Текст книги "The Mist"

Автор книги: Stephen Edwin King

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I glanced back down at Steff's list and saw that we had everything... no, almost but not quite. At the bottom, as an afterthought, she had scribbled: Bottle of Lancers? That sounded good to me. A couple of glasses of wine tonight after Billy had sacked out, then maybe a long slow bout of lovemaking before sleep.

I left the cart and worked my way down to the wine and got a bottle. As I walked back I passed the big double doors leading to the storage area and heard the steady roar of a good-sized generator.

I decided it was probably just big enough to keep the cold cases cold, but not large enough to power the doors and cash registers and all the other electrical equipment. It sounded like a motorcycle back there the weather. At last we exhausted our little store of small talk and fell silent. Billy fidgeted beside me. The line crawled along. Now we had frozen dinners on our right and the more expensive wines and champagnes on our left. As the line progressed down to the cheaper wines, I toyed briefly with the idea of picking up 'a bottle of Ripple, the wine of my flaming youth. I didn't do it. My youth never flamed that much anyway.

“Jeez, why can't they hurry up, Dad?” Billy asked. That pinched look was still on his face, and suddenly, briefly, the mist of disquiet that had settled over me rifted, and something terrible peered through from the other side-the bright and metallic face of terror. Then it passed.

“Keep cool, champ,” I said.

We had made it up to the bread racks-to the point where the double line bent to the left. We could see the checkout lanes now, the two than were open and the other four, deserted, each with a little sign on the stationary conveyor belt, signs that read PLEASE CHOOSE ANOTHER LANE and WINSTON. Beyond the lanes was the big-sectioned plate-glass window, which gave a view of the parking lot and the intersection of Routes 117 and 302 beyond. The view was partially obscured by the white-paper backs of signs advertising current specials and the latest giveaway, which happened to be a set of books, called The Mother Nature Encyclopedia. We were in the line that would eventually lead us to the checkout where Bud Brown was standing. There were still maybe thirty people in front of us. The easiest one t0 pick out was Mrs. Carmody in her blazing-yellow pantsuit. She looked like an advertisement for yellow fever.

Suddenly a shrieking noise began in the distance. It quickly built up in volume and resolved itself into the crazy warble of a police siren. A horn blared at the intersection and there was a shriek of brakes and burning rubber. I couldn't see-the angle was all wrong-but the siren reached its loudest as it approached the market and then began to fade as the police car went past. A few people broke out of line to look, but not many. They had waited too long to chance losing their places.

Norton went; his stuff was tucked into my cart. After a few moments he came back and got into line again. “Local fuzz,” he said.

Then the town fire whistle began to wail, slowly cranking up to a shriek of its own, falling off, then rising again. Billy grabbed my hand-clutched it. “What is it, Daddy?” he asked, and then, immediately: “Is Mommy all right?”

“Must be a fire on the Kansas Road,” Norton said. “Those damned live lines from the storm. The fire trucks will go through in a minute.”

That gave my disquiet something to crystallize on. There were live lines down in our yard.

Bud Brown said something to the checker he was supervising; she had been craning around to see what was happening. She flushed and began to run her calculator again.

I didn't want to be in this line. All of a sudden I very badly didn't want to be in it. But it was moving again, and it

seemed foolish to leave now. We had gotten down by the cartons of cigarettes. Someone pushed through the 114” door, some teenager. I think it was the kid we almost hit coming in, the one on the Yamaha with no helmet. “The fog!” he yelled. “Y'oughta see the fog! It's rolling right up Kansas Road!” People looked around at him. He was panting, as if he had run a long distance. Nobody said anything. “Well, y'oughta see it,” he repeated, sounding defensive this time. People eyed him and some of them shuffled, but no one wanted to lose his or her place in line. A few people who hadn't reached the lines yet left their carts and strolled through the empty checkout lanes to see if they could see what he was talking about. A big guy in a summer hat with a paisley band (the kind of hat you almost never see except in beer commercials with backyard barbecues as their settings) yanked open the OUT door and several people-ten, maybe a dozen-went out with him. The kid went along.

“Don't let out all the air conditioning,” one of the army kids cracked, and there were a few chuckles. I wasn't chuckling. I had seen the mist coming across the lake.

“Billy, why don't you go have a look?” Norton said.

“No,” I said at once, for no concrete reason.

