Текст книги "Oscar and Lucinda"

Автор книги: Peter Carey

Соавторы: Peter Carey,Peter Carey
сообщить о нарушении

Текущая страница: 3 (всего у книги 33 страниц)

He ran home, counting. He had to pass the Anglican vicarage. His knees clicked. He made faces against the click and the rain. He wished to be home by the fire in the clean, lime-cold cottage where his father and he frightened Mrs Williams by discussing famous murders in calm and adult detail. They were closest then. Afterwards his father would give him a sharp hug and rub his beard across his cheek, making him giggle and squirm. This was called 27

Oscar and Lucinda

a "dry shave." It was an expression of love.

But God had chosen alpha. There was no way he could talk to his father about this. It was one hundred and twenty-five paces from the markings to the Anglican privet hedge. The hedge was patchy and broken like the beard of a sick man. Oscar caught his breath there. Through the hedge he could see the back of the house where the Anglican and his wife were trying to kill a pig with no help from a butcher. The pig should have been killed in the weeks after All Hallows, not now. They stuck it in the cheek. The pig shrieked. Oscar's face contorted. The Anglican took the pig sticker from the Anglican's wife; his hands were red, not from blood, from mud, from slippery red mud from the wet pig. The clergyman stabbed a number of times. His face was screwed up more than Oscar's. At last the boy heard the rattle of wind from the pig's windpipe. He unclenched his hands and saw that his nails had made crescent moons in the fleshy part of his palms.

It was not possible that these were God's servants. And yet they must be.

"That the Lord called Samuel: and he answered, Here am I." The Anglican could not have heard, but he saw him, somehow, standing there.

"Go away," said the Reverend Mr Stratton. He threw a muddied fir cone at him. "You horrid child, go home."

Oscar went home and hid his book. .", ;;

10

False Instruction

Oscar had his new divining "tor" in his pocket.

This was not the yellow "tor" he had begun with, but a new one, a red oxide of a colour his father would (should he be given a chance) have told him was caput mortem, or death's head. His father 28

False Instruction

appropriated everything by naming it, whether he was asked or not. He had discovered the yellow divining "tor." He had come out on to the flagstones by the cellar door when Oscar was bathing. (It was the custom that they bathed outside, in all weather. It was intended to strengthen the constitution.) Oscar was pouring cold water from the big zinc ladle, huffing, puffing, rubbing his narrow chest and stamping his feet. There was a peg on the wall where Oscar was meant to hang his clothes. He preferred to lay them on the lip of the well. His father came out to wash, saw the shirt and knickerbockers on the well, picked them up, hung the shirt on the peg, and proceeded to go through the pockets of the knickerbockers. This was not prying. There was no such category. His father examined all the little pieces his son had collected in the day. He held them between thumb and forefinger, as if they were the contents of the gut of some fish he wished to study.

The notebook was hidden, but he found the yellow "tor." For reasons he did not explain he placed the "tor" in his pocket. He did not say that he was "confiscating" it. He expressed no opinion. He slipped it into his dressing-gown pocket and it was difficult to know if he were absent-minded or censorious. Oscar, feeling himself blushing, turned away, presenting the walls of his bony shoulder blades.

Nothing was said about the "tor" in prayers.

On the next morning the stone was on the breakfast table. It sat at his place, an accusation. Oscar's heart raced. He thought himself discovered. He was wearing a greasy jersey of a type that fishermen in that area wear. Suddenly he was very hot inside it.

"A pretty stone," Theophilus said, after Oscar said grace.

"Yes, Father."

"Where did you find it?"

Theophilus was sprinkling sugar on his porridge. He had a sweet tooth. He sprinkled sugar quite gaily, giving no sign of the terrible anxiety that gripped him. There was something wrong. Something terribly wrong. He had taken the stone, pathetically, so he might be close to the boy. But now he could not think of anything to say. It was a stupid question he asked, but he had no other.

Oscar did not want to answer the question. He felt it was not innocent. Even if it was innocent, he could not tell him. With this very stone, God had told him that his father was in grievous error.

