Текст книги "The Collected Short Fiction of C.J. Cherryh "

Автор книги: C. J. Cherryh

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"Quite a turmoil you've created."

She turned from the window, stared at Marc in amazement. "But it's daytime."

"I am a little faded," he said, looking at his hand, and looked up again. "How are you, Bettine?"

"It's ridiculous, isn't it?" She gestured toward the courtyard and the guns."They think I'm dangerous."

"But you are."

She thought about it, how frightened they were and what was going on in London. "They keep asking me for names. Today they threatened me. I'm not sure I'm thatbrave, Marc, I'm really not."

"But you don't know any."

"No," she said. "Of course I don't. So I'll be counted as brave, won't I?"

"The other side needs a martyr, and you're it, you know that."

"How does it go out there? Do the Queen's spies tell her?"

"Oh, it's violent, quite. If I were alive I'd be out there; it's a business for soldiers. The starships are hanging off just waiting. The old Mayor was dealing under the table in favoring a particular company, and the company that supported him had its offices wrecked. . . . others just standing by waiting to move in and give support to the rebels, to out-maneuver their own rivals. The ripple goes on to stars you've never seen."

"That's amazing."

"You're not frightened."

"Of course I'm frightened."

"There was a time a day ago when you might have ended up in power; a mob headed this way to get you out, but the troops got them turned."

"We'll it's probably good they didn't get to me. I'm afraid I wouldn't know what to do with London if they gave it to me. Elizabeth was right."

"But the real leaders of the revolution have come into the light now; they use your name as a cause. It's the spark they needed so long. Your name is their weapon." She shrugged.

"They've a man inside the walls, Bettine. . . do you understand me?"

"No. I don't."

"I couldn't come before; it was still your moment. . . these last few days. None of us could interfere. It wouldn't be right. But I'm edging the mark. . . just a little. I always do. Do you understand me now, Bettine?"

"I'm going to die?"

"He's on his way. It's one of the revolutionaries. . . not the loyalists. The revolution needs a martyr; and they're afraid you couldget out. They can't have their own movement taken away from their control by some mob. You'll die, yes. And they'll claim the soldiers killed you to stop a rescue. Either way, they win."

She looked toward the door, bit her lip. She heard a door open, heard steps ascending; a moment's scuffle.

"I'm here," Marc said.

"Don't you have to go away again? Isn't this. . . something I have to do?"

"Only if you wish."

The inner door opened. A wild-eyed man stood there, with a gun, which fired, right for her face. It hurt. It seemed too quick, too ill-timed; she was not ready, had not said all she wanted to say.

"There are things I wanted to do," she protested.

"There always are."

She had not known Marc was still there; the place was undefined and strange.

"Is it over? Marc, I wasn't through. I'd just figured things out." He laughed and held out his hand. "Then you're ahead of most." He was clear and solid to her eyes; it was the world which had hazed. She looked about her. There were voices, a busy hum of accumulated ages, time so heavy the world could scarcely bear it.

"I could have done better."

The hand stayed extended, as if it were important. She reached out hers, and his was warm. "Till the sun dies," he said. "Then what?" It was the first question. He told her. 1981

ICE

( Moscow )

Beauty was all about ancient Moskva, in the vast whiteness at world's end. Moskva lived through the final ages wrapped in snows, while forests advanced and retreated, and the ships from the stars stopped coming. The City lost contact with other cities, caring little, for its struggle was its own, and peculiar to itself, a struggle of the soul, an inward and endless war which each citizen fought in his or her own way. In that struggle Moskva became as it was, a city no longer stone, not in its greater part, but wood, which it had been at its beginning. Ah, ancient, ancient monuments lay beneath, frozen, warped and changed, serving as mere foundations. Here and there throughout the city vast heads of statues and the tops of ancient buildings still thrust up at strange angles, but the features and the corners were blurred, scoured white and round and clean by the winds, stones become one with the snows, as the snows had lapped all the past in purest white and blurred all past and all to come.

But the present buildings, gaily colored, carved, embellished, the warmhearted buildings in which the people lived, were made of wood from the last and retreating forest, wood on which the people had shown their last and highest artistry. On every inch of the surfaces and columns, flowers twined, human faces stared out, vines and designs of bright colors entangled the gaze. Skins of animals adorned the floors, and bunches of dried flowers, memories of brief summer, sat on tables which were likewise carved and painted red and green and gold and blue. Hearths in every home burned bright, sending up cheery dark smoke which the winds carried away as soon as it touched the sky.

