Текст книги "An Expert in Murder"

Автор книги: Nicola Upson

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Текущая страница: 6 (всего у книги 20 страниц)

There are some pulls in her stockings and the dress is slightly torn under one arm, which could suggest that she was shifted without much care or ceremony, but it’s hardly surprising that it was done 76

in a hurry. This is one of the riskiest crimes I’ve seen – you’d need to be in and out in a matter of minutes. Anyway, I’ll let you know as soon as the tests are done on those fibres. It’s not much, but it’s all I’ve got for you at the moment. Just for once, the time of death is certain almost to the minute, but you know as much about that as I do.’

There was silence for a moment while Penrose thought about the information that Spilsbury had given him. ‘I can think of two reasons for switching the murder weapon,’ he said. ‘Either the blade that he used was so distinctive that to leave it behind would be to give himself away; or there’s something significant in what he chose to substitute it with. What would you put your money on?’

Years in court had taught Spilsbury never to volunteer his views unless asked – and Penrose asked more often than most of his colleagues – but, when he did offer an opinion, his eye for detail, acute gifts of reasoning and a memory which served as an index to death in all its forms meant that he was always worth listening to.

‘This killing is personal – as personal as it gets – but it was also carried out quickly and efficiently, so it’s almost certainly premed-itated. In which case, the killer would hardly plan to use something that was likely to give him away and then be forced to swap it. No, the method of killing here is about the victim; get to know her, and she will lead you to your man.’

Penrose thanked him more perfunctorily than was characteristic of him, but his mind was playing with an imbalance of questions and answers, the most persistent thought being that it was all very well getting to know the victim if you were sure it was her death which had been intended – but his personal jury had yet to deliver its verdict on that one. There was little to be gained from sharing his doubts with the pathologist at this stage: he should be gathering information on the murder which had actually been committed rather than trying to investigate one which existed only in his worst fears.

‘I’ll let you know if I come up with anything else,’ Spilsbury said. ‘And good luck – I think you’ll need it.’

77

Looking at the clock and realising he was late to pick up Josephine, Penrose went to find Fallowfield to give him the glad tidings: firstly, that the murder weapon was devoid of any prints other than the victim’s; secondly, that it was not actually the murder weapon at all. There was really only one way for their luck to turn.

78

Six

Josephine was already waiting on the pavement when Penrose’s car turned into St Martin’s Lane, and he imagined she had been there for some time. Looking at the anxiety etched on her face, he questioned for a moment the wisdom of allowing her to accompany him in what must surely be a painful interview for all concerned but he knew that, had he refused, she would merely have passed a long afternoon alone, grieving for a situation which she believed to be partly her fault, or embroiled unnecessarily in the tangle of raw egos and ruffled feathers that lay in wait at the theatre. Less philanthrop-ically, his instincts told him that Josephine would be a useful string to his bow when it came to questioning the Simmonses. Undoubt-edly, there was important information to be had from the encounter and a mildly spoken woman with a natural curiosity and gentle eyes was likely to get much closer to the heart of the matter than either Fallowfield or himself, particularly if she held a certain celebrity status in the eyes of half her audience. When he had telephoned ahead to make sure there was no objection to Josephine’s inclusion in the appointment, Frank Simmons had implied that, on the contrary, it was the one thing that might just make the ordeal bearable.

In all their years together, Penrose had yet to decide if Fallowfield’s driving was very good or very bad. Down broad streets and across open countryside, he supposed it might be called exhilarating, but breadth and space were rare commodities in London and the Sergeant never allowed his surroundings to intrude upon his style. Within minutes, the car came to a shudder-ing halt in front of Josephine, who managed – with considerable pluck, Penrose thought – to take only two hurried steps back.

79

He kissed her briefly, gave her arm a reassuring squeeze and stood aside to allow her to get in. With a jerk, they moved off and the car was soon proceeding at a terrible rate up Monmouth Street. Resisting the impulse to close her eyes, Josephine smiled at Archie as a fellow passenger on the road to perdition and handed him a solid-looking parcel, wrapped in greaseproof paper. ‘The Snipe insisted I bring this for you,’ she said. ‘It’s cheese and tomato with extra pickle. She thinks you need feeding up because you’ve already left two meals she’s put in front of you today, and she specifically asked me to tell you that this is your last chance. Eat these or she’s giving you her notice.’

