
Текст книги "The Ask and the Answer"
Автор книги: Patrick Ness
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But then when I was summoned here, she said to tell him no such thing, to ask only about the funeral.
And to find out what I could.
"You see me as the enemy, too," he says, "and I truly wish that weren't the case. I am so disappointed that this terrible incident has made you even more suspicious of me."
I feel Maddy rising again in my chest. I feel Todd rising, too. I have to breathe through my mouth for a minute.
"I know how appealing it seems that there should be sides, that you should be on her side," he says. "I don't blame you. I haven't even asked you about your ships because I know you would lie to me. I know she would have asked you to. If I were in Mistress Coyle's position, I would do exactly the same thing. Push you to help me. Use an asset that's fallen into my lap."
"She's not using me," I say quietly.
You can be so valuable to us, I remember, if you choose.
He leans forward. "Can I tell you something, Viola?"
"What?" I ask.
He cocks his head. "I really do wish you would call me David."
I look back down to the carpet. "What is it, David?"
"Thank you, Viola," he says. "It really does mean something to me." He waits until I look up again. "I've met the Council that ran Haven as was. I've met the former Mayor of Haven. I've met the former police chief and the chief medical officer and the head of education. I've met everyone of any importance in this town. Some of them now work for me. Some of them don't fit into the new administration and that's fine, there's plenty of work to be done rebuilding this city, making it ready for your people, Viola, making it the proper paradise that they need and want and expect."
He's still looking right into my eyes. I notice how dark blue his own are, like water running over a slate.
"And of all the people I've met in New Prentisstown, your Mistress Coyle is the only one who truly knows what leading is like. Leadership isn't grown, Viola. It's taken, and she may be the only person on this entire planet besides myself who has enough strength, enough will to take it."
I keep looking at his eyes and a thought comes. His Noise is still silent as the black beyond and his face and eyes give away nothing either. But I do begin to wonder-Right there, just at the back of my thinking-Is he afraid of her?
"Why do you think I had you taken to her for your gunshot wound?" he asks.
"She's the best healer. You said it yourself."
"Yes, but she's far from the only one. Bandages and medicine do most of the work. Mistress Coyle just applies them especially skillfully."
My hand goes unconsciously to my front scar. "It's not just that."
"It is not, you're correct." He leans even farther forward. "I want her on my side, Viola. I need her on my side if I'm going to make this new society any kind of success. If we worked together, Mistress Coyle and I" – he leans back – "well, what a world we could make."
"You locked her up."
"But I wasn't going to keep her locked up. The borders between men and women had become blurred, and the reintroduction of those borders is a slow and painful process. The formation of mutual trust takes time, but the important thing to remember is, as I've said, the war is over, Viola. It truly is. I want no more fighting, no more bloodshed."
For something to do, I pick up the cooling cup of coffee. I put it to my lips but I don't drink it.
"Is Todd okay?" I ask, not looking at him.
"Happy and healthy and working in the sun," the Mayor says.
"Can I see him?"
He's silent, as if he's considering it. "Will you do something for me?" he asks.
"What?" Another idea begins to form in my head. "You want me to spy on her for you."
"No," he says. "Not spying, not at all. I just want your help in convincing her that I'm not the tyrant she thinks, that history isn't as she knows it, that if we work together, we can make this place into the home we both wanted when our people left Old World all those many years ago. I am not her enemy. And I am not yours."
He seems so sincere. He really does.
"I'm asking for your help," he says.
"You're in complete control," I say. "You don't need my help."
"I do," he says insistently. "You've grown closer to her than I ever possibly could." Have I? I think. This is the girl, I remember.
"I also know that she drugged you that first night so you would fall asleep before you told me anything."
I sip my cold coffee. "Wouldn't you have done the same?"
He smiles. "So you agree we're not that different, she and I?"
"How can I trust you?"
"How can you trust her if she drugged you?"
"She saved my life."
"After I delivered you to her."
"She's not keeping me locked up in the house of healing."
"You came here unchaperoned, didn't you? The restrictions are being lessened this very day."
"She's training me as a healer."
"And who are all those other healers she's been meeting with?" He folds his fingers back into a tent. "What are they up to, do you suppose?"
I look down into the coffee cup and swallow, wondering how he knows.
"And what do they have planned for you?" he asks.
I still don't look at him.
He stands. "Come with me, please."