The people walked the snowy streets done up in furs edged with bright felt embroideries, reds and blues and greens, with border patterns in the most intricate stitchery, lilies and flowers and golden ears of grain; with scarves hand-stitched in convolute vine patterns, all jewel-bright, each garment a glory, a memory of color, a delight to the eye. All the soul of the people who lived in Moskva was poured into the making of this polychrome beauty, all the rich heritage of the lands and the fields and the passion of their hearts, both into the wooden buildings within Moskva's wooden walls, and into the gay colors they wore. There were dances, celebrations of life. . . dancing and singing, from which the participants fell down exhausted and full of warmth and joy, celebrations in which they danced life itself, to the bright whirling of cloth and tassels and scarves and the stamp of broidered boots, all picked out with flowers and reindeer and horses. Music of strings and music of voices rose from Moskva into the winds.

But above the city the songs changed, and the voice of the winds overpowered them, changing the brave words into wailing, and the wailing at last into a whisper of snow powdering along the rough ice of Moskva's Interior skein of rivers, which were thawed only for a few weeks a year, and most times were frozen deep and solid. . . grains hissed along icy ridges outside the walls, and whispered of the north, of ground endlessly covered with snow, pure of any foot's imprint, forever.

White. . . but seldom truly white. . . was the world outside the wooden walls. Above it, the sun died its slow eons-long death, in glorious flarings of radiations which brought nightly curtains of moving light across the skies; it brought days of strange color, apricot and lavenders and oranges and eerie minglings of subtler shades, which touched the snows and the ice and streamed across them with glories and flares that made a thousand delicate shades of light and shadowings. The snows knew many subtleties—nights when the opal moon hung frighteningly low, in a sky sometimes violet and sometimes approaching blue, and very rarely black and dusted with ancient stars. At such times the snows went bright and pale and so, so still, with the black bristling shades of pines southward and the endless stillness of snow northward. Or starker pallor, storm. . . when the clouds went gray and strange and the wind took on an eerie voice, and the snow began to fly, for days and days of white as if the world had stopped being, and there was only white and wind.

This was the struggle, the reason of the bright fires, the bright colors, the noisy celebrations, the images of flowers and vines. Other cities round about might already have perished. No travelers came. But the soul of Moskva held firm, and their busyness about their own affairs saved them, because they refused to look up, or out, and their bright colors held against the snows, and their rough, man-made beauty prevailed against the terrible shifting beauty of the ice. Bravest of all in Moskva were those who couldventure outside the walls, who wrapped themselves in their bright furs and their courage and ventured out into the frozen wastes– the hunters, the loggers, the farers-forth, who could look out into the cold whiteness and keep the colors in their hearts.

But even to them sometimes the sickness came, which began to fade them, and which set their eyes to staring out into the horizons; for once that coldness did come on them, their lives were not long. There were wolves outside the walls, there were dire dangers, and deaths waiting always, but the white death was inward and quiet and direst of all.

Andrei Gorodin had no fear in him. Winter did not daunt him, and when the snows came and the foxes and ermines turned their coats to snowiest white, he was one of the rare ones who continued to go out, he and his piebald pony, a shaggy beast as gay in its coat as the city with its painting, looking out on the icy world through a shag of yellow mane and forelock that let all the world wonder whether there was a horse within it. Like Andrei, the pony had no fear, immune to the terrors which seized on other beasts allied to man, terrors which turned their ribs gaunt and their eyes stark, so that eventually they fell to pining and died. Not Umnik, who jogged along the snows surefooted and regarding the world with a seldom-seen and mistrustful eye. His master, Andrei Vasilyevitch Gorodin, returning home after a day's good hunt, rode wrapped in lynx fur, with belts and boots of bright embroidered leather; and about his face a flowered leather scarf, which Anna Ivanovna had made for him (who made him other fine, bright gifts, storing them up in a carven chest beneath her bed. . . she was his bride-to-be this spring, when spring should come, when weddings were lucky). A brace of fat hares hung frozen from his saddle. His bow, from which gay tassels fluttered, hung at his back; and from his traps he had a snow fox which he planned to give Anna to make her an edging for a cape. He whistled as he rode, with Umnik's breath puffing merrily on the still air, with the crunch of hooves on crusted snow and the creak of the harness to keep the time. He had a flask with him, and from time to time he drank lightly from it, warming his belly. About him the snow gleamed pure white, for clouds veiled the sun, and he had no present need of the carved eyeshields which hung about his neck, and which, worn with the flower-broidered scarf, made him look like some strange bright-patterned beast atop a piebald shaggy one. It was one of the rare calm days, so quiet that he and Umnik seemed alone in the world; and when he stopped the pony to rest, savoring the quiet air, he could hear the crack of ice in the cold, and the fall of a branchload of snow in the lightest breath of air. He listened to such sounds, and just a slight touch of the silence came into his heart, which was dangerous. He gathered his courage and whistled to the pony, urged him on. He began to sing, louder and louder in the vast silence of the white world, and Umnik moved along right merrily, flicking his ears to the song.