‘Three Snipes and you’re out then, Sir,’ chipped in Fallowfield from the front seat as they shot across Hyde Park Corner, oblivious to the set of traffic lights that had just turned red. ‘Mind you, she’ll always be welcome at my house if she does give up on you.

You can tell her that, Miss Tey, when you see her next,’ he continued, winking at Josephine in his rear-view mirror while she watched the road ahead on his behalf. ‘Fine figure of a woman, she is, and wasted on you sparrows.’

‘She speaks very highly of you, too, Bill,’ said Josephine.

‘There’s a sandwich here for you as well.’

‘It’s a queer business, this, Miss Tey,’ he continued with relish, apparently undeterred by having spent a fruitless morning at King’s Cross questioning the station staff and going through a passenger list which threw up nothing whatsoever of interest. One of the many qualities that Penrose admired in his sergeant was an utter immunity to despondency, no matter how many setbacks he came up against. Fallowfield was of that school of policing which had an unshakeable faith in the fact that truth will always out in the end; his optimism, which was no doubt nurtured by the amount of leisure time he spent in the company of fictional detectives for whom luck and inspiration knew no bounds, had been a spur to the more cynical Penrose on more than one occasion, and it lifted his spirits again now. When he had given the Sergeant a succinct account of Spilsbury’s report on their way to the car, he had expected Fallowfield to share his disappointment at the lack of evi-80

dence, in particular the blow of the absent murder weapon, but that had not been the case. There was nothing the Sergeant enjoyed as much as a puzzle, and here he had plenty to occupy his thoughts.

Josephine, keen to hear more about the ‘queer’ nature of the case than she had been able to glean earlier from Archie’s troubled account, and knowing she would get far more out of his sergeant, made an encouraging murmur of agreement. ‘From the start, it reminded me of your book, Miss,’ he expanded out of the blue, referring to Josephine’s detective novel in which a man had been stabbed in a theatre queue. ‘You know, a murder in a busy place and a risky one into the bargain. And then when the Inspector told me that the real weapon was a thin knife and not a hatpin – well, I half expected us to start looking for a Dago with a scar on his left hand, brandishing a stiletto.’

The suggestion was not a serious one, but the similarities had already occurred to Josephine and it struck her as ironic that she of all people should find herself on the periphery of a real murder case, travelling to talk to the victim’s family with the policeman upon whom she had based her popular fictional inspector, Alan Grant. Not to look at, of course: Archie’s height and dark good looks were a million miles from Grant’s slighter build and – for want of a better word – his dapperness; no, a pleasant voice and a well-tailored suit were all they shared physically, but professionally speaking they were a perfect match. She had wanted a hard-working, well-meaning police inspector, a credible detective to stand out among the figures of fantasy and wish-fulfilment found in so many other crime novels, and in Penrose she had the perfect model. He could not quite claim Grant’s perfect record of never an unsolved murder to his name, but he was patient, considerate and intelligent, a sensitive individual who cared about people both as a human being and as a policeman. She had added a few passions of her own – Archie had never been known to pick up a fishing rod, for example, whilst she was an expert with a fly – but the essence of Grant, the egalitarian nature of his view on the world, had been inspired for the most part by what she liked about Penrose. Seeing him now, though, preoccupied by thoughts which were out of kil-81

ter with Fallowfield’s gentle banter, Josephine realised how much he had changed in the five years since the book was written. He had even started to look like a policeman, whereas it was Grant’s greatest asset that he did not.

‘Do you think you might write another one?’ Fallowfield asked as he turned onto the Hammersmith Road, where the smell of chocolate from the enormous Lyons factory on the left-hand side reached them almost immediately, taking Josephine back to her own war years – which she had spent at Cadbury’s, teaching physical education – with a sudden intensity that only an unexpected sensory experience could evoke. ‘Perhaps all this will spur you on?’ he added hopefully.

‘I don’t know about that, Bill. I only wrote the first one for a bet.

