Текст книги "UnWholly"
Автор книги: Neal Shusterman
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Текущая страница: 1 (всего у книги 27 страниц)
Contents
Acknowledgments
Part One: Violations
Chapter 1: Starkey
Chapter 2: Miracolina
Chapter 3: Cam
Part Two: Whollies
Chapter 4: Parents
Chapter 5: Connor
Chapter 6: Risa
Chapter 7: Connor
Chapter 8: Risa
Chapter 9: Connor
Chapter 10: Starkey
Part Three: Windows of the Soul
Chapter 11: Smoker
Chapter 12: Nelson
Chapter 13: Connor
Chapter 14: Dolores
Chapter 15: Connor
Chapter 16: Risa
Chapter 17: Cam
Chapter 18: Risa
Chapter 19: Cam
Chapter 20: Nelson
Part Four: Leviathan
Chapter 21: Lev
Chapter 22: Trust
Chapter 23: Lev
Chapter 24: Miracolina
Chapter 25: Lev
Chapter 26: Miracolina
Chapter 27: Lev
Chapter 28: Risa
Chapter 29: Cam
Chapter 30: Nelson
Chapter 31: Miracolina
Chapter 32: Lev
Chapter 33: Miracolina
Chapter 34: Lev
Chapter 35: Nelson
Part Five: Matters of Necessity
Chapter 36: Connor
Chapter 37: Risa
Chapter 38: Hayden
Chapter 39: Connor
Chapter 40: Starkey
Chapter 41: Connor
Chapter 42: Starkey
Chapter 43: Avalanche
Chapter 44: Risa
Chapter 45: Cam
Chapter 46: Risa
Chapter 47: Audience
Chapter 48: Risa
Chapter 49: Cam
Chapter 50: Risa
Chapter 51: Cam
Part Six: Fight or Flight
Chapter 52: Lev
Chapter 53: Nelson
Chapter 54: Lev
Chapter 55: Miracolina
Chapter 56: Lev
Chapter 57: Connor
Chapter 58: Trace
Chapter 59: Lev
Chapter 60: Starkey
Chapter 61: Noah
Chapter 62: Starkey
Chapter 63: Trace
Chapter 64: Lev
Chapter 65: Nelson
Chapter 66: Gate Guard
Chapter 67: Connor
Chapter 68: Vessels
Chapter 69: Lev
Chapter 70: Nelson
Chapter 71: Lev
Chapter 72: Starkey
Chapter 73: Risa
Chapter 74: Roberta
Chapter 75: Cam
Part Seven: Landings
Chapter 76: Dreamliner
Chapter 77: Starkey
Chapter 78: Trace
Chapter 79: Starkey
Chapter 80: Miracolina
Chapter 81: Hayden
Chapter 82: Connor
Chapter 83: Nelson
Chapter 84: Connor
About Neal Shusterman
For Charlotte Ruth Shusterman
Love you, Mom
ACKNOWLEDGMENTS
I never dreamed that Unwind would turn into a trilogy, but I just couldn’t escape the strange world it encompasses. I owe a continuing debt of gratitude to David Gale, Navah Wolfe, Justin Chanda, Anne Zafian, and everyone in Simon & Schuster’s editorial department. Also Paul Crichton and Lydia Finn for organizing publicity and book tours, Michelle Fadlalla and Venessa Williams for their work on school and library conferences, Katrina Groover in managing editorial, Chava Wolin in production, and Chloë Foglia in design.
I thank my children for their endless patience while Dad disappears deep into his head, and Marcia Blanco, my extraordinary assistant, who keeps me sane and somehow keeps me organized! Many thanks to Wendy Doyle and Heidi Stoll for their tireless work on the Shustermania newsletter. Another nod to Wendy, and to my son Jarrod, for transcribing my story ramblings whenever I find myself in a digital dictatorial phase. Thanks to my critique group, the Fictionaires, for helping to guide my words—particularly Michelle Knowlden, for our wonderful collaboration on the “UnStrung” short story, and my “Big Sis” Patricia, for catching me when I McFall.
