Текст книги "One Book in the Grave"

Автор книги: Kate Carlisle

сообщить о нарушении

Текущая страница: 1 (всего у книги 20 страниц)

Praise for the Novels

of Kate Carlisle

Murder Under Cover

“A terrific read for those who are interested in the book arts and enjoy a counterculture foray and ensemble casts. Great fun all around!”

–Library Journal(starred review)

“With interesting characters, inviting locales, exceptional dialogue, and great visualization of bookbinding techniques, this is the best one yet in this fantastic and brilliant series.”

–The Cozy Chicks

The Lies That Bind

“Kate Carlisle weaves an intriguing tale with a fascinating peek into the behind-the-scenes world of rare books. Great fun, and educational too.”

–Suspense Magazine

“When it comes to rare books and antiquities, Brooklyn Wainwright is a master…. The Lies That Bind is full of sexual frustration, lies, manipulation, and murder: all the things that make a good mystery story…. Kate Carlisle is a strong writer who weaves an interesting tale that keeps the reader engaged until the very end.”

–The Romance Readers Connection

“I highly recommend this series to any book conservator…who enjoys encountering a cast of quirky characters and a heroine who just can’t keep herself out of trouble.”

–The Bonefolder

“The writing in this cozy is sophisticated, the career details new and fresh, the characters sympathetic, vivid, and realistic, and the mystery compelling. This is a cozy that even nonfans of the genre would enjoy.”

–Romantic Times(4½ stars)

If Books Could Kill

“If you’re headed to the Edinburgh Book Fair this month, you should pack comfortable shoes, a raincoat with a hood, and a copy of Kate Carlisle’s bonnie little mystery.”

–Fine Books & Collections

“Carlisle’s story is captivating, and she peoples it with a cast of eccentrics. Books seldom kill, of course, but this one could murder an early bedtime.”

–Richmond-Times Dispatch

“The mystery plot is lighthearted and cozy but with depth enough to keep me guessing for a while, and the romance that is intertwined and humor amongst the eclectic cast of characters kept a smile on my face throughout the book.”

–Gumshoe

“A witty, thrilling, and suspenseful story…excitement bounds off each page! This twisty tale will keep you guessing until the very end.”

–The Romance Readers Connection

“Brooklyn’s uncommon occupation drives the well-constructed and smoothly executed mystery. Offbeat secondary characters contrast nicely with the more levelheaded Brooklyn.”

–Romantic Times

“Funny, fast-paced, and romantic all at once, If Books Could Kill is not to be missed!”

–Reader to Reader Reviews

“A smart, sassy, fast-paced mystery with quirky characters that make me laugh and enough twists and turns to keep me guessing through most of the book. Her vivid descriptions of Edinburgh and the surrounding areas are captivating and the bookbinding tidbits and trivia that are seamlessly woven into the story, fascinating, but it’s the characters that make this tale shine…. For an enjoyable mystery with plenty of quirky humor, I highly recommend both of Carlisle’s Bibliophile Mysteries.”

–The Romance Dish

Homicide in Hardcover

“Saucy, sassy, and smart—a fun read with a great sense of humor and a soupçon of suspense. Enjoy!”

–Nancy Atherton, author of the Aunt Dimity mysteries

“A cursed book, a dead mentor, and a snarky rival send book restorer Brooklyn Wainwright on a chase for clues—and fine food and wine—in Kate Carlisle’s fun and funny, delightful debut.”

–Lorna Barrett, author of the Booktown mystery series

“A fun, fast-paced mystery that is laugh-out-loud funny. Even better, it keeps you guessing to the very end. Sure to be one of the very best books of the year! Welcome Kate Carlisle, a fabulous new voice in the mystery market.”

–New York Timesbestselling author Susan Mallery

“Who’d have thought book restoration could be so exciting? When Brooklyn Wainwright inherits the job restoring the priceless copy of Goethe’s Faust from her murdered mentor, her studio is ransacked, she’s stalked, and the bodies pile up around her. Is it the famous Faust curse? I’m not tellin’. But, trust me, you’ll have fun finding out. Homicide in Hardcover is good reading in any binding.”

