Текст книги "The Dark Tower"
Автор книги: Stephen Edwin King
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PART FOUR
THE WHITE LANDS OF EMPATHICA
DANDELO
Chapter I:
The Thing Under the Castle
One
They did indeed find a good-sized kitchen and an adjoining pantry at ground-level in the Arc 16 Experimental Station, and not far from the infirmary. They found something else, as well: the office of sai Richard P. Sayre, once the Crimson King’s Head of Operations, now in the clearing at the end of the path courtesy of Susannah Dean’s fast right hand. Lying atop Sayre’s desk were amazingly complete files on all four of them. These they destroyed, using the shredder. There were photographs of Eddie and Jake in the folders that were simply too painful to look at. Memories were better.
On Sayre’s wall were two framed oil-paintings. One showed a strong and handsome boy. He was shirtless, barefooted, tousle-haired, smiling, dressed only in jeans and wearing a docker’s clutch. He looked about Jake’s age. This picture had a not-quite-pleasant sensuality about it. Susannah thought that the painter, sai Sayre, or both might have been part of the Lavender Hill Mob, as she had sometimes heard homosexuals called in the Village. The boy’s hair was black. His eyes were blue. His lips were red. There was a livid scar on his side and a birthmark on his left heel as crimson as his lips. A snow-white horse lay dead before him. There was blood on its snarling teeth. The boy’s marked left foot rested on the horse’s flank, and his lips were curved in a smile of triumph.
“That’s Llamrei, Arthur Eld’s horse,” Roland said. “Its image was carried into battle on the pennons of Gilead, and was the sigul of all In-World.”
“So according to this picture, the Crimson King wins?” she asked. “Or if not him then Mordred, his son?”
Roland raised his eyebrows. “Thanks to John Farson, the Crimson King’s men won the In-World lands long ago,” he said. But then he smiled. It was a sunny expression so unlike his usual look that seeing it always made Susannah feel dizzy. “But I think we won the only battle that matters. What’s shown in this picture is no more than someone’s wishful fairy-tale.” Then, with a savagery that startled her, he smashed the glass over the frame with his fist and yanked the painting free, ripping it most of the way down the middle as he did so. Before he could tear it to pieces, as he certainly meant to do, she stopped him and pointed to the bottom. Written there in small but nonetheless extravagant calligraphy was the artist’s name: Patrick Danville.
The other painting showed the Dark Tower, a sooty-gray black cylinder tapering upward. It stood at the far end of Can’-Ka No Rey, the field of roses. In their dreams the Tower had seemed taller than the tallest skyscraper in New York (to Susannah this meant the Empire State Building). In the painting it looked to be no more than six hundred feet high, yet this robbed it of none of its dreamlike majesty. The narrow windows rose in an ascending spiral around it just as in their dreams. At the top was an oriel window of many colors—each, Roland knew, corresponding to one of the Wizard’s glasses. The inmost circle but one was the pink of the ball that had been left for awhile in the keeping of a certain witch-woman named Rhea; the center was the dead ebony of Black Thirteen.
“The room behind that window is where I would go,” Roland said, tapping the glass over the picture. “That is where my quest ends.” His voice was low and awestruck. “This picture wasn’t done from any dream, Susannah. It’s as if I could touch the texture of every brick. Do you agree?”
“Yes.” It was all she could say. Looking at it here on the late Richard Sayre’s wall robbed her breath. Suddenly it all seemed possible. The end of the business was, quite literally, in sight.
“The person who painted it must have been there,” Roland mused. “Must have set up his easel in the very roses.”
“Patrick Danville,” she said. “It’s the same signature as on the one of Mordred and the dead horse, do you see?”
“I see it very well.”
“And do you see the path through the roses that leads to the steps at the base?”