I am indebted to the countless educators out there who are finding ways of using my books in the classroom, and the many fans who tell me how my books affect their lives—fans like Veronica Knysh, whose e-mail brought me to tears and made me remember the reason why I write.
Thanks to Andrea Brown, Trevor Engelson, Shep Rosenman, Lee Rosenbaum, Steve Fisher, and Debbie Deuble-Hill: my proverbial “people,” who run my career with a collectively enlightened hand (and keep me from running it into the ground!). My gratitude also goes out to Marc Benardout, Catherine Kimmel, Julian Stone, and Charlotte Stout, whose unflinching belief in Unwind and UnWholly will most certainly result in an incredible film!
And finally I thank my parents, Milton and Charlotte Shusterman, for always being there, even when they can’t be.
And the answer is . . .
As Unwind and UnWholly represent a world turned upside down, what better way to keep you up to speed than giving the answer before the question, like on a certain quiz show? Read the answers, and see how many questions you can get right! Get enough right and you may get to tear up your own unwind order! (Warning: Skipping the game may leave you feeling a bit unwound while reading. . . .)
This is the process by which an individual is dismantled. By law, 99.44 percent of a person must be used and kept alive in transplant.
What is unwinding?
America’s second civil war—also known as the Heartland War—ended when the pro-life and pro-choice armies came to this agreement, which made life inviolable from conception to the age of thirteen but allowed for the “retroactive abortion” of troubled teenagers.
What is the Unwind Accord?
When a mother does not wish to keep a newborn baby, she has the legal option to leave the baby on someone else’s doorstep. The baby then becomes the legal responsibility of the people in that home. This is the common term for the leaving of the baby.
What is storking?
When a person is unwound, since virtually all of them is still alive, they are not considered to be dead, but to be living in this state.
What is the divided state?
These are licensed facilities in which Unwinds are prepared for a divided state. While each facility has its own particular personality, they are all designed to provide a positive experience for youth designated for unwinding.
What are harvest camps?
This northern Arizona harvest camp, in a town named after the joyful lumberjacks who founded it, has recently been closed due to terrorist activity.
What is Happy Jack Harvest Camp?
This is a slang term for the clinic within a harvest camp where unwinding is performed.
What is a Chop Shop?
These young terrorists have introduced an undetectable chemical into their circulatory system that makes their blood explosive. They get their name because they detonate by bringing their hands together in powerful applause.
What are clappers?
This is the common term for the law enforcement officers who work for the National Juvenile Authority and are responsible for the policing of Unwinds.
What are Juvey-cops, or Juvies?
The act of chemically rendering someone unconscious by use of tranquilizer bullets or darts. It is the preferred method utilized by juvenile enforcement officers, because using bullets on Unwinds is both illegal and damages their vital organs, thereby reducing their value.
What is tranq’ing?
From the French word for “beef”—and probably the origin of the slang expression “buff”—this is the common term for a soldier, or a muscular teen on track for a military career.
What is a boeuf?
Originally a military term, it means “away without leave” but has more recently been used as a term for runaway Unwinds.
What is AWOL?
This organization fights unwinding by rescuing AWOL Unwinds. However, it’s not as well organized as people think.
What is the ADR or Anti-Divisional Resistance?
This secret (not so secret) sanctuary for AWOL Unwinds is at a massive airplane salvage yard in the Arizona desert.
What is the Graveyard?
Also known as Connor Lassiter, this runaway Unwind from Ohio is believed to be responsible for the revolt at Happy Jack Harvest Camp, and is presumed dead.
Who is the Akron AWOL?
Derived from the term meaning “ten percent,” this is a child designated from birth for unwinding, usually for religious reasons.
What is a tithe?
This tithe became a clapper who didn’t clap, and by doing so, put a face on the resistance movement.
