Текст книги "The god delusion"
Автор книги: Richard Dawkins
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THE ARGUMENT FROM BEAUTY
Another character in the Aldous Huxley novel just mentioned proved the existence of God by playing Beethoven's string quartet no. 15 in A minor ('heiliger Dankgesang') on a gramophone. Unconvincing as that sounds, it does represent a popular strand of argument. I have given up counting the number of times I receive the more or less truculent challenge: 'How do you account for Shakespeare, then?' (Substitute Schubert, Michelangelo, etc. to taste.) The argument will be so familiar, I needn't document it further. But the logic behind it is never spelled out, and the more you think about it the more vacuous you realize it to be. Obviously Beethoven's late quartets are sublime. So are Shakespeare's sonnets. They are sublime if God is there and they are sublime if he isn't. They do not prove the existence of God; they prove the existence of Beethoven and of Shakespeare. A great conductor is credited with saying: 'If you have Mozart to listen to, why would you need God?'
I once was the guest of the week on a British radio show called Desert Island Discs. You have to choose the eight records you would take with you if marooned on a desert island. Among my choices was 'Mache dich mein Herze rein' from Bach's St Matthew Passion. The interviewer was unable to understand how I could choose religious music without being religious. You might as well say, how can you enjoy Wuthering Heights when you know perfectly well that Cathy and Heathcliff never really existed?
But there is an additional point that I might have made, and which needs to be made whenever religion is given credit for, say, the Sistine Chapel or Raphael's Annunciation. Even great artists have to earn a living, and they will take commissions where they are to be had. I have no reason to doubt that Raphael and Michelangelo were Christians – it was pretty much the only option in their time – but the fact is almost incidental. Its enormous wealth had made the Church the dominant patron of the arts. If history had worked out differently, and Michelangelo had been commissioned to paint a ceiling for a giant Museum of Science, mightn't he have produced something at least as inspirational as the Sistine Chapel? How sad that we shall never hear Beethoven's Mesozoic Symphony, or Mozart's opera The Expanding Universe.
And what a shame that we are deprived of Haydn's Evolution Oratorio – but that does not stop us from enjoying his Creation. To approach the argument from the other side, what if, as my wife chillingly suggests to me, Shakespeare had been obliged to work to commissions from the Church? We'd surely have lost Hamlet, King Lear and Macbeth. And what would we have gained in return? Such stuff as dreams are made on? Dream on.
If there is a logical argument linking the existence of great art to the existence of God, it is not spelled out by its proponents. It is simply assumed to be self-evident, which it most certainly is not. Maybe it is to be seen as yet another version of the argument from design: Schubert's musical brain is a wonder of improbability, even more so than the vertebrate's eye. Or, more ignobly, perhaps it's a sort of jealousy of genius. How dare another human being make such beautiful music/poetry/art, when I can't? It must be God that did it.
THE ARGUMENT FROM PERSONAL 'EXPERIENCE'
One of the cleverer and more mature of my undergraduate contemporaries, who was deeply religious, went camping in the Scottish isles. In the middle of the night he and his girlfriend were woken in their tent by the voice of the devil – Satan himself; there could be no possible doubt: the voice was in every sense diabolical. My friend would never forget this horrifying experience, and it was one of the factors that later drove him to be ordained. My youthful self was impressed by his story, and I recounted it to a gathering of zoologists relaxing in the Rose and Crown Inn, Oxford. Two of them happened to be experienced ornithologists, and they roared with laughter. 'Manx Shearwater!' they shouted in delighted chorus. One of them added that the diabolical shrieks and cackles of this species have earned it, in various parts of the world and various languages, the local nickname 'Devil Bird'.
Many people believe in God because they believe they have seen a vision of him – or of an angel or a virgin in blue – with their own eyes. Or he speaks to them inside their heads. This argument from personal experience is the one that is most convincing to those who claim to have had one. But it is the least convincing to anyone else, and anyone knowledgeable about psychology.