He leads me out of the huge room and across the short lobby at the front of the cathedral. The doors are wide open onto the town square. The army is doing marching exercises out there and the pound pound pound of their feet pours in and the ROAR of the men who no longer have the cure floods in right behind it.
I wince a little.
"Look there," says the Mayor.
Past the army, in the center of the square, some men are assembling a small platform of plain wood, a bent pole up on the top.
"What's that?"
"It's where Sergeant Hammar is going to be hanged tomorrow afternoon for his terrible, terrible crime."
The memory of Maddy, of her lifeless eyes, rises in my chest again. I have to press my hand to my mouth to hold it back.
"I spared the old Mayor of this town," he says, "but I will not spare one of my most loyal and long – standing sergeants." He looks at me. "Do you honestly think I would go to such lengths just to please one girl who has information I could use? Do you honestly think I would go to that much trouble when, as you say, I'm in complete control?"
"Why are you doing it then?" I ask.
"Because he broke the law. Because this is a civilized world and acts of barbarity will not be tolerated. Because the war is over." He turns to me. "I would very much like you to convince Mistress Coyle of that." He steps closer. "Will you do that? Will you at least tell her the things I'm doing to remedy this tragic situation?"
I look down at my feet. My mind is whirling, spinning like a meteor.
The things he says could be true.
But Maddy is dead.
And it's my fault.
And Todd's still gone.
What do I do?
(what do I do?)
"Will you, Viola?"
At least, I think, it's information to give to Mistress Coyle. I swallow. "I'll try?"
He smiles again. "Wonderful." He touches me gently on the arm. "Run along back now. They'll be needing you for the funeral service."
I nod and step out onto the front steps and away from him, moving into the square a little bit, the ROAR of it all beating down on me as hard as the sun. I stop and try to catch the breath that seems to have run away from me.
"Viola." He's still watching me, watching me from thes teps of his house, the cathedral. "Why don't you have dinner with me here tomorrow night?"
He grins, seeing how I try to hide how much I don't want to come.
"Todd will be there, of course," he says.
I open my eyes wide. Another wave rises from my chest, bringing the tears again and surprising me so much I hiccup. "Really?"
"Really," he says.
"You mean it?"
"I mean it," he says.
And then he opens his arms to me for an embrace.
11 SAVED YER LIFE
***
[TODD]
"WE GOTTA NUMBER 'EM," Davy says, getting out a heavy canvas bag that's been left in the monastery storeroom and dropping it loudly to the grass. "That's our new job."
It's the morning after the Mayor wished me a late happy birthday, the morning after I vowed I'd find her. But ain't nothing's changed.
"Number em?" I ask, looking out at the Spackle, still staring back at us in the silence that don't make no sense. Surely the cure shoulda worn off by now? "Why?"
"Don't you never listen to Pa?" Davy says, getting out some of the tools. "Everyone's gotta know their place. Besides, we gotta keep track of the animals somehow."
"They ain't animals, Davy," I say, not too heated cuz we've had this fight before a coupla times. "They're just aliens."
"Whatever, pigpiss," he says and pulls out a pair of bolt cutters from the bag, setting them on the grass. He reachesi n the bag again. "Take these," he says, holding out a handful of metal bands, strapped together with a longer one. I take them from him.
Then I reckernize what I'm holding.
"We're not," I say.
"Oh, yes, we are." He holds up another tool, which I also reckernize.
It's how we marked sheep back in Prentisstown. You take the tool Davy's holding and you wrap a metal band around a sheep's leg. The tool bolts the ends together tight, too tight, so tight it cuts into the skin, so tight it starts an infeckshun. But the metal's coated with a medicine to fight it so what happens is that the infeckted skin starts to heal around the band, grow into it, replacing that bit of skin with the metal band itself.
I look up again at the Spackle, looking back at us.
Cuz the catch is, it don't heal if you take it off. The sheep'll bleed to death if you do. You put on a band and it's yers till the sheep dies. There ain't no going back from it.
"Then all you gotta do is think of 'em as sheep," Davy says, standing up with the bolting tool and looking out over the Spackle. "Line up!"
"We'll do one field at a time," he shouts, gesturing at the Spackle with the bolting tool in one hand and the pistol in the other. The soldiers on the stone walls keep their rifles pointed into the herd. "Once you get yer number, you stay in that field and you don't leave it, unnerstand?" And they seem to unnerstand. That's the thing.
They unnerstand way more than a sheep would. I look at the packet of metal bands I'm holding. "Davy, this is-"
"Just get a move on, pigpiss," he says impayshuntly. "We're meant to get thru two hundred today."