–Parnell Hall, author of the Puzzle Lady crossword puzzle mysteries

“Beautiful and brilliant Brooklyn Wainwright thought bookbinding was a low-risk occupation, but she soon discovers her mistake in Kate Carlisle’s smart and sophisticated page-turner.”

–Leslie Meier, author of English Tea Murder

“Brooklyn is my kind of detective! She loves books, wine, chocolate—and solving mysteries! Kate Carlisle has crafted a fabulous new series with great food, great books, and lots of fun.”

–Maureen Child, author of Beguiled

“Welcome to the fresh and funny world of bookbinder Brooklyn Wainwright. A delicious mix of San Francisco, book restoration, and a lingering counterculture beset by murder. Who knew leather and vellum could be so captivating?”

–Jo Dereske, author of the Miss Zukas Mysteries

“Kate Carlisle. Remember that name. I have the feeling you’ll be seeing it a lot in years to come. Carlisle bursts onto the publication scene with…a Bibliophile Mystery that kicks off what I hope will be a very long-running series.”

–Romance Novel TV

“This first in a new series is going to launch Carlisle to a bestselling position and have readers looking forward to the next installment of delightfully eccentric characters, droll dialogue, and a meticulously planned crime. Bibliophile heroine Brooklyn Wainwright is brilliant, feisty, and funny.”

–Romantic Times (4½ stars)

OTHER BIBLIOPHILE MYSTERIES

Homicide in Hardcover

If Books Could Kill

The Lies That Bind

Murder Under Cover

Pages of Sin(e-book novella)

ONE BOOK IN

THE GRAVE

A Bibliophile Mystery

Kate Carlisle

AN OBSIDIAN MYSTERY

OBSIDIAN

Published by New American Library, a division of Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, USA

Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto, Ontario M4P 2Y3, Canada (a division of Pearson Penguin Canada Inc.)

Penguin Books Ltd., 80 Strand, London WC2R 0RL, England

Penguin Ireland, 25 St. Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd.)

Penguin Group (Australia), 250 Camberwell Road, Camberwell, Victoria 3124, Australia (a division of Pearson Australia Group Pty. Ltd.)

Penguin Books India Pvt. Ltd., 11 Community Centre, Panchsheel Park, New Delhi – 110 017, India

Penguin Group (NZ), 67 Apollo Drive, Rosedale, Auckland 0632, New Zealand (a division of Pearson New Zealand Ltd.)

Penguin Books (South Africa) (Pty.) Ltd., 24 Sturdee Avenue, Rosebank, Johannesburg 2196, South Africa

Penguin Books Ltd., Registered Offices:

80 Strand, London WC2R 0RL, England

First published by Obsidian, an imprint of New American Library, a division of Penguin Group (USA) Inc.

First Printing, February 2012

10 9 8 7 6 5 4 3 2 1

Copyright © Kathleen Beaver, 2012

All rights reserved

EISBN: 9781101575260

Obsidian and logo are trademarks of Penguin Group (USA) Inc.

Printed in the United States of America

Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored in or introduced into a retrieval system, or transmitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise), without the prior written permission of both the copyright owner and the above publisher of this book.

PUBLISHER’S NOTE

This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.

 The publisher does not have any control over and does not assume any responsibility for author or third-party Web sites or their content.

If you purchased this book without a cover you should be aware that this book is stolen property. It was reported as “unsold and destroyed” to the publisher and neither the author nor the publisher has received any payment for this “stripped book.”

The scanning, uploading, and distribution of this book via the Internet or via any other means without the permission of the publisher is illegal and punishable by law. Please purchase only authorized electronic editions, and do not participate in or encourage electronic piracy of copyrighted materials. Your support of the author’s rights is appreciated.

This book is dedicated to my favorite Beast, my brother,

Daniel Patrick Beaver, and to his beautiful and very

clever wife, Deborah, and their amazingly perfect

children, Campbell and Callan.

