Текст книги "Aloha from Hell"

Автор книги: Richard Kadrey

Соавторы: Richard Kadrey,Richard Kadrey,Richard Kadrey
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Текущая страница: 17 (всего у книги 23 страниц)

I hear cheering voices. There must be a lot of them if they’re loud enough to hear over the Unimog’s rumble and grinding gears. A couple of more blocks down, there’s a stadium. It’s not as big as the L.A. Coliseum. It’s more like the place well-off parents pay for so their sprogs can play soccer on a regulation field that’s not full of beer cans and gopher holes. Frposer holeom the tone of the crowd, they’re not playing in there.

We turn off the main road and onto a two-lane driveway behind the stadium and roll alongside what looks like a holding area for the posse’s prisoners. Big wire-mesh pens and RVs with blacked-out windows hold dozens of dirty, frightened Hellions. The fact that they’re being held in a stadium tells me that the posse isn’t above having a little fun with their prisoners before they’re shipped back to Pandemonium.

The truck stops. Six Hellions in SWAT body armor, carrying shotguns and homemade morning stars, hustle us off the flatbed and into the pens, where we have a clear view of the playing field.

Some people have dreams where they show up for final exams in their underwear or for a course they didn’t know they were taking. Other people wake up in the middle of the ocean. There’s land in the distance, but no matter how hard they swim, they never get any closer. Me, I dream about the arena. Shrinks call these “anxiety dreams.” I call them road maps. They show you where you’ve been and where you’re headed. A dream about being lost at sea doesn’t mean you’re going to end up as an extra on Gilligan’s Island, but it probably means you’ve gone off track somewhere. For me it’s even simpler. I don’t dream in metaphors. When I dream about the arena, I’m really dreaming a dream about the arena.

In my heart of hearts I’ve always known I wasn’t finished with the place. It’s like a drunk who goes on the wagon but decides to pitch his tent in the Jack Daniel’s parking lot. Yeah, he cleaned up, but he didn’t run very far from what made him a lush in the first place.

Once I’d killed the other members of my old magic Circle and sent Mason Downtown, I should have walked away from the whole hoodoo world and become just another brain-dead civilian. Take a mail-order course in taxidermy or sell maps of the stars’ homes to tourists. Instead I hung around with Lurkers, renegade angels, and Jades. I’m surprised it’s taken me this long to get back here. If the Bamboo House of Dolls didn’t have such a high-quality jukebox and Carlos didn’t make such good tamales, I would have been back here months ago and this would all be over with.

All those dreams about tests and being lost and being back in the blood and the dust are just lines on a map. The elevation marks reveal that no matter how low you get, there’s always somewhere lower to fall.

Some of the Hellions from the flatbed go right up to the fence to get a good look at the current fight, trying to convince themselves they’re not seeing what they’re seeing. Others, the ones with a firmer grip on reality, are at the far end of the pen puking and shitting themselves. They’re not in denial about what’s coming.

The arena isn’t much to see. Just a flat soccer field with semis parked a hundred feet apart to mark the boundaries of the killing floor. Hellions and even a few pagan collaborators fill the stands between the trucks, drinking, cheering, and throwing bottles and rocks at the Hellion prisoners forced to fight each other. I shake my head. Lucifer woulHouLuciferdn’t have put up with the peanut gallery getting his arena floor messy. These small-time bullies have no class.

I look around the stadium, not really paying attention to the current fight. There’s the unmistakable sound of metal smashing into meat and bone. The crowd cheers. The bone crunch comes again. A cheer. Then a bigger cheer. I go to the fence and look through. It looks like the Hellion who was to be chopped into McNuggets got the other fighter in the throat with a knife when he got too close. They both fall over and disappear. Cue the crowd. People drink and pay off wagers. It’s a party and they take their time about it.

A few minutes later armored guards grab more prisoners from the pen. Berith is with them. He looks at me like he thinks I’m going to do something about it. All I do is stay by the fence to watch. The guards walk the group out to the middle of the killing floor and hand them weapons. Every Hellion was a soldier once. They were all part of the rebel legions in Heaven, but that was a long time ago. In the arena the prisoners look at the rusty swords and shields in their hands like they’ve never seen anything like them before. That’s the lousy thing about shock. It makes you look stupid.

