Текст книги "Iced"

Автор книги: Karen Marie Moning

Соавторы: Karen Marie Moning
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Thirty

In the court of the crimson king hag

“What the hell is that smell?” Christian says.

“Fecking awesome, isn’t it?” I say dreamily. Crimson smoke swirls in the glass bottle, poking tentative tendrils at the rim. The amazing aroma fills the library, making me giddy. I want to stretch out, fold my arms behind my head, be lazy and bask in the fragrance. I want to share it with Dancer. I’ve never smelled anything so scrumptious.

“Bloody fucking noxious,” he says from much nearer than he’s been in a while.

“How can you say that?”

“Because it is.”

Crimson strands puff from the bottle and swirl above it. After a moment they begin to dart toward each other, circle around and dart back, slender red strands knitting themselves into a smoky shape.

“Dude, it smells like heaven! There’s something wrong with your nose. Maybe you only like Unseelie smells now.” I can’t wait to see what awesome thing comes out of this!

“It smells,” he says from directly above me, “like rotting intestines. What did you open? A book?” He drops down beside me, carrying a stack of books beneath his arm. I’m glad to see he found something. “A bottle? Christ, lass, you can’t be randomly unplugging bottles in this place! Give me that. Let’s see what you’ve done.”

The hint of a face is forming in the crimson smoke; delicate, pointy chin, enormous eyes slanted up at the corners. I try to turn my head to look at Christian but my head isn’t taking orders. It’s stuck, still staring at the materializing face. I can’t force myself to look away no matter how hard I try. It’s got me mesmerized. I’ve never seen a face so beautiful, smelled a smell so good. I want to stand in the middle of it and breathe it deep into my lungs.

When he plucks the bottle from my hand, the spell is broken. When he turns it on its side to read the label on the bottom, a cloud of crimson smoke gushes out, obscuring the passageway between the shelves. Tendrils lick at me, rough as tiny cat tongues.

Suddenly, everything changes.

Now that I’m no longer holding the bottle, I can smell what he smelled. Saliva floods my mouth, my stomach heaves, and I just about puke the candy bars I just ate. The face in the smoke isn’t so beautiful anymore. It’s morphing into something monstrous before my eyes. Long fangs slide from thin lips, bloody hair writhes like snakes. “Dude, what the feck did I open?” I say, aghast.

The bottle clatters to the floor.

My blood goes cold when Christian utters a single word.

“RUN.”

There are a few absolute no-brainer rules in my world. Real close to the top of this list is: if an Unseelie prince runs from it, I’m going to run from it, too. I’m not even going to ask any questions. I’m just going to vamoose with all my might.

Still … I can’t help but try to steal a peek over my shoulder. I’m the one that let it out. I have to know what it is so I can hunt it down and kill it.

“DON’T LOOK BACK!” Christian roars.

I cradle my head with my arms, trying to hold my skull together until the instant headache subsides. “Stop yelling at me and sift us, dude!” I’m freeze-framing, trying to keep up with him, but I don’t know these halls. They’re a maze that isn’t on any of my maps. I have to keep dropping down, lock my grid into place and kick back up again. The stench of rotting meat behind me is getting stronger. The skin on the back of my neck is crawling. I keep waiting for whatever is chasing us to close icy talons on my nape, rip my head off my shoulders, and kill me. All those scary movies I watched with Dancer aren’t making me laugh now. They’re filling my head with a million gruesome deaths, each more horrible than the last. It’d help if I knew what was chasing us. The unknown is always scarier than the known. I got a Mega-sized imagination, and it can do a real number on me.

“Sifting doesn’t work inside the White Mansion. Take my hand. I know these halls.”

I grab his hand, ignoring the groaning sound he makes. He laces his fingers with mine and I’m blasted by a wave of horniness. “Mute it, Christian. This ain’t the time to go death-by-sex Fae on me.”