The line moved forward again. People craned their necks, looking for the fog the kid had mentioned, but there was nothing on view except bright-blue sky. I heard someone say that the kid must have been joking. Someone else responded that he had seen a funny line of mist on Long Lake not an hour ago. The first whistle whooped and screamed. I didn't like it. It sounded like big-league dim blowing that way.

More people went out. A few even left their places in line, which speeded up the proceedings a bit. Then grizzled old John Lee Frovin, who works as a mechanic at the Texaco station, came ducking in and yelled: “Hey! Anybody got a camera?” He looked around, then ducked back out again.

That caused something of a rush. If it was worth taking a picture of, it was worth seeing.

Suddenly Mrs. Carmody cried in her rusty but powerful old voice, “Don't go out there!”

People turned around to look at her. The orderly shape of the lines had grown fuzzy as people left to get a look at the mist, or as they drew away from Mrs. Carmody, or as they milled around, seeking out their friends. A pretty young woman in a cranberry-colored sweatshirt and dark-green slacks was looking at Mrs. Carmody in a thoughtful, evaluating way. A few opportunists were taking advantage of whatever the situation was to move up a couple of places. The checker beside Bud Brown looked over her shoulder again, and Brown tapped her shoulder with a long finger. “Keep your mind on what you're doing, Sally.”

“Don't go out there!” Mrs. Carmody yelled. “It's death! I feel that it's death out there!”

Bud and Ollie Weeks, who both knew her, just looked impatient and irritated, but any summer people around her stepped smartly away, never minding their places in line. The bag ladies in big cities seem to have the same effect on people, as if they were carriers of some contagious disease. Who knows? Maybe they are.

Things began to happen at an accelerating, confusing pace then. A man staggered into the market, shoving the IN door open. His nose was bleeding. “Something in the fog!” he screamed, and Billy shrank against ma-whether because of the man's bloody nose or what he was saying, I don't know. “Something in the fog! Something in the fog took John Lee! Something—” He staggered back against a display of lawn food stacked by the window and sat down there. “Something in the fog took John Lee and I heard him screaming!”

The situation changed. Made nervous by the storm, by the police siren and the fire whistle, by the subtle dislocation any power outage causes in the American psyche, and by steadily mounting atmosphere of unease as things somehow... somehow changed (I don't know how to put it any better an that), people began to move in a body.

They didn't bolt. If I told you that, I would be giving you entirely the wrong impression. It wasn't exactly a panic. They didn't run, at least, most of them didn't. But they went. Some of them just went to the big show window on the far end of the checkout lanes to look out. Others went out the IN or, some still carrying their intended purchases. Bud Brown, harried and officious, began yelling: “Hey! You haven't paid or that! Hey, you! Come back here with those hot-dogs!”

Someone laughed at him, a crazy, yodeling sound that made other people smile. Even as they smiled they looked bewildered, confused, and nervous. Then someone else laughed d Brown flushed. He grabbed a box of mushrooms away from a lady who was crowding past him to look out the indoor-the segments of glass were lined with people now, they were like the folks you see looking through loopholes to a building site-and the lady screamed, “Give me back my mushies!” This bizarre term of affection caused two men landing nearby to break into crazy laughter-and there was something of the old English Bedlam about all of it, now. s. Carmody trumpeted again not to go out there. The fire whistle whooped breathlessly, a strong old woman who had scared up a prowler in the house. And Billy burst into tears. “Daddy, what's that bloody man? Why is that bloody man?” It's okay, Big Bill, it's his nose, he's okay.”

“What did he mean, something in the fog?” Norton asked. He was frowning ponderously, which was probably Norton's way of looking confused. “Daddy, I'm scared,” Billy said through his tears. “Can we please go home?”

Someone bumped past me roughly, jolting me off my feet, and I picked Billy up. I was getting scared, too. The confusion was mounting. Sally, the checker by Bud Brown, started way and he grabbed her back by the collar of her red smock. It ripped. She slap-clawed out at him, her face twisting. “Get your fucking hands off me!” she screamed. “Oh, shut up, you little bitch,” Brown said, but he sounded totally astounded. He reached for her again and Ollie Weeks said sharply; “Bud! Cool it!” Someone else screamed. It hadn't been a panic before-nn quite-but it was getting to be one. People streamed out of both doors. There was a crash of breaking glass and Coke fizzed suddenly across the floor. “What the Christ is this?” Norton exclaimed.