You say you have experienced God directly? Well, some people have experienced a pink elephant, but that probably doesn't impress you. Peter Sutcliffe, the Yorkshire Ripper, distinctly heard the voice of Jesus telling him to kill women, and he was locked up for life. George W. Bush says that God told him to invade Iraq (a pity God didn't vouchsafe him a revelation that there were no weapons of mass destruction). Individuals in asylums think they are Napoleon or Charlie Chaplin, or that the entire world is conspiring against them, or that they can broadcast their thoughts into other people's heads. We humour them but don't take their internally revealed beliefs seriously, mostly because not many people share them. Religious experiences are different only in that the people who claim them are numerous. Sam Harris was not being overly cynical when he wrote, in The End of Faith:
We have names for people who have many beliefs for which there is no rational justification. When their beliefs are extremely common we call them 'religious'; otherwise, they are likely to be called 'mad', 'psychotic' or 'delusional'. Clearly there is sanity in numbers. And yet, it is merely an accident of history that it is considered normal in our society to believe that the Creator of the universe can hear your thoughts, while it is demonstrative of mental illness to believe that he is communicating with you by having the rain tap in Morse code on your bedroom window. And so, while religious people are not generally mad, their core beliefs absolutely are.
I shall return to the subject of hallucinations in Chapter 10.
The human brain runs first-class simulation software. Our eyes don't present to our brains a faithful photograph of what is out there, or an accurate movie of what is going on through time. Our brains construct a continuously updated model: updated by coded pulses chattering along the optic nerve, but constructed nevertheless. Optical illusions are vivid reminders of this.47 A major class of illusions, of which the Necker Cube is an example, arise because the sense data that the brain receives are compatible with two alternative models of reality. The brain, having no basis for choosing between them, alternates, and we experience a series of flips from one internal model to the other. The picture we are looking at appears, almost literally, to flip over and become something else.
The simulation software in the brain is especially adept at constructing faces and voices. I have on my windowsill a plastic mask of Einstein. When seen from the front, it looks like a solid face, not surprisingly. What is surprising is that, when seen from behind – the hollow side – it also looks like a solid face, and our perception of it is very odd indeed. As the viewer moves around, the face seems to follow – and not in the weak, unconvincing sense that the Mona Lisa's eyes are said to follow you. The hollow mask really really looks as though it is moving. People who haven't previously seen the illusion gasp with amazement. Even stranger, if the mask is mounted on a slowly rotating turntable, it appears to turn in the correct direction when you are looking at the solid side, but in the opposite direction when the hollow side comes into view. The result is that, when you watch the transition from one side to the other, the coming side appears to 'eat' the going side. It is a stunning illusion, well worth going to some trouble to see. Sometimes you can get surprisingly close to the hollow face and still not see that it is 'really' hollow. When you do see it, again there is a sudden flip, which may be reversible.
Why does it happen? There is no trick in the construction of the mask. Any hollow mask will do it. The trickery is all in the brain of the beholder. The internal simulating software receives data indicating the presence of a face, perhaps nothing more than a pair of eyes, a nose and a mouth in approximately the right places. Having received these sketchy clues, the brain does the rest. The face simulation software kicks into action and it constructs a fully solid model of a face, even though the reality presented to the eyes is a hollow mask. The illusion of rotation in the wrong direction comes about because (it's quite hard, but if you think it through carefully you will confirm it) reverse rotation is the only way to make sense of the optical data when a hollow mask rotates while being perceived to be a solid mask.48 It is like the illusion of a rotating radar dish that you sometimes see at airports. Until the brain flips to the correct model of the radar dish, an incorrect model is seen rotating in the wrong direction but in a weirdly cockeyed way.
I say all this just to demonstrate the formidable power of the brain's simulation software. It is well capable of constructing 'visions' and 'visitations' of the utmost veridical power. To simulate a ghost or an angel or a Virgin Mary would be child's play to software of this sophistication. And the same thing works for hearing. When we hear a sound, it is not faithfully transported up the auditory nerve and relayed to the brain as if by a high-fidelity Bang and Olufsen. As with vision, the brain constructs a sound model, based upon continuously updated auditory nerve data. That is why we hear a trumpet blast as a single note, rather than as the composite of pure-tone harmonics that gives it its brassy snarl. A clarinet playing the same note sounds 'woody', and an oboe sounds 'reedy', because of different balances of harmonics. If you carefully manipulate a sound synthesizer to bring in the separate harmonics one by one, the brain hears them as a combination of pure tones for a short while, until its simulation software 'gets it', and from then on we experience only a single note of pure trumpet or oboe or whatever it is. The vowels and consonants of speech are constructed in the brain in the same kind of way, and so, at another level, are higher-order phonemes and words.
Once, as a child, I heard a ghost: a male voice murmuring, as if in recitation or prayer. I could almost, but not quite, make out the words, which seemed to have a serious, solemn timbre. I had been told stories of priest holes in ancient houses, and I was a little frightened. But I got out of bed and crept up on the source of the sound. As I got closer, it grew louder, and then suddenly it 'flipped' inside my head. I was now close enough to discern what it really was. The wind, gusting through the keyhole, was creating sounds which the simulation software in my brain had used to construct a model of male speech, solemnly intoned. Had I been a more impressionable child, it is possible that I would have 'heard' not just unintelligible speech but particular words and even sentences. And had I been both impressionable and religiously brought up, I wonder what words the wind might have spoken.