I swallow. The first Spackle in line is watching the metal bands as well. I think it's female cuz sometimes you can tell by the color of the lichen they've got growing for their clothes. She's shorter than usual, too, for a Spackle. My height or less.
And I'm thinking, if I don't do it, if I'm not the one who does this, then they'll just get someone else who won't care if it hurts. Better they have me who'll treat 'em right. Better than just Davy on his own.
Right?
(right?)
"Just wrap the effing band round its arm or we'll be here all effing morning," Davy says.
I gesture for her to hold out her arm. She does, staring at my eyes, not blinking. I swallow again. I unwrap the packet of bands and peel off the one marked 0001. She's still staring, still not blinking.
I take hold of her outstretched hand.
The flesh is warm, warmer than I expected, they look so white and cold.
I wrap the band round her wrist.
I can feel her pulse beating under my fingertips.
She still looks into my eyes.
"I'm sorry," I whisper.
Davy steps up, takes the loose ends of the bands in the bolting tool, gives it a twist so sharp and hard the Spackle lets out a pained hiss, and then he slams the bolting tool together, locking the metal strip into her wrist, making her 0001 forever and ever.
She bleeds from under the band. 0001 bleeds red.
(which I already knew)
Holding her wrist with her other hand, she moves away from us, still staring, still unblinking, silent as a curse.
None of 'em fight. They just line up and stare and stare and stare. Once in a while they make their clicking sounds to one another but no Noise, no struggles, no resistance.
Which makes Davy angrier and angrier.
"Damn things," he says, holding the twist for a second before he bolts it off just to see how long he can make 'em hiss. And a second or two longer than that.
"How d'you like that, huh?" he yells at a Spackle as it walks away, holding its wrist, staring back at us.
0038 is next in line. It's a tall one, probably male, skinny as anything and getting skinnier cuz even a fool can see that the fodder we put out every morning ain't enough for fifteen hundred Spackle.
"Put the band round its neck," Davy says.
"What?" I say, my eyes widening. "No!"
"Put it round its effing neck!"
"I'm not–"
He lunges forward suddenly, clonking me on the head with the bolting tool and ripping the metal bands outta my hand. I fall to one knee, clutching at my skull and the pain keeps me from looking up for a few seconds. And when I do, it's too late.
Davy's got the Spackle kneeling in front of him, the 0038 band twisted tight around its neck, and is using the bolting tool to twist it tighter. The soldiers on the top of the wall are laughing and the Spackle's gasping for air, clawing at the band with its fingers, blood coming from round its neck.
"Stop it!" I shout, struggling to get to my feet.
But Davy slams the bolting tool shut and the Spackle tumbles over into the grass, making loud gagging sounds, its head starting to turn a cruel – looking pink. Davy stands above it, not moving, just watching it choke to death.
I see the bolt cutters Davy set on the grass and I stumble to 'em, grabbing 'em and rushing back over to 0038. Davy tries to stop me but I swing the bolt cutters at him and he jumps back and I kneel beside 0038 and try to get to the metal band but Davy's twisted it so tight and the Spackle's thrashing so much from suffocating that I finally have to force him down with one fist.
I cut the band free. It flies off in a mess of blood and skin. The Spackle takes in a rake of air so loud it hurts yer ears and I lean back away from him, bolt cutters still in my hand.
And as I watch the Spackle struggle to breathe again and possibly fail and as Davy hovers behind me, bolting tool in his hand, I realize how much clicking I'm hearing running thru the Spackle and it's now, of all times, of all moments, of all reasons-It's right now they decide to attack.
***
The first punch glances lightly off the crown of my head. They're thin and they're light so there's not much weight behind the punch.
But there are fifteen hundred of 'em. And they come in a wave, so thick it's like being plunged underwater-More fists, more punching, scratches across my face and the back of my neck and I'm knocked farther to the ground and the weight of em presses down on me, grabbing at my arms and legs, grabbing at my clothes and hair, and I'm calling out and yelling and one of 'em's taken the bolt cutters from my hand and swings it hard into my elbow and the pain of it is more than I can actually stand-
And my only thought, my only stupid thought is-Why are they attacking we? I tried to save 0038. (but they know, they know-) (they know I'm a killer–)
Davy cries out as I hear the first gunshots from the top of the stone walls. More punches and more scratches but more gunshots, too, and the Spackle start to scatter which is something I can hear more than see cuz of the pain radiating up from my elbow.
