
Текст книги "The Ask and the Answer"
Автор книги: Patrick Ness
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Текущая страница: 7 (всего у книги 21 страниц)
I laugh a little, too. And then I remember all that's happened.
She looks at me again, catching my eye. "It's beautiful, though, the ocean. Like nothing you've ever seen."
"You miss it." I drink the last of my beer.
"To see the ocean once is to learn how to miss it," she says, taking my glass. "Let me get you another."
That night, I dream.
I dream of oceans and of fish that will eat me. I dream of armies that swim by and of Mistress Coyle leading them. I dream of Maddy taking my hand and holding me up from the water. I dream of thunder making a single loud BOOM! that almost breaks the sky in two.
Maddy smiles when I jump at the sound of it. "I'm going to see him," I tell her.
She glances over my shoulder and says, "There he is."
I turn to look.
I wake but the sun's all wrong. I sit up, my head feeling like it's a boulder, and I have to close my eyes to make everything stop spinning.
"Is this what a hangover feels like?" I say out loud.
"There was no alcohol in that beer," Corinne says.
I snap my eyes open, which is a mistake as black spots form everywhere in my vision. "What are you doing here?"
"Waiting for you to wake up so the President's men can take you."
"What?" I say, as she stands. "What's going on?"
"She drugged you. Jeffers in your beer, plus bandy root to disguise the taste. She left you this." She holds out a small piece of paper. "You're to destroy it after you read it."
I take the paper. It's a note from Mistress Coyle.
Forgive me, my girl, it says, but the President is wrong. The war is not over. Keep to the side of right, keep gathering information, keep leading him astray. You'll be contacted.
"They blew up a storefront and left in the confusion," Corinne says.
"They did what?" My voice starts to rise. "Corinne, what's going on?"
But she's not even looking at me. "I told them they were abandoning their sacred trust, that nothing was more important than saving lives."
"Who else is here?"
"Just you and me," she says. "And the soldiers waiting outside to take you to your President." She looks down at her shoes and for the first time I notice the anger, the rage burning off her. "I expect I'll be interrogated by someone less handsome."
"Corinne-"
"You'll have to start calling me Mistress Wyatt now," she says, turning toward the door. "That is, in the unlikely event that both of us get back here alive."
"They're gone?" I say, still not believing it.
Corinne just glares at me, waiting for me to rise.
They're gone.
She left me here alone with Corinne.
She left me here.
To go off and start a war.
13 SPLINTERS [TODD]
"FISSION FUEL, SIR, soaked into clay powder to make a paste-"
"I know how to make a bush bomb, Corporal Parker," says the Mayor, surveying the damage from his saddle. "What I do not know is how a group of unarmed women managed to plant one in full view of soldiers under your command."
We see Corporal Parker swallow, actually see it move in his throat. He's not a man from old Prentisstown, so he musta been picked up along the way. You go where the power is, Ivan said. But what about when the power wants answers you ain't got? "It may not have been just women, sir," Parker says. "People are talking about something called-"
"Look at this, pigpiss," Davy says to me. He's ridden Deadfall/Acorn over to a tree trunk, near where we've stopped across the road from the blown – out storefront.
I chirrup to Angharrad, using my one good hand to tap the reins. She picks her feet lightly over the bits of wood and plaster and glass and foodstuffs that are scattered everywhere, like the store finally let go of a sneeze it was holding in. We get over to Davy, who's pointing at a bunch of light – colored splinters sticking straight outta the tree trunk.
"Explozhun so big it rammed 'em straight into the tree," he says. "Those bitches."
"It was late at night," I say, readjusting my arm in the sling. "They didn't hurt no one."
"Bitches," Davy repeats, shaking his head.
"You'll turn in your supply of cure, Corporal," we hear the Mayor say, loud enough so Corporal Parker's men hear the punishment, too. "All of you will. Privacy is a privilege for those who've earned it."
The Mayor ignores Corporal Parker's mumbled, "Yes, sir," and turns to have a short, quiet word with Mr. O'Hare and Mr. Morgan, who then ride off in different direkshuns. The Mayor comes over to us next, not saying nothing, face frowning like a slap. Morpeth stares viciously at our mounts, too. Submit , says his Noise. Submit , Submit . Deadfall and Angharrad both lower their heads and step back.
All horses are a little bit crazy.
"Want me to go hunting for 'em, Pa?" Davy says. "The bitches who did this?"