On another occasion, when I was about the same age, I saw a giant round face gazing, with unspeakable malevolence, out through the window of an otherwise ordinary house in a seaside village. In trepidation, I approached until I was close enough to see what it really was: just a vaguely face-like pattern created by the chance fall of the curtains. The face itself, and its evil mien, had been constructed in my fearful child's brain. On 11 September 2001, pious people thought they saw the face of Satan in the smoke rising from the Twin Towers: a superstition backed by a photograph which was published on the Internet and widely circulated.
Constructing models is something the human brain is very good at. When we are asleep it is called dreaming; when we are awake we call it imagination or, when it is exceptionally vivid, hallucination. As Chapter 10 will show, children who have 'imaginary friends' sometimes see them clearly, exactly as if they were real. If we are gullible, we don't recognize hallucination or lucid dreaming for what it is and we claim to have seen or heard a ghost; or an angel; or God; or – especially if we happen to be young, female and Catholic – the Virgin Mary. Such visions and manifestations are certainly not good grounds for believing that ghosts or angels, gods or virgins, are actually there.
On the face of it mass visions, such as the report that seventy thousand pilgrims at Fatima in Portugal in 1917 saw the sun 'tear itself from the heavens and come crashing down upon the multitude',49 are harder to write off. It is not easy to explain how seventy thousand people could share the same hallucination. But it is even harder to accept that it really happened without the rest of the world, outside Fatima, seeing it too – and not just seeing it, but feeling it as the catastrophic destruction of the solar system, including acceleration forces sufficient to hurl everybody into space. David Hume's pithy test for a miracle comes irresistibly to mind: 'No testimony is sufficient to establish a miracle, unless the testimony be of such a kind, that its falsehood would be more miraculous than the fact which it endeavours to establish.'
It may seem improbable that seventy thousand people could simultaneously be deluded, or could simultaneously collude in a mass lie. Or that history is mistaken in recording that seventy thousand people claimed to see the sun dance. Or that they all simultaneously saw a mirage (they had been persuaded to stare at the sun, which can't have done much for their eyesight). But any of those apparent improbabilities is far more probable than the alternative: that the Earth was suddenly yanked sideways in its orbit, and the solar system destroyed, with nobody outside Fatima noticing. I mean, Portugal is not that isolated.*) 13.
Although admittedly my wife's parents once stayed in a Paris hotel called the Hotel de l'Univers et du Portugal.
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That is really all that needs to be said about personal 'experiences' of gods or other religious phenomena. If you've had such an experience, you may well find yourself believing firmly that it was real. But don't expect the rest of us to take your word for it, especially if we have the slightest familiarity with the brain and its powerful workings.
THE ARGUMENT FROM SCRIPTURE
There are still some people who are persuaded by scriptural evidence to believe in God. A common argument, attributed among others to C. S. Lewis (who should have known better), states that, since Jesus claimed to be the Son of God, he must have been either right or else insane or a liar: 'Mad, Bad or God'. Or, with artless alliteration, 'Lunatic, Liar or Lord'. The historical evidence that Jesus claimed any sort of divine status is minimal. But even if that evidence were good, the trilemma on offer would be ludicrously inadequate. A fourth possibility, almost too obvious to need mentioning, is that Jesus was honestly mistaken. Plenty of people are. In any case, as I said, there is no good historical evidence that he ever thought he was divine.
The fact that something is written down is persuasive to people not used to asking questions like: 'Who wrote it, and when?' 'How did they know what to write?' 'Did they, in their time, really mean what we, in our time, understand them to be saying?' 'Were they unbiased observers, or did they have an agenda that coloured their writing?' Ever since the nineteenth century, scholarly theologians have made an overwhelming case that the gospels are not reliable accounts of what happened in the history of the real world. All were written long after the death of Jesus, and also after the epistles of Paul, which mention almost none of the alleged facts of Jesus' life. All were then copied and recopied, through many different 'Chinese Whispers generations' (see Chapter 5) by fallible scribes who, in any case, had their own religious agendas.