His father would not tolerate any questioning of his faith. He

29

Oscar and Lucinda

imagined God spoke to him. Oscar was moved to pity by his misunderstanding. But he could not, not even in his imagination, find a way to tell his father why he had been smitten. Every day Oscar had thrown lots. The tor continued to land on alpha and not on ^. He wished he were a pig, that he had no mortal soul, that he be made into sausages and eaten, and released from the terrible pressure of eternity. He could not even look his father in the eye. His father asked him where he had found the stone. Oscar did not know what he meant. He stirred his tea. The window beside the small round table was steamed up. Outside, the brown bracken was drowned in fog.

His father did not seem to notice the lack of answer, and yet his eyes were strange. Dear God, lift the scales from his eyes. Lift the scales from his eyes now.

"Do you know the name of the colour?" his father asked.

Oscar did not wish it named. He was angry at his father for what he was about to do.

"It is Indian Yellow."

"Thank you, Father."

Mrs Williams filled the toast rack, one slice in every second space, according to her master's strict instruction. She found it painful to be with them. She made a remark about the fog. They did not answer her. One of Croucher's ewes had been taken by someone's dog in the night, but this news had no effect. She had been with them in the days when they were a complete family, not this awkward lurching thing with one of its limbs cut off, out of balance and bumping into things in broad daylight. They were painful to be with. She went to the kitchen where she could not hear them.

"It is called Indian Yellow for a very good reason," said Theophilus, taking a slice of toast and testing it, squeezing it between thumb and forefinger to make sure that it had not, in spite of the careful racking arrangement, become soggy. "For a very interesting reason." Oscar looked up, but was embarrassed by something in his father's eyes. The look was soft and pleading. It did not belong in that hard, black-bearded face, did not suit the tone of voice. Oscar knew this look. He had seen it before. It was a will-of-the-wisp. If you tried to run towards it, it retreated; if you embraced it, it turned to distance in your arms. You could not hold it, that soft and lovely centre in his father's feelings.

"I name it Indian Yellow because it is the same colour as the pigment 30

False Instruction

in my colour box named Indian Yellow and this is made by a rather curious process. From peepee," his father said. Oscar looked up. His father made a funny face. Pee-pee was the intimate word. It was odd that he said "pee-pee" in a place he would have normally used "urine." Oscar looked down, away from the demands of his father's eyes.

Dear God, let him see.

But he knew his father would not see. He was filled with stubbornness and pride and could not hear God's voice.

Dear God, do not send me to the Anglicans.

"From the pee-pee of cows that have been fed on the leaves of the mango tree." The tablecloth was white. The yellow stone sat on it, beside the little green sugar bowl. It was named Indian Yellow and was now useless. Oscar did not bother to put it back in his pocket, and Mrs Williams, when she was cleaning up, slipped the stone into Theophilus's aquarium. A week later Theophilus discussed pee-pee again, although this time he used the proper word for it. This was in connection with a particularly large agaric he had sketched last year and of which was now preparing a finished illustration. He called Oscar from his Greek composition and the boy, pleased to be rescued from his smudgy work, was also wary of what was required of him. He could not allow himself to love his papa. He held his feelings away from him, at arm's length, fearful lest he be flooded with pity.

"Of course you know," Theophilus said, "that witches eat this plant." Oscar felt the new tor heavy in his pocket and held it hard with one ink-smudged hand. He wanted to scream at him: Your soul is in danger. You are wrong.

His father was close and familiar, so familiar he could not have described his face to anyone. He was a shape, a feeling, that thing the child names "Pa." He was serge, formaldehyde, a safe place. He was not a safe place. Not any more.

'They drink the urine of someone who has eaten the plant." Oscar did not look up. "They are in communication with the devil or, in their state of intoxication, imagine they are." The stone in his pocket was heavy, too heavy. His hand locked around it so hard he could not let it go. The muscles around his neat little jaw reflected the spasm in his hand. His safety was in God.

The beloved of the Lord shall dwell in safety by him; and the Lord shall 31

Oscar and Lucinda

cover him all the day long, and he shall dwell between his shoulders.

"We have several witches in the area," Theophilus said. He felt he was talking in a fog. His son would not look at him. "I think it is true, that there are witches nearby." Oscar touched the edge of the cartridge paper his father was drawing on. It had a sharp edge but a soft velvety face.

"Do you think this is true?"

"Yes," said Oscar. He looked up and was frightened by the eyes. Beware of prophets that come to you in sheep's clothing, but inwardly they are ravening wolves.

