Текст книги "Thin Air"

Автор книги: Robert B. Parker

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Chapter 38

"How is Frank?" Susan said. "Nothing new," I said.

We were in the South End, eating dinner at Hammersley's Bistro. I was having brisket. Susan was eating chicken. The brisket was the kind of meal that Irish Catholics got posthumously if they died in a state of grace.

"I wonder," Susan said, "if his wife's situation helps keep him from recovering quicker."

"You mean so he won't have to face it? Like depressed people sleep a lot?"

"Yes. It wouldn't be conscious, of course, but if you are able to retrieve her, he may come out of it quite soon thereafter."

A guy in an expensive suit went by with a woman in an expensive suit and shot at me with his forefinger. I waved. Susan raised her eyebrows.

"Charlie O'Neill," I said. "Guy I used to know."

"Odd," she said, "he doesn't look like a thug. Is that his wife?"

"No. Business associate. Her name is Victoria Wang. I know people who aren't thugs."

"Name three."

"Charlie O'Neill, Victoria Wang, and you," I said. "Want a bite of my brisket?"

"I beg your pardon," Susan said.

The room was in one of the good-looking old brick buildings that the South End was full of. It had a high ceiling with old beams, and an open kitchen along one side. I thought it was the best restaurant in town. On the other hand, I used to like the food in the army, so people didn't always pay attention to what I thought.

"Do you really think you can get her out?" Susan said.

"I don't think that way. I suppose I have to assume I can. But mostly I think about how I'm going to do it."

"Of course," Susan said. "The question was dumb. It's like asking a baseball player, do you really think you can get a hit? If he didn't think so, he wouldn't be doing what he does."

"You weren't really asking me that anyway," I said.

Susan smiled at me, which is always a treat.

"No, I was asking you to reassure me," she said. "Thank you for noticing."

"Hey I'm a sensitive guy," I said. "I'm scoring a shrink."

The waitress brought me a second glass of Pilsner Urquell beer, which went especially well with brisket. Susan's single glass of Merlot was sipped but slightly. A thin air woman in an Armani suit stopped by the table and said hello to Susan.

"Sarah Gallant," Susan said. "Don't you look wonderful."

We were introduced. I agreed with Susan but thought it prudent not to say so. The two women talked for a moment. I listened. And Sarah moved on.

"I wonder how she's being treated," Susan said.

"Sarah?" I said. "She looks like she's being treated fine."

"You know I mean Lisa. Aside from the fact that she's probably a captive. We have to wonder what the conditions of her captivity are."

"Freddie Santiago says that Luis Deleon is ferocious."

"It doesn't mean he is abusing her," Susan said. "He may have what he wants."

"Which is?"

"Possession. She is under his control. It may be enough."

"It hangs over everything, doesn't it?" I said. "Even we have trouble bringing it up."

"The question of sexual abuse? Yes, it does, regardless of Lisa's past."

"Any thoughts?" I said.

"On whether he will or won't? Has or hasn't? No. Maybe the control is enough, maybe it isn't. Even if I knew them in a therapeutic relationship…"

"His mother was a prostitute, according to Santiago."

"Where did she turn tricks?" Susan said.

"I don't know. According to Santiago, she O.D.'d in the washroom at his club and died on the floor."

Susan paused and drank some wine. "How old was he?"

"Deleon? Around fourteen, Santiago says."

"And no father?"

"None that anyone knows about."

"If she brought men home," Susan said, "and a lot of prostitutes do, because they have nowhere else to bring them, it would have been very difficult for him."

"I guessed that," I said.

"You are sensitive," Susan said. "They were mother and son, but they were probably a couple too. He would be very angry. And he would be very angry that she died and left him and very angry that she did it for so little reason."

"Would it lead him to sexual abuse?" I said.

"It would make him very angry," Susan said. "And he might take it out on Lisa."

"It is easy to transfer feelings you had for one important person onto another important person."

"They both left him," I said. "He probably had sexual feelings for both. They were both whores."

I knew Susan had started with those assumptions and had already moved on. I was just showing off. Susan made one of those little head and facial motions that she made, which acknowledge that she heard you and didn't indicate what she thought of what you'd said. They probably teach it in shrink school.