A friend of mine swore it would be impossible to murder somebody in a crowd and I begged to differ, but I’m not sure in retro-spect that she wasn’t right. I had to write it in a fortnight and it nearly killed me, up till all hours every day. I swore I’d never do it again, but I have to admit – I do quite like Grant. He may turn up again if Brisena’s willing.’

‘Brisena?’ Fallowfield looked blank.

‘My typewriter. I dedicated the book to her because she worked so hard to finish it. It was all a bit of a joke, really. Making death up does have a knack of taking your mind off the real thing, though, so perhaps you’re right – now might be a good time to start.’

As they drove past Cadby Hall, the vast headquarters of Messrs.

J. Lyons & Company Limited which took up the entire street frontage between Brook Green and Blythe Road, Josephine noted its air of Saturday peace and fell silent, thinking of the one employee who would certainly not be enjoying his day off. As if reading her thoughts, Archie said: ‘I’ll be interested to know what you make of Frank Simmons. He seemed genuinely devastated last night, but I want to get an insight into how the family fits together.’

‘Elspeth certainly spoke about him with affection,’ Josephine said, ‘and I didn’t get the impression that there was any tension there, but there’s no such thing as an uncomplicated family. You and I both know that, and I imagine those complications are even 82

more intense when adoption’s involved.’ She was quiet for a moment, imagining Elspeth’s life at home. ‘The father’s sickness must have taken its toll on the family, even if they managed to shield Elspeth from the worst of it. It would be nothing short of a miracle if they had less than their fair share of doubts and regret, but that doesn’t make the family closet any darker than most, I suppose.’ Even so, she thought to herself, the combination of suspicion and grief was bound to make their visit to the family an uncomfortable one.

Suddenly, she and Archie were jerked from their seat as the car drew to an abrupt halt, taking its place in the long line of traffic waiting to cross Hammersmith Broadway. ‘Bugger,’ said Fallowfield. ‘I’d forgotten it was the bloody Boat Race.’

‘So had I,’ groaned Penrose, who usually took a partisan interest in the event. ‘Why do they have to live in Hammersmith, for God’s sake? The world and his wife will be here this afternoon.’

And indeed they were. From where the Daimler stood, they could see the crowds making their way to Hammersmith Bridge or heading towards the river to get a place on one of the barges that offered the best view as the crews rounded the great bend. It had always been beyond Fallowfield’s comprehension that this purely private affair between two universities could draw tens of thousands of Londoners – more than any horse race or football match

– but today he took it as a personal slight.

‘I don’t see how I’m going to get through this lot in a hurry,’ he said as they crawled along. ‘We’re not far off now, but we could be here for hours. You’ll get there quicker if you walk, Sir. I’ll meet you at the house as soon as I can.’

Penrose turned to Josephine. ‘Is that all right with you?’ She nodded, and he saw her safely onto the pavement, glad to be doing something more positive than sitting in the back of a car. They set off together in the direction of the river, leaving Fallowfield to swear quietly to himself behind the wheel. He glanced at her as they walked along, wondering how others saw them. To a stranger, they probably looked for all the world like a couple out for a weekend jaunt.

83

‘Where are we going?’ shouted Josephine above the bustle of traffic on the Broadway.

‘Verbena Gardens,’ Archie replied, and smiled as Josephine afforded the name the grimace it deserved. ‘Number twenty-six, to be exact. It’s just off the Great West Road, about fifteen minutes away.’

In fact, it took them nearly twice as long to negotiate the crowds gathered under the elms which stretched all the way along the Mall. When they found the road they were looking for, Penrose was relieved that, after all, they had arrived on foot. Verbena Gardens was the sort of curtain-twitching street that monitored its comings and goings with infallible diligence, and two reasonably nondescript pedestrians were much less of an intrusion than an unmarked but not unidentifiable police car. Frank and Betty Simmons would be going through enough at the moment without having the curiosity of their neighbours to contend with.