"Yes, I think so myself." There was a pause. Oscar heard his father sharpen his pencil. He smelt the sharp, metallic smell of pencil lead, the sweet, sappy smell of wood shavings.

"There is evidence," Theophilus said, "around the lanes, that the agaric eaters are out. You have seen the markings?"

"Yes."

Theophilus then did something which was completely out of character-he described something he had not actually seen. In his desperate desire to have his son's loving attention, to feel those amethyst eyes rest unanxiously upon his own face, he repeated something said to him by Smart Jack, the warrener who called at the cottage to sell his rabbits and discuss scripture.

"There is a blank square at the top," Theophilus said, "where they sacrifice a goat. They decapitate the poor creature and leave its head upon the square as a mocking image of Our Saviour."

And they shall turn away their ears from the truth and be turned into fables. Oscar saw his father raise the glass of cold black tea he always sipped at while working. The mouth moved open a fraction. The tip of his tongue showed. Oscar saw the father whom he loved, but he also saw that person most reviled by Theophilus Hopkins-an agent of false instruction.

Oscar's hand clenched round the stone. The tendons in his neck showed the strain of the grip. He pulled his hand out of his pocket and opened it in front of his father. There!

Theophilus took the stone from the ink-stained palm. The stone was warm. He placed it on the cartridge paper and turned it over with his pencil.

"Caput mortem," he said.

Oscar burst into tears.

Apospâg

The Baptist boys made him eat dirt. They made him sing songs he was not allowed to sing. They showed him engravings of a pagan statue from the Crystal Palace. They put coarse mud on his skin because they could not bear it so soft and white.

He was not from "here." He was from "there." He did not like the sound of his own voice. He tried to change it, to make it soft and leafy like Timmy Croucher. He said "fayther" for father, but not at home.

How small his world was. He did not mind it small. He would have had it smaller still, have been a mole or a badger. He preferred the tangled forest of oak and elm which separated the high downs from the sea. Here he might stand still for hours, in a day-dreaming trance no wind could cut, examining dead leaf, leaf mould, spores, fungi, white indeterminate life-something without a soul that looked like spilt flour. He posted letters to his mother in a hole in a tree. Timmy Croucher, a large-boned, olive-skinned boy with soft hair on his lip, devised special prayers; they conducted their own services and argued about the nature of hell. In the bulging, spiky map which marked his territory, this was the larger part. The map did not include the village. He went there, but only when instructed, and with Mrs Williams for a guard if he could arrange it so. He had as firm a sense of territory as a dog, and when he moved across the terrain outside his map, across the Downs to Merely, for instance, he moved jerkily, running, his knees clicking, out of breath with a pain in his side.

He did not wish to leave the shelter of his father's home. He had no ambitions to see the world, to take part in the great adventures of Empire. This empire existed beyond the myopic mist. Somewhere there were "Disraeli" and "Lord Russell" and "Lord Elgin." He could not imagine them. He knew Mrs Williams, Timmy Croucher, Smart Jack.

He had seen the Anglican minister and his wife, but they had no place in his life. It is true, of course, that Hennacombe was built around

33

Oscar and Lucinda

the Anglican church of St Anne's and its vicarage, but the hamlet was like a tree in which the heart wood has rotted out. There was no heart, only a place for dust and spiders. And yet this was where God wished him to go. When he would not listen to the stone, God repeated the message again and again. OÇ = Anglican.

Thus, God said: "Go." There was nothing attractive in this idea. He promised God he would go before Good Friday. He celebrated Easter, in bad faith, amidst the white-smocked Plymouth Brethren. He read them the lesson God said: "Thou hypocrite." Easter came, but did not come. The flower buds of the wild cherry were still tightly sealed on Easter Sunday. This was on 24 April, almost as late as Easter can be. It had never happened before that there were no wild cherries on Easter Day. There was no pussy willow either. This was called "palm" in Hennacombe, and used as palms on Palm Sunday. So there were no palms for Palm Sunday. Nor were there primroses for Easter Day. There were not brimstone butterflies. The swifts did not arrive. This also was a sign.

The weather frightened him. It was this that drove him to apostasy.