I love you all!

Acknowledgments

As always, I’m indebted to so many people for their help in getting this book written. My grateful thanks go to:

My brilliant editor, Ellen Edwards, whose support, encouragement, and guidance are invaluable to me.

My wonderful agent, Christina Hogrebe, for her wit, enthusiasm, and good counsel.

Obsidian senior editor Sandy Harding, and everyone at NAL and Penguin, who work so hard to make book magic happen.

Illustrator Dan Craig, whose artistic talent makes my beautiful book covers the envy of all the others on the bookshelf.

Bookbinder Rhiannon Albers at the San Francisco Center for the Book, who shared the story of Dard Hunter and suggested that a mystery about a papermaker might be interesting.

Book artist Wendy Poma, for making it look so easy.

My fabulous sis-in-law, Jane Beaver, who drove to the ends of the earth and walked for miles in the rain with me, just to find the perfect spot for a Marin County goat farm.

My inner circle, my lovely and generous writer friends, who keep me sane, sort of. Thanks and love to Maureen Child, Susan Mallery, Christine Rimmer, Theresa Southwick, Jennifer Lyon, Hannah Dennison, Laura Bradford, Daryl Gerber, and the notorious Romance Bandits.

The many bookbinders, librarians, booksellers, and readers who have taken Brooklyn into their hearts. I can’t thank you enough.

Finally, to Don, my bartender and partner in crime. Thanks, lovey. You make it all worthwhile.

Table of Contents

Chapter 1

Chapter 2

Chapter 3

Chapter 4

Chapter 5

Chapter 6

Chapter 7

Chapter 8

Chapter 9

Chapter 10

Chapter 11

Chapter 12

Chapter 13

Chapter 14

Chapter 15

Chapter 16

Chapter 17

Chapter 18

Chapter 19

Chapter 20

Chapter 21

Chapter 22

Chapter 23

Chapter 24

Chapter 25

Chapter 26

Chapter 27

Chapter 28

Chapter 1

Hello. My name is Brooklyn Wainwright and I am a book addict.

It was Friday morning and I was on my way to the Covington Library to sniff out my personal version of crack cocaine: books. Old, rare, and beautiful.

I didn’t need a twelve-step program; I just needed more bookbinding work to keep me off the streets. That was why I’d driven over to Pacific Heights to see my good friend Ian McCullough, head curator of the Covington Library in San Francisco. He’d called earlier to let me know he had a job for me.

I found a lucky parking spot less than half a block away. Lucky was the perfect way to describe how I was feeling that day. As I walked up the broad concrete steps of the imposing Italianate mansion, I took a moment to appreciate this beautiful building, its setting at the highest point of my favorite city, and this glorious early-fall day.

A few months ago, after coming within striking distance of yet another callous criminal bent on killing me and a few close friends, I had made a vow to be grateful for every wonderful thing in my life. My family; my friends; my gorgeous, exciting lover; the career I enjoyed so much; my books; pizza—I was grateful for them all. Life was good.

So now I stopped to breathe the crisp, clear air; smile at the colorful sight of newly planted pansies lining the sidewalks; and savor the stunning view of San Francisco Bay in the distance.

The moment passed and I strolled up the last few steps. Pushing open the heavy iron doors, I walked through the elegant foyer of the Covington, with its broad checkerboard marble floor, coffered ceiling, and sweeping staircases. Those stairs led to the second and third floors, where dozens of rooms held priceless artwork and countless collections of the greatest books ever written. In almost every alcove and nook, a visitor would find a comfortable chair with a good light for reading. It was the most welcoming place for a book lover I’d ever known and I loved it as much now as I did the first time I went there, when I was eight years old.

I bypassed the main exhibit hall and headed straight for Ian’s office, down the wide corridor that led to the inner sanctum. I was eager to get hold of the book he was so excited about, and envisioned myself rushing home, tearing it apart, and putting it back together again. With utmost love and care, of course.