But the song did not last, and the silence returned, seeming to muffle even the crunch of ice under Umnik's hooves. And all at once Umnik stopped, and his head turned to the north: his ears pricked up and his nostrils strained to drink the air. The pony began to tremble then, and Andrei quickly slid his bow from off his shoulder and strung it, and took a red-fletched arrow from his broidered quiver, then looked about, north, at the white vastness and its gentle rolls, south at the edge of pine forest beside which they rode. The pony looked fixedly toward a narrow view of the open land beyond two hills. He stood rigid, his mane lifting in a little cold wind, gathering crystals of blowing snow in its coarse yellow hairs.

There was nothing. Andrei tapped Umnik with his heels. Sometimes horses saw ghosts, so the old hunters said, and then the wasting began, and they would die, but this was not like Umnik, a plain-minded beast, not given to fancies. Umnik moved forward feather-footed and skittish. Andrei believed the horse, which had never yet played him false, and he kept his bow in hand and an arrow on the string, his eyes toward the north, as the horse gazed while it moved, though its course was westerly and homeward.

For a moment the gray clouds parted and the sun shone through, gilding the drifts with flaring colors. Umnik sidestepped and shied, throwing his head. A white shape was in the glare, slow and slinking. . . a wolf, white as a winter wind. Andrei's heart clenched; and he raised and bent his bow, between fear of it and desire for its beauty, for he had never seen such a beast The arrow sped as horse and wolf moved, and the wolf was gone, over the rim of a drift. He clapped heels to Umnik's sides, once and again, and the brave pony went through the drift and off the way, reluctantly and warily. The clouds had closed again, the sun was gone, and a sudden gust of wind whipped off the snows of the right-hand hill, carrying stinging particles into his eyes. Umnik shied, and Andrei reined him around, patted the pony's shaggy neck and rode him back again. There was nothing, not wolf or so much as a footprint or the tiny wound of an arrow's feathers in the snowbanks. He cast about for the arrow, trampling the whole area with Umnik's hooves, for it was a well-made shaft and he was not pleased to lose it, or to be so puzzled. He thought perhaps it had gone into a deep drift, and surely it had, for try as he would he could not turn it up. He gave up finally, turned the pony about and set him on his way, trying to pretend that nothing had happened—the sun was always deceptive, and he had looked with eyes unshielded, never wise; he might have dreamed the wolf. But the arrow itself was gone. As he rode, the world seemed colder, the snow starker white, and now, like the piebald pony, he longed for the city and the bright and busy streets of human measure. He rode along with the frozen carcasses of his hunt dangling at his knee, now and again looking over his shoulder to mark how the east was darkening. He wished he had not delayed so long for the arrow, nor trifled with wolves, because it was a long ride yet.

He tried again to whistle, but his lips were dry, and the noise Umnik made in moving seemed muffled and not asloud as it ought. The wind gusted violently at his back. Snow began to fall, when never in the morning had it looked as if it could, so white the clouds had been; but the day had gotten fouler and fouler since he had delayed, and now he began to be much concerned. The wind blew, sighing, whistling, picking up the snow it had just laid down as well, to drive it in fine streams along the crusted surface and off the crests of frozen drifts. Umnik knew the hazard; the little horse kept moving steadily, but he threw his head as the wind seemed to acquire voices, and those voices seemed to howl on this side and on that of them.