He did not allow himself to know what he was doing. While the Brethren sang their long and doleful hymn-it was the second Sunday after Easter-he slipped quietly out of the meeting-house door. He had no more in his pocket than a threepenny bit and a soiled handkerchief. He walked beside his father's house and heard the door slam as Mrs Williams came inside from the garden. He could see the square tower of St Anne's below him, a little to the left. It was deep in shadows, hemmed in by leafless trees. It was not an attractive destination.

He was fifteen years old, nearly sixteen. His feet were tight inside his boots. His pale wrists protruded from his sleeves – they looked a foot long. He took a path-but not the one that led most directly to St Anne's. He tried not to think about what he was doing. He said a little prayer, but the words were like bricks-he placed them carefully, slowly, one after the other-to keep out the nightmare images that had leaked into his waking mind-his papa's face burning in the hellhre. He could hear the Plymouth Brethren singing. They pulled out the words like taffy pull. "Dear Lord," he prayed, "I am only fifteen."

The path forked. The left path ran down into the combe, and therefore led more or less directly to St Anne's. He took the right fork which led to Man's Nose and up on to the Downs. He looked down, watching his brown spit-and-polish boots, the red

34

Apostasy

gravel, the dead margins of the path. He thought of summer, of hawthorn white with blossom, the sloe, the maple, the guelder-rose with its snowballs, the glossy, heart-shaped leaves of bryony. He was hurt and aching for bright evenings. He saw the gentle enquiring motion of his papa's malacca cane as it blessed the pretty dog-violet, stitchwort with its thousand white stars, dog mercury, rose campion.

He thought: I will never be happy again.

He blew his nose and looked briefly, but with curiosity, at what came out. He put his handkerchief back in his pocket. The path was almost at the sea. He did not like that part of the path. He turned, and began to run down the path in the direction he had come, towards St Anne's. He took a new path. It went down through a dark coppice. There were blackbirds, like flutes, but he did not hear them. There was a thing like a dry pea rattling inside his head. The way was tangled and overgrown. He pushed through. He stamped down the thick stems of briars. His breath started to come with difficulty. He tripped and stumbled. And when he emerged on the high bank which looked down on the Reverend Mr Stratton's vegetable garden, he did not even follow this path any longer, but slid down on his backside and landed, heel first, in the shallow ditch beneath it.

He reached for the threepence in his pocket, intending to flip it. But the coin was lost. There was a tiny hole in the pocket. He stopped a second, looking at the overgrown stone wall, breathing hard.

He was caught between bank and wall. He could have edged around and found the stile, although had he done so he might have hurt himself, for the stile was ancient, its timbers rotted with the damp, unused since the time of the previous incumbent. But Oscar was too impatient in any case, and he now flung himself at the wall as a fearweak soldier may, in despair, go over the top of a trench, his body awash with urgent chemicals, teeth clenched, mouth already open in a yell. He clawed at the rock, scraping off both skin and lichen. He got a boot up, slipped, tore his trouser leg, then got a better purchase and was up on the ragged top looking down on tomato seedlings, brown soil, and brimstone butterflies. He was already launched when the Reverend Mr Stratton came running, a garden spade in his hand. The clergyman cleared the beds, one, two, three. He was fortunate his paths were wide and allowed for one long pace between. He had not run like this since sports day at Eton.

The seedlings already had their stakes in place beside them. This made a barrier the clergyman could not easily cross. He was on one

35

Oscar and Lucinda

side, the young intruder on the other. They looked at each other, both breathing hard.

"You, boy!" said Hugh Stratton.

Oscar's mouth was open. The seat of his breeches had been torn when he slid down the bank. He thought the clergyman looked like some sort of vegetable picked too long ago. He could smell the alien odour of what he knew must be alcohol. He assumed it was from the exotic ritual of the eucharist.

The clergyman walked around the tomato bed. He should not have run like that. It had made his back hurt horribly. The sciatic nerve sent a pain like toothache up both his legs, pulsed through his aching testicles, took possession of his buttocks.

"You, boy, go home to your father."

"I cannot," said Oscar, taking a step back on top of the new lettuces.

"Get off my lettuces," said Hugh Stratton. He took a step forward. This was a mistake. It forced Oscar to take another step backwards, into one more lettuce.

"I am called," said Oscar.

It was some time before he could make himself dear.