A good example of the colouring by religious agendas is the whole heart-warming legend of Jesus' birth in Bethlehem, followed by Herod's massacre of the innocents. When the gospels were written, many years after Jesus' death, nobody knew where he was born. But an Old Testament prophecy (Micah 5:2) had led Jews to expect that the long-awaited Messiah would be born in Bethlehem. In the light of this prophecy, John's gospel specifically remarks that his followers were surprised that he was not born in Bethlehem: 'Others said, This is the Christ. But some said, Shall Christ come out of Galilee? Hath not the scripture said, That Christ cometh of the seed of David, and out of the town of Bethlehem, where David was?'
Matthew and Luke handle the problem differently, by deciding that Jesus must have been born in Bethlehem after all. But they get him there by different routes. Matthew has Mary and Joseph in Bethlehem all along, moving to Nazareth only long after the birth of Jesus, on their return from Egypt where they fled from King Herod and the massacre of the innocents. Luke, by contrast, acknowledges that Mary and Joseph lived in Nazareth before Jesus was born. So how to get them to Bethlehem at the crucial moment, in order to fulfil the prophecy? Luke says that, in the time when Cyrenius (Quirinius) was governor of Syria, Caesar Augustus decreed a census for taxation purposes, and everybody had to go 'to his own city'. Joseph was 'of the house and lineage of David' and therefore he had to go to 'the city of David, which is called Bethlehem'. That must have seemed like a good solution. Except that historically it is complete nonsense, as A. N. Wilson in Jesus and Robin Lane Fox in The Unauthorized Version (among others) have pointed out. David, if he existed, lived nearly a thousand years before Mary and Joseph. Why on earth would the Romans have required Joseph to go to the city where a remote ancestor had lived a millennium earlier? It is as though I were required to specify, say, Ashby-de-la-Zouch as my home town on a census form, if it happened that I could trace my ancestry back to the Seigneur de Dakeyne, who came over with William the Conqueror and settled there.
Moreover, Luke screws up his dating by tactlessly mentioning events that historians are capable of independently checking. There was indeed a census under Governor Quirinius – a local census, not one decreed by Caesar Augustus for the Empire as a whole – but it happened too late: in AD 6, long after Herod's death. Lane Fox concludes that 'Luke's story is historically impossible and internally incoherent', but he sympathizes with Luke's plight and his desire to fulfil the prophecy of Micah.
In the December 2004 issue of Free Inquiry, Tom Flynn, the Editor of that excellent magazine, assembled a collection of articles documenting the contradictions and gaping holes in the well-loved Christmas story. Flynn himself lists the many contradictions between Matthew and Luke, the only two evangelists who treat the birth of Jesus at all.50 Robert Gillooly shows how all the essential features of the Jesus legend, including the star in the east, the virgin birth, the veneration of the baby by kings, the miracles, the execution, the resurrection and the ascension are borrowed – every last one of them – from other religions already in existence in the Mediterranean and Near East region. Flynn suggests that Matthew's desire to fulfil messianic prophecies (descent from David, birth in Bethlehem) for the benefit of Jewish readers came into headlong collision with Luke's desire to adapt Christianity for the Gentiles, and hence to press the familiar hot buttons of pagan Hellenistic religions (virgin birth, worship by kings, etc.). The resulting contradictions are glaring, but consistently overlooked by the faithful.
Sophisticated Christians do not need George Gershwin to convince them that 'The things that you're li'ble / To read in the Bible / It ain't necessarily so'. But there are many unsophisticated Christians out there who think it absolutely is necessarily so – who take the Bible very seriously indeed as a literal and accurate record of history and hence as evidence supporting their religious beliefs. Do these people never open the book that they believe is the literal truth? Why don't they notice those glaring contradictions?
Shouldn't a literalist worry about the fact that Matthew traces Joseph's descent from King David via twenty-eight intermediate generations, while Luke has forty-one generations? Worse, there is almost no overlap in the names on the two lists! In any case, if Jesus really was born of a virgin, Joseph's ancestry is irrelevant and cannot be used to fulfil, on Jesus' behalf, the Old Testament prophecy that the Messiah should be descended from David.
The American biblical scholar Bart Ehrman, in a book whose subtitle is The Story Behind Who Changed the New Testament and Why, unfolds the huge uncertainty befogging the New Testament texts.*) 14.
I give the subtitle because that is all I am confident of. The main title of my copy of the book, published by Continuum of London, is Whose Word Is It? I can find nothing in this edition to say whether it is the same book as the American publication by Harper San Francisco, which I haven't seen, whose main title is Misquoting Jesus. I presume they are the same book, but why do publishers do this kind of thing?