“Sorry, lass. It’s just that it’s your hand and there’s danger, and danger always—”

“Off it now!”

I can breathe again. Not that I want to. The stench is suffocating and closing in on us fast.

“What’s chasing us?”

“Loosely translated, the Crimson Hag.”

“How does it kill?”

“Hope you never find out.”

“Could it kill even you, an Unseelie prince?”

“She prefers us alive. She once held two princes captive for nearly a hundred thousand years before the king stopped her. Among other foul things, she tried to breed with us. I had no idea he’d stored her in his library. Everybody figured he’d destroyed the bitch.”

“Why would she take you captive?”

“Because we’re immortal, and once she takes what she wants from us, our bodies grow it back. Then she takes it again. We’re a never-ending supply. She can just keep us chained up, sit and knit.”

Knit? The idea of an Unseelie monster knitting is more than I can wrap my brain around. “What does she want from you?” A cloud of red smoke slithers over my shoulder. “Hurry, Christian! We’ve got to go faster! Get us out of here!”

We barrel down bronze halls, twist and turn through lemon wings, until finally we skid onto white marble. I swear I can feel the Hag breathing down my neck.

Then we’re in the white room, rushing into the mirror, and I can’t help myself, I look back as I turn all spongy.

The Crimson Hag is the most revolting creature I’ve ever seen. Worse than the Gray Woman, worse than the Unseelie princes, worse even than Papa Roach, and I have a special hatred for roaches. Roaches hang out on floors. My cage was on the floor.

Bloody, matted hair frames an ice-white face with black holes for eyes. She licks crimson fangs when she sees me looking. But the truly disturbing thing about her is what she’s wearing. Her upper body is voluptuous and encased in a corset of bone and sinew. She has no lower body that I can see. A tattered, incomplete crimson gown streams behind her.

And now I know why she smells of rotting meat.

Her unfinished gown is made of guts.

My stomach heaves again. “It collects Unseelie prince guts?”

“Among others. She’d take yours, too. Though yours would rot sooner.”

“Can’t you go any faster?” I like my guts. I want to keep them for a long time.

We explode from the mirror into the second white room and leap headfirst into the next mirror. We pass through multiple mirrors, chased by the scent of rotting meat. “Uh, Christian, she’s going to get out.”

“Good. More prey in Dublin. She’ll go after someone else.”

“We can’t have her loose in my city!”

“You’re the one that opened the bottle.”

I screwed up. Big-time. But I’ll figure it out. I’ll trap and kill her and make my city safe again. Before she hurts anyone. I can’t stand the thought of innocent folks getting killed because of my stupid curiosity. “You should have warned me not to open stuff!”

“I did. Then there was the whole ‘read them and weep’ thing chiseled over the door. Which warning didn’t you get?”

“That was about the books, not bottles!”

“Some warnings are unilateral.”

Then we’re out and the cold slams into me like the brick wall we just exploded from. It takes my breath away, and when I get it back, it comes out in frosty puffs on the air. I go skidding across the alley on snow and ice and crash into the building opposite. Christian slams into me. We steady each other and I look around disbelievingly. The ground’s covered with six inches of snow!

Did the Hoar Frost King ice something in this alley in the few hours we were gone? It can’t be more than ten degrees and the windchill is killer. It never gets cold like this at night! And never over the space of a few hours. I look around for an ice sculpture nearby.

“Aw, crap,” I say, because it’s about to hit the fan. Snow’s not the only thing in the alley.

Ryodan and Barrons are behind BB&B, getting out of Barrons’s Bugatti Veyron. They both stare at me a sec, like they can’t believe their eyes, then Ryodan’s gaze fixes on where I’m holding Christian’s hand. I drop it like a hot potato, but the look on his face doesn’t improve. “It’s not what you think! He’s not going to be my superhero boyfriend and kick your—”

“Yes, I am,” Christian says.

“No, you’re not,” Ryodan says. “And where the fuck have you been. Do you know the problems you’ve caused me.”