"Mind your language," the Mayor says. "You both have work to be getting on with."
Davy gives me a sideways glance and holds out his left leg. The whole bottom half is covered in a cast. "Pa?" hes ays. "If you ain't noticed, I can barely walk and pigpiss here's in a sling and-"
He don't even finish the sentence before there's that whoosh of sound, flying from the Mayor faster than thought, like a bullet made of Noise. Davy flinches back in his saddle, yanking the reins so hard Deadfall rears up, nearly dumping Davy to the ground. Davy recovers, breathing heavy, eyes unfocused.
What the hell is that?
"Does this look like a day you can take off?" the Mayor says, indicating all the wreckage of the store stretched around us, the husk of the building still smoking in some parts.
Blown up.
(I've been hiding it in my Noise, doing my best to keep it down–)
(but it's there, hidden away, bubbling below the surface-)
(the thought of a bridge that blew up once-)
I look back to see the Mayor staring at me so hard I'm blurting it out before I can barely think. "It wasn't her," I say. "I'm sure it wasn't."
He keeps on staring. "I never thought it might be, Todd."
Fixing my arm didn't take very long yesterday once he'd dragged me cross the square to a clinic where men in white coats set it and gave me two injeckshuns of bone – mending that hurt more than the break but by then he was already gone, promising I'd see Viola the next night (tonight, tonight) and already outta reach of a million and one askings about how he came to be embracing her and calling her all friendly – like by her first name and how she's working as a doctor or something and how she had to leave to go to a funeral and-
(and how my heart just exploded from my chest when I saw her–)
(and how it hurt all over again when she left-) And then off she went somehow to a life of her own already being lived out there somewhere without me in it and then there was just me and my arm going back to the cathedral with the painkillers making me so sleepy I barely had time to fall on my mattress before blinking right out.
I didn't wake when Mayor Ledger came back in with his gray day – of – rubbish – collecting Noise complaints. I didn't wake when dinner came and Mayor Ledger ate both servings. I didn't wake when we were locked inside for the night ker – thunk.
But I surely did wake when a BOOM! shook the entire city.
And even as I sat up in the darkness and felt the queasy of the painkillers in my stomach, even without knowing what the BOOM was or where it had come from or what it meant, even then I knew things had changed again, that the world had suddenly become different one more time.
And sure enough, out we came with the Mayor and his men at first light, injuries or no, straight to the bombsite. I look at him on Morpeth. The morning sun's shining behind him, casting his shadow over everything.
"Will I still see her tonight?" I ask.
There's a long, quiet moment where he just stares.
"Mr. President?" calls Corporal Parker, as his men take away a long plank of wood that was blown against another tree.
Something's been drawn on the trunk underneath. Even with not knowing how to-Well, even with not knowing much, I can tell what it is. A single letter, smeared on the trunk in blue. A, it says, just the letter A.
"I can't believe he's making us effing go back there one day after we fought off the attack," Davy grumbles as we make our way down the long road to the monastery.
I can't believe it neither, frankly. Davy can barely walk and even with the bone – mending doing its work on my arm, it'll be a coupla days before everything's back to normal. I can start to bend it already but I sure as hell can't fight off a Spackle army with it.
"Did you tell him I saved yer life?" Davy asks, looking both angry and shy.
"Didn't you tell him?" I say.
Davy's mouth flattens, pulling his sad little mustache fluff even thinner. "He don't believe me when I tell him stuff like that."
I sigh. "I told him. He saw it in my Noise anyway."
We ride in silence for a bit before Davy finally says, "Did he say anything?"
I hesitate. "He said, Good for him."
"That all?"
"He said it was good for me, too." Davy bites his lip. "That's it?"
"That's it."
"I see." He don't say no more, just jigs Deadfall along a bit faster.
Even tho it was only one building that got blown up in the night, the whole city looks different as we ride. The patrols of soldiers are suddenly larger and there's more of 'em, marching up and down the roads and side streets so fast it's like they're running. There are soldiers on rooftops now, too, here and there, holding rifles, watching watching watching.
The only nonsoldier men out are hustling as fast as they can from place to place, staying outta the way, not looking up.
I ain't seen no women this morning. Not one.
(not her)
(what was she doing with him?)
(is she lying to him?)
(is he believing her?) "
(did she have something to do with the explozhun?)
"Did who have something to do with it?" Davy asks. "Shut up."
"Make me," he says. But his heart ain't in it.