"We do much better," she said, "explaining why people did things than we do at predicting what they will do."

I nodded and gave some attention to the brisket and the skin Susan carefully cut the skin from a piece of lemon roasted chicken. She never ate any fat, being very careful of her weight, which was important, because her waist was nearly the size of my neck, and she worked out barely two hours a day.

"Would you say that you know me in a therapeutic relationship?" I said.

Susan widened her big eyes so that she looked like a Jewish Dolly Parton. She shook her head.

"I would say our relationship is more fuckative."

"Well the effect is very therapeutic," I said.

"I know," Susan said, and her wide mouth widened further into her big stunning smile. "Just doing my job."

What does that mean?" he said. "You left your shrink too soon?"

"I was hooking up with another bad guy-my father, Woody, all the johns I did were bad guys. Then I come back and start over, and the next thing I know I'm hooked up with you."

"I am a bad guy? I am like your father? I, who have loved you more than I love life itself?"

She shook her head.

"You love your mother, Luis. You're just working it out on me."

Luis turned from her and pressed his forehead against one of the theatrical flats.

"Do not say this," he said. "Do not tell me I don't love you."

He pounded on the flat lightly with his closed fist as he spoke. The fist keeping time with the words.

"It is to tell me that I don't exist," he said. "I am my love for you, my Angel. I have built this citadel for us, furnished these rooms for us, searched for you since you left, risked everything to bring you here. Do not tell me I do not love you."

Outside the sealed room there was thunder, but it didn't register on either of them. He turned slowly away from the painted scenery and stared at her intently.

"Do not say that I do not love you."

Still seated on the floor, bugging her knees in the dim room, she met his look and held it for a long silent moment. Then she shook her head, almost regretfully.

"Whatever you feel for me, Luis, isn't love. You think it is, but it isn't. It feels more like hate to me."

"Hate?" He seemed nearly speechless. "Hate?"

"Your old lady was a hooker. You probably hated her for it. Now you transfer that feeling onto me, you know? A woman who was with you and is now with another man?"

"You…" His breath came in hoarse gasps. "You… think… I am… like… that? That I am crazy?"

"It's crazy to think that you can make me love you, Luis. You can't. No one can. You can make me fear you. I do fear you. I'm afraid all the time. And you're teaching me to hate you. But I love Frank and can't stop. And I don't love you and can't start. I'd rather die than spend my life with you."

He sagged against the theatrical flat. He opened his mouth, but he didn't say anything. Then he lunged at her, dropping to his knees beside her on the floor and tearing at her clothes. She tried to push him away, but he was much too strong for her. She tried to twist away, but he grappled her back. Her blouse was torn off, he ripped at her skirt. She tried to knee him but missed, hitting his thigh. She scratched at him. He slapped her and her head jerked back. He put his left forearm under her chin and bent her back, pressing on her windpipe while he stripped her skirt from her, tearing the zipper loose with his right hand. A growling noise came from him, and the guttural sound of him gasping for breath. She grabbed his hair, trying to pull his face away from her, but she wasn't strong enough and the pressure on her throat bent her backwards as he fumbled at her last remaining clothes. She managed to turn her head and bite him on the forearm and the pressure on her throat relaxed for a moment. She twisted and rolled over and scrambled toward her bed.