‘What an odd place to have a shop,’ said Josephine, voicing his own thoughts exactly. ‘I suppose I should have expected that, having seen a sample of the Lillibet lines. They could never be described as conventional.’ Certainly, number twenty-six had been imaginatively if improbably transformed from its unpromising beginnings as a red-brick terraced house, moderate in size and much like the ones that stood either side. The upper storey had managed to maintain an air of residential normality, but that only served to accentuate the enthusiastic attempts to turn the lower living quarters into a temple of fashion. If you knew where to look, London was actually full of little shops known to a special clientele and run by women who designed and made their own wares. Even so, Josephine could not imagine that there was another boutique quite like this anywhere in the city. The lack of passing trade had not deterred its proprietor from making the same efforts with her window-dressing that characterised the more fortunately placed outlets in Kensington and Regent Street. The harmonies of light and colour, the daringly original ideas were bountifully evident and, if her waxen smile was to be trusted, the figure in the window who beckoned the doubtful to step inside 84

seemed to bear no resentment at being asked to market her goods away from the mainstream. The standard wooden front door which was repeated up and down Verbena Gardens had been replaced here by a glass frontage, onto which the name was elaborately painted in gold. But today the closed sign deterred any prospective shoppers and the blinds at the door, still firmly pulled down, contrasted poignantly with the evening frocks and picture hats that spoke of such gaiety on either side.

With a sigh, Penrose stopped outside and, as a discreet card in the window invited him to do, rang for attention. For a minute or two, the bell brought no response then, as he was about to try again, a light came on at the back of the shop and someone shot the bolts back on the door. When it opened, the wretched night that Frank Simmons had spent was written on his face and in the creases of the clothes which he had worn the previous evening.

‘I’m sorry we’re a little late, Mr Simmons,’ Penrose said. ‘We were held up by the Boat Race crowds.’

Simmons looked blankly past him, and Penrose wondered if he expected to see people suddenly thronging into Verbena Gardens.

‘The Boat Race? Ah yes, it’s today isn’t it? Cambridge are favourites, I believe, but they say that both crews are strong this year.’ He paused, still looking off down the road. ‘Normally we’d have gone down to have a look but we just haven’t had time today.

There seems so much to do, what with Betty having to go up to Berwick to fetch Alice down. You did say that would be all right, Inspector? She’s too upset to travel on her own, and Betty’s so good with her. They’ve always got on well.’

‘That’s fine, Mr Simmons,’ said Penrose gently. ‘It’s important that she has someone with her at a time like this. But we’d just like to have a chat with the two of you first. May we come inside for a bit?’

‘Of course. How stupid of me. Please, come in,’ he said and led them into the shop, past the overnight bag which stood packed and waiting by the door and into a tidy, unexpectedly spacious sales area. As they moved towards the back of the shop, where a red velvet curtain was pulled to one side to reveal stairs to the liv-85

ing quarters above, Penrose made the formal introductions. ‘I’m so very sorry for your loss, Mr Simmons,’ said Josephine, and her words carried such genuine warmth and regret that Simmons relaxed immediately, forgetting for a moment the presence of an inspector of Scotland Yard. ‘Elspeth was a lovely girl,’ she continued, ‘and I’m only sorry not to have known her better. We talked a great deal on our way down here, though, and she was very excited about her visit. She obviously enjoyed her time in London with you.’

‘You’ve no idea what a comfort that is, Miss Tey,’ Simmons replied. ‘We had some happy times together at that theatre, Elspeth and me, and many of them were thanks to you. It will have meant a lot to her to have met you at last – she always wanted to.

Alice – that’s my sister-in-law, Elspeth’s mother – she’s not so keen on plays as we are, but she asked me to thank you for your kindness. There’s not much that can console her at the moment, but when I told her what the Inspector said about you making friends with Elspeth so quickly, that helped a bit, I think.’

At the top of the stairs they were met by a small, birdlike woman, dressed immaculately in a sober but well-cut suit.

Comparing her with her husband, Josephine would have considered her to be in her early forties but she had that sort of face which had never been truly young and which had probably changed very little over the years. Never in all her life could she remember seeing anyone quite as neat as Betty Simmons: her clothes, her dark auburn hair, the way she stood were all judged with a careful precision that was reflected in her manner of speech; not a word was out of place in those frugal sentences of welcome.

How Elspeth’s exuberance had fitted into this small house with its tidy containment, Josephine could not imagine.