“Dude, I only been gone, like, two hours. And we got bigger problems right now,” I say.

“No shit. This whole city is turning to ice.”

“What the bloody hell were you doing in the White Mansion?” Barrons demands. “Who told you how to get in there?”

“You will never go anywhere without me again,” Ryodan says to me. “If you do, I’ll lock you in my dungeon until you rot.”

“Speaking of rotting, I think—”

“No more. From this moment forward, I’m going to be doing all your thinking for you.”

I bristle. “My ass, you will.”

“Seal the wall,” he says to Barrons. “And get her the fuck out of here. It’s time for the Highlander to die.”

“You just try,” Christian says.

“I ain’t going nowhere. Well,” I amend, “actually I am and you need to, too. We all have to get out of here.” I start trying to freeze-frame but I crash into Barrons and bounce off. What happens next happens so fast I almost can’t process it.

The stench of rotten meat fills the air, and Christian and me duck and split off in opposite directions because we know what’s coming, then the Crimson Hag explodes from the wall, holding what looks like six-foot-long knitting needles made from bone, like lances at her sides.

She pierces Barrons and Ryodan with them then shoots straight up in the air, trailing their guts behind her.

Thirty-One

“I’m swimming in the smoke of bridges I have burned”

I stand there like an idiot.

I should run before she turns on me, too, but my feet seem to sprout icy roots.

Barrons and Ryodan are lying in the alley on their backs, blood staining the snow in widening circles around them, and I gape, thinking: They can’t die! Superheroes don’t die!

Misguided beliefs aside, they sure look like they’re dying to me. Nothing could get that mutilated and survive.

The Crimson Hag didn’t just puncture them, she flayed them from groin to neck, and split them clean through bone. In one quick yank she scrapped all their intestines and internal organs from their bodies. It’s a move she’s had hundreds of thousands of years to perfect. Puncture, fly, yank. Their chest and abdomen cavities are open and scraped empty. The only way the treacherous bitch could have done this to them was to catch them by surprise.

What the feck was I thinking, standing there saying anything besides “Run”? Bickering as usual, like we had forever and always would!

“I thought you guys would duck at the last minute,” I mutter at their bodies. Or freeze-frame away, faster than me. Or maybe Ryodan would use whatever secret weapon he used against Velvet against her. Never in a gazillion years did I think anything could actually get the jump on them!

But she exploded from the wall and her lances were through them before any of us could even react. Their bodies are still moving but I think it’s just the final twitches a body makes when it gets traumatized so abruptly and completely.

I hear a weird clicking sound that affects me the same way the ZEWs’ chittering does, terrifies me on a primitive level. Is she coming for me now? I grab my sword and whirl. It takes me a second to spot her. I follow the trail of blood.

Up.

The Crimson Hag is perched on the roof of the building behind BB&B, with ropes of entrails dangling over the side in long glistening strands, dripping on the sidewalk. The bony needles she used to flay Barrons and Ryodan are actually her legs, which bend weirdly, sort of like a praying mantis’s front legs, and have curved hooks on the ends.

With insectlike appendages, she’s knitting their guts into the hem of her dress. As her bony legs click and clack together, the guts sway over the edge, shortening, inch by inch, smearing blood up the brick.

It’s so disturbing that my stomach heaves and my body tries to burst into tears and puke at the same time. I swallow it all and choke.

I hear a guttural sound followed by a weak sigh and look back at the bodies.

“I’m going to kill the kid,” Barrons says faintly.

Ryodan makes a burbling sound like a bloody laugh. I don’t think he even has the parts left to laugh with. “Get in line.”

They both deflate and go still.

I stare dumbly.

They die like superheroes: cracking a joke. Like they’re just going to get up tomorrow and fight another day. No fear. Balls to the wall until the bloody end.