“Yes. Nineteen steps, I have no doubt. Chassit. And the clouds overhead—”
She saw them, too. They formed a kind of whirlpool before streaming away from the Tower, and toward the Place of the Turtle, at the other end of the Beam they had followed so far. And she saw another thing. Outside the barrel of the Tower, at what might have been fifty-foot intervals, were balconies encircled with waist-high wrought-iron railings. On the second of these was a blob of red and three tiny blobs of white: a face that was too small to see, and a pair of upraised hands.
“Is that the Crimson King?” she asked, pointing. She didn’t quite dare put the tip of her finger on the glass over that tiny figure. It was as if she expected it to come to life and snatch her into the picture.
“Yes,” Roland said. “Locked out of the only thing he ever wanted.”
“Then maybe we could go right up the stairs and past him. Give him the old raspberry on the way by.” And when Roland looked puzzled at that, she put her tongue between her lips and demonstrated.
This time the gunslinger’s smile was faint and distracted. “I don’t think it will be so easy,” he said.
Susannah sighed. “Actually I don’t, either.”
They had what they’d come for—quite a bit more, in fact—but they still found it hard to leave Sayre’s office. The picture held them. Susannah asked Roland if he didn’t want to take it along. Certainly it would be simple enough to cut it out of the frame with the letter-opener on Sayre’s desk and roll it up. Roland considered the idea, then shook his head. There was a kind of malevolent life in it that might attract the wrong sort of attention, like moths to a bright light. And even if that were not the case, he had an idea that both of them might spend too much time looking at it. The picture might distract them or, even worse, hypnotize them.
In the end, maybe it’s just another mind-trap, he thought. Like Insomnia.
“We’ll leave it,” he said. “Soon enough—in months, maybe even weeks—we’ll have the real thing to look at.”
“Do you say so?” she asked faintly. “Roland, do you really say so?”
“I do.”
“All three of us? Or will Oy and I have to die, too, in order to open your way to the Tower? After all, you started alone, didn’t you? Maybe you have to finish that way. Isn’t that how a writer would want it?”
“That doesn’t mean he can do it,” Roland said. “Stephen King’s not the water, Susannah—he’s only the pipe the water runs through.”
“I understand what you’re saying, but I’m not sure I entirely believe it.”
Roland wasn’t completely sure he did, either. He thought of pointing out to Susannah that Cuthbert and Alain had been with him at the true beginning of his quest, in Mejis, and when they set out from Gilead the next time, Jamie DeCurry had joined them, making the trio a quartet. But the quest had really started after the battle of Jericho Hill, and yes, by then he had been on his own.
“I started lone-john, but that’s not how I’ll finish,” he said. She had been making her way quite handily from place to place in a rolling office-chair. Now he plucked her out of it and settled her on his right hip, the one that no longer pained him. “You and Oy will be with me when I climb the steps and enter the door, you’ll be with me when I climb the stairs, you’ll be with me when I deal with yon capering red goblin, and you’ll be with me when I enter the room at the top.”
Although Susannah did not say so, this felt like a lie to her. In truth it felt like a lie to both of them.
Two
They brought canned goods, a skillet, two pots, two plates, and two sets of utensils back to the Fedic Hotel. Roland had added a flashlight that provided a feeble glow from nearly dead batteries, a butcher’s knife, and a handy little hatchet with a rubber grip. Susannah had found a pair of net bags in which to store this little bit of fresh gunna. She also found three cans of jellylike stuff on a high shelf in the pantry adjacent to the infirmary kitchen.
“It’s Sterno,” she told the gunslinger when he inquired.
“Good stuff. You can light it up. It burns slow and makes a blue flame hot enough to cook on.”
“I thought we’d build a little fire behind the hotel,” he said. “I won’t need this smelly stuff to make one, certainly.” He said it with a touch of contempt.
“No, I suppose not. But it might come in handy.”
“How?”
“I don’t know, but…” She shrugged.