We ride past a group of soldiers escorting a beat – up– looking man with his wrists bound. I press my slinged arm closer to my chest and we keep on riding. The morning sun's high in the sky by the time we pass the hill with the metal tower and come round the final bend to the monastery. Ain't no putting off getting there any longer.
"What happened after I left?" I say.
"We beat em," Davy says, huffing a little with the rising pain in his leg, pain I can see in his Noise. "We beat 'em back good and proper."
Something lands on Angharrad's mane. I brush it away and something else lands on my arm. I look up.
"What the hell?" Davy says.
It's snowing.
I only ever seen snow once in my whole life, back when I was too young to really know that I'd hardly never see it again.
Flakes of white fall thru the trees and onto the road, catching on our clothes and hair. It's a silent fall and it's weird how it makes everything else seem quiet, too, like it's trying to tell you a secret, a terrible, terrible secret.
But the sun is blazing.
And this ain't snow.
"Ash," Davy spits when a flake lands near his mouth. "They're burning the bodies."
They're burning the bodies. The men are still on the tops of the stone walls with their rifles, making the Spackle that lived pile up the bodies of the ones that died. The burning pile is huge, taller than the tallest living Spackle, and more bodies are being brought to it by Spackle with their heads down and their mouths shut. I watch a body get thrown up to the top of the pile. It lands askew and tumbles down the side, rolling over other bodies, thru the flames, till it reaches the mud below and comes to a stop facing straight up, holes in its chest, blood dried on its wounds-
(a dead – eyed Spackle, faceup in a campsite-)
(a Spackle with a knife in its chest-)
I breathe a heavy breath and I look away.
Apart from some of the clicking, the living Spackle still ain't got no Noise. No sounds of mourning nor anger nor nothing at all bout the mess they're having to clean up.
It's like someone cut out their tongues.
Ivan's there waiting for us, rifle in the crook of his arm. He's quieter this morning and his face ain't happy.
"You're to be a – carrying on with the numbers," he says, kicking over the bag with the numbering bands and tools. "Though there's less to do now."
"How many'd we get?" Davy says, smiling.
Ivan shrugs, annoyed. "Three hundred, three fifty, can't say for sure."
I feel another greasy twist in my stomach at that but Davy's grin gets even higher. "That's hot stuff, right there."
"I'm to give you this," Ivan says, holding out the rifle to me.
"Yer arming him?" Davy says, his Noise rising right up.
"President's orders," Ivan snaps. He's still holding out the rifle. "You're to give it to the night watch when you leave. It's only for your protection while you're in here." He looks at me, frowning. "The President says to tell you he knows you'll do the right thing." I'm just staring at the rifle.
"I don't effing believe this," Davy says, under his breath and shaking his head.
I know how to use a rifle. Ben and Cillian taught me how to use one so I didn't blow my own head off, how to hunt safely with it, how to use it only when necessary.
The right thing.
I look up. Most of the Spackle are back and away in the far fields, as far as they can get from the entrance. The rest are dragging broken and torn bodies to the fire that's burning in the middle of the next field over.
But the ones that can see me are watching me.
And they're watching me watch the rifle.
And they ain't thinking nothing I can hear.
So who knows what they're planning?
I take the rifle.
It don't mean nothing. I won't use it. I just take it.
Ivan turns and walks back to the gate to leave and as he goes, I notice it.
A low butt, just barely beyond hearing, but there. And growing.
No wonder he looked so pissed off. The Mayor took away his cure, too.
We spend the rest of the morning shoveling out the fodder, refilling the troughs, and putting lime on the bogs, me one – handed, Davy one – legged, but taking more time than even that would allow for cuz brag tho he may I don't think Davy wants to get back to the numbering just yet either. We may both have guns now but touching an enemy that almost killed you, well, that takes a bit of leading up to.
Morning turns to early afternoon. For the first time, instead of taking both our lunches for himself, Davy throws a sandwich at me, hitting me in the chest with it.
So we eat and watch the Spackle watching us, watch the pile of bodies burn, watch the eleven hundred fifty Spackle left over from the attack that went wrong, wrong, wrong. They're gathered round the edges of the fields we opened up and along the wall of the monastery, as far from us and from the burning pile as they can be.
"The bodies should go in a swamp," I say, eating my sandwich with one tired arm. "That's what Spackle bodies are for. You put 'em in water and then–"
"Fire's good enough for em," Davy says, leaning against the bag of numbering tools.