I feel like somebody ripped my guts out, too. I can’t stand to look at them anymore so I drop my head, and squinch my eyes up tight. My head’s a muddle. How did I get here? How did deciding to go to the Unseelie King’s library end up with Ryodan and Barrons dead? I can’t make sense of it. I mean, I can, because duh, I can follow the chain of events, but who the feck could have foreseen such a bizarre and preposterous outcome? How am I supposed to make small decisions when they can have such large, unforeseeable results?

“Well, that was fortuitous.” Christian skirts their bodies and moves toward me, laughing. “Two down, seven to go. I wonder if we can just point the bitch at the rest of them. Mac, too.”

My head whips up. He’s laughing. They died and he’s laughing. I start to shake. “Stay. Away. From. Me.”

“What did I do, lass?”

“You took me in there, that’s what you did! You didn’t warn me enough. I’m only fourteen! I don’t know everything! I can’t know everything! You’re older! You’re supposed to warn me about stuff! And now you act like it’s good that they’re dead!”

“I thought you wanted Ryodan out of the picture.”

“I just wanted him to leave me alone! And I never wanted Barrons to die! Aw, crap, Mac!” I wail. I look at the back of the bookstore, now even more miserable than before. Mac’s in there. How long before she comes out and finds Barrons in the alley, bled out in the snow? How long before she discovers my complicity in this, too? I can see her, finding him, flinging herself over his body, weeping. One more tragic loss in her life.

Because I opened a fecking bottle.

Because I was curious.

The night Alina died, I felt like I wasn’t … really there. I never been able to shake the feeling there was something wrong with me. I searched Ro’s journals from beginning to end but she never wrote a single fecking word about me. Never. Makes me think maybe she had other journals I ain’t found yet.

But tonight I’m all here.

I suffer that unpleasant shift I felt once before, the night I got Jo stuck working in the club. The one where I move sideways into a different way of being me, see myself different, and I don’t like it. It’s the shift where I’m a boat and there are all kinds of people capsized in my wake. No, not a boat. What did Ryodan say I was? A tsunami. That’s it. Crashing into things and leveling them. When he said that, he had no idea he’d be one of those things I leveled. Or that he wouldn’t live to see the one hell of a woman I’m going to become.

Above my head bony needles clack away. I hear the wet slap of intestines against the wall as they’re drawn up the side. I should be terrified. I should be running for my life so she doesn’t do to me what she did to them. Should I hide their bodies so Mac won’t find them and figure out what I did?

“Come, lass. We have to get out of here while she’s busy. The Hag gets obsessed with her knitting but she’ll be done soon,” Christian says.

My legs are made of cement and I have concrete blocks for feet. I just keep looking from Barrons and Ryodan to the bookstore and back. First Alina. Now Barrons. There isn’t going to be any place on the face of this planet Mac won’t hunt me down when she finds out what happened here tonight.

I look at Ryodan. How can he be dead? Who’s going to run Chester’s? Who’s going to keep the loser Fae and humans in line? With both Barrons and Ryodan gone, is there any safe place in Dublin? Will BB&B and Chester’s get abandoned?

A hand closes on my shoulder and I just about jump out of my skin.

“We’ve got to get out of here, Dani. She’s finishing up.”

I shake him off violently. “Don’t you ever touch me again, Christian MacKeltar!”

He exhales sharp and sudden like I punched him in the gut. “You don’t mean that.”

“Try me.” I fist my hand around the hilt of my sword.

“I’m the one that gave it back to you, lass. I’m the one that watches out for you.”

“You’re the one that took me somewhere I didn’t know was as dangerous as it was. Folks got killed because of it. Did you at least manage to bring out the books you found?”

“I had other things on my mind. You were in danger.”

It was all for nothing. The books got dropped, forgotten. I look at the wall. Sure, I could go back in, but I can’t read any of the stuff in the library, so what’s the point? And who knows what else I might set free by opening anything else in there?

