Текст книги "Hollow City"

Автор книги: Ransom Riggs

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Текущая страница: 19 (всего у книги 21 страниц)

And I went up the stairs without her.

I moved quietly through the halls. I stood outside the ymbryne meeting room for a while, listening to muffled voices through the door, but I didn’t go in. I peeked into the nurse’s room and saw her dozing on a stool between the single-souled peculiars. I cracked the door to Miss Wren’s room and saw her rocking Miss Peregrine in her lap, gently kneading her fingers into the bird’s feathers. I said nothing to anyone.

Wandering through empty halls and ransacked offices, I tried to imagine what home would feel like, if after all this I chose to go back. What I would tell my parents. I’d tell them nothing, most likely. They’d never believe me, anyway. I would say I’d gotten mad, written a letter to my father filled with crazy stories, then caught a boat to the mainland and run away. They’d call it a stress reaction. Chalk it up to some invented disorder and adjust my meds accordingly. Blame Dr. Golan for suggesting I go to Wales. Dr. Golan, whom of course they’d never hear from again. He’d skipped town, they’d say, because he was a fraud, a quack whom we never should’ve trusted. And I’d go back to being Jacob the poor, traumatized, mentally disturbed rich kid.

It sounded like a prison sentence. And yet, if my best reason for staying in peculiardom didn’t want me anymore, I wouldn’t debase myself by clinging to her. I had my pride.

How long could I stand Florida, now that I’d had a taste of this peculiar life? I was not nearly as ordinary as I used to be—or if it was true that I’d never been ordinary, now I knew it. I had changed. And that, at least, gave me some hope: that even under ordinary circumstances, I still might find a way to live an extraordinary life.

Yes, it was best to go. It really was best. If this world was dying and there was nothing to be done for it, then what was left for me here? To run and hide until there was no safe place left to go, no loop to sustain my friends’ artificial youth. To watch them die. To hold Emma as she crumbled and broke apart in my arms.

That would kill me faster than any hollow could.

So yes, I would go. Salvage what was left of my old life. Goodbye, peculiars. Goodbye, peculiardom.

It was for the best.

I wandered until I came to a place where the rooms were only half frozen, and the ice had risen halfway to the ceiling like water in a sinking ship and then stopped, leaving the tops of desks and the heads of lamps sticking out like faltering swimmers. Beyond the iced windows the sun was sinking. Shadows bloomed across the walls and multiplied in the stairwells, and as the light died it got bluer, painting everything around me a deep-sea cobalt.

It occurred to me that this was probably my last night in peculiardom. My last night with the best friends I’d ever had. My last night with Emma.

Why was I spending it alone? Because I was sad, and Emma had hurt my pride, and I needed to sulk.

Enough of this.

Just as I turned to leave the room, though, I felt it: that old familiar twinge in my gut.

A hollow.

I stopped, waiting for another hit of pain. I needed more information. The intensity of the pain corresponded to the nearness of the hollow and the frequency of the hits with its strength. When two strong hollows had been chasing us, the Feeling had been one long, unbroken spasm, but now it was a long time before I felt another—nearly a minute—and when it came, it was so faint I wasn’t even sure I’d felt it.

I crept slowly out of the room and down the hall. As I passed the next doorway, I felt a third twinge: a little stronger now, but still only a whisper.

I tried to open the door carefully and quietly, but it was frozen shut. I had to yank on it, then rattle the door, then kick it, until finally it flew open to reveal a doorway and a room filled with ice that rose to mid-chest height. I approached the ice cautiously and peered across it, and even in the weak light, I saw the hollow right away. It was crouched on the floor, encased in ice up to its ink-black eyeballs. Only the top half of its head was exposed above the ice; the rest of it, the dangerous parts, its open jaws and all its teeth and tongues, were all caught below the surface.

The thing was just barely alive, its heart slowed almost to nothing, beating maybe once per minute. With each feeble pulse I felt a corresponding stitch of pain.

I stood at the mouth of the room and stared at it, fascinated and repulsed. It was unconscious, immobilized, totally vulnerable. It would’ve been easy to climb onto the ice and drive the point of an icicle into the hollow’s skull—and if anyone else had known it was here, I’m sure they would’ve done just that. But something stopped me. It was no threat to anyone now, this creature. Every hollow I’d come into contact with had left a mark on me. I saw their decaying faces in my dreams. Soon I’d be going home, where I’d no longer be Jacob the hollow-slayer. I didn’t want to take this one with me, too. It wasn’t my business anymore.