Near the door to the street they passed what appeared to be a janitor’s closet filled with piles of rickrack. Susannah had had enough of the Dogan for one day and was anxious to be out, but Roland wanted to have a look. He ignored the mop buckets and brooms and cleaning supplies in favor of a jumble of cords and straps heaped in a corner. Susannah guessed from the boards on top of which they lay that this stuff had once been used to build temporary scaffoldings. She also had an idea what Roland wanted the strappage for, and her heart sank. It was like going all the way back to the beginning.
“Thought I was done with piggybackin,” she said crossly, and with more than a touch of Detta in her voice.
“It’s the only way, I think,” Roland said. “I’m just glad I’m whole enough again to carry your weight.”
“And that passage underneath’s the only way through? You’re sure of that?”
“I suppose there might be a way through the castle—” he began, but Susannah was already shaking her head.
“I’ve been up top with Mia, don’t forget. The drop into the Discordia on the far side’s at least five hundred feet. Probably more. There might have been stairs in the long-ago, but they’re gone now.”
“Then we’re for the passage,” he said, “and the passage is for us. Mayhap we’ll find something for you to ride in once we’re on the other side. In another town or village.”
Susannah was shaking her head again. “I think this is where civilization ends, Roland. And I think we better bundle up as much as we can, because it’s gonna get cold.”
Bundling-up materials seemed to be in short supply, however, unlike the foodstuffs. No one had thought to store a few extra sweaters and fleece-lined jackets in vacuum-packed cans. There were blankets, but even in storage they had grown thin and fragile, just short of useless.
“I don’t give a bedbug’s ass,” she said in a wan voice. “Just as long as we get out of this place.”
“We will,” he said.
Three
Susannah is in Central Park, and it’s cold enough to see her breath. The sky overhead is white from side to side, a snow-sky. She’s looking down at the polar bear (who’s rolling around on his rocky island, seeming to enjoy the cold just fine) when a hand snakes around her waist. Warm lips smack her cold cheek. She turns and there stand Eddie and Jake. They are wearing identical grins and nearly identical red stocking caps. Eddie’s says MERRY across the front and Jake’s says CHRISTMAS. She opens her mouth to tell them “You boys can’t be here, you boys are dead,” and then she realizes, with a great and singing relief, that all that business was just a dream she had. And really, how could you doubt it? There are no talking animals called billy-bumblers, not really, no taheen-creatures with the bodies of humans and the heads of animals, no places called Fedic or Castle Discordia.
Most of all, there are no gunslingers. John Kennedy was the last, her chauffeur Andrew was right about that.
“Brought you hot chocolate,” Eddie says and holds it out to her. It’s the perfect cup of hot chocolate, mit schlag on top and little sprinkles of nutmeg dotting the cream; she can smell it, and as she takes it she can feel his fingers inside his gloves and the first flakes of that winter’s snow drift down between them. She thinks how good it is to be alive in plain old New York, how great that reality is reality, that they are together in the Year of Our Lord—
What Year of Our Lord?
She frowns, because this is a serious question, isn’t it? After all, Eddie’s an eighties man and she never got any further than 1964 (or was it ‘65?). As for Jake, Jake Chambers with the word CHRISTMAS printed on the front of his happy hat, isn’t he from the seventies? And if the three of them represent three decades from the second half of the twentieth century, what is their commonality? What year is this?
“NINETEEN,” says a voice out of the air (perhaps it is the voice of Bango Skank, the Great Lost Character), “this is NINETEEN, this is CHASSIT. All your friends are dead.”
With each word the world becomes more unreal. She can see through Eddie and Jake. When she looks down at the polar bear she sees it’s lying dead on its rock island with its paws in the air. The good smell of hot chocolate is fading, being replaced by a musty smell: old plaster, ancient wood. The odor of a hotel room where no one has slept for years.
No, her mind moans. No, I want Central Park, I want Mr. MERRY and Mr. CHRISTMAS, I want the smell of hot chocolate and the sight of December’s first hesitant snowflakes, I’ve had enough of Fedic, In-World, Mid-World, and End-World. I want My-World. I don’t care if I ever see the Dark Tower.