"Yeah, but-"
"There's no buts here, pigpiss." He frowns. "And what're you moaning for their sakes anyway? All yer blessed kindness didn't stop 'em from trying to rip yer arm off, now did it?"
He's right but I don't say nothing to that, just keep on watching them, feeling the rifle at my back.
I could take it. I could shoot Davy. I could run from here.
"You'd be dead before you got to the gate," Davy mumbles, looking at his sandwich. "And so would yer precious girl."
I don't say nothing to that neither, just finish my lunch. Every pile of food is out, every trough has been refilled, every bog has been limed up. There ain't nothing left to do except the thing we gotta do.
Davy sits up from where he was leaning against the bag. "Where were we?" he says, opening it up.
"0038," I say, keeping my gaze on the Spackle.
He sees from the metal bands that I'm right. "How'd you remember that?" he says, amazed.
"I just do."
They're looking back at us now, all of 'em. Their faces are hollowed out, bruised, blank. They know what we're doing. They know what's coming. They know what's in the bag. They know there ain't nothing they can do about it except die if they resist us.
Cuz I got a rifle on my back to make that happen.
(what's the right thing?)
"Davy," I start to say but it's all that comes out cuz–
BOOM!
– in the distance, almost not a sound at all, more like the faraway thunder of a storm you know is gonna get here quick and do its best to knock yer house down.
We turn, as if we could see over the walls, as if the smoke's already rising over the treetops outside the gates.
We can't and it ain't yet.
"Those bitches," Davy whispers.
But I'm thinking–
(is it her?)
(what is she doing?)
14 THE SECOND BOMB
***
( Viola )
THE SOLDIERS WAIT until midday to take me and Corinne. They practically have to tear her away from treating the remaining patients and they march us down the road, eight soldiers to guard two small girls. They won't even look at us, the one next to me so young he's barely older than Todd, so young he's got a large angry spot on his neck that for some stupid reason I can't keep my eyes off.
Then I hear Corinne gasp. They've marched us past the storefront where the bomb went off, the front of the building collapsed on itself, soldiers guarding what's left of it. Our escort slows to take a look.
And that's when it happens.
BOOM!
A sound so big it makes the air as solid as a fist, as a wave of bricks, as if the world's dropped out beneath you and you're falling sideways and up and down all at once, like the weightlessness of the black beyond.
There's a blankness where I can't remember anything and then I open my eyes to find myself lying on the ground with smoke twirling around me in spinning, floating ribbons and bits of fire drifting down from the sky here and there and for a minute it seems almost peaceful, almost beautiful, and then I realize I can't hear anything except a high – pitched whine that's drowning out all the sounds the people around me are making as they stagger to their feet or open their mouths in what must be shouting and I sit up slowly, the world still gone in whining silence and there's the soldier with the spot on his neck, there he is on the ground next to me, covered in wooden splinters, and he must have shielded me from the blast because I'm mostly okay but he's not moving.
He's not moving.
And sound begins to return and I start to hear the screaming.
"This is exactly the kind of history I did not want to repeat," the Mayor says, staring up thoughtfully into the shaft of light coming down from the colored – glass window.
"I didn't know anything about a bomb," I say for a second time, my hands still shaking and my ears ringing so loud it's hard to hear what he's saying. "Neither one."
"I believe you," he says. "You were very nearly killed yourself."
"A soldier blocked most of it for me," I stutter out, remembering his body, remembering the blood from it, the splinters that were stuck in nearly every part of him-
"She drugged you again, didn't she?" he asks, staring back up into the colored window, as if the answers might be there. "She drugged you and abandoned you."
This hits me like a punch.
She did abandon me.
And set off a bomb that killed a young soldier.
"Yes," I finally say. "She left. They all did."
"Not all." He walks behind me, becoming just a voice in the room, talking loud and clear enough so I can hear. "There are five houses of healing in this city. One remains fully staffed, three others are partially depleted of their healers and apprentices. It's only yours where there's been complete desertion."
"Corinne stayed," I whisper and then I'm suddenly pleading. "She tended the soldiers who were hurt in the second bomb. She didn't hesitate. She went right to the worst injured and tied tourniquets and cleared airways and-"
"Duly noted," he interrupts, even though it's true, even though she called me over to help her and we did the best we could until other stupid soldiers who couldn't or wouldn't see what we were doing grabbed us and dragged us away. Corinne struggled against them but they hit her in the face and she stopped.