And there's still one on top of me, scratching at me from behind as I lie facedown on the grass and I manage to turn myself over and tho the guns are still firing and the smell of cordite is filling the air and Spackle are running and running, this one stays on me, scratching and slapping away.
And the same second I realize it's 0001, the first one in line, the first one I touched, there's a bang and she spins and falls to the grass beside me. Dead.
Davy's standing over me with his pistol, smoke still coming from its barrel. His nose and lip are bleeding, he's got as many scratches as I do, and he's leaning heavily to one side.
But he's smiling.
"Saved yer life, didn't I?"
The firing of rifles carries on. The Spackle keep running but there's nowhere to go. They fall and they fall and they fall.
I look down at my elbow. "I think my arm's broke."
"I think my leg's broke," Davy says, "but you go back to Pa. Tell him what's happened. Tell him I saved yer life."
Davy's not looking at me, still raising his pistol, firing it, keeping his weight all weird on his legs.
"Davy-"
"Go!" he says and there's a grim kinda joy coming from him. "I got me a job to finish here." He fires the gun again. Another Spackle falls. They're falling all over the place.
I take a step toward the gate. And another.
And then I'm running.
My arm throbs with every step but Angharrad says boy colt when I get to her and snuffles my face with a wet nose. She kneels down so I can flop forward onto her saddle. When she takes off down the road, she waits till I'm upright before she hits the fastest gallop I ever seen from her. I'm hanging onto her mane with one hand, my hurt arm curled under me, and I'm trying not to throw up from the pain.
I look up now and then to see women, quiet and distant, watch me ride past from their windows. I see men watch the horse run by, looking at my face all bloody and injured.
And I wonder who they think they're seeing.
Are they seeing one of them?
Or are they seeing their enemy?
Who do they think I am?
I close my eyes but I nearly lose my balance so I open them again.
Angharrad takes me down the road on the side of the cathedral, her shoes striking sparks on the cobbles as she turns the corner to go round to the entrance. The army's in the square doing marching exercises. Most of them still ain't got Noise but the pounding of their feet is loud enough to bend the air.
I wince at it all and look up to where we're going, to the front door of the cathedral–
And my Noise gives such a shock, Angharrad stops up short, scrabbling on the cobbles, flanks foaming from getting me here so fast.
I barely notice-
My heart has stopped beating-
I've stopped breathing–
Cuz there she is. In front of my eyes, walking up the steps of the cathedral-There she is.
And my heart jump – starts again and my Noise is ready to scream her name and my pain is disappearing-
Cuz she's alive-
She's alive–
But then I'm seeing more–
I'm seeing her walking up the steps–
Toward Mayor Prentiss–
Into his open arms–
And he's embracing her–
And she's letting him–
And all I can think–
All I can say–
Is–
"Viola?"
PART III WAR IS OVER
12 BETRAYAL
***
(Viola)
Mayor Prentiss stands there.
The leader of this town, this world.
Arms wide.
As if this is the price.
Do I pay it?
It's just one hug, I think, (isn't it?)
One hug to see Todd. I step forward-(just one hug)
– and he puts his arms around me. I try not to go rigid at his touch.
"I never told you," he says into my ear. "We found your ship in the swamp as we marched here. We found your parents."
I let out a little gasp of tears and try to swallow them back.
"We gave them a decent burial. I'm so sorry, Viola. I know how lonely you must be, and nothing would please me more than if, one day, maybe, you could consider me as your-"
There's a sudden sound above the ROAR -
One bit of Noise flying higher than the rest, clear as an arrow-
An arrow fired directly at me-
Viola! it screams, knocking the words right out of the Mayor's mouth-
I step back from his embrace, his arms falling away-I turn-
And there, in the afternoon sunshine, in the square, on the back of a horse not ten yards away-
There he is.
It's him.
"TODD!" I yell and I'm already running.
He's standing where he slid off the horse, holding his arm at a bad angle, and I hear Viola! roaring through his Noise but I can also hear the pain in his arm and confusion lacing through everything but my own mind is racing too fast and my heart is pounding too loud for me to hear any of it clearly.
"TODD!" I yell again and I reach him and his Noise opens even farther and wraps around me like a blanket and I'm grabbing him to me, grabbing him to me like I'll never let him go and he calls out in pain but his other arm is grabbing me back, it's grabbing me back, it's grabbing me back-
"I thought you were dead," he's saying, his breath on my neck. "I thought you were dead."