Yes, life was good indeed.

That thought was snuffed out as a sudden, cold sense of dread permeated the very air around me. I shuddered in dismay. In any perfect apple, a worm might be found.

“What the hell do you think you’re doing here?”

Shudders rippled through me at the shrill voice of Minka LaBoeuf, my archenemy.

My stomach bubbled and roiled in revulsion and I instantly regretted the Spanish omelet I’d eaten for breakfast. I turned to face her and was sorry I had. Chartreuse-and-fuchsia-striped leggings appeared to have been sprayed onto Minka’s ample lower body. As God was my witness, the leggings were topped by a matching tube top (a tube top!) and a pixie band (a pixie band!) in her hair. She looked like a demented barber pole.

I couldn’t make this stuff up.

“I was invited to come here today,” I said, shielding my eyes from the glare. “I know you can’t say the same, so you should leave. Be sure to let the door hit your ass on the way out.”

Baring her teeth, she snarled and said, “You’re such a bitch!”

I smiled with concern. “Really? Is that the best you’ve got? Pitiful.”

She moved in close—so close that I could smell her new perfume, Eau de Goat—and hissed at me. “If you don’t stop trying to take away my jobs, I’ll make sure you never work in this town again.”

Never work in this town again? Had she really said that? Of course she had. Minka was the queen of the tattered cliché.

“Threats, Minka?” I backed away from her, knowing she had an unruly left hook. “Ian won’t like hearing that you threatened me.”

She sniffed imperiously. “Ian is a jerk.”

“I’ll be sure to tell him you said so.”

“You’re a jerk, too.”

Feeling disappointed, I shook my head. “Have you been sick or something? Your comebacks are so lame, it’s pathetic.” I didn’t stick around to hear her answer, but turned and hurried off. I didn’t look back, either—possibly a tactical error where Minka was concerned, since she was the master of the sneak attack. But honestly, I couldn’t take another violent shock to my nervous system.

“You’ll be sorry!” she shrieked.

I rubbed my arms against the chill but kept moving. Minka had the kind of aura that stirred up all the frigid, stagnant chi that existed in any space. Or maybe auras and chi had nothing to do with it. I just knew she scared the hell out of me. Once I turned the corner and was out of her sight, I breathed easier. It was warmer now. The spell was broken.

I knew that sounded a little wacky, but I’d been stalked and harassed and, yes, punched in the face by Minka LaBoeuf. I wasn’t about to question the possibility that she could cast spells with those evil eyes of hers.

Strolling briskly down the wide hall, I entered the suite of business offices and greeted Wylie, Ian’s current assistant.

“He’s waiting for you, Ms. Wainwright. Go right in.”

“Thanks, Wylie.”

I knocked, then opened Ian’s door.

“Hey, you,” Ian said, jumping up from his chair and rushing to greet me with a hug. “I’m glad you’re here. I’ve been itching to get your opinion on what to do about this book.”

Shaking off the last of my Minka-induced negativity, I smiled and hugged him back. “I can’t wait to see it.”

“I’ll warn you beforehand that the outside of the book is less than impressive. Well, actually, it’s in horrible shape, but I know you can make it shine. The inside is exquisite.” He led the way across the room to his lovingly restored Chippendale conference table. We sat, and I watched him slowly unwrap several layers of white tissue paper to reveal a rather nondescript book.

The book was big, probably twelve inches tall by nine inches wide, but it was less than one inch thick. The leather cover was green, or it had been at one time; now it was faded to a dull gray. The front cover was badly frayed along the inner edges and outer hinge, where it would probably break apart at the least jarring movement.

And it was disturbingly familiar. I frowned and chewed my lip as I reached for it.

“I know it’s ugly,” Ian reiterated, misreading my reaction. “But the paper is still in excellent condition, and just wait until you see the illustrations.”

“Okay.” I picked it up cautiously, not only because it was old and falling apart, but because I was afraid of what I would find when I opened it. I stared at the spine. Beauty and the Beast, it read, though the letters had lost most of their gilding.