"Please don't hurt her," I say again. "She has nothing to do with this. She stayed behind out of choice. She tried to help those-"
"I'm not going to hurt her!" he shouts suddenly. "Enough of this cowering. There will be no harm to women as long as I am President! Why is that so difficult for you to understand?"
I think of the soldiers hitting Corinne. I think of Maddy falling to the ground.
"Please don't hurt her," I whisper again.
He sighs and lowers his voice. "We just need answers from her, that's all. The same answers I'll be needing from you."
"I don't know where they went," I say. "She didn't tell me. She didn't mention anything."
And I stop myself and he notices. Because she did mention something, didn't she?
She told me a story about-
"Something you'd like to share, Viola?" the Mayor asks, coming around to face me, looking suddenly interested.
"Nothing," I say quickly. "Nothing, just..."
"Just what?" His eyes are keen on me, flitting over my face, trying to read me, even though I have no Noise, and I realize briefly how much he must hate that.
"Just that she spent her first years on New World in the hills," I lie, swallowing. "Out west of town past the waterfall. I thought it was just idle talk."
He's still staring deep into me and there's a long silence while he looks and looks before starting his walk again.
"The most important issue," he says, "is whether the second bomb was a mistake, part of the first bomb that went off later by accident?" He comes round again to read my face. "Or was it on purpose? Was it set to go off later deliberately so that my men would be surrounding a crime scene, so that there would be maximum loss of life?"
"No," I say, shaking my head. "She wouldn't. She's a healer. She wouldn't kill-"
"A general would do anything to win a war," he says. "That's why it's war."
"No," I keep saying. "No, I don't believe-"
"I know you don't believe it." He steps away from me again, turning his back. "That's why you were left behind."
He goes to the small table next to his chair and picks up a piece of paper. He holds it up so I can see it.
There's a blue A written across it.
"Does this mean anything to you, Viola?"
I try to keep any look off my face.
"I've never seen that before." I swallow again, cursing myself as I do. "What is it?"
He looks at me long and hard again, then he puts the paper back down on the table. "She will contact you." He watches my face. I try to give him nothing. "Yes," he says, as if to himself. "She will, and when she does, pass along one message in particular, please."
"I don't-"
"Tell her that we can stop this bloodshed at once, that we can end all this before it even begins, before more people die and peace is forever put aside. Tell her that, Viola."
He's staring so hard at me, I say, "Okay."
He's not blinking, his eyes black holes I can't turn away from. "But also tell her that if she wants war, she can have her war."
"Please-" I start to say.
"That'll be all," he says, gesturing me to my feet and toward the door. "Go back to your house of healing. Treat what patients you can."
"But-" He opens the door for me. "There'll be no hanging this afternoon," he says. "Some civic functions will have to be curtailed in light of recent terrorist activities."
"Terrorist-?"
"And I'm afraid I'll be far too busy sweeping up the mess your mistress has made to host the dinner I promised you tonight."
I open my mouth but nothing comes out. He closes the door on me.
My head spins as I stagger back down the main road. Todd is out here somewhere and all I can think of is how I can't see him and won't be able to tell him anything about what's happened or explain myself or anything. And it's her fault.
It is. I hate to say it but it's her fault. All of this. Even if it was for reasons she thought were right, it's all her fault. Her fault that I won't see Todd tonight. Her fault that war is coming. Her fault-
I come upon the wreckage again.
There are four bodies lying in the road, covered in white sheets that don't quite conceal the pools of blood beneath them. Nearest to me but behind a cordon of soldiers guarding the site is the sheet covering the soldier who accidentally saved me.
I didn't even know his name.
And then all of a sudden he was dead.
If she'd just waited, if she'd just seen what the Mayor wanted her to do – But then I think Appeasement, my girl, it's a slippery slope-But the bodies here in the road-But Maddy dying-But the boy soldier who saved me-But Corinne being hit to stop her from helping-(oh, Todd, where are you?) (what do I do? what's the right thing?) "Move along there," a soldier barks at me, making me jump.
I hurry along the road and before I even realize it, I'm running.
I return to the nearly empty house of healing out of breath and slam the front door behind me. There were yet more soldiers on the road, more patrols, men on rooftops with rifles who watched me run very closely, one of them even whistling rudely as I went by.
There'll be no getting to the communications tower now, not anymore.
Another thing she screwed up.