That was when it started getting dark... but no, that's not exactly right. My thought at the time was not that it was getting dark but that the lights in the market had gone out. 1 looked up at the fluorescents in a quick reflex action, and 1 wasn't alone. And at first, until I remembered the power failure, it seemed that was it, that was what had changed the quality of the light. Then I remembered they had been out all the time we had been in the market and things hadn't seemed dark before. Then 'I knew, even before the people at the window started to yell and point.

The mist was coming.

It came from the Kansas Road entrance to the parking lot, and even this close it looked no different than it had when we first noticed it on the far side of the lake. It was white and bright but nonreflecting. It was moving fast, and it had blotted out most of the sun. Where the sun had been there was now a silver coin in the sky, like a full moon in winter seen through a thin scud of cloud. It came with lazy speed. Watching it reminded me somehow of last evening's waterspout. There are big forces in nature that you hardly ever see-earthquakes, hurricanes, tornadoes-I haven't seen them all but I've seen enough to guess that they all move with that lazy, hypnotizing speed. They hold you spellbound, the way Billy and Steffy had been in front of the picture window last night.

It rolled impartially across the two-lane blacktop and erased it from view. The McKeons' nice restored Dutch Colonial was swallowed whole. For a moment the second floor of the ramshackle apartment building next door jutted out of the whiteness, and then it went too. The KEEP RIGHT sign at the entrance and exit points to the Federal's parking lot disappeared, the black letters on the sign seeming to float for e moment in limbo after the sign's dirty-white background was gone. The cars in the parking lot began to disappear next.

“What the Christ is this?” Norton asked again, and there was a catch in his voice.

It came on, eating up the blue sky and the fresh black hottop with equal ease. Even twenty feet away the line of demarcation was perfectly clear. I had the nutty feeling that I was watching some extra-good piece of visual effects, something dreamed up by Willys O'Brian or Douglas Trumbull. It 'happened so quickly. The blue sky disappeared to a wide swipe, then to a stripe, then to a pencil line. Then it was gone. Blank white pressed against the glass of the wide show window. I could see as far as the litter barrel that stood; maybe four feet away, but not much farther. I could see the front bumper of my Scout, but that was all.

A woman screamed, very loud and long. Billy pressed himself more tightly against me. His body was trembling like a loose bundle of wires with high voltage running through them.

A man yelled and bolted through one of the deserted lanes toward the door. I think that was what finally started the stampede. People rushed pell-mell into the fog.

“Hey!” Brown roared. I don't know if he was angry, scared, or both. His face was nearly purple. Veins stood out on his neck, looking almost as thick as battery cables. “Hey you people, you can't take that stuff. Get back here with that stuff, you're shoplifting!”

They kept going, but some of them tossed their stuff aside. Some were laughing and excited, but they were a minority. They poured out into the fog, and none of us who stayed ever saw them again. There was a faint, acrid smell drifting in through the open door. People began to jam up there. Some pushing and shoving started. I was getting an ache in my shoulders from holding Billy. He was good-sized; Steff sometimes called him her young heifer.

Norton started to wander off, his face preoccupied and rather bemused. He was heading for the door.

I switched Billy to the other arm so I could grab Norton's arm before he drifted out of reach. “No, man, I wouldn't,” I said.

He turned back. “What?”

“Better wait and see.”

“See what?”

“I don't know,” I said.

“You don't think—” he began, and a shriek came out of the fog. Norton shut up. The tight jam at the OUT door loosened and then reversed itself. The babble of excited conversation, shouts and calls, subsided. The faces of the people by the door suddenly looked flat and pale and two-dimensional.

The shriek wanton and on, competing with the fire whistle. It seemed impossible that any human pair of lungs could have enough air in them to sustain such a shriek. Norton muttered, “Oh my God,” and ran his hands through his hair.

The shriek ended abruptly. It did not dwindle; it was cut off. One more man went outside, a beefy guy in chino workpants. I think he was set on rescuing the shrieker. For a moment he was out there, visible through the glass and the mist, like a figure seen through a milkscum on a tumbler. Then (and as far as know, I was the only one to see this) something beyond him appeared to move, a gray shadow in all that white. And it seemed to me that instead of running into the fog, the man in the chino pants was jerked into it, his hands flailing upward as if in surprise.

For a moment there was total silence in the market.