I backed out of the room and closed the door.

*   *   *

When I returned to the meeting hall, it was nearly dark outside and the room was black as night. Because Miss Wren wouldn’t allow the gaslamps to be lit for fear they’d be seen from the street, everyone had gathered around a few candles at the big oval table, some in chairs and others perched cross-legged on the table itself, talking in low voices and peering down at something.

At the creak of the heavy doors, everyone turned to look at me.

“Miss Wren?” Bronwyn said hopefully, straightening in her chair and squinting.

“It’s only Jacob,” said another shadowy form.

After a chorus of disappointed sighs, Bronwyn said, “Oh, hullo Jacob,” and returned her attention to the table.

As I walked toward them, I locked eyes with Emma. Holding her gaze, I saw something raw and unguarded there—a fear, I imagined, that I had in fact decided to do what she’d urged me to. Then her eyes dulled and she looked down again.

I’d been half hoping Emma had taken pity on me and told the others I was leaving already. But of course she hadn’t—I hadn’t told her yet. She seemed to know, though, just from reading my face as I crossed the room.

It was clear the others had no idea. They were so accustomed to my presence, they’d forgotten it was even under consideration. I steeled myself and asked for everyone’s attention.

“Wait a moment,” said a heavily accented voice, and in the candlelight I saw the snake girl and her python looking at me. “This boy here was just spewing a lot of rubbish about the place I hail from.” She turned to the only chair at the table which was empty and said, “My people call it Simhaladvipa—dwelling place of lions.”

From the chair Millard replied, “I’m sorry, but it says right here in plain calligraphy: The Land of Serendip. The peculiar cartographers who made this were not in the business of making things up!”

Then I got a little closer and saw what it was they were arguing over. It was a Map of Days, though a much larger edition than the one we’d lost at sea. This one stretched practically across the table, and was as thick as a brick stood on end. “I know my own home, and it’s called Simhaladvipa!” the snake girl insisted, and her python uncoiled from her neck and shot across the table to bang its nose against the Map, indicating a teardrop-shaped island off India’s coast. On this map, however, India was called Malabar, and the island, which I knew to be Sri Lanka, was overlaid with slinky script that read Land of Serendip.

“It’s pointless to argue,” said Millard. “Some places have as many names as they have occupants to name them. Now please ask your serpent to back away, lest he crinkle the pages.”

The snake girl harrumphed and muttered something, and the python slunk away to coil around her neck again. All the while, I couldn’t stop staring at the book. The one we’d lost was impressive enough, though I’d seen it opened only once, at night, by the skittish orange firelight of the burning home for peculiar children. This one was of another scale entirely. Not only was it orders of magnitude larger, but it was so ornate that it made the other look like so much leather-bound toilet paper. Colorful maps spilled across its pages, which were made from something stronger than paper, calfskin maybe, and edged with gold. Lush illustrations and legends and blocks of explanatory text stuffed the margins.

Millard noticed me admiring it and said, “Isn’t it stunning? Excepting perhaps the Codex Peculiaris, this edition of the Map is the finest book in all peculiardom. It took a team of cartographers, artists, and bookmakers a lifetime to create, and it’s said that Perplexus Anomalous himself drew some of the maps. I’ve wanted to see it in person ever since I was a boy. Oh, I am so pleased!”

“It’s really something,” I said, and it was.

“Millard was just showing us some of his favorite parts,” said Olive. “I like the pictures best!”

“To take their minds off things,” Millard explained, “and make the waiting easier. Here, Jacob, come and help me turn the pages.”

Rather than ruin Millard’s moment with my sad announcement, I decided it could wait a little while. I wasn’t going anywhere until morning, at least, and I wanted to enjoy a few more minutes with my friends unburdened by weightier things. I sidled up next to Millard and slipped my fingers under the page, which was so large that it took both my hands and his to turn.

We pored over the Map. I was absorbed by it—especially the far-flung and lesser-known parts. Naturally, Europe and its many loops were well-defined, but farther afield things got sketchier. Vast swaths of Africa were simply blank. Terra incognita. The same was true of Siberia, although the Map of Days had its own name for Russia’s Far East: The Great Far-Reaching Solitude.

“Are there loops in these places?” asked Olive, pointing to a void that stretched across much of China. “Are there peculiars there, like us?”

“Certainly there are,” Millard said. “Peculiarness is determined by genes, not geography. But large portions of the peculiar world have simply not been explored.”

“Why not?”

“I suppose we were too busy surviving.”