I remember my first time in the arena. It wasn’t like this bumpkin retrofit. The arena in Pandemonium was built for blood sports and nothing else. It was like the Roman Colosseum, but clad in plates of bronze and ivory and hung with sculpted bone chandeliers over each entrance. It was full of false walls that could be moved to change the fighting floor. There were trapdoors and chutes where beasts and fighters could be lifted or shot into the arena in a few seconds. The crowds were connoisseurs of pain.

My first fight was against a human soul. The arena bookers thought it would be a hoot to put the one living guy in Hell up against one of his dead brethren. The thing is, the guy I was up against was from one of the lowest regions, one reserved for child killers, so I didn’t exactly think of him as one of my brethren.

I’d been in Hell long enough to have built up a thick skin of fury. I was still a circus attraction back then. The living freak to be passed around and used and gawked at like a pickled punk. And I was sure as shit a long way from being Sandman Slim.

I went into the fight all teeth and claws and righteous idiot fury. It was the first time I used a na’at and I had no idea what to do with it. I can’t say I was scared going up against a real killer. I was too crazy for that, and when I did think about it, more than anything I was amazed at where my life had taken me. The unreality of Hell became even more unreal. That’s probably what saved me.

The Kid Killer knew how to use blades and I didn’t. He gave me my first scars. Later they changed me, made me stronger, and I became a kind of living body armor. But that night in the arena, the slashes just hurt.

I tried using the na’at the way I’d seen Hellions use it, but I mostly bounced it off the ground and hit myself in the face when it sprang open into different configurations. That routine went for big laughs.

I wish I could say I finig fd say Ished the Kid Killer with a flashy na’at move, but the blood and pain nudged me from crazy into Norman Bates territory. And the crazier I got, the more the crowd cheered. When I managed to knock the Kid Killer down, I climbed on top of him, pinned his arms, and choked the fucker until his eyes bulged out like twin eight balls. You haven’t seen surprised until you’ve seen a dead man realize he’s about to die again. Later, one of my guards explained to me about Tartarus and the double dead.

I’d never killed anyone before and knew I was supposed to feel bad about it, but I didn’t. I felt just the opposite. These geniuses were training me to kill, building up my strength and turning me into the monster I was always meant to be. Later, when Azazel made me his assassin, I thanked every Hellion I killed for their contribution to my schooling. The looks on their faces when I cut their throats never got old.

I’m glad Alice never saw me in the arena. I hope Kasabian has the brains not to show Candy.

What none of the Hellions except maybe Lucifer understood was that when I stepped onto the killing floor, I wasn’t fighting an opponent. I was fighting all of Hell. When I killed a beast or a soul, I was killing every leering, putrid Hellion in existence. The nouveaux riches in the stands came for a fight. I was there for extermination, and every time I murdered them, it felt like Christmas morning. That’s what I don’t want Candy to see. Back in L.A. we talk about being monsters together, but it’s not the same thing. I don’t have any problems with my L.A. monster side, but I don’t want her to see the kind of monster that comes out when I’m the real Sandman Slim.

I don’t want to watch Berith and the other lead-footed fighters. I know how this is going to go. I don’t want to see it again. The angel wants me to shout some strategy or encouragement to Berith. But it’s already too late for him. He’s down in the dust and disappears less than a minute later. The crowd cheers the winners, but cheers even harder when the guards knife each of them in the back. Hellion humor isn’t what you’d call sophisticated.

I want out of here, but I don’t want to get stomped by a hundred armed Hellions. I look around for a good shadow. There’s one on the ground at the far end of the pen. I walk over, trying to look like I’m going over to puke. When I stick my foot into the dark, the ground is solid. The posse has thrown up an antihoodoo cloak around the place. I can’t use any decent magic in here. What’s Plan B? Hiding is my favorite choice, but everyone in the holding cell is trying to hide behind everyone else. It’s like the saddest square dance you ever saw in here.

I still have on my coat and hoodie, so my human arms are covered up. I feel inside the coat. The na’at is still there. So’s the knife, Lucifer’s stone, the plastic rabbit, and Muninn’s crystal. I check my leg. The pistol is still taped to my ankle. The posse must have just tossed me into the flatbed. Good. That means they’re drunk or just plain stupid. I like stupid. There are lots of possibilities in stupid.