"Go," Andrei asked of the pony, "go, my clever one, haste, haste," for the wind came now harder at their backs, a wind with many voices, like the voices of wolves. But the pony kept his head, saving his strength. Umnik passed the last hill, then, halfway down the downward slope, began to run with all his might, the homeward stretch which should, round the hill and beyond, bring them to the city wall. Howls behind them now were unmistakable, coming off the hillside on the left. Umnik cleared the hillside at an all-out pace, with Moskva now in sight, and Andrei lifted up the horn which hung at his belt and blew it now with all that was in him, a sound all but lost in the wind; again and again he blew. . . and to his joy the great wooden gates of Moskva began to open for him in the white veil of snow.

Umnik's flying hooves thundered over the icy bridge, up to the gates and through, over new snow at the gateway and onto the trampled streets of the city; the doors swung shut. Andrei reined in, circled Umnik as he put on a brave face, waved a jaunty salute at old Pyotr and son Fedor who kept the gates. Then he trotted Umnik on into the narrow streets, past citizens bundled against the falling snow, folk who knew him, bright-cheeked children who looked up in delight and waved at a hunter's passing.

He turned in toward the cozy house of Ivan Nikolaev, two houses, in truth, which, neighbors, had leaned together for warmth and companionship years ago and finally grown together the year his own parents died, leaving him to the Nikolaevs and their kin. The carven-fenced yards had become one, the houses joined, and so did the painted stables where the Nikolaevs' bay pony and the Orlovs' three goats waited, Umnik's stay-at-home stablemates.

The household had been waiting for him; the side door opened, and Katya his foster mother came out bundled against the cold, to take Umnik's reins. He dropped to the snowy yard and tugged down the scarf to kiss her brow and hug her a welcome, cheerfully then slung the frozen game over his shoulder while he stripped off the pony's harness to carry it indoors. Umnik shook himself thoroughly and trotted away on his own to the grain and the warm stall waiting, and Andrei, slinging the saddle to his shoulder with one hand and hugging mother Katya with the other arm, headed for the porch. She would have worried for him, with the hour late and the snow beginning; she was all smiles now. And with a second slam of the door Anna was coming out too, her cheeks burned red by the wind, her eyes bright. She came running to him, her fair braids flying bare, her embroidered coat and skirts turned pale in the blowing snow; he dropped the gear and clapped her in his arms and swung her about as he had done when they were children of the same year; he kissed her (lightly, for her mother stood by laughing) then dragged the harness up again and walked with his arm about her and Katya along beside, lifted his hand from Anna's shoulder to wave at her brother Ilya, who had come outside still bundling up. The oldest Nikolaev was a woodcutter, and his son Ivan a woodcutter; but young Ilya, Anna's twin, of no stout frame, was an artist, a carver, whose work was all about them, the bright posts of the porch, the flowered shutters. . . "Ah," Ilya said to him cheerfully, "back safe—what else could he be? I told her so." He hugged Hya a snowy welcome too, stamped his boots clean and hung the game on the porch, then whisked inside with all the rest, into warmth like a wall. He hung the bow and harness in the inner porch, stripped off snowy furs and changed to his indoor boots. Katya bustled off and brought him back tepid water to drink, and mistress Orlov met them all at the inside door with hot tea. There was the smell of the women's delightsome cooking, and the cheer of the mingled families who beamed and gave him welcome as he came into the common room, a babble of children inevitable and inescapable in the house. Young Ivan came running to be picked up and flung about, and Andrei lifted him gladly, tired as he was. Fire crackled in the hearth and they all were gathered, settled finally for a meal, himself. . . a Gorodin; and Nikolaevs and Orlovs young and old, with the warm air smelling as the house always smelled, of wood chips and resins and leathers and furs and good cooking. Then the fear seemed very far away.

He rested, with a full belly, and they drank steaming tea and a little vodka. Old Nikolaev and son Ivan talked their craft, where they should cut in the spring to come; and grandfather Orlov and his son, carpenters, talked of the porch they were going to repair down the street on the city hall. Grandmother Orlov sat in her chair which was always near the fire, tucked up with flowered pillows and quilts; the children—there were seven, among the prolific Orlovs– played by the warm hearth; and the women talked and stitched and invented patterns. "Tell stories," the children begged of any who would; drink passed about again, and it was that pleasant hour. The young would begin the tale-telling, and the elders would finish, for they had always seen deeper snows and stranger sights and colder winters.