It occurred to me that the business of surviving precluded a great many things, exploring and falling in love not least among them.

We turned more pages, hunting for blank spots. There were many, and all had fanciful names. The Mournful Kingdom of Sand. The Land Made in Anger. A High Place Full of Stars. I mouthed the words silently to myself, appreciating their roundness.

At the margins lurked fearsome places the Map called Wastes. The far north of Scandinavia was The Icy Waste. The middle of Borneo: The Stifling Waste. Much of the Arabian peninsula: The Pitiless Waste. The southern tip of Patagonia: The Cheerless Waste. Certain places weren’t represented at all. New Zealand. Hawaii. Florida, which was just an ingrown nub at America’s foot, barely there.

Looking at the Map of Days, even the places that sounded most forbidding evoked in me a strange longing. It reminded me of long-ago afternoons spent with my grandfather studying historic maps in National Geographic—maps drawn long before the days of airplanes and satellites, when high-resolution cameras couldn’t see into the world’s every nook and cranny. When the shape of now-familiar coastlines was guesswork. When the depths and dimensions of icy seas and forbidding jungles were cobbled together from rumors and legends and the wild-eyed ramblings of expeditioners who’d lost half their party exploring them.

While Millard rambled on about the history of the Map, I traced with my finger a vast and trackless desert in Asia. Where the Winged Creature Ends Not Its Flight. Here was a whole world yet to be discovered, and I had only just cracked its surface. The thought filled me with regret—but also a shameful kind of relief. I would see my home again, after all, and my parents. And maybe it was childish, this old urge to explore for exploring’s sake. There was romance in the unknown, but once a place had been discovered and cataloged and mapped, it was diminished, just another dusty fact in a book, sapped of mystery. So maybe it was better to leave a few spots on the map blank. To let the world keep a little of its magic, rather than forcing it to divulge every last secret.

Maybe it was better, now and then, to wonder.

And then I told them. There was no point in waiting any longer. I just blurted it out: “I’m leaving,” I said. “When this is all over, I’m going back home.”

There was a moment of shocked silence. Emma met my eyes, finally, and I could see tears standing in them.

Then Bronwyn got up from the table and threw her arms around me. “Brother,” she said. “We’ll miss you.”

“I’ll miss you, too,” I said. “More than I can say.”

“But why?” said Olive, floating up to my eye level. “Was I too irritating?”

I put my hand on her head and pushed her back down to the floor. “No, no, it’s got nothing to do with you,” I said. “You were great, Olive.”

Emma stepped forward. “Jacob came here to help us,” she said. “But he has to go back to his old life, while it’s still there waiting for him.”

The children seemed to understand. There was no anger. Most of them seemed genuinely happy for me.

Miss Wren popped her head into the room to give us a quick update—everything was going marvelously, she said. Miss Peregrine was well on her way to recovery. She’d be ready by morning. And then Miss Wren was gone again.

“Thank the gods,” said Horace.

“Thank the birds,” said Hugh.

“Thank the gods and the birds,” said Bronwyn. “All the birds in all the trees in all the forests.”

“Thank Jacob, too,” said Millard. “We never would’ve made it this far without him.”

“We never even would’ve made it off the island,” said Bronwyn. “You’ve done so much for us, Jacob.”

They all came and hugged me, each of them, one by one. Then they drifted away and only Emma was left, and she hugged me last—a long, bittersweet embrace that felt too much like goodbye.

“Asking you to leave was the hardest thing I’ve ever had to do,” she said. “I’m glad you came around. I don’t think I’d have had the strength to ask again.”

“I hate this,” I said. “I wish there were a world where we could be together in peace.”

“I know,” she said. “I know, I know.”

“I wish …,” I started to say.

“Stop,” she said.

I said it anyway. “I wish you could come home with me.”

She looked away. “You know what would happen to me if I did.”

“I know.”

Emma disliked long goodbyes. I could feel her steeling herself, trying to pull her pain inside. “So,” she said, businesslike. “Logistics. When Miss Peregrine turns human, she’ll lead you back through the carnival, into the underground, and when you pass through the changeover, you’ll be back in the present. Think you can manage from there?”

“I think so,” I said. “I’ll call my parents. Or go to a police station, or something. I’m sure there’s a poster of my face in every precinct in Britain by now, knowing my dad.” I laughed a little, because if I hadn’t, I might’ve started crying.

“Okay, then,” she said.

“Okay, then,” I said.

We looked at each other, not quite ready to let go, not sure what else to do. My instinct was to kiss her, but I stopped myself. That wasn’t allowed anymore.