Instead of hiding in the back, when the guards come back looking for someone else to toss to the wolves, I move up by the gates. The two

The talker walks over to me. He has a sickly green complexion and a smashed cheekbone. In one hand he’s holding a long truncheon. A piece of flexible metal covered in leather. When we’re close together he reaches between the gates and pops me in the face with the truncheon’s butt. The guards just about bust a gut at me holding my bruised nose. He takes a step forward, presses his face into the space between the gates, and spits at me. I pivot and swing, catching him under the chin with my fist. His body goes limp. I reach between the gates, get a hand behind his head and the other around his throat, and pull. The gates bow in and he starts slipping through. The other guards pounce on him, pulling him out. The gates bulge in as I get his head and the tops of his shoulders through, like he’s being born out of twisted wire and steel. It’s a fun tug-o’-war we’ve got going. I wonder if this is how giraffes were invented.

The guards get together and do a nicely coordinated group pull. I’ve got my death grip and dig in my heels, but they’re dragging both of us toward the gate. I can’t hold the guard, but I don’t want to let him go. When I’m sure they’re going to get him away from me, I lean down, get a good grip with my teeth, and let go. The guard shoots out of the gates like they’re a solid metal slingshot and lands with his hands over his face, screaming and coughing up blood. I wait for the rest of the guards to look at me before I spit his nose on the ground in front of them. I expect them to rush me, but they go into a huddle. Their buddy is on the ground screaming, but they’ve already forgotten about him.

The huddle doesn’t last long. One of the guards takes charge and beckons over a couple of other guards to take away the idiot who lost his nose. The head guard comes close to the gate, but out of biting range. He’s wearing a faux military/law enforcement uniform, the kind you see bounty hunters wear. It gives them an air of authority, but isn’t close enough to any specific uniform to get them busted for impersonating an officer. It’s sad the assholes they’ll sell uniforms to these days.

“Come here,” he says.

I stand pat.

“Come here.”

“I can’t hear you clear over here, Audie Murphy. Get a little closer.”

He signals to the other guards. They pull their pistols and shotguns and point them at me.

“I’m going to open the gate and you’re going to come with me.”

“What if you forget to say ‘Simon says’ and I don’t?”

“My men will shoot everyone else in the pen.”

So much for honor among thieves. I try to look like it’s a hard choice, but all>

“Yeah. Okay. I’ll come.”

Audie gestures a couple of other guards over to open the gates. Everyone keeps their guns on me as we walk past the pens and RVs to the killing floor.

The place reeks of dust, sweat, and blood. When I step onto the floor, the crowd shrieks like banshees at spring break. The scene is twisted and familiar and, in a terrible way, comforting.

The guards lay out weapons on the ground. I start to reach for the na’at in my coat, but decide that no one around here needs to know anything about me other than that I don’t like getting spit on.

The gear on the ground looks like it was pulled out of a garbage dump. Rusting swords and battle-axes. Spears with broken shafts repaired with duct tape. I stroll around the weapons like a window shopper at Christmas, taking my time. I find a battered old na’at and pick it up. It’s stiff, and the first time I try to open it, it jams. I get down on one knee and whack it against the steel toes on one of my boots. It springs out to full length and holds. I notice guards haven’t hauled out any other prisoners for me to fight. That means they’re going to throw guards at me to fight. I wonder how many.

Turns out it’s just one.

When my opponent comes out, I’m not sure if it’s a Hellion or someone is backing a moving van into the arena. The guy is big the way a sonic boom is loud. Just a big knot of muscles with a head on top, like a cherry balanced on a fist. He’s holding a shield the size of a car hood in one hand and has a Vernalis over his other. A Vernalis is like a metal crab claw that extends up to the fighter’s elbow and is as long as an average person is tall. When it snaps shut, it can cut a tree in half. Maybe I should have stayed in the back of the pen with the other scaredy-cats. I’m giving serious consideration to cutting and running, but the guards are still holding guns on me. And I can’t do any hoodoo here, can’t even click my heels three times and say there’s no place like home.

No one gives a signal, blows a whistle, or drops a hanky. Crab Man just howls and charges me. I get out of his way, but not too far or too fast. I stay put and try to look confused long enough to spring the na’at’s blade and slice the Crab Man’s Vernalis arm. I leave a nice gash but don’t do any real damage.

He howls, some in pain and some because he didn’t get to draw first blood. He swings the Vernalis at me like a club, but it’s a feint. When I move in to stick him, he brings the shield around like a battering ram. I throw myself on the ground just before the shield splatters me like a dump truck. I roll to my feet and Crab Man and I circle each other. I try to extend the na’at again, but the mechanism jams when it’s just halfway out.