"Tell us," little Ivan asked, bouncing against Andrei's knee, "ah, tell us about the hunt today." Andrei sighed, taking his arm from about Anna's waist, and smiled at the round little face and bounced Ivan on his foot, holding two small hands, joked with him, and drew squeals. He told the tale with flair and flourish, warmed to the telling while the children settled in a half-ring about his feet; his friend Ilya picked up a fresh block of pine and his favorite knife, a blade very fine and keen. . . . Most of all Anna listened, looked up at him when he looked down, her eyes very bright and soft. The wind still howled outside, but they were all warmed by each other, while the timbers cracked and boomed now and again with the cold. He told of the wild ride home, of the wolves. . . wolves, for something in him flinched at telling of the Wolf, and of the lost arrow. Little Ivan's eyes grew round as buttons, and when he came to the part about the closed gate, and how it had opened, the children all clapped their hands but Ivan, who sat with his eyes still round and his mouth wide agape.

"For shame," said his grandmother, sweeping the child against her quilt-wrapped knees. "You've frightened him, Andrei."

"I'm not afraid," the child exclaimed, and shrugged free to mime a bowshot. "I shall grow up and be a hunter outside the walls, like Andrei."

"What, not a carpenter?" his grandfather asked.

"No, I shall be brave," the little boy said, and there was a sudden silence in the room, a hurt, a loneliness that Andrei felt to the heart—alone of Gorodins, of hunters in this house, and a guest, living on parents' ancient friendship. He had never meant to steal a son's heart away. Then a timber cracked quite loudly, and the roof shed a few icicles and everyone laughed at the silence, to drive it away.

"That you shall be," said Ilya, and reached to ruffle the little boy's hair. "Braver than I. I shall make you a wolf, how will you like that?"

The child's eyes danced, and quickly he deserted to Ilya's knee, and hung there watching Ilya's deft blade peel fragrant curls from the pine—Hya, who was Anna's very likeness, woman-beautiful, whose delicate hands likewise had no aptitude for his father's work, but who made beauty in wood, most skilled in all Moskva. Andrei watched as the child did, and with amazing swiftness the wood took on a wolfs dire shape. "I remember wolves," grandfather Orlov began, and childish eyes diverted again, traveled back and forth from Ilya's fingers to the old man's face, delightfully frightened.

Andrei held Anna's hand, and drew her against him, a bundle of furs and skirts beside the crackling fire. He listened to this tale he had heard before, and grandfather Orlov's voice seemed far from him; even Anna, against his side, seemed distant from him. He watched Ilya's razor-edged blade winking in the firelight and more and more surely saw the wolf emerge from the wood. He heard the snow fall; he had never truly heardit before: it needed silence, and the sense of the night outside, as the flakes settled thicker and thicker like goose down upon the roof, and their voices went up against the wind and fled away into the cold.

They spoke each of wolves that evening, and he did not hear with all his heart, nor even shiver now. He watched at last as the stories ended, and Hya handed the wolf to the boy Ivan, with all the children crowded jealously about, a clamor swiftly dismissed for bed, blanket-heaped cots in the farthest room of the loft, and deep down mattresses and coziness and the rush of the wind at the shutters.

"Good night," he bade mother Katya and father Ivan, and "Good night," he kissed Anna. Then he and Ilya sought their room in the loft as well, bedded down together as they had slept since they were boys like Ivan, snugged down in piles of quilts and a deep down mattress.

"I was afraid," he confessed to Hya when they had been some time settled, side by side in the dark. "I should have told the boy."

"Boys grow up," Ilya said. "And boys grow wiser. Do not we all?" He thought of that, and lay there awake, staring at the beams and listening, hearing the wind above them, very close. It seemed to him that the down beneath him was like the snowdrifts, endlessly deep and soft; and if he shut his eyes he could see the blue darkness of the night and a ghost-white form which loped over the snows, with beauty in its running. Deep soft drifts, and lupine eyes full of night. . . a triangular face and blowing snow, and wolf-eyes holding secrets—a shape which coursed the winds, drifts which became other wolves, snow-cold and coursing down upon his hapless dreams like hunters upon prey.

Then he was afraid with a deep fear, remembering the arrow, for the foremost wolf bore a wound which dropped blood from its heart, and the droplets became ruby ice, which fell without a sound.