She could, however, envisage the pleasure that the girl would have found in the eccentric streak which drove Frank Simmons to acquire every bit of theatrical memorabilia he could lay his hands on. When Elspeth had spoken about the collection on the train, Josephine had imagined it to consist of nothing but pile after pile of theatre programmes and magazines gathering dust in a corner. On 86

the contrary, what drew her attention almost as soon as she entered the Simmonses’ sitting room was a vibrant pocket of history which told the story of the stage for the last fifty years or more. All along one wall of the room, in a series of glass-fronted cases originally designed to protect precious books, hundreds of small objects were proudly displayed. While Betty disappeared into a tiny kitchen to make tea, Josephine took advantage of a pause in the formalities to look at them more closely. Each was carefully labelled like an exhibit in a museum, and certainly as valuable to anyone with a passion for theatre: the items were laid out chronologically, beginning with a property book used by Ellen Terry as Portia in 1875

and, next to it, a pair of the invisible spectacles which her leading man, Henry Irving, had worn. On the wall in between the first two cases, the mirror from Herbert Beerbohm Tree’s dressing room reflected a wax figurine of Edith Evans as Millamant in The Way of the World, but so evocative was the setting that the glass still seemed to hold echoes of the extraordinary character make-up that Beerbohm Tree had created for the likes of Fagin and Falstaff. The new stars of the stage were well represented, too; next to a 1925

edition of The Sketch, which showed Noël Coward on the cover breakfasting in bed, there was a flask in the form of a book, one of several which the playwright had given to the cast of his operetta, Bitter Sweet, on its opening night.

It really was an extraordinary display and, in spite of the som-bre nature of the afternoon, Josephine and Archie could not help but be fascinated. Simmons, gratified by their interest and pleased to grasp at any distraction from the real world, joined them by the cases and showed them the intricate workings of a silver plate cruet in the shape of Grimaldi which came to pieces to reveal salt and pepper pots in his pantaloons and a glass bottle for dressing in his chest; as the goose-heads appearing from his pockets were revealed to be the handles of spoons, Archie momentarily forgot his profession and exclaimed in delight. ‘This must have taken you years to build up,’ he said. ‘Where on earth did you get it all from?’

‘It’s a labour of love, Sir,’ Simmons replied. ‘I’ve been lucky in that an old pal of mine got a stage door job when he came out of 87

the army, and he always keeps his eyes open for me. You’d be amazed at what people chuck away – some of this stuff didn’t cost me a penny. And when people start to know you collect something, they get in touch with you if they’ve got something of interest. Come and look at this – it’s too big to keep in here.’

Penrose followed Elspeth’s uncle into another room to view the pride and joy of his collection – the drum which Irving had used to create the sound of many a battle at the Lyceum. Josephine, who had never had the remotest inclination to open herself up to strangers, nevertheless admired the natural way in which Archie found a common ground with everyone.

‘I still can’t believe she’s dead,’ said Betty Simmons, returning with the tea tray and pouring four neat cups without spilling a drop. ‘She just wasn’t the sort of girl that things happen to. When she was little, she’d make up stories about herself. Alice used to say it was because she was adopted – there was always something that she couldn’t know, so she invented it differently every day.

They wondered if they’d done the right thing in telling her, but you can’t keep that sort of thing secret forever, can you? The shock of finding it out later might have destroyed her, and it wasn’t as if she was unhappy with Alice and Walter. She was such a sweet girl to them, so kind and thoughtful. But not knowing who she really came from made her curious about everything.’

‘When was she adopted, Mrs Simmons?’ asked Penrose, as he came back into the room and sat down.

‘It was just before the war ended. Walter had come back in a dreadful state – not physically, you understand, but it had done terrible things to his mind – and Alice was trying to hold everything together for both of them, working all hours of the day and looking after him as well. We did as much as we could, but they were so far away up there. Alice didn’t want to come down to London because all her family were in Berwick and that’s where the business was. We thought she was mad at the time to take on a baby as well, but we were wrong. It was what she’d always wanted and she coped beautifully.’

‘So it was the Berwick authorities that handled the adoption?’

