinburne.

Mrs. Angell left the study, a bewildered expression on her face, while Bhatti joined the others around the fireplace and lit a pipe. He watched, smiling, as Burton moved over to the mechanism, looked it up and down, tapped its chest, and examined the little cogs that revolved in its head.

“Useful!” the king's agent muttered. “Very useful! Might I train it as a fencing partner?”

“Certainly!” Bhatti answered. “Though you'll probably find it too fast an opponent!”

Burton raised his eyebrows.

“Incidentally,” the constable added, “it'll need winding once a day, and, if I may suggest, you should name it. A name will make it easier to issue orders.”

“Ah, yes, I see what you mean.”

Burton stood in front of his new valet and addressed it: “Do you recognise my voice?”

The brass man saluted.

“Your name is-Admiral Lord Nelson!”

Another salute.

Burton's guests laughed.

“Bravo!” Swinburne cheered.

The king's agent turned to the policemen. “Thank you, Detective Inspector Trounce, Constable Bhatti-it's a magnificent gift! And now I propose that we bring the case of the clockwork man of Trafalgar Square to a close by giving my valet his first order.”

Trounce nodded encouragement.

“Admiral Nelson!” Sir Richard Francis Burton commanded. “Serve the drinks!”

The drinks were duly served.

Later that night, the king's agent found himself unable to sleep. A question was bothering him. He offered it to the darkness: “Whatever became of the genuine Choir Stones?”

I t was the first Monday of April, 1862. Five weeks after the death of Sir Charles Babbage.

A hiss, a clatter, and a sound like a large bung being pulled from a jar announced the arrival of a canister in the device on Sir Richard Francis Burton's desk.

Fidget raised his head from the hearthrug, barked, whimpered, then went back to sleep.

The maid, fifteen-year-old Elsie Carpenter, put down her broom, left the study, ran up the stairs, past the bedrooms, up the next staircase, and knocked on the library door.

Exotic music was coming from the room beyond.

“Come!” a voice called.

She entered and curtseyed.

Burton, wrapped in his jubbah -the loose robe he'd worn during his famed pilgrimage to Mecca-sat cross-legged on the floor amid a pile of books. He had a turban wound around his head and was smoking a hookah. The ends of his slippers curled to points.

He'd shaved off his forked beard some days ago and now sported long, exotic mustachios, which drooped to either side of his mouth. The new style made him appear younger and, in Elsie's opinion, rather more dashing.

There was another man in the library, squatting in a corner, who was a good deal less prepossessing than her master. Elderly, brown, and skinny, he wore a voluminous white and yellow striped robe and a tall fez. He was playing a nay -the long Arabian flute-the tones of which were hauntingly liquid and melodic.

Burton nodded at the man, who responded by laying down his instrument.

“Thank you, al-Masloub. Your talent shines ever more brightly as the years pass. Take what you need from the sideboard, and blessings be upon you.”

The old man stood, bowed, and murmured: “ Barak Allahu feekem. ”

He moved to a heavy piece of furniture to the right of the door and opened the small, intricately carved wooden box that stood upon it. From this he extracted a few coins, before silently slipping past Elsie and out of the room.

“What is it, Miss Elsie?” Burton asked.

“Excuse me, sir,” she said, curtseying for a second time. “Sorry to dis-disperupt your music, but a message just arrived in the thingamajig.”

“Thank you. And you mean disrupt.”

“That's right, sir. Disperupt.”

The maid bobbed again, backed out of the room, ran down the stairs, retrieved her broom, and was out of the study before Burton got there. She descended to the basement and entered the kitchen.

“All swept clean as a whistle, ma'am,” she told Mrs. Angell.

“Did you dust the bookshelves?”

“Yes, ma'am.”

“And the mantelpiece?”

“Yes, ma'am.”

“And that big old African spear?”

“Yes, ma'am.”

“And did you polish the swords?”

“Yes, ma'am.”

“And beat the cushions?”

“Yes, ma'am.”

“And what about the doorknobs?”

“You can see your face in 'em, ma'am.”

“Good girl. Take a piece of fruitcake from the tin and have a rest. You've earned it.”

“Thank you, ma'am.”

Elsie took her slice of cake, put it on a plate, and settled on a stool.