I opened the book, bypassed the flyleaf, and turned to the front illustration across from the title page. It was colorful and sweet and classically Victorian. A tea party for two. Beauty wore a regal red cape and her golden blond hair flowed in waves down her back. She sat at a table, pouring tea for the Beast, who was depicted as a huge brown bear. His appearance was hairy and scary, yet he seemed dignified and well mannered. The tea set was blue. I could’ve described it blindfolded.

I paged back to the inside flyleaf and stared at the inscription written there. My throat tightened and the pressure building in my chest began to ache.

“It’s very rare,” Ian said in a rush. “First edition. Look at the interior pages. They’re fantastic. I just need you to fashion a new cover and do some cleanup, and we’ll have a masterpiece to display in the children’s gallery.”

I ran my fingers over the dried ink and reread the sentimental inscription. The scrawled penmanship had a beauty all its own.

“Earth to Brooklyn,” he snapped. “What’s going on? Can you do the work or not?”

I shook myself out of my melancholy and glanced up at Ian. “I’m not sure I can.”

“What do you mean, you’re not sure? You could do this restoration in your sleep.”

“Oh, yeah, I can do the work.” I turned the book over to see if the damage extended to the back joint, but it was still smooth and unfrayed. “But…I don’t think I can do the work.”

He scowled, shoved his chair back from the table, and stood over me. “You’re speaking in riddles. What’s wrong with the damn book?”

“Nothing’s wrong with the book,” I said, and met his gaze directly. “Except that it was stolen.”

“No, it wasn’t.” He stared at my expression, then shook his head vigorously. “No way. What the hell are you talking about? I bought it from Joseph Taylor, the most reputable bookseller in the city. It was a clean deal.”

“I believe you.” Joe Taylor was an old acquaintance of mine. My mentor, Abraham, had known him forever, and over the years we’d done a lot of bookbinding work for him.

I touched the crisp, deckled edges of the paper and fought to stay calm. “But I’d like to find out who sold it to Joe, because I know they weren’t the rightful owner.”

Frustrated, Ian scratched his head, causing his hair to spike wildly. “What aren’t you telling me, Brooklyn? How do you know this book was stolen? Who did it belong to?”

Awash in memories, I didn’t realize until too late that I had tears in my eyes. I brushed them away with a fierce swipe of my hand and faced him. “Me, Ian. Once upon a time, this book belonged to me.”

Chapter 2

“You?” Ian shook his head in confusion. “So what happened? You sold it to someone?”

“No.” Reluctantly, I pushed the book away and stood. “No, I gave it away.”

“Well, then there’s no problem.”

I laughed, but the sound was empty. “Believe me—there’s a problem.”

“I was afraid you’d say that,” he muttered, and began to pace back and forth between the conference table and his massive antique mahogany desk.

Confused and unsure what to do, I leaned my hip against the table and glanced around the office, trying to distract myself by admiring Ian’s latest artwork. He still had the Diebenkorn painting of a woman drinking coffee prominently displayed behind his desk, but there were three miniature Rembrandt engravings on the wall closest to the door that I didn’t remember seeing before.

As always when I visited Ian, I thought how nice it would be to borrow from the vast Covington collection to furnish one’s office. And if the artwork didn’t impress a visitor, one could always enjoy the incomparable view of the Golden Gate Bridge seen through the big picture window by the conference table. I turned and stared out at the wide expanse of the bay and tried to appreciate the amazing vista.

“You want to tell me what happened?” Ian asked from close behind me.

I sighed and slowly turned around. “It’s a long story. Are you ready to hear it?”

He folded his arms across his chest. “I suppose I’ll have to.”

I smiled. “Did Austin ever introduce you to Max Adams?”

“Max? Sure. Didn’t he die a few years ago?”

“It was almost three years ago,” I said. But thanks to the reappearance of Beauty and the Beast, I was reliving the day as if it were yesterday.