I can’t fight him like this. The Vernalis gives himscais give too much reach. I need to get in close.

I attack this time, feinting left and right. Getting the shield and claw swinging at me just a little too late. I duck forward, closing the distance between us. Crab Man is used to fighters not wanting to get near him, so he doesn’t have a lot of inside defense. I spear him in the side, but he’s fast for a guy his size. He catches me in the back with a big elbow and I fall against him. He snaps his knee up hard enough to toss me on my back ten feet away. The Vernalis crashes into the ground near my head. I roll out of the way just as Crab Man spits a ball of fire at me. I reflexively block it with a kind of shield hex that bounces the attack back at the opponent. Goddamn. They left a hole in the cloak for the fighters. We can throw hoodoo out here. If the Andes Mountains weren’t trying to beat me to death, I could probably get right out of here.

I throw a blinding hex at Crab Man’s eyes. Part of it hits his arm, so I only get one eye. He howls like I pissed on his Batman #1 and a bolt of lightning hits the ground a few feet behind me. He has some big bad hoodoo under that claw, but I have an angel in my head and it can see the flash of power when he throws the big stuff.

I move around him, trying to stay on his blind side and draw him in closer. The magic he tosses at me is like the rest of him. Big and powerful, but not all that fast or creative. Being in the arena with him is like playing tennis in a meteor shower, but one where I can see the meteors a second before they hit. I keep tossing sharp little barbs of hoodoo at him. Waves of white-hot razors at his legs. Blasts of arctic cold at his eyes and balls. Muscle disruptors that have him shaking and spasming like an epileptic. But I can’t pull out the big stuff. I could air-burst this place and turn the air into a blowtorch, but Crab Man is too close and the arena’s too small and burning myself up with him isn’t part of what little strategy I have.

Crab Man keeps on with the blockbuster spells, raining fire and brimstone. If he keeps on tossing the big stuff this fast, all I have to do is keep out of his way and he’ll wear himself out.

I toss a starburst into his face. It starts as a fist-size ball of plasma that explodes into a thousand burning pieces of shrapnel. Crab Man raises his shield to block the hex and I slide in underneath, thrusting the na’at at his gut, going for a kill shot.

The fireballs chew up his face, but he protects his one working eye and brings his shield down at me like a guillotine. I get the na’at into his gut a few inches, but not far enough to finish him. He swings the shield at my head, but I duck it. He raises it high and brings it straight down on the na’at, snapping it in half. That’s not supposed to happen. When a na’at is hit like that, it goes limp and bends in the middle like rubber. Mine shatters like glass. The break is clean and bright like someone’s taken a hacksaw to the thing and cut partway through it. I look at Crab Man. The na’at was rigged and he knew it. In the second it takes me to understand that, he gets my left arm in the Vernalis and closes the pincers. There’s a single white convulsion of pain as he crushes my arm and snaps it off a few inches below my shoulder. It’s a race between the arm and me to see who can hit the ground first. I win.

The crowd is going completely apeshit. For a second, the mad screaming and stomping sounds like I’m back in the real arena. I relax. I don’t want to croak in a backwater Hooverville soccer-mom park, but being back in the real arena, I can die happy.

Crab Man is bowing all the way around the stadium. Me, I just lie there and bleed. I’m done and he knows it. I want to go to sleep and stay that way. The angel in my head starts shouting. He reminds me that if I go out, I’ll die and so will Alice.

I let my mind float away and the pain takes me over completely. The agony of crushed muscles and bones revs my engines nicely. I bark a Hellion combat spell to slow the bleeding and another to suck the blood into the dirt so no one will notice it’s human.

Crab Man is soaking up the love. A few more bows and he’ll come back and finish me.

John Wayne wouldn’t shoot a man in the back, but that’s my favorite target.

I manifest the Gladius and drag myself up. I’m not what you’d call steady on my feet, but I’m close enough that I don’t have to be. I raise the Gladius as high as I can and slice off Crab Man’s Vernalis arm. The crowd goes silent. Crab Man stares at his stump. I take off one of his legs next. He falls on his face, balancing on one arm and one leg. He’s trying to move around to face me so he can attack. He swings his shield blindly, hoping I get too close and he can crush me. I let him close the distance before taking that arm, too. I keep waiting for the armed guards to open up with the shotguns, but they’re watching, as stunned as the drunks in the stands. I stagger around in front of Crab Man. I want him to see this.