“By the way, ma'am, the musical shriek has left and the master's got a message in the thingamajig.”

“Sheik,” the housekeeper corrected. She sighed. “Oh dear. I'm convinced that contraption only ever delivers trouble!”

She turned to the clockwork man, who was standing at the table, peeling potatoes. “Attend Sir Richard, please, Lord Nelson.”

The valet laid down his knife and saluted, wiped his fingers on a cloth, and marched out of the kitchen and up the stairs to the study. He entered and moved to the bureau between the windows, standing motionless beside it, awaiting orders.

Burton was by the fireplace.

“Listen to this,” he said, absently. “It's from Palmerston.”

He read from the note in his hand:

Investigate the claimant to the Tichborne title.

The king's agent sighed. “I was hoping to avoid all that blessed nonsense!”

He looked up, saw his valet, and said: “Oh, it's you. Lay out my day suit, would you? I think I'll drop in on old Pouncer Trounce, see what he knows about the affair.”

Half an hour later, Burton stepped out of 14 Montagu Place and strolled in the direction of Whitehall. He'd not gone more than three paces when a voice hailed him: “What ho, Cap'n! Fit as a fiddle, I see!”

It was Mr. Grub, the street vendor, who supplied chestnuts from a Dutch oven in the winter, and whelks, winkles, and jellied eels from a barrow in the summer.

“Yes, Mr. Grub, I'm much improved, thank you. How's business?”

“Rotten!”

“Why so?”

“Dunno, Cap'n. I think it's me pitch.”

“But you always pitch your barrow here. If it's so bad, why not move?”

Grub pushed his cloth cap back from his brow. “Move? Phew! Dunno about that! I've been here for years, an’ me father afore me! Fancy a bag o’ whelks? They're fresh out o’ the Thames this morning!”

“No thank you, Mr. Grub. I'm on my way to Scotland Yard.”

Burton wondered how anything from the Thames could possibly be classified as “fresh.”

“Well, you ain't the only one what don't want nuffink.” Mr. Grub sighed. “Cheerio, Cap'n!”

“Good day, Mr. Grub!”

Burton tipped his hat at the vendor and continued on his way.

It was a fine spring day. The sky was blue and the air still. All across the city, thin pillars of smoke rose vertically, eventually dissipating at a high altitude. Rotorchairs left trails of steam between them, a white cross-hatching that made an irregular grid of the sky. Swans, too, swooped among the columns like insects flying through a forest.

The king's agent swung along at a steady pace, with the hustle and bustle of the streets churning around him. Hawkers hollered, prostitutes wheedled and mocked, ragamuffins yelled, traders laughed and argued and haggled, street performers sang and juggled and danced, pedestrians brandished their canes and parasols and doffed their hats and bobbed their bonnets, horses clip-clopped, velocipedes hissed and chugged, steam-horses growled and rumbled, carriages rattled, wheels crunched over cobbles, dogs barked. It was an absolute cacophony. It was London.

He spotted a familiar face.

“Hi! Quips!” he called, waving his cane.

Oscar Wilde, nine years old, orphaned by the never-ending Irish famine and earning his daily crust by selling newspapers, was loitering outside a sweet shop.

“Top o’ the morning to you, Captain!” He smiled, revealing crooked teeth. “Help me to choose, would you? Bullseyes or barley sugars? I'm after thinking barley sugars.”

“Then I agree, lad.”

Oscar pulled off his battered top hat and scratched his head.

“Ah, well now, whenever people agree with me I always feel I must be wrong. So I suppose it'd better be bullseyes!” He sighed. “Or maybe both. It seems to me that the only way to get rid of a temptation is to yield to it. Don't you think so, Captain Burton?”

The explorer chuckled. Young Oscar had a remarkable way with words-thus his nickname.

“Are you flush, young ‘un?”

“Aye, I am that. My pockets are heavy with coins, so they are. I sold out in less than an hour. It seems everyone in London is after having a newspaper this morning. Have you seen the news yourself, sir?”

“Not yet. I've had my nose in books.”

“Then you must be the exception that proves the rule, for I have it in mind that the difference between literature and journalism is that journalism is unreadable and literature is not read!”

“I suppose the Tichborne business is still making the headlines?”