"Todd," I say and I'm crying and the only thing I can say is his name. "Todd."
He gasps sharply again and the pain flashes so loud in his Noise I'm almost blinded by it. "Your arm," I say, pulling back.
"Broken," he pants, "broken by-"
"Todd?" the Mayor says, right behind us, staring hard into him. "You're back early."
"My arm," Todd says. "The Spackle-"
"The Spackle?" I say.
"That looks bad, Todd," the Mayor says, talking over us. "We need to get you healed right away."
"He can come to Mistress Coyle!"
"Viola," the Mayor says and I hear Todd think " Viola"? , wondering all over how the Mayor speaks to me like this. "Your house of healing is too far for Todd to walk with an injury this bad."
"I'll come with you!" I say. "I'm training as an apprentice!"
"Yer what?" Todd says. His pain is wailing like a siren but he's still looking back and forth between me and the Mayor. "What's going on? How do you know-"
"I'll explain everything," the Mayor says, taking Todd's free arm, "after we get you healed." He turns to me. "The invitation is still on for tomorrow. You have a funeral to get to just now."
"Funeral?" Todd says. "What funeral?"
"Tomorrow," the Mayor says to me again firmly, pulling Todd away. "Wait-" I say.
"Viola!" Todd shouts, jerking away from the Mayor's grasp but the movement shakes his broken arm and he falls to one knee with the pain of it, pain so sharp, so loud and clear in his Noise that soldiers from the army stop to hear it. I jump forward to help but the Mayor holds out a hand to stop me.
"Go," he says and it's not a voice that's asking for discussion. "I'll help Todd. You go to your funeral and mourn your friend. You'll see Todd tomorrow night, good as new."
Viola? Todd's Noise says again, choking back a weep from pain so heavy now I don't think he can speak.
"Tomorrow, Todd," I say loudly, trying to get through his Noise. "I'll see you tomorrow."
Viola! he calls again but the Mayor is already leading him away.
"You promised!" I call after them. "Remember that you promised!"
The Mayor gives me a smile. "Remember you promised, too."
Did I? I think.
And then I'm watching them go, so fast it's like it didn't even happen. But Todd-Todd is alive.
I have to bend down close to the ground for a minute and just let it be true.
***
"And with burdened hearts, we commit you to the earth."
"Here." Mistress Coyle takes my hand after the priestess finishes speaking and puts some loose dirt into it. "We sprinkle it over the coffin."
I stare at the dirt in my hand. "Why?"
"So that she's been buried by the efforts of all of us." She directs me to a place with her in the line of healers gathering by the graveside. We pass by the hole one by one, each of us throwing our handful of dry soil onto the wooden box where Maddy now rests. Everyone stands as far away from me as they can.
No one but Mistress Coyle will even speak to me. They blame me. I blame me, too.
There are more than fifty women here, healers, apprentices, patients. Soldiers are spread out in a circle around us, more than you'd think necessary for a funeral. Men, including Maddy's father, are kept separate on the other side of the grave. Maddy's father's weeping Noise is the saddest thing I think I've ever heard.
And in the middle of everything, I can only feel even more guilty because what I'm mostly thinking about is Todd.
Now that I'm away from it, I can see the confusion in his Noise more clearly, see how it must have looked to find me in the arms of the Mayor, how friendly we must have seemed together.
Even though I can explain it all, I still feel ashamed. And then he was gone.
I throw my dirt on Maddy's coffin, then Mistress Coyle takes me by the arm. "We need to talk."
***
"He wants to work with me?" Mistress Coyle says, over a cup of tea in my small bedroom.
"He says he admires you."
Her eyebrows raise. "Does he now?"
"I know," I say. "I know how it sounds, but maybe if you heard him-"
"Oh, I think I've heard enough from our President to last me a good while."
I lean back on my bed. "But he could have, I don't know, forced me to tell him about the ships. And he's not forcing me to do anything." I look away. "He's even letting me see my friend tomorrow."
"Your Todd?"
I nod. Her expression is solid as stone.
"And I suppose that makes you grateful to him, does it?"
"No," I say, rubbing my face with my hands. "I saw what his army did as they marched. I saw it with my own two eyes."
There's a long silence.
"But?" Mistress Coyle finally says.
I don't look at her. "But he's hanging the man who shot Maddy. He's executing him tomorrow."
She makes a dismissive sound with her lips. "What's one more killing to a man like him? What's one more life to take? Typical that he should think that solves the problem."
"He seemed genuinely sorry."