“You go,” she said. “If you never hear from us again, well, one day you’ll be able to tell our story. You can tell your kids about us. Or your grandkids. And we won’t entirely be forgotten.”

I knew then that, from now on, every word that passed between us would hurt, would be wrapped up with and marked by the pain of this moment, and that I needed to pull away now or it would never stop. So I nodded sadly, hugged her one more time, and retreated to a corner to sleep, because I was very, very tired.

After awhile, the others dragged mattresses and blankets into the room and made a nest around me, and we packed together for warmth against the encroaching chill. But as the others began to bed down, I found myself unable to sleep, despite my exhaustion, and I got up and paced the room for a while, watching the children from a distance.

I’d felt so many things since our journey began—joy, fear, hope, horror—but until now, I’d never once felt alone. Bronwyn had called me brother, but that didn’t sound right anymore. I was a second cousin to them at best. Emma was right: I could never understand. They were so old, had seen so much. And I was from another world. Now it was time to go back.

*   *   *

Eventually, I fell asleep to the sound of ice groaning and cracking in the floors beneath us and the attic above. The building was alive with it.

That night, strange and urgent dreams.

I am home again, doing all the things I used to do. Tearing into a fast-food hamburger—big, brown, and greasy. Riding shotgun in Ricky’s Crown Vic, bad radio blaring. At the grocery store with my parents, sliding down long, too-bright aisles, and Emma is there, cooling her hands in the ice at the fish counter, meltwater running everywhere. She doesn’t recognize me.

Then I’m at the arcade where I had my twelfth birthday party, firing a plastic gun. Bodies bursting, blood-filled balloons.

Jacob where are you

Then school. Teacher’s writing on the board, but the letters don’t make sense. Then everyone’s on their feet, hurrying outside. Something’s wrong. A loud noise rising and falling. Everyone standing still, heads craned to the sky.

Air raid.

Jacob Jacob where are you

Hand on my shoulder. It’s an old man. A man without eyes. Come to steal mine. Not a man—a thing—a monster.

Running now. Chasing my old dog. Years ago she’d broken away from me, run off with her leash still attached and got it wrapped around a branch while trying to tree a squirrel. Strangled herself. We spent two weeks wandering the neighborhood calling her name. Found her after three. Old Snuffles.

The siren deafening now. I run and a car pulls alongside and picks me up. My parents are inside, in formal wear. They won’t look at me. The doors lock. We’re driving and it’s stifling hot outside, but the heater is on and the windows are up, and the radio is loud but tuned to the garble between stations.

Mom where are we going

She doesn’t answer.

Dad why are we stopping here

Then we’re out, walking, and I can breathe again. Pretty green place. Smell of fresh-cut grass. People in black, gathered around a hole in the ground.

A coffin open on a dais. I peer inside. It’s empty but for an oily stain slowly spreading across the bottom. Blacking the white satin. Quick, close the lid! Black tar bubbles out from the cracks and grooves and drips down into the grass and sinks into the earth.

Jacob where are you say something

The headstone reads: ABRAHAM EZRA PORTMAN. And I’m tumbling into his open grave, darkness spinning up to swallow me, and I keep falling and it’s bottomless, and then I’m somewhere underground, alone and wandering through a thousand interconnecting tunnels, and I’m wandering and it’s cold, so cold I’m afraid my skin will freeze and my bones will splinter, and everywhere there are yellow eyes watching me from the dark.

I follow his voice. Yakob, come here. Don’t be afraid.

The tunnel angles upward and there’s light at the end, and standing at its mouth, calmly reading a book, is a young man. And he looks just like me, or almost like me, and maybe he is me, I think, but then he speaks, and it’s my grandfather’s voice. I have something to show you.

For a moment I jolted awake in the dark and knew I was dreaming, but I didn’t know where I was, only that I was not in bed anymore, not in the meeting hall with the others. I’d gone elsewhere and the room I was in was all black, with ice beneath me, my stomach writhing …

Jacob come here where are you

A voice from outside, down the hall—a real voice, not something from a dream.

And then I’m in the dream again, just outside the ropes of a boxing ring, and on the canvas, in the haze and lights, my grandfather faces off against a hollowgast.

They circle each other. My grandfather is young and nimble on his feet, stripped to the waist, a knife in one hand. The hollow is bent and twisted, its tongues waving in the air, open jaws dripping black on the mat. It whips out a tongue and my grandfather dodges it.