[Закрыть] In the introduction to the book, Professor Ehrman movingly charts his personal educational journey from Bible-believing fundamentalist to thoughtful sceptic, a journey driven by his dawning realization of the massive fallibility of the scriptures. Significantly, as he moved up the hierarchy of American universities, from rock bottom at the 'Moody Bible Institute', through Wheaton College (a little bit higher on the scale, but still the alma mater of Billy Graham) to Princeton in the world-beating class at the top, he was at every step warned that he would have trouble maintaining his fundamentalist Christianity in the face of dangerous progressivism. So it proved; and we, his readers, are the beneficiaries. Other refreshingly iconoclastic books of biblical criticism are Robin Lane Fox's The Unauthorized Version, already mentioned, and Jacques Berlinerblau's The Secular Bible: Why Nonbelievers Must Take Religion Seriously.
The four gospels that made it into the official canon were chosen, more or less arbitrarily, out of a larger sample of at least a dozen including the Gospels of Thomas, Peter, Nicodemus, Philip, Bartholomew and Mary Magdalen.51 It is these additional gospels that Thomas Jefferson was referring to in his letter to his nephew:
I forgot to observe, when speaking of the New Testament, that you should read all the histories of Christ, as well of those whom a council of ecclesiastics have decided for us, to be Pseudo-evangelists, as those they named Evangelists. Because these Pseudo-evangelists pretended to inspiration, as much as the others, and you are to judge their pretensions by your own reason, and not by the reason of those ecclesiastics.
The gospels that didn't make it were omitted by those ecclesiastics perhaps because they included stories that were even more embarrassingly implausible than those in the four canonical ones. The Gospel of Thomas, for example, has numerous anecdotes about the child Jesus abusing his magical powers in the manner of a mischievous fairy, impishly transforming his playmates into goats, or turning mud into sparrows, or giving his father a hand with the carpentry by miraculously lengthening a piece of wood.*) 15.
A. N. Wilson, in his biography of Jesus, casts doubt on the story that Joseph was a carpenter at all. The Greek word tekton does indeed mean carpenter, but it was translated from the Aramaic word naggar, which could mean craftsman or learned man. This is one of several constructive mistranslations that bedevil the Bible, the most famous being the mistranslation of Isaiah's Hebrew for young woman (almah) into the Greek for virgin (parthenos). An easy mistake to make (think of the English words 'maid' and 'maiden' to see how it might have happened), this one translator's slip was to be wildly inflated and give rise to the whole preposterous legend of Jesus' mother being a virgin! The only competitor for the title of champion constructive mistranslation of all time also concerns virgins. Ibn Warraq has hilariously argued that in the famous promise of seventy-two virgins to every Muslim martyr, 'virgins' is a mistranslation of 'white raisins of crystal clarity'. Now, if only that had been more widely known, how many innocent victims of suicide missions might have been saved? (Ibn Warraq, 'Virgins? What virgins?', Free Inquiry 26: 1, 2006, 45-6.)
[Закрыть] It will be said that nobody believes crude miracle stories such as those in the Gospel of Thomas anyway. But there is no more and no less reason to believe the four canonical gospels. All have the status of legends, as factually dubious as the stories of King Arthur and his Knights of the Round Table.
Most of what the four canonical gospels share is derived from a common source, either Mark's gospel or a lost work of which Mark is the earliest extant descendant. Nobody knows who the four evangelists were, but they almost certainly never met Jesus personally. Much of what they wrote was in no sense an honest attempt at history but was simply rehashed from the Old Testament, because the gospel-makers were devoutly convinced that the life of Jesus must fulfil Old Testament prophecies. It is even possible to mount a serious, though not widely supported, historical case that Jesus never lived at all, as has been done by, among others, Professor G. A. Wells of the University of London in a number of books, including Did Jesus Exist?.
Although Jesus probably existed, reputable biblical scholars do not in general regard the New Testament (and obviously not the Old Testament) as a reliable record of what actually happened in history, and I shall not consider the Bible further as evidence for any kind of deity. In the farsighted words of Thomas Jefferson, writing to his predecessor, John Adams, 'The day will come when the mystical generation of Jesus, by the Supreme Being as his father, in the womb of a virgin, will be classed with the fable of the generation of Minerva in the brain of Jupiter.'
Dan Brown's novel The Da Vinci Code, and the film made from it, are arousing huge controversy in church circles. Christians are encouraged to boycott the film and picket cinemas that show it. It is indeed fabricated from start to finish: invented, made-up fiction. In that respect, it is exactly like the gospels. The only difference between The Da Vinci Code and the gospels is that the gospels are ancient fiction while The Da Vinci Code is modern fiction.