He came after her, grabbing at her legs, as she fumbled under the mattress for her iron pipe. She got the pipe, but he yanked her by the hair and the pipe clattered to the floor as she bent back, her legs doubled beneath her. She drove her right elbow back toward him and caught his nose and heard him grunt with pain. Then she was thrown backwards, entirely, her legs straightened beneath her and she was flat on the floor on her back. He forced himself on top of her. His long hair was tangled and wet with sweat, strands of it stuck to his face. His nose was bleeding, and the blood dripped down on her. He forced her hands back above her head and forced her thighs apart with his knees and tried to insert himself into her. She twisted her hips and struggled harder. He pressed his mouth against hers and with the force of his kiss held her head down as he tried to squirm himself into position to penetrate her. His weight pressed her against the floor, his guttural rage forced against her desperate resistance, and they lay like that on the floor in the dim light of the absurd room, locked in squirming hatred while he struggled to consummate the rape, and she twisted to prevent it. He had penetrated her often in the past, and she had liked it. But in her seemingly interminable captivity, something inside her had calcified and her resolve had achieved an opalescent density. She would resist him until he killed her. She twisted her hip and jammed her knee into his crotch. He seemed to sag, as if his strength was ebbing. Slippery with sweat and blood, she wrenched herself out from under him, scrambling after her iron bar. She got it and, lying on her side, swung it and hit him across the chest. He gasped and suddenly it was over. He slumped and his grip slackened. He fell back against the theatrical flat, his arms folded across his chest, hugging the hurt. Crouching against the far wall, naked except for her torn bra and one shoe, her face smeared with the blood from his nose, her lips swollen and bloody from his kiss, her body gleaming with perspiration, holding the bar, she snarled at him, her voice sounding like someone else's as it rasped between her teeth.

"Don't… you… fucking… touch… me," she rasped. "Don't… you… ever… fucking… touch… me… again!"

He sat empty and flaccid on the floor, defeated, leaning his back against the painted scenery where the lambs gamboled in the Arcadian meadow. His bloody face was anguished, his shirt torn, his pants open. His legs splayed out inertly before him. His shoulders began to shake. Then he put his face in his hands and his whole body began to heave, and he began once again to cry. Her gasping breath and his choking sobs made all the sound there was to be heard in the room, except for the faint sound made by the trickles of muddy water beginning to course down the walls of the room and puddle on the floor behind the theatrical flats.

Chapter 39

The sun was still somewhere out over the Atlantic, east of the city, when Chollo and I parked in front of Deleon's tenement fortress and sat silently in the car. But it could have been somewhere over the Russian steppes for all the difference it made below. The rain clouds were thick and dark and low and hid the sun entirely. We didn't talk. Everything worth saying had been said. I was clean shaven and well breakfasted, wearing a good cologne and armed to the teeth. I had a black leather sap in my right hip pocket, a Browning 9mm automatic on my hip, and a Smith & Wesson.38 revolver in a shoulder holster. Two-gun Spenser, more deadly than an evening with Madonna.

It was a hard, steady rain that drenched down like a vengeance on the sagging slums. In the tenement complex across the street, the rain had overwhelmed the roof gutters and the dirty rain water was running down the warped clapboard sides of the buildings. I'd sat in a car and waited in a lot of slums. Most people in the crime business spent a lot of time in slums. I'd always thought that there was something Shakespearean in the conceit of crime nourished by deprivation, depravity fattening on impoverishment. The slums hadn't changed much in the years that I had been sitting in them. This one was an Hispanic slum. But that only changed the language spoken. It didn't change the slum. Slums were immutable. The ethnicities changed, but the squalor and sadness and desperation remained as constant as the movement of the stars. Finally it was probably less the poverty that bred crime than the sour stench of racism that hung over anyplace where people are separated out by kind. Since I'd been on this case I'd smelled the smell of it and heard the talk of it.

"They have no discipline… they'd sell the badge for drugs… spic this and Cha Cha that."

I'd heard it all my life and smelled it all my life and never liked it and never understood it. Nobody, however, had hired me to solve the American dilemma. Right now I was supposed to get Lisa St. Claire away from an Hispanic guy in a barrio, and, being an equal opportunity kind of guy, I was prepared to shoot him if I had to. Probably the easiest and most efficient approach was to hate everybody. Where have you gone, Jackie Robinson?

I watched the rain soaking into the dry rot below, maybe stirring a few dull roots, bringing not life but more dry rot. I thought about Lisa St. Claire and what it must be like for her, deep inside this decaying monolith. She had no way to know we were this close.

She would know Belson would be looking for her, but she would have no way to know if he was succeeding. I looked at Chollo in the car beside me. He was sitting low in the seat, his arms folded on his chest, his eyes half closed. He'd probably encountered everything Deleon had encountered, and he hadn't turned out much better, probably. He was a bad guy, but if he told you something you could believe him. He said he'd kill you, he'd kill you. He said he wouldn't, he wouldn't. You could trust his word. Which was more than could be said about a lot of people who weren't supposed to be bad guys. Besides, he was my bad guy.