She looks at me sideways. "I'm sure he did. I'm sure that's exactly how he seemed." She lowers her voice. "He's the President of Lies, my girl. He will lie so well you'll believe it's the truth. The Devil tells the best stories. Didn't your mama teach you that?"
"He doesn't think he's the Devil," I say. "He thinks he's just a soldier who won a war."
She looks at me carefully. "Appeasement," she says. "That's what it's called. Appeasement. It's a slippery slope."
"What does it mean?"
"It means you want to work with the enemy. It means you'd rather join him than beat him, and it's a surefire way to stay beaten."
"I don't want that!" I yell. "I just want this all to stop! I want this to be a home for all the people on their way, the home that we were all looking forward to. I want there to be peace and happiness." My voice starts to thicken. "I don't want anyone else to die."
She sets down her teacup, puts her hands on her knees and looks hard at me. "Are you sure that's what you want?" she says. "Or is it your boy you'll do anything for?"
And I wonder for a minute if she can read my mind.
(because, yes, I want to see Todd-)
(I want to explain to him-)
"Clearly your loyalty doesn't lie with us," Mistress Coyle says. "After your little stunt with Maddy, there are those of us who aren't so sure you're not more of a danger than an asset."
Asset, I think.
She sighs, long and hard. "For the record," she says, "I don't blame you for Maddy's death. She was old enough to make her own decisions and if she chose to help you, well, then." She runs her fingers across her forehead. "I see so much of myself in you, Viola. Even when I'd rather not." She stands to leave. "So please know, I don't blame you. Whatever happens."
"What do you mean, whatever happens?"
But she doesn't say anything more.
That night, they have something called a wake, where everyone at the house of healing drinks lots of weak beer and sings songs that Maddy liked and tells stories about her. There are tears, including my own, and they're not happy tears but they're not as sad as they could be.
And I'm going to see Todd again tomorrow.
And that's as close as I can feel to all right about anything just now.
I wander around the house of healing, around the other healers and apprentices and patients talking to one another. None of them will talk to me. I see Corinne sitting by herself in a chair by the window, looking especially stormy. She's refused to speak to anyone since Maddy's death, even declining to say something over the grave. You'd have to have been sitting right next to her to see how many tear tracks were on her cheeks.
It must be the beer working in me, but she looks so upset I go over and sit down next to her.
"I'm sorry-" I start to say but she stands up before I can even finish and walks away, leaving me there.
Mistress Coyle comes over, two glasses of beer in her hands. She hands one to me. We both watch Corinne as she leaves the room. "Don't be too bothered about her," Mistress Coyle says, sitting down. "She's always hated me."
"She hasn't. She's just had a hard time of it, that's all."
"How hard?"
"It's her place to tell you, not mine. Drink up."
I take a drink. It's sweet and wheaty – tasting, the bubbles sharp against the roof of my mouth but not in a bad way. We sit and drink for a minute or two.
"Have you ever seen an ocean, Viola?" Mistress Coyle asks.
I cough away a little of the beer. "An ocean?"
"There's oceans on New World," she says, "big as anything."
"I was born on the settler ship," I say, "but I saw them from orbit as we flew in on the scout."
"Ah, well, then you've never stood on a beach as the waves came crashing in, the water stretching out from you until it's beyond sight, moving and blue and alive and so much bigger than even the black beyond seems because the ocean hides what it contains." She shakes her head in a happy way. "If you ever want to see how small you are in the plan of God, just stand at the edge of an ocean."
"I've only ever been to a river."
She puffs out her bottom lip, regarding me. "This river goes to the ocean, you know. It's not even all that far. Two days on horseback at most. A long morning in a fissioncar, though the road's not that great."
"There's a road?"
"Not much left of it anymore."
"Is there something there?"
"Used to be my home," she says, shifting in her chair. "When we first landed, going on twenty – three years ago now. Meant to be a fishing settlement, boats and everything. In a hundred years' time, it might have even been a port."
"What happened?"
"What happened all over this planet, all our grand plans just sort of falling by the wayside in the first couple of years in the face of difficulty. It was harder to start a new civilization than we thought. You have to crawl before you can walk." She takes a sip of her beer. "And then sometimes you go back to crawling." She smiles to herself. "Probably for the best, though. Turns out New World's oceans aren't really for fishing."
"Why not?"
"Oh, the fish are the size of your boat and they swim up alongside and look you in the eye and tell you how they're going to eat you." She laughs a little. "And then they eat you."