Eddie’s and Jake’s lips move in unison, as if they are singing a song she can’t hear, but it’s not a song; the words she reads on their lips just before the dream breaks apart are
Four
“Watch out for Dandelo.”
She woke up with these words on her own lips, shivering in the early not-quite-dawn light. And the breath-seeing part of her dream was true, if no other. She felt her cheeks and wiped away the wetness there. It wasn’t quite cold enough to freeze the tears to her skin, but just-a-damn-bout.
She looked around the dreary room here in the Fedic Hotel, wishing with all her heart that her dream of Central Park had been true. For one thing, she’d had to sleep on the floor—the bed was basically nothing but a rust-sculpture waiting to disintegrate—and her back was stiff. For another, the blankets she’d used as a makeshift mattress and the ones she’d wrapped around her had all torn to rags as she tossed and turned. The air was heavy with their dust, tickling her nose and coating her throat, making her feel like she was coming down with the world’s worst cold. Speaking of cold, she was shivering. And she needed to pee, which meant dragging herself down the hall on her stumps and half-numbed hands.
And none of that was really what was wrong with Susannah Odetta Holmes Dean this morning, all right? The problem was that she had just come from a beautiful dream to a world
(this is NINETEEN all your friends are dead)
where she was now so lonely that she felt half-crazy with it. The problem was that the place where the sky was brightening was not necessarily the east. The problem was that she was tired and sad, homesick and heartsore, griefstruck and depressed. The problem was that, in this hour before dawn, in this frontier museum-piece of a hotel room where the air was full of musty blanket-fibers, she felt as if all but the last two ounces of fuck-you had been squeezed out of her. She wanted the dream back.
She wanted Eddie.
“I see you’re up, too,” said a voice, and Susannah whirled around, pivoting on her hands so quickly she picked up a splinter.
The gunslinger leaned against the door between the room and the hall. He had woven the straps into the sort of carrier with which she was all too familiar, and it hung over his left shoulder. Hung over his right was a leather sack filled with their new possessions and the remaining Orizas. Oy sat at Roland’s feet, looking at her solemnly.
“You scared the living Jesus out of me, sai Deschain,” she said.
“You’ve been crying.”
“Isn’t any of your nevermind if I have been or if I haven’t.”
“We’ll feel better once we’re out of here,” he said. “Fedic’s curdled.”
She knew exactly what he meant. The wind had kicked up fierce in the night, and when it screamed around the eaves of the hotel and the saloon next door, it had sounded to Susannah like the screams of children—wee ones so lost in time and space they would never find their way home.
“All right, but Roland—before we cross the street and go into that Dogan, I want your promise on one thing.”
“What promise would you have?”
“If something looks like getting us—some monster out of the Devil’s Arse or one from the todash between-lands—you put a bullet in my head before it happens. When it comes to yourself you can do whatever you want, but… what? What are you holding that out for?” It was one of his revolvers.
“Because I’m only really good with one of them these days. And because I won’t be the one to take your life. If you should decide to do it yourself, however—”
“Roland, your fucked-up scruples never cease to amaze me,” she said. Then she took the gun with one hand and pointed to the harness with the other. “As for that thing, if you think I’m gonna ride in it before I have to, you’re crazy.”
A faint smile touched his lips. “It’s better when it’s the two of us, isn’t it?”
She sighed, then nodded. “A little bit, yeah, but far from perfect. Come on, big fella, let’s blow this place. My ass is an ice-cube and the smell is killing my sinuses.”
Five
He put her in the rolling office-chair once they were back in the Dogan and pushed her in it as far as the first set of stairs, Susannah holding their gunna and the bag of Orizas in her lap. At the stairs the gunslinger booted the chair over the edge and then stood with Susannah on his hip, both of them wincing at the crashing echoes as the chair tumbled over and over to the bottom.
“That’s the end of that,” she said when the echoes had finally ceased. “You might as well have left it at the top for all the good it’s going to do me now.”
“We’ll see,” Roland said, starting down. “You might be surprised.”