A nearby organ grinder started to squeeze out something approximating a tune on his tatty machine. Oscar winced and raised his voice: “I'll say! It has all the classes gossiping-from high lords to low layabouts! Everyone has an opinion!”

“What's the latest?” Burton shouted above the unmelodious groans, squeaks, wails, and whistles.

“The Claimant arrived in Paris and his mother has recognised him!”

“By James! Is that so?”

The Tichborne affair was a huge sensation-and one that touched a sensitive area of Burton's life, for the family was connected by marriage to the Arundells, to whom Isabel, his ex-fiancee, belonged.

The Tichbornes were one of the oldest families in the southern counties, but the estate's fortunes had dwindled considerably over the past two or three generations-due, it was rumoured, to an ancient curse. In recent years, the continuation of the line had depended upon two heirs. The eldest, Roger, was a fairly typical example of an ill-educated aristocrat, while his younger brother, Alfred, was even more vacuous, and a gambler, too. Roger had offered the greatest hope for the family until, disastrously, he was lost at sea in 1854, while sailing back from South America to claim the baronetcy after the death of his father. So it was Alfred who became the latest in the long line of Tichborne baronets, and he almost ran the estate-near Winchester in Hampshire-into the ground. Money trickled through his fingers like water. His mother, Lady Henriette-Felicite, was French. She'd not enjoyed a happy marriage and had retreated to Paris long before her husband died. From a distance, she kept a close eye on the diminishing Tichborne coffers, and when the situation became so dire that she feared Sir Alfred would make a pauper of her, she sent a family friend, Colonel Franklin Lushington, to live at Tichborne House and take control of the estate's finances. Lushington had managed to curb her son's worst excesses, but what he couldn't do was turn the young baronet into a good prospect for marriage.

Sir Alfred would almost certainly be the last Tichborne.

Then something totally unexpected happened.

A year ago, while the Dowager Lady Henriette-Felicite was visiting Tichborne House, a down-on-his-luck Russian sailor came begging for alms. The old lady, by this time frail and feeble-minded, asked him if he'd ever heard of La Bella, the ship that took her eldest to the bottom of the ocean. The sailor had not only heard of it but also knew that a small group of survivors had been rescued from a longboat bearing its name. They'd been landed in Australia.

Lady Henriette-Felicite immediately placed advertisements in the Empire and a number of Australian newspapers.

A month ago, she'd received a response in the form of a badly written and misspelled letter.

It was from Roger.

He was alive.

He told her he'd been living under the name “Tomas Castro,” and was working as a butcher in Wagga Wagga, New South Wales, about halfway between Sydney and Melbourne.

He asked his mother to send him money so he could come home, and, as evidence that he-the author of the letter-truly was her son, he referred to a brown birthmark upon his side. The dowager remembered the blemish and sent the money.

Now, it seemed, the man the newspapers had dubbed “the Claimant” had met the old woman and she'd confirmed his identity.

The long-lost Roger Tichborne had returned!

As Oscar explained to Burton, the upper classes were delighted that an ancient family was restored, while the lower classes were celebrating the fact that an aristocrat had been living as a common labourer.

Dowager Lady Henriette-Felicite was bursting with joy. The rest of the Tichborne family-the cousins and assorted relatives, most of whom bore the surnames Doughty or Arundell-were not.

They didn't believe a word of it.

“He'll be over to assert ownership of the estate soon!” Oscar shouted, as the barrel organ screamed and belched.

Burton nodded thoughtfully, pulled a sixpence from his pocket, and pushed it into the urchin's palm.

“I'll see you later, Quips,” he said. “Here's a coin for a pie. You can't live on sweets alone!”

“I can get plump trying! Thank you, Captain!”

Oscar disappeared into the shop, and Burton walked on, relieved to hear the organ music fading into the background.

On the corner of Baker Street, he waved down a hansom, which, pulled by a puffing steam-horse-like a smaller version of the famous Stevenson's Rocket-took him along Wigmore Street and halfway down Regent Street before jolting to a halt when its crankshaft snapped and punched a hole in the boiler. Dismissing the driver's apologies, he hailed another and continued on through Haymarket to Whitehall and Scotland Yard.

Mounting the steps of the forbidding old edifice, he was encountered going up by Detective Inspector Trounce, who happened to be on his way down.