As I catch my breath, it sinks in that I'm the only thing even resembling a healer here now. Many of the patients were well enough to follow Mistress Coyle out to wherever she's gone and, who knows, might have even been the ones to plant the bombs, but there's still at least two dozen in beds here, with more coming in every day.
And I'm just about the worst healer New Prentisstown has ever seen.
"Oh, help," I whisper to myself.
***
"Where'd everybody go?" Mrs. Fox asks as soon as I open the door to her room. "There's been no food, no medicine-"
"I'm sorry," I say, bustling up her bedpan. "I'll get you food as soon as I can."
"Good heavens, dear!" she says as I turn, her eyes widening. I look at the back of my white coat where her eyes have gone. There's a dirty smear of the young soldier's blood all the way down to the hem.
"Are you all right?" Mrs. Fox asks.
I look at the blood, and all I can say is, "I'll get your food."
The next hours pass in a blur. The help staff are all gone, too, and I do my best to cook for the remaining patients, serving them and asking at the same time which medicines they take and when and how much and though they're all wondering what's going on, they see how I must look and try to be as helpful as they can.
It's well past nightfall when I come round a corner with a tray full of dirty dinner dishes and there's Corinne, just inside the entrance, pressing on the wall with one hand to hold herself up.
I throw the tray on the floor and run to her. She holds up her other hand to stop me before I reach her. She winces as I get close.
And I see the swelling around her eyes. And the swelling in her lower lip. And the way she's holding her body up too straight, like it hurts, like it really hurts. "Oh, Corinne," I say.
"Just," she says, taking a breath. "Just help me to my room."
I take her hand to help her along and feel something hidden in her palm, pressed into mine. She holds up a finger to her lips to shush the wonderings about to come from my open mouth.
"A girl," she whispers. "Hidden in the bushes by the road." She shakes her head angrily. "No more than a girl."
I don't look at it until I've got Corinne to her room and left again to get bandages for her face and compresses for her ribs. I wait until I'm alone in the supply room and open my palm.
It's a note, folded, with V written on the outside. Inside, it's only a few lines, saying almost nothing at all.
My girl, it says. Now is the time you must choose.
And then there's a single asking.
Can we count on you?
I look up.
I swallow.
Can we count on you?
I fold the note into my pocket and I take up the bandages and compresses and I go to help Corinne.
Who was beaten by the Mayor's men.
But who wouldn't have been beaten if she hadn't had to speak for Mistress Coyle.
But who was beaten even though the Mayor said she wouldn't be hurt.
Can we count on you?
And it wasn't signed with a name.
It just said, The Answer.
And Answer was spelled with a bright blue A.
15 LOCKED IN
***
[TODD] BOOM!
–and the sky tears open behind us and a rush of wind comes up the road and Angharrad rears back in terror and I tumble off her to the ground and there's dust and screaming and a throbbing in my ears as I lay there and wait to see if I'm dead or not.
Another bomb. The third this week since the first two. Not two hundred yards away from us this time.
"Bitches," I hear Davy spit, getting to his own feet and looking back down the road.
My ears are ringing and my body's shaking as I get to my feet. The bombs've come at different times of day and night, at different spots in the city. Once it was an aqueduct that fed water to the western part of town, once it was the two main bridges to the farmlands north of the river. Today, it's–
"That's that café," Davy says, trying to stop Deadfall/ Acorn from bolting. "Where the soldiers eat." He gets Deadfall to heel and climbs back up on the saddle. "Come on!" he barks. "We'll go see if they need help."
I put my hands on Angharrad who's still frightened, still saying boy colt boy colt over and over again. I say her name a buncha times and finally get back up on her.
"Don't you go getting no funny ideas," Davy says. He takes out his pistol and points it at me. "You ain't sposed to leave my sight."
Cuz that's also how life's gone since the bombs started.
Davy with a gun on me, every waking minute of every waking day.
So I can't never go looking for her.
"The women certainly aren't helping their own cause any," says Mayor Ledger, mouth filled with chicken.
I don't say nothing, just eat my own dinner and field off the asking marks coming from his Noise. The café was bombed at a time when it was closed, like everything else this Answer thing bombs, but just cuz it's sposed to be empty don't mean it always is. Davy and I found two dead soldiers when we got there and one other dead guy who probably mopped the floors or something. Three more soldiers have died in the other bombs.
It's all really pissing off Mayor Prentiss.