“That thing ain’t gonna work fo’ shit an we bofe know it,” Detta said. Oy uttered a short, sharp bark, as if to say That’s right.
Six
The chair did survive its tumble, however. And the next, as well. But when Roland hunkered to examine the poor battered thing after being pushed down a third (and extremely long) flight of stairs, one of the casters was bent badly out of true. It reminded him a little of how her abandoned wheelchair had looked when they’d come upon it after the battle with the Wolves on the East Road.
“There, now, dint I tell you?” she asked, and cackled. “Reckon it’s time to start totin dat barge, Roland!”
He eyed her. “Can you make Detta go away?”
She looked at him, surprised, then used her memory to replay the last thing she had said. She flushed. “Yes,” she said in a remarkably small voice. “Say sorry, Roland.”
He picked her up and got her settled into the harness. Then they went on. As unpleasant as it was beneath the Dogan—as creepy as it was beneath the Dogan—Susannah was glad that they were putting Fedic behind them. Because that meant they were putting the rest of it behind them, too: Lud, the Callas, Thunderclap, Algul Siento; New York City and western Maine, as well. The castle of the Red King was ahead, but she didn’t think they had to worry much about it, because its most celebrated occupant had run mad and decamped for the Dark Tower.
The extraneous was slipping away. They were closing in on the end of their long journey, and there was little else to worry about. That was good. And if she should happen to fall on her way to Roland’s obsession? Well, if there was only darkness on the other side of existence (as she had for most of her adult life believed), then nothing was lost, as long as it wasn’t todash darkness, a place filled with creeping monsters. And, hey! Perhaps there was an afterlife, a heaven, a reincarnation, maybe even a resurrection in the clearing at the end of the path. She liked that last idea, and had now seen enough wonders to believe it might be so. Perhaps Eddie and Jake would be waiting for her there, all bundled up and with the first down-drifting snowflakes of winter getting caught in their eyebrows: Mr. MERRY and Mr. CHRISTMAS, offering her hot chocolate. Mit schlag.
Hot chocolate in Central Park! What was the Dark Tower compared to that?
Seven
They passed through the rotunda with its doors to everywhere; they came eventually to the wide passage with the sign on the wall reading SHOW ORANGE PASS ONLY, BLUE PASS NOT ACCEPTED. A little way down it, in the glow of one of the still-working fluorescent lights (and near the forgotten rubber moccasin), they saw something printed on the tile wall and detoured down to read it.
Under the main message they had signed their names: Fred Worthington, Dani Rostov, Ted Brautigan, and Dinky Earnshaw. Below the names were two more lines, written in another hand. Susannah thought it was Ted’s, and reading them made her feel like crying:
“God love em,” Susannah said hoarsely. “May God love and keep em all.”
“Keep-um,” said a small and rather timid voice from Roland’s heel. They looked down.
“Decided to talk again, sugarpie?” Susannah asked, but to this Oy made no reply. It was weeks before he spoke again.
Eight
Twice they got lost. Once Oy rediscovered their way through the maze of tunnels and passages—some moaning with distant drafts, some alive with sounds that were closer and more menacing—and once Susannah came back to the route herself, spotting a Mounds Bar wrapper Dani had dropped. The Algul had been well-stocked with candy, and the girl had brought plenty with her. (“Although not one single change of clothes,” Susannah said with a laugh and a shake of her head.) At one point, in front of an ancient ironwood door that looked to Roland like the ones he’d found on the beach, they heard an unpleasant chewing sound. Susannah tried to imagine what might be making such a noise and could think of nothing but a giant, disembodied mouth full of yellow fangs streaked with dirt. On the door was an indecipherable symbol. Just looking at it made her uneasy.
“Do you know what that says?” she asked. Roland—although he spoke over half a dozen languages and was familiar with many more—shook his head. Susannah was relieved. She had an idea that if you knew the sound that symbol stood for, you’d want to say it. Might have to say it. And then the door would open. Would you want to run when you saw the thing that was chewing on the other side? Probably. Would you be able to?