He’s got one leg left and I slice that off at the knee. I want him to look in my eyes. I want the crowd to soak up every minute of this. I’m killing all of them. Every portion of pain I bring on Crab Man I’m bringing down on them. Genocide is evil and evil tastes good right now.

I slash Crab Man from right to left, through his chest. Before he comes apart, I swing the Gladius up and over, slicing him neatly from skull to ass. He falls apart in four big cauterized chunks of honey-baked ham.

That, ladies and gentlemen, is what we call showmanship, with love from Sandman Slim.

The stadium is still quiet, like all the air has been sucked out of the place. But all it takes is for someone to drop a bottle and the sound sets everyone off at once. You didn’t see that coming, did you? Some ugly half-dead Hellion foot soldier that could pull out a Gladius. Sleep tight wondering what other secret things us infantry grunts can do.

My left arm has stopped bleeding, but it’s still a big open wound. I bark a pain spell, hold the Gladius to my arm, and burn the wound closed. Then I fall over and drift into a comforting blackness.

I feel a couple of guards drag me back to the holding pens. I don’t go back into the pen with the other prisoners. They toss me incoly toss to one of the blacked-out RVs alone. Even through the half-dead haze I can see they’re scared shitless. Maybe I’m a spy or an officer from Pandemonium come to check up on them and they just tossed me into a death pit with a roid-rage moron. The smell of my burned skin is making me nauseous. Damn I could go for a cigarette right now.

I feel around for the Maledictions. This really is Hell. One cigarette left and it was crushed beyond all recognition in the fight. I toss the pack into the dark. The angel is trying to remind me of something. I reach back into the pocket and find Muninn’s hoodoo healing egg. I bite into it and something soothing and sweet flows down my throat. In a few seconds my head is clear. I’m still weak, but the pain is gone and the world feels firm under my ass.

I let the angel loose. I need to think through this, because unless my new stump has a 007 plan to get us out of here, I’m going to have to call leaving my arm back in the arena a major setback.

I wonder if there’s a way to turn off the antihoodoo cloak around this place. I’m not too proud to crawl into a shadow and whimper in the Room for an eternity or two. Mason’s already putting up wanted posters. He knows I’m here. What do I care if one of his pet magicians detects me using the key? But I’m back in the holding area and the cloak is on, so I can’t throw any hoodoo. And there’s no way I’m fighting my way through all those guards with a wing clipped.

I need to stop for a minute and catch my breath. I don’t know how long Muninn’s egg is going to last. I need to keep moving while it does. I let the angel take over my senses. It can see right through the RV’s tin-can walls.

I expect to see Rommel and the Afrika Corps around the place, but there isn’t a Hellion within a hundred yards of me. I’m Chernobyl in a white-trash pied-à-terre. The angel does a three hundred-and-sixty-degree scan around the place. The few Hellions brave enough to be within eyesight are all on the arena side of the RV. Behind me is an empty field. But the RV is protected by the same Malebranche hex that zapped me good back in the flatbed. I cut a person-size hole in the wall and fall through. If I keep the RV between me and the posse, I just might be able to slink away into the dark with my tail tucked between my legs.

I guess this is Plan B.

JUST A FEW blocks away the streets are packed. I’m not sure where I am. I try to look nonchalant with my missing arm and the side of my coat soaked with dried blood and scorched by the Gladius. The crowd makes it easy to disappear. So does the fact that a lot of the losers lying in the street and begging around the food stalls don’t look much better than me.

I wonder if any of the big brains back at the stadium have figured out I’m not in the RV anymore. One of the brave ones is going to check out the arm I left behind, see that it’s human, and eventually figure out who it belongs to. My wanted posters are all over, so knowing the arm is mine doesn’t bother me, but I hate the idea that some Hellion cocksucker is going to stick it on his wall as a trophy.