Who is Lev Calder?
This is the last name given to parentless children raised in state homes.
What is Ward?
A survivor of Happy Jack Harvest Camp, this former state ward became a paraplegic, because she refused to have her damaged spine replaced by the spine of an Unwind.
Who is Risa Ward?
Wishing you a nail-biting, sleep-depriving, thought-provoking read!
Neal Shusterman
Part One
Violations
The only way to deal with an unfree world is to become so absolutely free that your very existence is an act of rebellion.
–Albert Camus
1 • Starkey
He’s fighting a nightmare when they come for him.
A great flood is swallowing the world, and in the middle of it all, he’s being mauled by a bear. He’s more annoyed than terrified. As if the flood isn’t enough, his deep, dark mind has to send an angry grizzly to tear into him.
Then he’s dragged feetfirst out of the jaws of death and drowning Armageddon.
“Up! Now! Let’s go!”
He opens his eyes to a brightly lit bedroom that ought to be dark. Two Juvey-cops manhandle him, grabbing his arms, preventing him from fighting back long before he’s awake enough to try.
“No! Stop! What is this?”
Handcuffs. First his right wrist, then his left.
“On your feet!”
They yank him to his feet as if he’s resisting—which he would, if he were more awake.
“Leave me alone! What’s going on?”
But in an instant he’s awake enough to know exactly what’s going on. It’s a kidnapping. But you can’t call it kidnapping when transfer papers have been signed in triplicate.
“Verbally confirm that you are Mason Michael Starkey.”
There are two officers. One is short and muscular, the other tall and muscular. Probably military boeufs before they took jobs as Juvey-rounders. It takes a special heartless breed to be a Juvey-cop, but to specialize as a rounder you probably need to be soulless as well. The fact that he’s being rounded for unwinding shocks and terrifies Starkey, but he refuses to show it, because he knows Juvey-rounders get off on other people’s fear.
The short one, who is clearly the mouthpiece of this duo, gets in his face and repeats, “Verbally confirm that you are Mason Michael Starkey!”
“And why should I do that?”
“Kid,” says the other rounder, “this can go down easy or hard, but either way it’s going down.” The second cop is more soft spoken with a pair of lips that clearly aren’t his. In fact, they look like they came from a girl. “The drill’s not so hard, so just get with the program.”
He talks as if Starkey should have known they were coming, but what Unwind ever really knows? Every Unwind believes in their heart of hearts that it won’t happen to them—that their parents, no matter how strained things get, will be smart enough not to fall for the net ads, TV commercials, and billboards that say things like “Unwinding: the sensible solution.” But who is he kidding? Even without the constant media blitz, Starkey’s been a potential candidate for unwinding since the moment he arrived on the doorstep. Perhaps he should be surprised that his parents waited so long.
Now the mouthpiece gets deep in his personal space. “For the last time, verbally confirm that you are—”
“Yeah, yeah, Mason Michael Starkey. Now get out of my face, your breath stinks.”
With his identity verbally confirmed, Lady-Lips pulls out a form in triplicate: white, yellow, and pink.
“So is this how you do it?” Starkey asks, his voice beginning to quaver. “You arrest me? What’s my crime? Being sixteen? Or maybe it’s just being here at all.”
“Quiet-or-we-tranq-you,” says Mouthpiece, like it’s all one word.
A part of Starkey wants to be tranq’d—just go to sleep and if he’s lucky, never wake up. That way he won’t have to face the utter humiliation of being torn from his life in the middle of the night. But no, he wants to see his parents’ faces. Or, more to the point, he wants them to see his face, and if he’s tranq’d, they get off easy. They won’t have to look him in the eye.
Lady-Lips holds the unwind order in front of him and begins to read the infamous Paragraph Nine, the “Negation Clause.”
“Mason Michael Starkey, by the signing of this order, your parents and/or legal guardians have retroactively terminated your tenure, backdated to six days postconception, leaving you in violation of Existential Code 390. In light of this, you are hereby remanded to the California Juvenile Authority for summary division, also known as unwinding.”