A constellation of moons suddenly glowed into being outside. The parking-lot sodium lights, undoubtedly supplied by underground electrical cables, had just gone on.

“Don't go out there,” Mrs. Carmody said in her best gore-crow voice. “It's death to go out there.”

All at once, no one seemed disposed to argue or laugh.

Another scream came from outside, this one muffled and rather distant-sounding. Billy tensed against me again.

“David, what's going on?” Ollie Weeks asked. He had left his position. There were big beads of sweat on his round, smooth face. “What is this?”

“I'll be goddamned if I have any idea,” I said. Ollie looked badly scared. He was a bachelor who lived in a nice little house up by Highland Lake and who liked to drink in the bar at Pleasant Mountain. On the pudgy little finger of his left hand was a star-sapphire ring. The February before, he won some money in the state lottery. He bought the ring out of his winnings. I always had the idea that Ollie was a little afraid of girls.

“I don't dig this,” he said.

“No. Billy, I have to put you down. I'll hold your hand, but you're breaking my arms, okay?”

“Mommy,” he whispered.

“She's okay, I told him. It was something to say.

The old geezer who runs the secondhand shop near Jon's Restaurant walked past us, bundled into the old collegiate ~ letter-sweater he wears year-round. He said loudly: “It's one of those pollution clouds. The mills at Rumford and South Paris. Chemicals.” With that, he made off up the Aisle 4, past the patent medicines and toilet paper.

“Let's get out of here, David,” Norton said with no conviction at all. “What do you say we—”

There was a thud. An odd, twisting thud that I felt mostly in my feet, as if the entire building had suddenly dropped =three feet. Several people cried out in fear and surprise. There was a musical jingle of bottles leaning off their shelves and destroying themselves upon the tile floor. A chunk of glass shaped like a pie wedge fell out of one of the segments of the wide front window, and -I saw that the wooden frames banding the heavy sections of glass had buckled and splintered in some places.

The fire whistle stopped in mid-whoop.

The quiet that followed was the bated silence of people waiting for something else, something more. I was shocked and numb, and my mind made a strange crosspatch connection with the past. Back when Bridgeton was little more than a crossroads, my dad would take me in with him and stand talking at the counter while I looked through the glass at the penny candy and two-cent chews. It was January thaw. No sound but the drip of meltwater falling from the galvanized tin gutters to the rain barrels on either side of the stare. Me looking at the jawbreakers and buttons and pinwheels. The mystic yellow globes of light overhead showing up the monstrous, projected shadows of last summer's battalion of dead flies. A little boy named David Drayton with his father, the famous artist Andrew Drayton, whose painting Christine Standing Alone hung in the White House. A little boy named David Drayton looking at the candy and the Davy Crockett bubblegum cards and vaguely needing to go pee. And outside, the v pressing, billowing yellow fog of January thaw. The memory passed, but very slowly. “You people!” Norton bellowed. “All you people, listen to me!”

They looked around. Norton was holding up both hands, the fingers splayed like a political candidate accepting accolades, “It may be dangerous to go outside!” Norton yelled. “Why?” a woman screamed back. “My kids're at home! I got to get back to my kids!” “It's death to go out there!” Mrs. Carmody came back smartly. She was standing by the twenty-five-pound sacks of fertilizer stacked below the window, and her face seemed to bulge somehow, as if she were swelling. A teenager gave her a sudden hard push and she sat down an the bags with a surprised grunt. “Stop saying that, you old bag! Stop rappin' that crazy bullshit!” “Please!” Norton yelled. “If we just wait a few moments until it blows over and we can see—” A babble of conflicting shouts greeted this.

“He's right,” I said, shouting to be heard over the noise. “i. et's just try to keep cool.”

“I think that was an earthquake,” a bespectacled man said. His voice was soft. In one hand he held a package of hamburger and a bag of buns. The other hand was holding the hand of a little girl, maybe a year younger than Billy. “I really think that was an earthquake.” “They had one over in Naples four years ago,” a fat local man said.

“That was in Casco,” his wife contradicted immediately. She spoke in the unmistakable tones of a veteran contradictor.

“Naples,” the fat local man said, but with less assurance. “Casco,” his wife said firmly, and he gave up.

Somewhere a can that had been jostled to the very edge of its shelf by the thump, earthquake, whatever it had been, fell off with a delayed clatter. Billy burst into tears. “I want to go home! I want my MOTHER!”