"You called him?" I said to Chollo.

"Si."

"He knows I'm coming?"

"Si."

"He know who Broz was?"

"Seemed to. 'Course he may figure he's supposed to know who Broz is and he's styling."

"Doesn't matter which," I said. "Santiago's in place?"

"Si."

I looked at my watch.

"We got half an hour," I said.

"You trust Santiago?" Chollo said.

"Absolutely not," I said. "But it's in his best interest to help us."

"And besides, we got no one else," Chollo said.

"That too," I said.

Chollo took a 9mm Glock from under his arm and checked the load and put it back. He took a S & W.357 revolver off his belt, made sure the cylinder was full, snapped it back in place, and returned it.

"I always like a revolver for backup," he said. "Not so much fire power, but you can count on it to shoot."

"That thing will shoot through a cement wall," I said.

"Si."

We got out of the car into the hard rain. I had on a leather jacket and my Brooklyn Dodgers baseball cap. I turned the collar up on the jacket and jammed the cap down lower on my forehead. We walked across the wet street where the rain was puddling in the potholes to Deleon's door that I'd spent so much time looking at and it opened before we knocked. He was a fat guy with a grayish beard, wearing a Patriots hat, a maroon shirt, a brown leather vest, and carrying an M1 carbine. He didn't say anything as we walked past him into the gray, mildew-smelling hallway. A sagging staircase started halfway down the hall and rose along the right-hand wall. The fat guy said something in Spanish and opened a door at the foot of the stairs. Chollo and I walked in, the door closed behind us, and there was Luis Deleon.

She took a shower and scrubbed herself clean. When she got out, she washed her bruised face in cold water. Then she put on one of the silly robes he'd provided and walked back into her prison bedroom.

He had left without speaking to her. There had been a knock on the door and some words in Spanish. Luis had replied softly, and then remained sitting for a moment, staring at the floor between his legs, before he had dragged himself to his feet, like an old man, and adjusted his clothing. He had gone to the bathroom and washed and toweled dry. Then he'd come back and gone out of the door without ever looking at her. He was bent slightly as if his ribs hurt. He walked as if there were no strength in him.

She gathered up the torn clothing and bundled them and put them out of sight behind one of the theater flats. The monitors were dark. They had played continuously for so long that their absence was thunderous. She sat on the bed. She felt trembly. Her breathing was still hard, and it was difficult to swallow. She was frightened at what she'd done, and determined to do it again if she had to. At the center she was unyielding, and the fact of that center made her feel stronger than she had ever felt. At the same time she was terrified at what she might have set in action.

Poor Luis! she thought. Sitting at home in front of the television, he had invented just the kind of Donna Reed mother a lonely little boy would invent. And when she left him, in his anger and his loss he had invented her replacement, Lisa St. Claire, aka Angela Richard, whore turned fairy princess. And then his replacement had, in her turn, left him for another man, and all the anger and all the frantic yearning and unreturned love and desperate need had caved in on him. He could never get us untangled. She thought of the austere French woman in Beverly Hills who had saved her life. Dr. St. Claire, whose name she had taken when she came back east and started over. You'd be proud of the way I got this one figured.

She heard the key in the lock and the door to her room opened and the quiet young Hispanic woman came in carrying some clothes. She placed them on the bed and left without a word. Lisa leaned forward slowly to look at the clothes. They were hers. The ones she'd worn when he took her. Each item laundered and ironed and neatly folded. She stared at the clean clothes, and then looked at the dark and silent television monitors around the room. It means something, she thought, as she put on her own clothes. The feel of them, her clothes, made the hard center of her expand a little. The sound of muddy water trickling down the walls behind the stage flats was the only thing she heard.