Don’t fight the pain, that’s the key, my grandfather says. It’s telling you something. Welcome it, let it speak to you. The pain says: Hello, I am not other than you; I am of the hollow, but I am you also.

The hollow whips at him again. My grandfather anticipates it, makes room in advance of the strike. Then the hollow strikes a third time, and my grandfather lashes out with his knife and the tip of the hollow’s black tongue falls to the mat, severed and jolting.

They are stupid creatures. Highly suggestible. Speak to them, Yakob. And my grandfather begins to speak, but not in English, nor Polish, nor any language I’ve heard outside my dreams. It’s like some guttural outgassing, the sounds made with something other than a throat or a mouth.

And the creature stops moving, merely swaying where it stands, seemingly hypnotized. Still speaking his frightening gibberish, my grandfather lowers his knife and creeps toward it. The closer he gets, the more docile the creature becomes, finally sinking down to the mat, on its knees. I think it’s about to close its eyes and go to sleep when suddenly the hollow breaks free of whatever spell my grandfather has cast over it, and it lashes out with all its tongues and impales my grandfather. As he falls, I leap over the ropes and run toward him, and the hollow slips away. My grandfather is on his back on the mat and I am kneeling by his side, my hand on his face, and he is whispering something to me, blood bubbling on his lips, so I bend closer to hear him. You are more than me, Yakob, he says. You are more than I ever was.

I can feel his heart slow. Hear it, somehow, until whole seconds elapse between beats. Then tens of seconds. And then …

Jacob where are you

I jolted awake again. Now there was light in the room. It was morning, just the blue beginning of it. I was kneeling on the ice in the half-filled room, and my hand wasn’t on my grandfather’s face but resting atop the trapped hollow’s skull, its slow, reptilian brain. Its eyes were open and looking at me, and I was looking right back. I see you.

“Jacob! What are you doing? I’ve been looking for you everywhere!”

It was Emma, frantic, out in the hall. “What are you doing?” she said again. She couldn’t see the hollow. Didn’t know it was there.

I took my hand away from its head, slid back from it. “I don’t know,” I said. “I think I was sleepwalking.”

“It doesn’t matter,” she said. “Come quick—Miss Peregrine’s about to change!”

*   *   *

Crowded into the little room were all the children and all the freaks from the sideshow, pale and nervous, pressed against the walls and crouched on the floor in a wide berth around the two ymbrynes, like gamblers in a backroom cockfight. Emma and I slipped in among them and huddled in a corner, eyes glued to the unfolding spectacle. The room was a mess: the rocking chair where Miss Wren had sat all night with Miss Peregrine was toppled on its side, the table of vials and beakers pushed roughly against the wall. Althea stood on top of it clutching a net on a pole, ready to wield it.

In the middle of the floor were Miss Wren and Miss Peregrine. Miss Wren was on her knees, and she had Miss Peregrine pinned to the floorboards, her hands in thick falconing gloves, sweating and chanting in Old Peculiar, while Miss Peregrine squawked and flailed with her talons. But no matter how hard Miss Peregrine thrashed, Miss Wren wouldn’t let go.

At some point in the night, Miss Wren’s gentle massage had turned into something resembling an interspecies pro-wrestling match crossed with an exorcism. The bird half of Miss Peregrine had so thoroughly dominated her nature that it was refusing to be driven away without a fight. Both ymbrynes had sustained minor injuries: Miss Peregrine’s feathers were everywhere, and Miss Wren had a long, bloody scratch running down one side of her face. It was a disturbing sight, and many of the children looked on with openmouthed shock. Wild-eyed and savage, the bird Miss Wren was grinding into the floor was one we hardly recognized. It seemed incredible that a fully restored Miss Peregrine of old might result from this violent display, but Althea kept smiling at us and giving us encouraging nods as if to say, Almost there, just a little more floor-grinding!

For such a frail old lady, Miss Wren was giving Miss Peregrine a pretty good clobbering. But then the bird jabbed at Miss Wren with her beak and Miss Wren’s grasp slipped, and with a big flap of her wings Miss Peregrine nearly escaped from her hands. The children reacted with shouts and gasps. But Miss Wren was quick, and she leapt up and managed to catch Miss Peregrine by her hind leg and thump her down against the floorboards again, which made the children gasp even louder. We weren’t used to seeing our ymbryne treated like this, and Bronwyn actually had to stop Hugh from rushing into the fight to protect her.

Both ymbrynes seemed profoundly exhausted now, but Miss Peregrine more so; I could see her strength failing. Her human nature seemed to be winning out over her bird nature.