“Blah, blah, blah.”
“Any rights previously granted to you by the county, state, or federal government as a citizen thereof are now officially and permanently revoked.” He folds the unwind order and shoves it into his pocket.
“Congratulations, Mr. Starkey,” says Mouthpiece. “You no longer exist.”
“Then why are you talking to me?”
“We won’t be for much longer.” They tug him toward the door.
“Can I at least put on shoes?”
They let him go but stay on their guard.
Starkey takes his sweet time tying his shoes. Then they pull him out of his room and down the stairs. The Juvey-cops have heavy boots that intimidate the wood of the steps. The three of them sound like a herd of cattle as they go down.
His parents wait in the foyer. It’s three in the morning, but they’re still fully dressed. They’ve been awake all night anticipating this. Starkey sees anguish on their faces, or maybe it’s relief, it’s hard to tell. He hardens his own emotions, hiding them behind a mock smile.
“Hi, Mom! Hi, Dad!” he says brightly. “Guess what just happened to me? I’ll give you twenty guesses to figure it out!”
His father takes a deep breath, preparing to launch into the Great Unwinding Speech that every parent prepares for a wayward child. Even if they never use it, they still prepare it, running the words through their minds while on lunch break, or while sitting in traffic, or while listening to some moronic boss blather on about price points and distribution, and whatever other crap that people in office buildings have meetings about.
What were the statistics? Starkey saw it on the news once. Every year the thought of unwinding passes through the mind of one in ten parents. Of those, one in ten seriously considers it, and of those, one in twenty actually goes through with it—and the statistic doubles with every additional kid a family has. Crunch those juicy numbers, and one out of every two thousand kids between the ages of thirteen and seventeen will be unwound each year. Better odds than the lottery—and that doesn’t even include the kids in state homes.
His father, keeping his distance, begins the speech. “Mason, can’t you see that you left us no choice?”
The Juvey-cops hold him firm at the bottom of the stairs, but they make no move to get him outside. They know they must allow the parental rite of passage; the verbal boot out the door.
“The fights, the drugs, the stolen car—and now being expelled from yet another school. What’s next, Mason?”
“Gee, I don’t know, Dad. There are so many bad choices I can make.”
“Not anymore. We care enough about you to end your bad choices before they end you.”
That just makes him laugh out loud.
And then there’s a voice from the top of the stairs.
“No! You can’t do this!”
His sister, Jenna—his parents’ biological daughter—stands at the top of the stairs in teddy bear pajamas that seem too old for her thirteen years.
“Go back to bed, Jenna,” their mother says.
“You’re unwinding him just because he was storked, and that’s unfair! And right before Christmas, too! What if I had come storked? Would you unwind me also?”
“We are not having this discussion!” yells their father, as their mother begins to cry. “Go back to bed!”
But she doesn’t. She folds her arms and sits at the top of the stairs in defiance, witnessing the whole thing. Good for her.
His mother’s tears are genuine, but he’s unsure whether she’s crying for him or for the rest of the family. “All these things you do, everyone told us they were a cry for help,” she says. “So why didn’t you let us help you?”
He wants to scream. How could he possibly explain it to them if they can’t see? They don’t know what it’s like to go through sixteen years of life knowing you weren’t wanted; a mystery baby of uncertain race storked on the doorstep of a couple so sienna-pale, they could have been vampires. Or to still remember that day when you were three years old and your mom, all doped up on pain medication from your sister’s cesarean delivery, took you to a fire station and begged them to take you away and make you a ward of the state. Or how about knowing every Christmas morning that your gift is not a joy, but an obligation? And that your birthday isn’t even real because they can’t pinpoint when you were born, just the day you were left on a welcome mat that some new mother took too literally?
And what about the taunts from the other kids at school?