Chapter 40

Deleon was standing at the front window, dressed all in black, his hands clasped behind his back, staring at the rain. There was no light in the room and only the gray light of the rain-soaked day filtering in through the windows. Silhouetted against the window, Deleon looked a half a foot taller than I am, angular and strong, with big hands and thick wrists. He was wearing some kind of black vaquero outfit, with a short jacket and tight pants tucked into high boots. There were silver buttons on the cuffs of the jacket. A massive dark mahogany desk filled the far end of the room, facing the door, with a window behind it where the rain flooded down the glass in a steady shimmer. On the desk was a flat-crowned black cowboy hat. Behind the desk was a high-backed swivel chair. The floor was bare. There was some kind of brownish floral paper on the walls, which was patterned with the irregular rusty outline of water leaks past. The outside walls were sandbagged to the sill level of the windows. Along the left-hand wall, a patchy blue velvet sofa squatted unevenly. One of its ornate claw and ball legs had been replaced with a couple of bricks. On the sofa was a scrawny little geek with two braids, who had to be Ramon Gonzalez, Deleon's number-two man, the shooter. He sat sprawled out with one leg up on the sofa, in the posture of indolence. It was a state he might pretend to, but one he'd never achieved. You could tell right away that it was a pose. He'd never been relaxed in his life and he wasn't now. He had a small goatee and his eyes had the seven-mile stare that you see in some hop heads and some gunnies who really love their work. This guy appeared to be both. His left hand lay along the back of the sofa and his fingers were drumming softly on the splotchy velvet. He wore a gray hooded sweatshirt and black jeans. Around his waist was a tooled leather belt with two holsters, which were part of the belt. In the holsters were a pair of pearl-handled nines. I wouldn't know where to buy such a belt if I were ever to want one, which I would not.

Chollo nodded at the geek. The geek looked at me with his unfocused stare, as if he might jump up at any moment and begin to pull my hair. I remained calm. Deleon kept his pose, gazing out the window. I didn't care. I was here. The rest was just stalling until Santiago kicked in. And the more he posed, the less we had to stall. Ramon Gonzalez continued to stare. Chollo stood beside me, his raincoat unbuttoned, apparently indifferent to where he was and what was happening. He looked like he might nod off right there, standing upright, like a horse. Finally Deleon turned slowly from the window and looked directly at me. His face had scratches on it, and his eyes looked puffy. Along with his vaquero jacket and tight pants he had on a white silk shirt open halfway down his chest, and a bright red silk scarf knotted around his throat. He spoke to Chollo in Spanish.

"He wants to know your name, and what you are doing here."

"Speak English," I said to Deleon.

Deleon answered again in Spanish.

"He prefers to do business in his own language," Chollo said.

"So do I. And if I don't do business, no business gets done."

There was silence for a moment while Deleon digested this. Ramon Gonzalez said something and Deleon answered him.

"The geek wants to shoot you for being disrespectful," Chollo said. "But Deleon says…"

"You are my guest," Deleon answered. "I will accommodate your language."

"You are very kind," I said. "I am sorry that I speak only one."

"You represent Mr. Broz?" Deleon said.

He walked to his desk and leaned his hips against it and crossed his legs at the ankles and folded his arms across his chest, and looked magisterial. On the wall behind him to the right of the window, a trickle of dirty water wormed toward the floor. I wondered if Napoleon's quarters leaked.

"Yeah. We got no problem you doing distribution action up here for Mr. del Rio. Fact, you can have the whole Merrimack Valley, you can get it away from Freddie. All we want is to assure our interests."

"Which are?"

"Five percent."

"Gross or profit?"

I grinned.

"Gross," I said.

Deleon shook his head. "That's about my margin," he said.

"Your margin is three, four hundred percent," I said. "By the time it gets sold retail it's been stepped on half a dozen times."

"Five percent of profit," Deleon said.

Another stripe of muddy water joined the first one sluicing quietly down the walls behind Deleon. The rain rattled on the windows and rolled in translucent sheets down the glass. I shook my head.

"Five percent of gross, or no deal," I said. "That's a very reasonable figure."

Deleon stood up and put his hands on his hips. He leaned forward slightly, bending at the waist, and I could see a flicker of something frightful in his eyes. He was a pretentious clown, but he was something else too. No wonder people were careful of him.

"No deal? Who the fuck are you to tell me no deal?" he said. His voice sounded as if it were forcing its way out of a very narrow passage.