“Can't you shut that kid up?” Bud Brown asked. His eyes were darting rapidly but aimlessly from place to place.

“Would you like a shot in the teeth, motormouth?” I asked him. “Come on, Dave, that's not helping,” Norton said distractedly. “I'm sorry,” the woman who had screamed earlier said. “I'm sorry, but I can't stay here. I've got to get home and see to my kids.” She looked around at us, a blond woman with a tired, pretty face.

“Wanda's looking after little Victor, you see. Wanda's only eight and sometimes she forgets... forgets she's supposed to be... well, watching him, you know. And little Victor... he likes to turn on the stove burners to see the little red light come on... he likes that light.., and sometimes he pulls out the plugs... little Victor does... and Wanda gets... bored watching him after a while... she's just eight...” She stopped talking and just looked at us. I imagine that we must have looked like nothing but a bank of merciless eyes to her right then, not human beings at all, just eyes. “Isn't anyone going to help me?” she screamed. Her lips began to tremble. “Won't... won't anybody here see a lady home?” '

No one replied. People shuffled their feet. She looked from face to face with her own broken face. The fat local man took a hesitant half-step forward and his wife jerked him back with one quick tug, her hand clapped over his wrist like a manacle.

“You?” the blond woman asked Ollie. He shook his head. “You?” she said to Bud. He put his hand over the Texas Instruments calculator on the counter and made no reply. “You?” she said to Norton, and Norton began to say something in his big lawyer's voice, something about how no one should go off half-cocked, and... and she dismissed him and Norton just trailed off.

“You?” she said to me, and I picked Billy up again and held him in my arms like a shield to ward off her terrible broken face.

“I hope you all rot in hell,” she said. She didn't scream it. Her voice was dead tired. She went to the OUT door and pulled it open, using both hands. I wanted to say something to her, call her back, but my mouth was too dry.

“Aw, lady, listen—” the teenage kid who had shouted at Mrs. Carmody began. He held her arm. She looked down at his hand and he let her go, shamefaced. She slipped out into the fog. We watched her go and no one said anything. We watched the fog overlay her and make her insubstantial, not a human being anymore but a pencil-ink sketch of a human being done on the world's whitest paper, and no one said anything. For a moment it was like the letters of the KEEP RIGHT sign that had seemed to float on nothingness; her arms and legs and pallid blond hair were all gone and only the nasty remnants of her red summer dress remained, seeming to dance in white limbo. Then her dress was gone, too, and no one said anything.

IV. The Storage Area. Problems with the Generators. What Happened to the Bag-Boy.

Billy began to act hysterical and tantrummy, screaming for his mother in a hoarse, demanding way through his tears, instantly regressing to the age of two. Snot was lathered on his upper lip. I led him away, walking down one of the middle aisles with my arm around his shoulders, trying to soothe him. I took him back by the long white meat cabinet that ran the length of the store at the back. Mr. McVey, the butcher, was still there. We nodded at each other, the best we could do under the circumstances. I sat down on the floor and took Billy on my lap and held his face against my chest and rocked him and talked to him. I told him all the lies parents keep in reserve for bad situations, the ones that sound so damn plausible to a child, and I told them in a tone of perfect conviction. “That's not regular fog,” Billy said. He looked up at me, his eyes dark-circled and tear-streaked. “It isn't, is it, Daddy?” “No, I don't think so.” I didn't want to lie about that. Kids don't fight shock the way adults do; they go with it, maybe because kids are in a semipermanent state of shock until they're thirteen or so. Billy started to doze off. I held him, thinking he might snap awake again, but his doze deep ened into a real sleep. Maybe he had been awake part of the night before, when we had slept three-in-a-bed for the first time since Billy was an infant. And maybe-I felt a cold eddy slip through me at the thought maybe he had sensed something coming. When I was sure he was solidly out, I laid him on the floor and went looking for something to cover him up with, Most of the people were still up front, looking out into the thick blanket of mist. Norton had gathered a little crowd of listeners, and was busy spellbinding-or trying to. Bud crown stood rigidly at his post, but Ollie Weeks had left his.

There were a few people in the aisles, wandering like ghosts, their faces greasy with shock. I went into the storage a through the big double doors between the meat cabinet d the beer cooler. The generator roared steadily behind its plywood partition, ut something had gone wrong. I could smell diesel fumes, d they were much too strong. I walked toward the partition, taking shallow breaths. At last I unbuttoned my shirt and put of it over my mouth and nose.