In fourth grade Mason’s parents were called into the principal’s office. He had flipped a boy off the top platform of the jungle gym. The kid had suffered a concussion and a broken arm.
“Why, Mason?” his parents had asked, right there in front of the principal. “Why did you do it?”
He told them that the other kids were calling him “Storky” instead of Starkey, and that this was the boy who had started it. He naively thought they’d rise to his defense, but they just dismissed it as if it didn’t matter.
“You could have killed that boy,” his father had reprimanded. “And why? Because of words? Words don’t hurt you.” Which is one of the hugest criminal lies perpetrated by adults against children in this world. Because words hurt more than any physical pain. He would have gladly taken a concussion and a broken arm if he never had to be singled out as a storked child ever again.
In the end, he got sent to a different school and was ordered to have mandatory counseling.
“You think about what you did,” his old principal had told him.
And he did what he was told, like a good little boy. He gave it plenty of thought and decided he should have found a higher platform.
So how do you even begin to explain that? How do you explain a lifetime of injustice in the time it takes the Juvey-cops to herd you out the door? The answer is easy: You don’t even try.
“I’m sorry, Mason,” his father says, tears in his eyes as well. “But it’s better for everyone this way. Including you.”
Starkey knows he’ll never make his parents understand, but if nothing else, he’ll have the last word.
“Hey, Mom, by the way . . . Dad’s late nights at the office aren’t really at the office. They’re with your friend Nancy.”
But before he can begin to relish his parents’ shocked expressions, it occurs to him that this secret knowledge could have been a bargaining chip. If he had told his father he knew, it could have been ironclad protection from unwinding! How could he be so stupid not to have thought of that when it mattered?
So in the end he can’t even enjoy his bitter little victory as the Juvey-cops push him out into a cool December night.
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The Juvey squad car leaves the driveway with Starkey locked in the backseat behind a bulletproof barrier. Mouthpiece drives while Lady-Lips flips through a fat file folder. Starkey can’t imagine his life could have that much data.
“It says here you scored in the top ten percentile in your early childhood exams.”
The mouthpiece shakes his head in disgust. “What a waste.”
“Not really,” says Lady-Lips. “Plenty of folks will get the benefit of your smarts, Mr. Starkey.”
The suggestion gives him an unpleasant chill, but he tries not to show it. “Love the lip graft, dude,” Starkey says. “What’s the deal? Did your wife tell you she’d rather be kissed by a woman?”
Mouthpiece smirks, and Lady-Lips says nothing.
“But enough lip service,” says Starkey. “You boys hungry? Because I could go for a midnight snack right about now. Some In-N-Out? Whaddaya say?”
No answer from the front seat. Not that he expects one, but it’s always fun to mess with law enforcement and see how much it takes to irritate them. Because if they get ticked off, he wins. What’s that story about the Akron AWOL? What did he always say? Oh yeah. “Nice socks.” Simple, elegant, but it always undermined the confidence of any figure of false authority.
The Akron AWOL—now there was an Unwind! Sure, he died in the attack on Happy Jack Harvest Camp almost a year ago, but his legend lives on. Starkey longs for the kind of notoriety that Connor Lassiter has. In fact, Starkey imagines Connor Lassiter’s ghost sitting by his side, appreciating his thoughts and his every action—not just approving, but guiding Starkey’s hands as he wriggles his handcuffs down to his left shoe—just low enough to fish out the knife from the lining. The knife he’s saved for special occasions like this.
“Come to think about it, In-N-Out Burger does sound good right about now,” says Lady-Lips.
“Excellent,” says Starkey. “There’s one up ahead on the left. Order me a Double-Double, Animal Style, and Animal fries, too, because, hey—I’m an animal.”
He is amazed that they actually pull into the all-night drive-through. Starkey feels like the master of subliminal suggestion, even though his suggestion was not all that subliminal. Still, he is in control of the Juvey-cops . . . or at least he thinks he is until they order meals for themselves and nothing for him.