I look up. Blood drips down the side of the building. As the gruesome Hag knits away, she plucks a small bone from the mess of entrails and organs and tucks it into her corset, taking a moment to rearrange her obscenely human-looking breasts. Then she stops abruptly and looks down at me as if she’s suddenly realized there’s more prey in the alley and it’s watching her. After a moment she dismisses me and returns to her stitching, but I feel … marked somehow. Like she filed me away in her Unseelie-insect brain.

“How do I kill her? Will my sword work?”

“Might. But you’d never get close enough. Her needles are longer than your sword. She’d have your guts in her dress before you even managed to swing it.”

“You said she gets obsessed while she’s knitting.”

“Not that obsessed.”

The ambience in the back alley changes abruptly and it takes me a minute to figure out why. A light just came on in the back of BB&B and is spilling out the window, across the bloodstained snow.

I know what that means. Mac’s moving around inside, looking for Barrons. I imagine it won’t be long before she looks out back to see if his car’s out there.

If Mac walked out that door and tried to kill me right now, I’m not sure how well I’d fight.

I take one last look at Barrons and Ryodan. I have to make this right somehow. I have to balance the scales and there’s a lot weighing in against me.

“Come near me again and I’ll kill you,” I say, soft like Ryodan used to talk.

I freeze-frame into the night.

Thirty-Two

“If I stay lucky then my tongue will stay tied”

I spend the next two days slapping up terse Dani Dailies that describe the Crimson Hag and her M.O., hunting for Dancer, collecting the rest of the ziplocks I need from the other iced scenes (except for the club beneath Chester’s, which I’m in no hurry to go near), and packing my backpack full of samples. They’re some of the most miserable days of my life. I go up and down like a fecking psychotic elevator being controlled by some fecking psychotic little kid, punching random floor buttons. One second I’m swaggering, the next I’m drooping.

One minute I’m elated because I never have to go to work again. My life is my own. Jo can quit the subclub. She’ll stop wearing sparkly stuff between her boobs and boinking Ryodan. The next minute I remember that if Ryodan’s remaining men learn that I played even one tiny little part in their boss’s death, I’m deader than every doornail in Dublin. On top of that, the Crimson Hag is loose, the Hoar Frost King is still out there, Dublin is slowly turning into Ant-fecking-arctica, Christian and me are on the outs, and now Mac has double the reasons to kill me, assuming she knows.

I can’t decide if she knows. One minute I think she does, the next I don’t.

The bodies are gone. I went back in the middle of the night to hide them. I should have hidden them right away but I wasn’t thinking clear. Aside from blood in the alley and up the brick wall, no trace of them remained.

At first I thought Mac must have found and taken them somewhere for a proper burial, but then I decided she didn’t, because yesterday I saw her hurrying down the street toward Chester’s, all bundled up and shivering in the cold, and she didn’t look sad. I’ve seen Mac sad. I know what it looks like. She looked a little tense but otherwise normal. She had a trail of ZEWs behind her, chittering away. I wonder if, like crows, the ZEWs are harbingers of death. It worries me they’re following Mac. Her tension is probably because of what’s happening to Dublin. Everybody I’m seeing is tense. And shivering. It’s ten degrees in Dublin during the day, even colder at night. Snow’s been falling, piling up. The city isn’t set up to handle this kind of weather. Lots of folks don’t have power where they’re staying. They won’t survive these conditions long.

I wonder if the Crimson Hag ate Barrons’s and Ryodan’s bodies. Stitched up their entrails then dined on the rest. I’d think she’d have spit up a few bones but maybe she needed them all to spruce up her corset. Then I figured Christian probably went back to tidy up and hide the evidence. Trying to get on my good side again or something.

I wonder where the heck Dancer is! I need his superbrain to help me crunch the facts so I can save my city from turning into an iceberg. So then I can save folks from getting knitted up into a dress.

I got two more places to check for him, then I’m out of places to hunt.