This is the first crowded patch of land I’ve seen in Eleusis. Hard-core raider country. Instead of hitting the individual corner markets, the enterprising ones have cleared them out and set up their own stalls. It’s a county-fair midway, full of ugly Hellspawn and starving pagans desperate or brave or stupid enough to pick through the gutters and garbage for leftovers. Looking at what’s going on at the stadium and the ruthless bastards picking the city clean out here, I can’t see much difference between the raiders and the posse that followed Jack and me except who pays their salaries. It makes me wonder how many soldiers in Lucifer’s legions were true believers and how many were simple mercenaries. Another nice design job, God. You ate your roughage and shit out an angelic army that could be bought off with beer and Twinkies.

There are impressive cracks in the sides of some buildings. Like the houses, some are supported by power poles. Others by gas-station hydraulic lifts and broken-down backhoes. There are open cesspits on the side streets near piles of trash two stories high. That’s where most of the crazies and the pagans hang out, picking up and pocketing anything they can eat or trade. Cracks in the sidewalk ooze sewagey blood, but I don’t see any big sinkholes. That’s probably why everyone is bunched up in this part of town.

Being crippled like this isn’t going to make getting Alice out of the asylum any easier, but nowhere’s going to be safe when Mason starts his war. There’s no way around it. The trip is a package deal. I have to get Alice and I have to stop Mason. One doesn’t mean a goddamn thing without the other.

I keep touching my left side, looking for my missing arm, wondering if I made a mistake. Maybe I’m still lying on the street where the brick tagged me on the side of the head. Maybe Crab Man hit me with an illusion hex and my arm is still there. I swear I can feel my fingers move. But that’s just phantom limb syndrome. It’ll take a while for all the nerves that went to the arm to realize there’s nothing there and die. Maybe when I get home, Allegra can set me up with a big steel Iron Man mitt. That would scare the ugly off the baddest Lurkers. Sandman Slim, the cyborg nephilim.

The street is full of stalls, and raiders make the place almost look like regular Hell. But it’s not and I still don’t know where I am. It looks like Eleusis’s wall goes all the way around Griffith Park from the 101 on one side and the Golden State Freeway on the other. I can still see the Observatory asylum dead north. If someone around here had a cannon, they could shoot me straight up the hill and I’d be there. I need to find one of the tourist roads. If I tried climbing the damned hill through the trees, I’d still be going an hour after the universe ended. I need some elevation to get my bearings.

A few Kissi wander through the crowd. They trail raiders, making them jittery and paranoid and looking for a fight. They whisper to merchants who start screaming arguments with their customers. There’s one on a side street tossing lit matches into empty windows. Nothing’s caught yet, but give it time. I don’t dare try to scare them off. I don’t want to give myself away and I’m too weak to threaten them.

Right now the hard thing is keeping my head straight andv> straigh my thoughts focused. Muninn’s egg isn’t going to last forever. I can feel an edge of pain in my arm already. Maybe that’s normal and maybe it’s a sign the egg is wearing off. This is the first time I’ve been dismembered. I’m not an expert. I stumble against a table. Booze, cigarettes, and bottles of potions clatter against each other. A few fall. I bend down like I’m helping pick things up, but I’m really trying to pocket a pack of Maledictions. The owner comes around the stall and yells at me, punctuating his point by kicking me on the left side, where I can’t do anything about it.

I come to a large intersection. Eleusis isn’t burning, but L.A. glows like coal and spits fire into the sky. I duck into a four-story parking garage. The bottom floor is set up like a squatter camp. There are pagans and crazies from up the hill, cook fires and tents. The place stinks from bodies and waste. I go up the ramp to the second floor. There are fewer people and no one bothers me. I keep climbing.

The third floor is trashed, almost like a bomb went off. Every inch is blackened and scorched. It doesn’t look like a bomb. More like a fire, one big enough and hot enough so it didn’t leave anything but half-melted car frames. I’m exhausted after walking from the stadium. I find a spot in the dark back by the elevators and lie down. The cool concrete feels good against my head. I’m glad Alice isn’t here to see me like this. It might shake her confidence in my knight-in-shining armor act.

The air is relatively clean up here, but I still get whiffs of the body stink from down below. One smell doesn’t belong—the overwhelming vinegar reek. I tilt up my head and Josef is standing on the melted frame of a MINI Cooper.

“This isn’t exactly the progress I was hoping to find,” he says.

“Get out of here, man. Someone’s going to see you.”

“So? Do you think any of the mob out there would be willing or able to do anything about it?”

“My point is, I don’t want to find out. No loose ends. Remember?”

I sit up and lean my back against the wall. Josef looks at my empty sleeve and shakes his head.