“Hey! What’s the deal?” He pounds his shoulder against the glass that separates their world from his.
“They’ll feed you at harvest camp,” says Lady-Lips.
Only now does it hit home that the bulletproof glass doesn’t just separate him from the cops—it’s a barrier between him and any part of the outside world. He will never taste his favorite foods again. Never visit his favorite places. At least not as Mason Starkey. Suddenly he feels like hurling up everything he’s eaten, backdated to six days postconception.
The night shift cashier at the drive-through window is a girl Starkey knows from his last school. As he sees her, a whole mess of emotions toy with his brain. He could just lurk in the shadows of the backseat, hoping not to be seen, but that would make him feel pathetic. No, he will not be pathetic. If he’s going down, then it will be in flames that everyone must see.
“Hey, Amanda, will you go to the prom with me?” He shouts loud enough to be heard through the thick glass barrier.
Amanda squints in his direction, and when she realizes who it is, she turns up her nose as if she’s smelled something rancid on the grill.
“Not in this life, Starkey.”
“Why not?”
“A, you’re a sophomore, and B, you’re a loser in the back of a police car. And anyway, don’t they have their own prom at the alternative school?”
Could she possibly be any denser? “Uh, as you can see, I’ve graduated.”
“Pipe down,” says Mouthpiece, “or I’ll unwind you right into the burgers.”
Finally Amanda gets it, and suddenly she becomes a little sheepish. “Oh! Oh, I’m sorry, Starkey. I’m really sorry. . . .”
Pity is something Mason Starkey can’t stand. “Sorry for what? You and your friends wouldn’t give me the time of day before, but now you’re sorry for me? Save it.”
“I’m sorry. I mean—I’m sorry that I’m sorry—I mean . . .” She sighs in exasperation and gives up, handing Lady-Lips a bag of food. “Do you need ketchup?”
“No, we’re good.”
“Hey, Amanda!” Starkey shouts as they drive away. “If you really want to do something for me, tell everyone I went down fighting, will you? Tell them I’m just like the Akron AWOL.”
“I will, Starkey,” she says. “I promise.”
But he knows she’ll forget by morning.
Twenty minutes later they’re turning into the back alley of county lockup. No one goes in the front way, least of all the Unwinds. The county jail has a juvenile wing, and in the back of the juvey wing is a special box within a box where they hold Unwinds awaiting transport. Starkey’s been in regular juvey enough to know that once you’re in the Unwind holding cell, that’s it. End of story. Even death row inmates don’t have such tight security.
But he’s not there yet. He’s still here, in the car, waiting to be transferred inside. Right here is where the hull of this little ship of fools is thinnest, and if he’s going to sink their plans, it has to happen between the car and the back door of the county jail. As they prepare for his “perp walk,” he thinks about his chances of breaking free—because as much as his parents may have imagined this night, so has he, and he’s made up a dozen valiant escape plans. The thing is, even his daydreams are fatalistic; in every anxiety-filled fantasy, he always loses, gets tranq’d, and wakes up on an operating table. Sure, they say they don’t unwind you right away, but Starkey doesn’t believe it. No one really knows what goes on in the harvest camps, and those who find out aren’t exactly around to share the experience.
They pull him out of the car and flank him on either side, grasping his upper arms tightly. They are practiced in this walk. Lady-Lips grips Starkey’s fat file in his other hand.
“So,” says Starkey, “does that file show my hobbies?”
“Probably,” says Lady-Lips, not really caring either way.
“Maybe you should have read it a little more closely, because then we’d have something to talk about.” He grins. “You know, I’m pretty good with magic.”
“That so?” says Mouthpiece, with a twisted sneer. “Too bad you can’t make yourself disappear.”
“Who says I can’t?”
Then, in his finest Houdini fashion, he raises his right hand, revealing the cuff no longer on it. Instead, it dangles free from his left hand. Before they can even react, Starkey slides the penknife he used to pick the lock out of his sleeve, grips it in his hand, and slashes it across Lady-Lips’s face.