He woke the next morning in an inner silence deeper than the day before, though the timbers groaned, and snow had slid upon the roof, tumbling down the eaves, and this had wakened him and Ilya. "No hunting this day," said Ilya, hearing the wind. He said nothing, but listened to the storm.

And as the children wakened and shivered downstairs, and the women stirred about, and there was no more lying abed, Ilya stirred out, quickly pulling his boots on, and so did Andrei, hearing the great town bell ringing, muted and soft in the storm which lapped the morning. He and Ilya and Anna and the other Nikolaevs and Orlovs with strength to help dressed in their warmest clothing and ventured out into a town gone white. Drifts lay man-high in the streets; they hitched up the ponies, and worked. . . like ghosts, moving through the pale driving snow; worked until backs ached, cleared paths, braced roofs, braced the wall itself. The market opened, very quickly empty, and the winds kept a fury which sang through the air, and carried the snow back as swiftly as they could move it. They surrendered at last and returned to their homes, to warm meals and warm fires and patient cheer.

But within the house the silence gained yet a deeper hold, as snow piled about the walls and the windsong grew more distant. It was that manner of storm which could set in and last for days; in which the white loneliness settled close about the town. Andrei tied a rope about himself and went out in the last of day, fearing for Umnik's safety and that of the other beasts; but he found them well, snug in their stable and warm with the snow about. He started back again, into the white drifts, following the rope which he had tied about him, which vanished into white. Not even the shadow of the house was visible in the storm; and when he looked back, he could not see the stable.

White. All was white. He looked all about, suddenly dreading the slinking form that might be within that whiteness, itself immaculate and swift as the northwind. He imagined that he might see suddenly two strange darknesses staring at him, wolfish slanted; pink lolling tongue, and white, white teeth.

He looked behind him, turning with a start. With haste he seized hard upon the rope and followed it, pushed through a wall of blowing snow, stumbled against the buried porch and climbed to the door, found it frozen shut. His nape prickled, and he would not look back. Something breathed there, in the silence of the howling wind, and he would not turn to see. He rapped at the door, called those inside, refusing panic. But the silence grew, and he could hardly move from the chill in his bones when the door opened and Anna and Ilya snatched him inside.

"Oh, he is cold," Anna said, and they hastened him to the fire in the inmost hall, sitting him there to strip off his furs; they heated blankets before the fire and wrapped him in them, then brought him tea. All the house gathered, murmuring at some vast distance, and the children came and touched his cold hands, as did Anna and Dya's mother, who hugged him and chafed his fingers and kissed his brow, greatly concerned. But from the mantle above the fire Itya's wolf stared back at him.

They danced that night, and drank and sang; he drank much and laughed and yet—the silence was there.

He lay in bed that night and dreamed of blue nights and still snows, and that white shape which ran with the wind, amid moon-twinkling snowflakes and over drifts, never leaving a mark upon them.

The next day dawned clear and bright.

The whole of Moskva seemed to smile in the day, colored eaves peeking out from the deep drifts which lay between the houses, children and elders bundled like thick-limbed and thickly mittened dolls out breaking through the drifts to walk the streets and visit kin and friends. The Orlov children squealed with delight, breaking up the drifts to the stables, and breaking icicles off the eaves of the porch. Some children had sleds out on the streets, and the children clamored for their own.

But Andrei met the morning with less cheer, quietly put on his outdoor boots – and his warm furs, took his gear out and saddled Umnik, who was restive and full of argument. He said no word to Anna or her parents, none to Ilya, only smiled bleakly at the children who grew quieter looking at him, and, stopping their sledding, stood like a row of huddled birds by the fence as he rode through the gate and passed down the street.

"Good morning," the neighbors said cheerfully, pausing in their snow-shoveling. "A good morning to you, Andrei Vasilyevitch." He nodded absently and kept going. "Good morning," said white-bearded Pyotr by the gatehouse, and he forgot to return the greeting, but got down off Umnik and helped the gate wardens heave the gates inward, got up again on Umnik's back. The pony tossed his shaggy head and advanced on the drift which barred their way, lurched through it and onto smoother going, toward the bridge and the open land, snuffing the cold crisp air with red-veined nostils and pricking up his ears as he thumped across the bridge and jogged toward the hills.