I freeze-frame up O’Connell, yanking WeCare posters off streetlamps as I go. Stupid fecking stupid feckers are trying to take advantage of people not having power, encouraging them to come into prayer meetings, to get warm and “take the white.” I didn’t know what that meant till I saw a couple folks coming out of one of the churches the WeCare people have designated as their own, wearing long white robes over their clothes.

They were carrying bags of canned goods and smiling. In my experience, anybody besides your mom that feeds you is going to want something in exchange for it.

I whiz up to Dancer’s penthouse, where we like to stretch out in the sun, disarm his booby traps and poke my head in the door, calling for him. The place is silent and empty. I decide to see if he’s got any food in the pantry ’cause I’m starving. When I get there, I crack up. There’s a note taped to a stack of cans sitting smack in the middle of the floor. It’s a cryptogram. It’s how we leave messages for each other.

I pop open can after can of beanie weenies and gorge while I solve the puzzle that tells me where he is.

There’s a lot hidden away in Dublin, just like out at the abbey. When I first started hanging out in the city, I got one of those sightseeing books and visited all the hot spots like any tourist. I was embarrassed to be a stranger in my own town, never having been out of my cage much. I wanted to know everything everybody else knew, see it all with my own eyeballs instead of watching it on TV or reading about it in a book.

I went to Trinity College and toured all the cool stuff there. I never got to go to school so it was neat to see the classrooms and labs and libraries and folks being all social instead of being kept by themselves all the time. I couldn’t wrap my brain around growing up that way. Mom taught me to read. I taught myself the rest.

I hit up the museums, dropped by the brewery, hung out in Temple Bar, visited the catacombs beneath Christ Church Cathedral and St. Michan’s Church, and eventually hunted down the underground rivers. I listened when college kids raved about their favorite places and went there, too. I paid attention when old folks talked on the streets about things that used to be.

That’s how I found Dublin-down. Couple of wrinkly old dudes playing checkers by River Liffey used to work for a mob family and knew some interesting stuff. Beneath a restaurant run by a dude name of Rocky O’Bannion, this big-time mobster that disappeared last year in the craziness of the walls coming down, I found it. A honeycomb of tunnels and hidden crypts beyond a pile of rubble and a series of grated entrances so complex only someone as curious as me or a criminal trying to hide bodies and booty would ever have gone through. Dancer and me mapped out parts but we still got a lot to explore.

That’s where I find him now, in one of the underground catacombs, down a collapsed tunnel (unless you knew how to find the hidden detour) beyond bolted steel doors, hinged into stone, all booby-trapped.

The room he’s in is long and narrow and made completely of stone, with those old vaulted fornix ceilings, supported by massive columns, like I only ever seen in ancient crypts and the library at the abbey. He’s got lights set up that I figure have to be battery-powered ’cause I don’t hear a generator, and setting one up to vent down here would take a lot of work. He’s standing behind a stone slab that used to hold a corpse but is now covered with notebooks and envelopes, laptops, bottles, beakers, and burners. Yep, this place is Dancer, just missing a TV to watch movies on, a fridge and shower, and knowing him, he probably has a hidey-hole rigged up nearby with all the conveniences. Another slab is crammed with bottled water and food. His head is down and he’s working on something, deep in thought.

“Dude, this is fecking awesome!” I say as I step inside.

Dancer looks up and the grin he gives me is blinding. His whole body changes, like he was strung up on wires hanging him from the ceiling and they just got cut. His shoulders ride lower, his limbs slide smoother, the hard planes of his face relax into the Dancer I know. “Mega!” he says. Then he says it again, “Mega!”

“That’s my name, dude. Don’t wear it out.” I swagger into the chamber and see he’s been collecting things from the scenes, too. Behind him is the pièce de résistance: a mystery board! He blew up maps and pieced together an enormous topographical survey of Dublin and the outlying areas and has pins and notes plastered all over it. I beam. I couldn’t have done better myself. “This place is the Shit,” I say.