88

The Simmonses looked at each other doubtfully. ‘It wasn’t exactly done through the proper channels, you see,’ said Frank after a pause. ‘Walter arranged it privately when he was in the army. Someone he served with had a child he couldn’t bring up himself – I don’t know why – but it seemed like the answer to all Walter’s prayers. He and Alice couldn’t have any of their own, you see, and being without kids was eating up Alice with grief; she made herself quite ill with it at one stage, and Walter was in despair. They were so in love when they first married; I’ve never seen a man so happy. He would have done anything for her, and a baby was what she wanted most in all the world. When Elspeth came along, it seemed too good to be true. She couldn’t have been more loved if she had been their own.’

‘It changed them, though,’ his wife added. ‘The end of the war and Elspeth’s arrival all happened at the same time, so somehow she seemed to get caught up in what the fighting had done to him.

He was never the same towards Alice when he came back; she said so herself. But the baby transformed her life. Elspeth was the making of Alice, but sometimes I think she destroyed Walter. They might have got through it if it had been just the two of them.’

‘Betty! You can’t say that about an innocent little baby.’

‘It’s true though, Frank, and it’s nobody’s fault. Don’t get me wrong,’ she continued, turning back to Josephine and Archie. ‘I don’t mean that Walter didn’t love Elspeth. Of course he did. It wasn’t that he resented her or that Alice neglected him. It was just that having a child gave Alice an excuse to put all her emotional energy into the little one. She looked after Walter, but she stopped trying to understand him.’

‘It’s hard to care for a man you love but don’t always recognise,’

said Josephine, who knew all too well what sort of psychological props long-term sickness demanded. When her own mother had died suddenly, she had given up her teaching career to return to Inverness and keep house for her father. Her sisters were married by then, and it had seemed the sensible thing to do. For the first few years, she had been happy back in her home town; her father continued to run the grocery store that he owned in the High 89

Street and she had enjoyed the peace and familiarity of Crown Cottage. Alone in the house during the day, she had time to write and was pleased when her early attempts to be published in various journals and magazines were moderately successful. In time, her poems and short stories led to full-length novels, but what began as pure pleasure soon became an essential facet of her own well-being: when her father’s health began to suffer, companionship turned to dependence and she found that she desperately needed another place to lay the emotions which she no longer dare attach to him for fear of how strongly she would feel his death when it eventually came. It took a rare amount of strength to care for someone who was lost to you without putting up those barriers of self-protection, and she refused to judge Alice Simmons harshly for failing to find it. ‘I’m sure Elspeth must have felt the weight of that responsibility, too, as she grew older,’ she said.

‘Yes, she did,’ Frank agreed, ‘although I think it hit her hardest when Walter died and she had to take care of her mother. She was aware of the change in Alice, you see, because she’d always been so capable; she never knew Walter when he was truly himself. It wasn’t all bad. There were times when he tried to pull himself together and be what he’d been before, but it never lasted long.’

Simmons paused, looking down at his hands. ‘Were you over there, Inspector?’ Archie nodded and let him continue. ‘After a while, you forget how senseless it all seemed at the time. The more the years went by, the more Walter looked back to the war as the time when he meant something, when people respected him. He thought it would be a new start, coming home to a wife he loved with a child of their own to bring up, but it never worked out that way for him. I kept telling him – it’s not the war years that were right, it’s the peace years that are wrong, but he never would accept that. None of us really found the land fit for heroes that we were promised but you adjust, don’t you? He couldn’t.’

‘Did he keep in touch with any of his army friends?’

‘Not that I know of. I remember him telling me once about a reunion they were having. He couldn’t afford to go but some of them clubbed together and paid for his ticket. Even then, he hated 90

every minute of it because he didn’t think his clothes were good enough. It’s no wonder he was bitter, is it? He went off with crowds throwing flowers at him, and when he came back he couldn’t even enjoy a drink with the men he’d fought alongside because he was ashamed of the coat on his back.’

Penrose listened, remembering some of the uncomfortable reunions he had been to himself. At times it had felt much easier to drink to the tragedy of the dead than to look the living in the eye, knowing that many of those men came back to the realisation that the world they had fought so hard for no longer wanted them.

‘Did anyone ever make contact with Elspeth’s real parents?’ he asked.

‘No, I don’t think so. I’m not sure Alice even knew who they were, and Elspeth certainly didn’t. It was almost as if keeping in touch with them would have been tempting fate: they might have changed their minds and wanted her back.’