“Come on, Miss Wren!” Bronwyn cried.

“You can do it, Miss Wren!” called Horace. “Bring her back to us!”

“Please!” said Althea. “We require absolute silence.”

After a long time, Miss Peregrine quit struggling and lay on the ground with her wings splayed, gasping for air, feathered chest heaving. Miss Wren took her hands off the bird and sat back on her haunches.

“It’s about to happen,” she said, “and when it does, I don’t want any of you to rush over here grabbing at her. Your ymbryne will likely be very confused, and I want the first face she sees and voice she hears to be mine. I’ll need to explain to her what’s happened.” And then she clasped her hands to her chest and murmured, “Come back to us, Alma. Come on, sister. Come back to us.”

Althea stepped down from the table and picked up a sheet, which she unfolded and held up in front of Miss Peregrine to shield her from view. When ymbrynes turned from birds into humans, they were naked; this would give her some privacy.

We waited in breathless suspense while a succession of strange noises came from behind the sheet: an expulsion of air, a sound like someone clapping their hands once, sharply—and then Miss Wren jumped up and took a shaky step backward.

She looked frightened—her mouth was open, and so was Althea’s. And then Miss Wren said, “No, this can’t be,” and Althea stumbled, faint, letting the sheet drop. And there on the floor we saw a human form, but not a woman’s.

He was naked, curled into a ball, his back to us. He began to stir, and uncurl, and finally to stand.

“Is that Miss Peregrine?” said Olive. “She came out funny.”

Clearly, it was not. The person before us bore no resemblance whatsoever to Miss Peregrine. He was a stunted little man with knobby knees and a balding head and a nose like a used pencil eraser, and he was stark naked and slimed head to toe with sticky, translucent gel. While Miss Wren gaped at him and grasped for something to steady herself against, in shock and anger the others all began to shout, “Who are you? Who are you? What have you done with Miss Peregrine!”

Slowly, slowly, the man raised his hands to his face and rubbed his eyes. Then, for the first time, he opened them.

The pupils were blank and white.

I heard someone scream.

Then, very calmly, the man said, “My name is Caul. And you are all my prisoners now.”

*   *   *

“Prisoners!” said the folding man with a laugh. “What he mean, we are prisoners?”

Emma shouted at Miss Wren. “Where’s Miss Peregrine? Who’s this man, and what have you done with Miss Peregrine?”

Miss Wren seemed to have lost the ability to speak.

As our confusion turned to shock and anger, we barraged the little man with questions. He endured them with a slightly bored expression, standing at the center of the room with his hands folded demurely over his privates.

“If you’d actually permit me to speak, I’ll explain everything,” he said.

“Where is Miss Peregrine?!” Emma shouted again, trembling with rage.

“Don’t worry,” Caul said, “she’s safely in our custody. We kidnapped her days ago, on your island.”

“Then the bird we rescued from the submarine,” I said, “that was …”

“That was me,” Caul said.

“Impossible!” said Miss Wren, finally finding her voice.

“Wights can’t turn into birds!”

“That is true, as a general rule. But Alma is my sister, you see, and though I wasn’t fortunate enough to inherit any of her talents for manipulating time, I do share her most useless trait—the ability to turn into a vicious little bird of prey. I did a rather excellent job impersonating her, don’t you think?” And he took a little bow. “Now, may I trouble you for some pants? You have me at a disadvantage.”

His request was ignored. Meanwhile, my head was spinning. I remembered Miss Peregrine once mentioning that she’d had two brothers—I’d seen their photo, actually, when they were all in the care of Miss Avocet together. Then I flashed back to the days we’d spent with the bird we had believed was Miss Peregrine; all we’d gone though, everything we’d seen. The caged Miss Peregrine that Golan had thrown into the ocean—that had been the real one, while the one we “rescued” had been her brother. The cruel things Miss Peregrine had done recently made more sense now—that hadn’t been Miss Peregrine at all—but I was still left with a million questions.

“All that time,” I said. “Why did you stay a bird? Just to watch us?”

“While my lengthy observations of your childish bickering were incontrovertibly fascinating, I was quite hoping you could help me with a piece of unfinished business. When you killed my men in the countryside, I was impressed. You proved yourselves to be quite resourceful. Naturally, my men could’ve swept in and taken you at any point after that, but I thought it better to let you twist in the wind awhile and see if your ingenuity might not lead us to the one ymbryne who’s consistently managed to evade us.” With that, he turned to Miss Wren and grinned broadly. “Hello, Balenciaga. So good to see you again.”