I’d had a crush on Max Adams from the first day I’d laid eyes on him when I was ten years old. Max’s family had followed Avatar Robson Benedict—otherwise known as Guru Bob—to the Sonoma commune he’d established, just as my family had a few years earlier. So we all grew up together in Dharma. Max was my oldest brother Austin’s best friend until they each went away to different colleges.

While at Stanford, Austin met Ian and brought him home for Thanksgiving dinner. That was how Ian and I met, way back when. I was long over Max by then and started dating Ian, who made me laugh and shared my love of books and art and Monty Python movies. Our relationship got serious for a minute or so when Ian proposed marriage, but it didn’t take long for us to realize we weren’t meant for each other. Happily, we’d remained close friends and book-world colleagues.

Ian had recently proven correct my decision to end our engagement by coming out of the closet. But that was a whole other story.

I walked around the table and over to the window. “You know about Guru Bob and how he first got Abraham to hire me as an apprentice, right?”

“Of course. You were just a kid, right?” Ian said.

“Right. So back then, it was—”

“Wait a minute,” Ian interjected. “Do I need to hear the entire history of the world or can you skip to the good parts?”

“I promise I’ll keep it as short as I can. So, anyway, Guru Bob did the same thing for Max, asking Abraham to mentor him.”

“I thought Max worked with paper.”

“He did.” I gave Ian the abbreviated history. Max had been helping out Abraham Karastovsky at the same time I was working as his official apprentice. My little heart would go pitter-patter whenever Max came into the studio. I would dream of him and me bookbinding our way to our very own happily-ever-after.

Sadly, though, Max didn’t care much for bookbinding; he was always more interested in the paper itself than in the binding procedures. So instead of helping with binding books, he began to experiment with all sorts of different papermaking techniques.

“It was all good, because Max’s talent with paper fit right in with Guru Bob’s master plan for Dharma,” I said. “Guru Bob wanted to revive as many of the ancient guild crafts as possible, thinking that our finely crafted products would provide income for the fellowship to stay afloat into the future.”

Ian laughed. “And planting a few thousand grapevines didn’t hurt, either.”

“No kidding.” Guru Bob had hedged his bets early on by suggesting that his followers plant grapes across the commune property, adding more acreage over the years. Our vineyards and renowned winery had made the members wealthy beyond even Guru Bob’s expectations. But it was still nice to walk into the boutique shops along Dharma’s Shakespeare Lane and see our members’ artwork and beautifully handmade crafts on display.

“Meanwhile, Guru Bob had seen the level of artistry in Max’s work and suggested that he go to art school.”

So he did. And in the small world of papermaking, Max became a rock star, complete with groupies and an entourage. It didn’t hurt that he was tall and dark and ruggedly built, or that he brought his own brash, avant-garde style to the quiet art of making paper, thus catching the attention of everyone in the book arts universe. Some compared him to his hero, Dard Hunter, the legendary papermaker and printer, though Max insisted he could never be that good.

Max ended up teaching at the prestigious Sonoma Institute of the Arts, just a few miles south of Dharma. His acolytes enrolled by the dozens to study at the feet of the master. He gave lectures all over the country and hordes of groupies followed him from city to city, from lecture to art exhibit to papermaking demonstration.

“It was unbelievable,” I said, still a bit awestruck after all these years. “I went to some of his lectures and saw the fanatical adoration for myself. The truly amazing part was that Max seemed unfazed by the attention.”

“That’s all really fascinating, Brooklyn,” Ian said dryly, “but where does this copy of Beauty and the Beast come in?”

“I’m getting there,” I groused, even though I could’ve regaled him with another hour’s worth of ancient history. “So the year before he died, Max met and fell in love with a woman, a young schoolteacher, Emily Branigan.”

“Ah, a woman,” Ian said, nodding astutely. “That always spells trouble.”

“Very funny,” I said, backhanding him in the arm.

He chuckled. “Knew you’d like that one. So, what happened?”