The man screams, and blood flows from a four-inch wound. Mouthpiece, for once in his miserable life of public disservice, is speechless. He reaches for his weapon, but Starkey is already on the run, zigzagging in the shadowy alley.
“Hey!” yells Mouthpiece. “You’re only making it worse for yourself.”
But what are they going to do? Reprimand him before they unwind him? The Mouthpiece can talk all he wants, but he’s got no bargaining position.
The alley turns to the left and then to the right like a maze, and all the while beside him is the tall, imposing brick wall of the county jail.
Finally he turns another corner and sees a street up ahead. He charges forward, but just as he emerges into that street, he’s grabbed by Mouthpiece. Somehow he made it there before Starkey. He’s surprised, but he shouldn’t be, because doesn’t every Unwind try to run? And couldn’t they build a twisting alley specifically designed to waste your time and give the Juvey-cops an advantage that they never really lost?
“You’re through, Starkey!” He crushes Starkey’s wrist enough to dislodge the knife and brandishes a tranq gun with trigger-happy fury. “Down on the ground, or this goes in your eye!”
But Starkey does not go down. He will not humble himself before this legalized thug.
“Do it!” says Starkey. “Tranq me in the eye and explain to the harvest camp why the goods are damaged.”
Mouthpiece turns him around and pushes him against the brick wall, hard enough to scrape and bruise his face.
“I’ve had enough of you, Starkey. Or maybe I should call you Storky.” Then Mouthpiece laughs, like he’s a genius. Like every moron in the world hasn’t already called him that. “Storky!” he snorts. “That’s a better name for you, isn’t it? How do you like that, Storky?”
Blood boils hotter than water. Starkey can vouch for that, because with adrenaline-pumped fury, he elbows Mouthpiece in the gut and spins around, grabbing the gun.
“Oh no, you don’t.”
Mouthpiece is stronger—but maybe animal-style beats strength.
The gun is between them. It points at Starkey’s cheek, then his chest, then to Mouthpiece’s ear, then under his chin. They both grapple for the trigger and—Blam!
The concussive shock of the blast knocks Starkey back against the wall. Blood! Blood everywhere! The ferrous taste of it in his mouth, and the acrid smell of gun smoke and—
That was no tranq bullet! That was the real thing!
And he thinks he’s microseconds away from death, but he suddenly realizes that the blood isn’t his. In front of him, Mouthpiece’s face is a red, pulpy mess. The man goes down, dead before he hits the pavement and—
My God, that was a real bullet. Why does a Juvey-cop have real bullets? That’s illegal!
He can hear footsteps around the bend, and the dead cop is still dead, and he knows the whole world heard the gunshot, and everything hinges on his next action.
He is partners with the Akron AWOL now. The patron saint of runaway Unwinds is watching over his shoulder, waiting for Starkey to make a move, and he thinks, What would Connor do?
Just then another Juvey-cop comes around the bend—a cop he has never seen and is determined to never see again. Starkey raises Mouthpiece’s gun and shoots, turning what was just an accident into murder.
As he escapes—truly escapes—all he can think about is the bloody taste of victory, and how pleased the ghost of Connor Lassiter would be.
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To be an AWOL Unwind is one thing, but to be a cop killer is another. The manhunt for Starkey becomes more than just your typical Unwind chase. It seems the whole world is put on alert. First Starkey changes his look, dying his straggly brown hair red, cutting it bookworm-short, and shaving off the little victory garden goatee that he’s been cultivating since middle school. Now when people see him, they might get a feeling they’ve seen him before, but not know from where, because now he looks less like a face from a wanted poster and more like someone you’d see on a Wheaties box. The red hair is a bit of a disconnect with his olive complexion, but then, being a genetic hodgepodge has served him well all his life. He’s always been a chameleon who could pass for any ethnicity. The red hair just adds one more level of misdirection.