Maybe not.
Shortly after passing this door they went down another, shorter, flight of stairs. “I guess I forgot this one when we were talking yesterday, but I remember it now,” she said, and pointed to the dust on the risers, which was disturbed. “Look, there’s our tracks. Fred carried me going down, Dinky when we came back up. We’re almost there now, Roland, promise you.”
But she got lost again in the warren of diverging passages at the bottom of the stairs and this was when Oy put them right, trotting down a dim, tunnel-like passage where the gunslinger had to walk bent-over with Susannah clinging to his neck.
“I don’t know—” Susannah began, and that was when Oy led them into a brighter corridor (comparatively brighter: half of the overhead fluorescents were out, and many of the tiles had fallen from the walls, revealing the dark and oozy earth beneath). The bumbler sat down on a scuffed confusion of tracks and looked at them as if to say, Is this what you wanted?
“Yeah,” she said, obviously relieved. “Okay. Look, just like I told you.” She pointed to a door marked FORD’S THEATER, 1865 SEE THE LINCOLN ASSASSINATION. Beside it, under glass, was a poster for Our American Cousin that looked as if it had been printed the day before. “What we want’s just down here a little way. Two lefts and then a right—I think. Anyway, I’ll know it when I see it.”
Through it all Roland was patient with her. He had a nasty idea which he did not share with Susannah: that the maze of passageways and corridors down here might be in drift, just as the points of the compass were, in what he was already thinking of as “the world above.” If so, they were in trouble.
It was hot down here, and soon they were both sweating freely. Oy panted harshly and steadily, like a little engine, but kept a steady pace beside the gunslinger’s left heel. There was no dust on the floor, and the tracks they’d seen off and on earlier were gone. The noises from behind the doors were louder, however, and as they passed one, something on the other side thumped it hard enough to make it shudder in its frame. Oy barked at it, laying his ears back against his skull, and Susannah voiced a little scream.
“Steady-oh,” Roland said. “It can’t break through. None of them can break through.”
“Are you sure of that?”
“Yes,” said the gunslinger firmly. He wasn’t sure at all. A phrase of Eddie’s occurred to him: All bets are off.
They skirted the puddles, being careful not even to touch the ones that were glowing with what might have been radiation or witchlight. They passed a broken pipe that was exhaling a listless plume of green steam, and Susannah suggested they hold their breath until they were well past it. Roland thought that an extremely good idea.
Thirty or forty yards further along she bid him stop. “I don’t know, Roland,” she said, and he could hear her struggling to keep the panic out of her voice. “I thought we had it made in the shade when I saw the Lincoln door, but now this… this here…” Her voice wavered and he felt her draw a deep breath, struggling to get herself under control. “This all looks different. And the sounds… how they get in your head…”
He knew what she meant. On their left was an unmarked door that had settled crookedly against its hinges, and from the gap at the top came the atonal jangle of todash chimes, a sound that was both horrible and fascinating. With the chimes came a steady draft of stinking air. Roland had an idea she was about to suggest they go back while they still could, maybe rethink this whole going-under-the-castle idea, and so he said, “Let’s see what’s up there. It’s a little brighter, anyway.”
As they neared an intersection from which passages and tiled corridors rayed off in all directions, he felt her shift against him, sitting up. “There!” she shouted. “That pile of rubble! We walked around that! We walked around that, Roland, I remember!”
Part of the ceiling had fallen into the middle of the intersection, creating a jumble of broken tiles, smashed glass, snags of wire, and plain old dirt. Along the edge of it were tracks.
“Down there!” she cried. “Straight ahead! Ted said, ‘I think this is the one they called Main Street’ and Dinky said he thought so, too. Dani Rostov said that a long time ago, around the time the Crimson King did whatever it was that darkened Thunderclap, a whole bunch of people used that way to get out. Only they left some of their thoughts behind. I asked her what feeling that was like and she said it was a little like seeing dirty soap-scum on the sides of the tub after you let out the water. ‘Not nice,’ she said. Fred marked it and then we went all the way back up to the infirmary. I don’t want to brag and queer the deal, but I think we’re gonna be okay.”