12

Mrs Stratton was not a don. She could not have been, for while the constitution of the university would permit entry to a fourteen-yearold boy (with his pocket full of string and dried-out worms) it could on no account matriculate a woman. Yet Mrs Stratton had the walk for it. Her whole body expressed her calling. She had a walk you can see today in Magpie Lane and Merton Street. The dynamics of this walk are best appreciated if you place a three-foot-high stack of reference books in your imaginary walker's extended arms. From here on it is all physics. You can resolve it with vectors-the vertical arrow

36

To Serve and to Rule

indicating the mass of the books, the horizontal one the propulsive force of the moving body. It is obvious. You can see immediately why the body of such a person tilts forward at 60° to the horizontal. It is the books, or the propensity for books that does it. And when you see the height of the stack it is also clear why such people always lift their head so high. You thought it myopia, but no-it is the height of the imaginary books they must look over. Mrs Stratton's father had been a don (but only briefly-there was controversy). He, however, did not have this walk. Her mother, of course, had never been a don, but neither did she walk with her body on the incline. The daughter, it would seem, had made her walk to suit herself. To-see her walk up the steep red lanes of Devon was to see a person out of her element. She was awkward, so awkward that no matter how much you liked her you would not invite her to play a set of tennis. She belonged in Oxford, not in Hennacombe, and yet she did not realize it. She carried with her, as she plodded in mudcaked boots up the lane, a combination of doggedness and wellmeaningness, so that when she lifted her head and jutted her long jaw at you, you could not allow yourself to feel irritation or see anything as unpleasant as stubbornness; you saw, rather, the determination to succeed in spite of any handicaps.

Her father had been a rector with a large glebe in Buckinghamshire which he had farmed himself. She had liked the farming life, all pitching in at harvest time-curate, parson (although not the dean), the tenantry and farm hands and all the young women, regardless of their rank, all with big white bonnets to protect their much-praised complexions from the sun. She liked this just as much as she liked life in the drawing room where her conversation was every bit as intellectual as was suggested by her walk. Her father was fond of saying that Betty would "make a useful wife." And although his assessment of usefulness was quite correct-her husband might have starved without her-she was an old maid of twenty-eight before the future vicar of Hennacombe came to claim her.

What had alarmed the previous young men was not her enthusiasm for the stocking at harvest, but her passion for discussion of the larger issues that beset the Anglican Church in the everwidening wake left by the Oxford Tractarians and the Wesleyan schismatics. There were those who disliked her passion because they thought theology was not a woman's business. And others still who thought her voice always a fraction too loud for the drawing room. Of these, of course, some rightly belonged in this first group, and one should also record that 37

Oscar and Lucinda

there were others who, whilst personally repelled, felt drawn to care for the owner and protect her, just as they might a blind person forever bruised by bumping into walls. But there were also young men who were fascinated by her conversation. They were not necessarily in the minority, although they tended to lack staying power, suffered a bright and fast attraction and an equally quick fatigue. These were the ones who called two or three times in quick succession, and then not at all. These were the young men who came to the conclusion that she was, although clever, quite spoiled by being argumentative and contrary, and whatever position they put up themselves Miss Cross would see it as an Aunt Sally she must quickly lay low. If her suitor took the Evangelical position she would feel herself drawn to the Latitudinarian; or she might just as easily come out in favour of Enthusiasm and the Evangelical, easily, that is, if her suitor revealed Puseyite tendencies. She was quite capable of putting a formidable argument in favour of the doubtful aspects of the Athanasian Creed and then, without bothering to trouble her friend with so large a difficulty, knock it down herself. Her father's dean, a dry old man who did not like his botany to be disturbed, likened her behaviour to that of a large and enthusiastic child who will spend five hours on building a sandcastle simply in order to knock it down again. This was unfair, and not just because the dean's mouth was prim and puckered when he told it (assuming the same drawstring pursing as when he recalled this, always, on the third brandy-the pubic hairs a famous lady novelist had left behind in the deanery bath). It was unfair because Betty Cross had no position, belonged to no party, advocated no schism, and cared only to find out what the

"truth" might be. She sought for an absolute and could not find it. She had no prejudice to anchor herself to and was as unaware of this as of her walk.

Fortunately, that is, for Hugh Stratton who was doing his Greats at Oriel in 1838. He came down to Buckinghamshire in Michaelmas terms to see his friend Downey who was playing curate to Betty Cross's father while secretly translating the early gnostic gospels. Hugh was much taken with Betty Cross and did not tire of her.