"What the fuck you going to do about no deal? You think you say no deal, I do no deal? Fuck you, you Anglo asshole, and you go back and tell Joe fucking Anglo Asshole Broz that I decide what deal and what not deal, and he don't like it I'll kill him, and you and anyone else come up here."

Beside me Chollo began to applaud softly. "Magnifico," he said softly. "Magnifico."

Deleon shifted his glance at him for a moment. He was puzzled. Was Chollo making fun of him? Deleon wasn't used to being made fun of. He decided to take it seriously.

"You unnerstand me?" he said, standing as tall as he could. The flicker in his eyes was gone. He was back to being a pretentious jerk.

"Don't be stupid," I said. "We can shut you down easy. You think Vincent del Rio is going to go against Joe Broz in Joe's own territory? Ask Chollo here, he's del Rio's guy. Ask him what happens if you don't cut a deal with Joe."

More water was running down the back wall of the office now. Deleon looked startled that I was still opposing him. He glanced at Chollo. Chollo shrugged.

"A matter of respect," Chollo said. "Mr. del Rio expect the same respect from Mr. Broz. Mr. Broz wanted to do business in LA."

Deleon was in a pickle. He wanted this deal. I could see the painful turning of wheels in his head.

Ramon Gonzalez said something to Deleon in Spanish. Deleon gave him a short answer.

"Mr. Gonzalez wants to know what's going on," Chollo said. "Mr. Deleon said shut up."

The first gunshots sounded outside and somewhere a window shattered. Gonzalez was on his feet, with both guns drawn. Deleon was standing erect, listening, trying to locate the source of the gunshots when more of them sounded. Chollo and I dropped to the floor.

Something crashed through the front window and a smoke bomb went off in the room. The wet wind coming through the broken window spread the smoke rapidly. The hall door opened and someone yelled in Spanish into the room.

Chollo murmured in my ear as we lay on the floor under the pall of smoke, "Says they're being attacked by Freddie Santiago."

Deleon rushed out with Gonzalez, leaving the door open behind them. The resulting draft drove most of the smoke into the corridor and we were alone, on the floor, while outside the gunfire continued. We got carefully to our feet. I could hear the sound of bullets thudding into the house.

"Freddie's people are cutting it kind of close," I said.

"Well, it is distracting Deleon," Chollo said.

"As long as it doesn't kill us in the process," I said.

"The room where she is should be right above us," Chollo said.

The slim muddy trickle that had been leaking down from the roof garden had been joined by other trickles until finally the whole wall was sheeted with dirty water that ran steadily. She stood in the center of the room in a dry area and listened to the creak and groan of the tenement as the weight of the watersoaked earth above bore down on its brittle skeleton. She was dressed in her own clothes, and it made her feel strangely herself. Clothes make the woman, she thought. She walked to the door and tried it. The knob turned, but the padlock was in place and she couldn't get out. She shrugged. No harm trying. A piece of plaster dropped from the wet ceiling, and a short cascade of water rushed through the hole, dwindling almost at once to a steady trickle that made a continuous drip in the center of her room. This may be a good sign, she thought. His goddamned house is starting to fall apart. The lights went out. The sudden darkness was like a physical jolt. She held herself motionless for a moment, remembering where things were, tamping down the panic that came with the blackness. She took deep breaths as she stood holding herself in, smelling the wet earth smell of the room, hearing the water trickling inside and the larger rushing sound of the rain outside.

The doorway, she thought. Like in earthquakes, the doorways are stronger. She moved slowly, hands ahead of her through the wet darkness toward the doorway. Found the wall, groped along it to her left, found the doorway, pressed herself against it, and waited silently for what would come. There was in her a kind of steely resignation that counter-poised her panic. She had endured all that had happened and had not broken. And something was going to happen. And she would not break. The attempted rape had been like a climax. Something would come of it. She didn't know what it would be and all she could do was wait and be ready.

She heard something outside that sounded like gunshots. Was it Frank? Had he come? She twisted the door knob again knowing it was futile. She stopped and took in a deep breath and pressed herself into the shallow doorway, invisible in the drenched, reeking darkness, and said it to herself. Ready. Ready. Ready.