And they were, at least for the time being. Eighty paces beyond the pile of rubble they came upon an arched opening. Beyond it, flickering white balls of radiance hung down from the ceiling, leading off at a downward-sloping angle. On the wall, in four chalkstrokes that had already started to run because of the moisture seeping through the tiles, was the last message left for them by the liberated Breakers:
They rested here for awhile, eating handfuls of raisins from a vacuum-sealed can. Even Oy nibbled a few, although it was clear from the way he did it that he didn’t care for them much. When they’d all eaten their fill and Roland had once more stored the can in the leather sack he’d found along the way, he asked her: “Are you ready to go on?”
“Yes. Right away, I think, before I lose my—my God, Roland, what was that?”
From behind them, probably from one of the passages leading away from the rubble-choked intersection, had come a low thudding sound. It had a liquid quality to it, as if a giant in water-filled rubber boots had just taken a single step.
“I don’t know,” he said.
Susannah was looking uneasily back over her shoulder but could see only shadows. Some of them were moving, but that could have been because some of the lights were flickering.
Could have been.
“You know,” she said, “I think it might be a good idea if we vacated this area just about as fast as we can.”
“I think you’re right,” he said, resting on one knee and the splayed tips of his fingers, like a runner getting ready to burst from the blocks. When she was back in the harness, he got to his feet and moved past the arrow on the wall, setting a pace that was just short of a jog.
Nine
They had been moving at that near-jog for about fifteen minutes when they came upon a skeleton dressed in the remains of a rotting military uniform. There was still a flap of scalp on its head and tuft of listless black hair sprouting from it. The jaw grinned, as if welcoming them to the underworld. Lying on the floor beside the thing’s naked pelvis was a ring that had finally slipped from one of the moldering fingers of the dead man’s right hand. Susannah asked Roland if she could have a closer look. He picked it up and handed it to her. She examined it just long enough to confirm what she had thought, then cast it aside. It made a little clink and then there were only the sounds of dripping water and the todash chimes, fainter now but persistent.
“What I thought,” she said.
“And what was that?” he asked, moving on again.
“The guy was an Elk. My father had the same damn ring.”
“An elk? I don’t understand.”
“It’s a fraternal order. A kind of good-ole-boy ka-tet. But what in the hell would an Elk be doing down here? A Shriner, now, that I could understand.” And she laughed, a trifle wildly.
The hanging bulbs were filled with some brilliant gas that pulsed with a rhythmic but not quite constant beat. Susannah knew there was something there to get, and after a little while she got it. While Roland was hurrying, the pulse of the guide-lights was rapid. When he slowed down (never stopping but conserving his energy, all the same), the pulse in the globes also slowed down. She didn’t think they were responding to his heartbeat, exactly, or hers, but that was part of it. (Had she known the term biorhythm, she would have seized upon it.) Fifty yards or so ahead of their position at any given time, Main Street was dark. Then, one by one, the lights would come on as they approached. It was mesmerizing. She turned to look back—only once, she didn’t want to throw him off his stride—and saw that, yes, the lights were going dark again fifty yards or so behind. These lights were much brighter than the flickering globes at the entrance to Main Street, and she guessed that those ran off some other power-source, one that was (like almost everything else in this world) starting to give out. Then she noticed that one of the globes they were approaching remained dark. As they neared and then passed under it, she saw that it wasn’t completely dead; a dim core of illumination burned feebly deep inside, twitching to the beat of their bodies and brains. It reminded her of how you’d sometimes see a neon sign with one or more letters on the fritz, turning PABST into PA ST or TASTY BRATWURST into TASTY RATWURST. A hundred feet or so further on they came to another burnt-out bulb, then another, then two in a row.