It was his opinion-and he was not shy of expressing it-that the dean's eldest daughter had presented him with vistas, with possibilities that the distinguished Fellows of Oriel-good men, famous menhad not made him aware of. He whirled before the wind of her contrary mind, spinning like a top. He was not offended by her donnish walk, the loudness of her voice, the fact that she had large hands and that they had freckles on them already. She was large-boned, but this

38

To Serve and to Rule

was not the sort of thing he noticed, either to desire or dislike. He had no eye for the physical at all and could meet you four times and still not recognize your face. It was this, a serious disability in a parson, which accounted for the uncertain smile he would bestow on total strangers, ready to broaden if responded to, snatched back if not. So he did not notice the freckles. He knew she had flaxen hair, but if he had been asked the colour of her eyes he would have had to guess. He saw her face, in memory, with that gentle formlessness, all the details made soft by feeling, with which a one-year-old is said to perceive its mother. He saw her ideas though, in profusion, like a garden. In a garden no one argues about which is the true flower, and so it was, he imagined, with her ideas and arguments. He did not see then (and did not see ever) that she would be a professional liability to him, that she would so distress succeeding deans and bishops, that the pair of them would be tucked away like two ghastly toby jugs given as a gift by a relation who may, someday, visit. The toby jugs cannot be thrown away. They must be retained, in view, but not quite in view. Hence: Hennacombe in the bishopric of Exeter. The Strattons had no children and, given the chaste nature of their embraces, had no reason to have any. They thought this a civilized arrangement. They had reached it, with relief, on their wedding night and felt no temptation to change their minds. Mrs Stratton felt no sense of loss. She was happy with almost every aspect of her life, more happy, she thought, than she had any right to be. She was forever refreshed by the countryside, the sea, the seasons. She was out and about. She had her periodicals to read and an intelligent man to talk to, but she also liked to be with country folk, and she liked to seek the opinions of warreners and shepherds, thatch cutters and farmers' boys. She was poor, of course, so much poorer than she had ever expected, but somehow this terrible thing, this most dreaded thing, had not been as she might once have imagined it. So many of the people they lived amongst were poor. The young boys hereabouts grew up wearing their older sisters' dresses and no one thought to laugh. If her husband had been happy she would have judged life perfect.

But Hugh did not like their poverty. He fretted. He would blame the Squire as a Baptist or Theophilus Hopkins who was always standing in the sea. He could be reduced to crying like a child for no more reason than a patch'of damp on the livingroom wall. He worried at the thatch, and had a tin in which he put coins that would, one day, pay the thatcher. He wrote special prayers to the Almighty in order that the Easter Offering might be substantial, that the aphids stay away

39

Oscar and Lucinda

"°m the tomatoes, the wheat not have rust. Her point was that it had ahvays been like this, that the Squire was a boor, the walls had been an" ip, etc., etc., dear Hugh, and they had survived. This was not a good argument to use. It made him worse. He took her around the n°Use pointing out new mould and new rot. By the sun-dial ("To serve arvd to rule") he lay down amongst the rank grass and wept. He begged her to give up the subscription to her Oxford and London periodicals. She would not. He ranted at her. She said she would rather eat turnip for a month, have no shoe leather and sell the horse. He said they might have to. She said nothing about the cost of sherry he would soothe himself with later.

This was the same man as represented by the symbol OC, the one who God told Oscar was his chosen servant. The emotions that moved the chosen servant were, when he at last understood Oscar's intention, far more complicated than those immediately summoned by the loss of two young lettuces.

Hugh Stratton flicked his straight fair hair back out of his eyes and Plunged his hands deep in his pocket. He made a small motion, a bob, a nod, a genuflexion. And then he turned and led the way through tr» e wide maze of garden paths, indicating his guest should beware the fallen rake, the rusting fork, the half-dug cesspit with the crum" urig edges. And while, predictably enough, one part of him was in despair that there was a new body to feed and clothe, there was another part of him in blazing triumph-he had a soul, a theological refuge. He walked fast, with long strides, and the pinched grey look on his face was made only by the pain of the sciatic nerve. He did not go to the back door or the front, but to the kitchen window through which he was accustomed to handing hens' eggs and vegetables to the c°ok. He knocked loudly and impatiently and brought Mrs Millar away from a tricky moment with the custard.