“Max had recently broken up with this really bizarre woman who also taught at the institute.” I had to think for a few seconds, then frowned. “Angelica—that was her name.” I’d heard Max call her Angel once, but she was the furthest thing from an angel I’d ever met.

“Max’s friends couldn’t stand Angelica, so when he finally broke up with her, then met and fell in love with Emily, we were all overjoyed. They threw a party in Dharma to announce their engagement, and I needed to bring a gift. I’d had this copy of Beauty and the Beast for years, and I thought it would make a perfect gift.”

“For an engagement party?”

“I know.” I smiled ruefully as I sat back down at the conference table. “But it was the perfect gift for Max. You remember how big and brawny he was. He reminded me of that bear in the frontispiece.”

Ian picked up the book and opened it to the engraved illustration of Beauty serving tea to the Beast. “Okay, whatever. That’s sweet, I guess. But, seriously, you gave them a fairy-tale book for their engagement?”

“Come on,” I insisted. “We’re all book people. That’s what we do.”

“I’m teasing you,” he said with a grin. “Sort of. It’s sweet, as I said.”

I sighed deeply. “I cornered Max alone and gave him the book. I told him I would be glad to rebind it as a more appropriate engagement gift for Emily, but he wanted it kept exactly as it was.”

“Why?”

“He said he was a scruffy old beast and the book would always remind Emily of him.”

“I don’t recall him being particularly scruffy,” Ian said, his eyes narrowed in thought.

“He wasn’t, but he was a big guy—remember? Whenever he came back from a camping trip, his beard was so bushy, the first thing he would do was shave it off. Otherwise, his mother wouldn’t let him in the house.” I smiled at the memory. “Anyway, he loved the book and didn’t want any changes made. Emily was so sweet and petite and proper, she was the ideal Beauty to his Beast.”

“Sounds like a man in love,” Ian said.

“He had a great laugh,” I said softly, then turned to the flyleaf and tapped the inscription. “I watched Max write this to her.”

Ian picked up the book and read the words aloud. “To my beloved Beauty from her devoted Beast.” It was signed and dated, as well.

Ian looked at me sideways. “That little scribbling probably decreased the book’s value by thirty percent.”

“Would you shut up? You’re so cynical.” I sighed. “Emily loved the book. She kept it clutched in her hands all during the party. Then a month or so later, Max was killed in a car crash.”

Ian cringed. “I remember that part. It was tragic.”

“It was,” I said. “At his funeral, I offered again to restore the book for Emily, but she wanted it to remain the way it was in memory of Max.”

“So that was it, then?”

“Sadly, no. A few weeks after Max’s death, Emily called to tell me her house had been broken into and someone had stolen the book. She could barely speak, she was so upset. And that’s the last time we ever spoke.”

“I’m really sorry, Brooklyn,” Ian said. He sat down and pulled his chair close so he could wrap his arm around my shoulders. He gave me a little squeeze and said, “I guess seeing the book again is bringing up a lot of old memories for you.”

“Yeah, it is.” I pulled a tissue from my bag and blew my nose.

He sat back and gazed at the book for another long moment, then waved his hand in frustration. “Damn it, Brooklyn, do you know how much money I paid for this book?”

I smacked his shoulder. “You couldn’t pretend to be sensitive to my pain for another minute or so?”

“Sorry, kiddo. But what about my pain?”

I knew he was kidding, trying to coax me out of my funk, so I tried to smile. “I’m just glad the book has resurfaced.”

It was his turn to sigh. “I guess you’ll contact Emily now.”

“I will.” I folded my hands on the table. “Look, she might not even want it back. She could be married with a kid by now and not even give a hoot about the book or Max.”

“It’s possible,” he said, his tone skeptical.

“Tell you what,” I said. “Once I find her and let her know the book’s been recovered, I’ll ask her to consider donating it to the Covington.”

Buoyed by the possibility, he nodded. “I would appreciate that. Thanks.”

“I just wish I knew where to start. I must have an old phone number for her, but she might’ve moved away by now.”