“Thought you’d like it.” He picks his glasses up off the slab, pushes them back on his nose and grins at me. His eyes are red like he’s been studying too long. He’s tall and lanky and pretty much perfect. I grin back and we just grin at each other for a few seconds, ’cause we’re so happy to see each other again. It’s a big city. Sometimes I feel alone in it. Then I see Dancer.

I toss my backpack on a nearby folding table and pull out my ziplocks and photos to add to his board. He comes over and we sort through them in happy silence, brushing shoulders and grinning at each other. He keeps looking at me like he can’t exactly believe I’m there. Dude’s acting like he really missed me. We’re always glad to see each other, but something’s different today.

I go to start pinning my photos of the scenes on the board, and I look back at him, ’cause something don’t make sense to me, besides how strange he’s acting. “There ain’t this many iced places in Dublin!” I gesture at the pins on the board.

“There weren’t a few weeks ago. It’s been escalating.”

“Dude, there were only ten. You got, like, twenty-five pins on this board! You telling me fifteen more places got iced in the past few days?”

“Mega, the last time I saw you was nearly a month ago. The day we tried to get your sword back from Jayne.”

I gape. “That wasn’t a month ago. That was a couple days ago!”

“Nope. I haven’t seen you for three weeks, four days, and”—he looks at his watch—“seventeen hours.”

I let out a low whistle. I knew time moved different in Faery but it didn’t occur to me that the White Mansion was part of Faery. No wonder Ryodan was so pissed at me! I missed work for weeks. I snicker. It must have been driving him crazy. My snicker dies. I forgot for a sec that he was dead. I feel sick all the sudden so I tear open a candy bar and eat it.

“I was worried.”

I look at him. He’s looking me right in the eyes, more serious than I ever seen him. It makes me uncomfortable. Like I’m supposed to say something and I don’t know what.

I stare back and we just look at each other for a few seconds. I root around in my repertoire and come up with: “Dude, get over yourself. I’m the Mega. You never got to worry about me. I been on my own forever. I like it that way.” I flash him my trademark grin.

I get a faint smile in return. “Got the message, Mega. Loud and clear.” He turns around, walks back to the slab. He’s not moving smooth anymore. Some of those wires are back. I don’t like those wires. They look … I don’t know, grown up to me.

“Just saying, don’t worry about me. Stupid to worry about me. I can take care of myself.”

“Now I’m stupid.”

“I didn’t say you were stupid. I say it was stupid to worry about me.”

“And it – the act of worrying – isn’t to be confused with the person doing it.”

“Exactly. I’m the Mega, remember? I kick butt all over Dublin!” I don’t know what’s wrong with him. He’s not responding right to anything I’m saying!

“Ability to defend oneself has absolutely no bearing on or relevance to deportment or emotional comportment of others.”

“Huh?”

“Don’t tell me what I can and can’t feel. If I feel like worrying about you, I buggering well will.”

“Dude, no need to get snippy.”

“I’m not snippy. I’m offended. You were gone nearly a month. Between dodging the psychotic jackass that stalks you day and night, analyzing evidence, and trying to save this city, I’ve been haunting every iced scene that pops up. Visiting them two and three times a day. Do you know why?”

“To collect more evidence?”

“I’ve been waiting for them to melt enough that I could see if you were in there. Dead. Never to be talking to me again.”

I stare at him. We never talk about stuff like this. It reeks of a cage to me. Like there’s one more person I’m supposed to check in with now. Like my life isn’t already owned by too many other folks. “I got my sword back now,” I say stiffly. “I’m not going to get iced.”

“Invalid. Those two statements have no relevance to each other. None. Zip. Zilch. Nada. The sword won’t protect you from getting iced. I left notes for you in the pantry of every hideout I’ve got and all of yours I could find. Do you know what I heard? Nothing. For almost a month.”