The storage area was long and narrow, feebly lit by two is of emergency lights. Cartons were stacked everywhere-each on one side, cases of soft drinks on the far side of the parition, stacked cases of Beefaroni and catsup. One of those had fallen over and the cardboard carton appeared to be bleeding.

I unlatched the door in the generator partition and stepped 'through. The machine was obscured in drifting, oily clouds of blue smoke. The exhaust pipe ran out through a hole in the 'wall. Something must have blocked off the outside end of the pipe. There was a simple on/off switch and I flipped it. The generator hitched, belched, coughed, and died. Then it ran down in a diminishing series of popping sounds that reminded me of Norton's stubborn chainsaw.

The emergency lights faded out and I was left in darkness. I got scared very quickly, and I got disoriented. My breathing sounded like a low wind rattling in straw. I bumped my nose on the flimsy plywood door going out and my heart lurched. There were windows in the double doors, but for some reason they had been painted black, and the darkness was nearly total. I got off course and ran into a stack of the bleach cartons. They tumbled and fell. One came close enough to my head to make me step backward, and I tripped over another carton that had landed behind me. I fell down, thumping my head hard enough to see bright stars in the darkness. Good show. I lay there cursing myself and rubbing my head, telling myself to just take it easy, just get up and get out of here, get back to Billy, telling myself nothing soft and slimy was going to close over my ankle or slip into one groping hand. I told myself not to lose control, or I would end up blundering around back here in a panic, knocking things over and creating a mad obstacle course for myself.

I stood up carefully, looking for a pencil line of light between the double doors. I found it, a faint but unmistakable scratch on the darkness. I started toward it, and then stopped.

There was a sound. A soft sliding sound. It stopped, then started again with a stealthy little bump. Everything inside me went loose. I regressed magically to four years of age. That sound wasn't coming from the market. It was coming from behind me. From outside. Where the mist was. Something that was slipping and sliding and scraping over the cinderblocks. And, maybe, looking for a way in.

Or maybe it was already in, and it was looking for me. Maybe in a moment I would feel whatever was making that sound on my shoe. Or on my neck.

It came again. I was positive it was outside. But that didn't make it any better. I told my legs to go and they refused the order. Then the quality of the noise changed. Something rasped across the darkness and my heart leaped in my chest and I lunged at that thin vertical line of light. I hit the doors straight-arm and burst through into the market.

Three or four people were right outside the double doors-Ollie Weeks was one of them-and they all jumped back in surprise. Ollie grabbed at his chest. “David!” he said in a pinched voice. “Jesus Christ, you want to take ten years off my—” He saw my face. “What's the matter with you?”

“Did you hear it?” I asked. My voice sounded strange in my own ears, high and squeaking. “Did any of you hear it?”

They hadn't heard anything, of course. They had come up to see why the generator had gone off. As Ollie told me that, one of the bag-boys bustled up with an armload of flashlights,

He looked from Ollie to me curiously.

“I turned the generator off,” I said, and explained why.

The Mist 67

“What did you hear?” one of the other men asked. He corked for the town road department; his name was Jim something.

“I don't know. A scraping noise. Slithery. I don't want to year it again.”

“Nerves,” the other fellow with Ollie said.

No. It was not nerves.

“Did you hear it before the lights went out?”

“No, only after. But...” But nothing. I could see the way they were looking at me. They didn't want any more gad news, anything else frightening or off-kilter. There vas enough of that already. Only Ollie looked as if he believed me.

“Let's go in and start her up again,” the bag-boy said, landing out the flashlights. Ollie took his doubtfully. The bag-boy offered me one, a slightly contemptuous shine in His eves. He was maybe eighteen. After a moment's thought, the light. I still needed something to cover Billy took with.

Ollie opened the doors and chocked them, letting in some light. The bleach cartons lay scattered around the half-open door, in the plywood partition. The fellow named Jim sniffed and said, “Smells pretty tank, all right. Guess you was right to shut her down.” The flashlight beams bobbed and danced across cartons of!. Canned goods, toilet paper, dog food. The beams were smoky in the drifting fumes the blocked exhaust had turned back into the storage area. The bag-boy trained his light briefly on the wide loading door at the extreme right.