Текст книги "If I Fall, If I Die"
Автор книги: Michael Christie
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Текущая страница: 2 (всего у книги 20 страниц)
Relaxation Time
How easy it is for a life to become tiny. How cleanly the world falls away.
The subway platform in Toronto. That was the first. Will was a toddler then. Even today, “safe” in her bedroom, Diane still couldn’t summon the incident in her mind without panic spreading in her like laughter through a crowd. She knew she’d brushed against true madness that day because it was huge and blunt and screaming.
She’d blamed the city, its wilderness of signs and traffic and sounds, its flip book of faces and lightning storm of a million brains. So she packed up their apartment and moved Will north to Thunder Bay, where she’d grown up, where she hadn’t returned since her twin brother, Charlie, died at the grain elevators when they were twenty-four.
A year had been the plan, time enough to rebalance herself, perhaps make a film, something personal, experimental, short. She still owned the old house, the one she and Charlie had saved for. Though she was the last surviving member of her family, other than Will, of course, she’d never stored the nerve to sell it.
In Toronto Diane bought a car, something she’d never owned, a robin’s-egg-blue Volkswagen Rabbit. She and Will set off in the morning: fourteen hours northwest that they split into two days because after the seventh hour Will was visited with unbearable silliness and wild irrationality. As they pushed northward, bugs left increasingly phlegmatic blotches on their windshield, and spindly, undernourished trees crowded the road as though trying to mount it, get roots into it, and in this manner escape. They tracked the CBC as its signal lived and died, resurrected town to hamlet to town, while the high, rusty channels dynamited into the roadside granite offered the impression of descending into a mine.
Initially, she dreaded the drive. The ratcheting fear could have resurfaced out there amid all that tree and rock. But she was fine behind the wheel, tranquil even. She sang to her old tapes as Will clapped his orange-sticky hands.
They found the house in neglect and disarray, ten years of woolly grain dust on every lateral surface, everything just as she’d left it, even a few plates in the sink, waiting to be washed for a decade. Her father was never one for photos or memorabilia, but she kept a few things: the old dictionary that had so obsessed her brother after their mother died, some of her own sketchbooks and charcoals she put aside for Will, as well as her father’s old work boots—the rest she drove to the Salvation Army.
She always preferred to work in a frenzy, to dash herself upon the rocks of a project—this was how she’d made her films—so during Will’s naps she cleaned, vacuumed, polished, painted, plastered, tore back wallpaper, and even sledgehammered half of a wall, swooping about on the skating rink of caffeine, coaxing the house into something that her brother wouldn’t have recognized. In a kerchief and some old jeans, she suffered the August swelter and fought the feral yard all the way back to the creek, where Charlie once pulled a thousand silver smelt in one night with just a net and a flashlight. A moving truck brought their furniture, Will’s toys, her cameras and books.
The work did her good, and this was a period of reprieve.
It was driving that allowed it back: a grocery run, stopped at a light while traversing the highway, Will strapped into his car seat like a babbling astronaut. When the green came, she shifted her foot, and they bucked then heaved to a halt. She pressed harder, yet the vehicle remained unmoved. Behind her a truck honked unkindly. She peered under the wheel to find her boot planted squarely on the brake.
Then the rushing heart and tingling digits, same as on the subway platform. How could she have confused the two most fundamental controls of the vehicle? Most unsettling was how easy it had been: they were both pedals, so close together, one a golf club and the other a door stopper—yet essentially indistinguishable. And what if she’d done it the other way around? Pumped the gas and jackrabbited onto the highway and the fury of logging trucks and snarling pickups piloted by jumpy, half-drunk hunters? What creature would she find belted into the burning jungle of death and fluid and steel that would remain of their car after the trucks had finished with it?
At first she simply avoided the highway. Routine trips took hours, but she didn’t mind. She kept to side roads and residential streets. Houses were a comfort. She’d use their phones if necessary. If what was necessary? Using the phone, she assured herself, plenty of good reasons for that.
Rather quickly, more rules established themselves. No roads over a certain speed limit. No night driving. Then no left-hand turns. She hugged the shore of the right lane, never risking her car in the path of an onrushing vehicle—that leftward leap of faith enough to burn her again with panic.
Each night her mind burbled with the close calls of the day, the inadequate traffic bylaws, the numbers and speeds and physics of it all. And after weeks of this she perceived driving for what it truly was: an impossibly complicated and lethal activity. One that required reserves of faith, confidence, and sheer stupidity that she would never possess.
After she sold the Rabbit and learned that Thunder Bay’s public transportation system had died the slow death of depopulation and underfunding, she and Will took taxis. The old trifecta of grocery store, library, and bank they could complete for less than fifty dollars in fares. For a while she’d been able to trust the proven expertise of these old men in mustaches and hats, immigrants mostly, because how could one possibly last as a cab driver without caution? And weren’t these soft-spoken men mostly poor? Weren’t their cars their very livelihood? Wouldn’t a crash scrape the food from their children’s plates? What better reassurance was there?
Will was three by this time and loved taxis. He asked the men questions with partially pronounced words that only she understood. “What means that?” he’d belt out, pointing at their CBs crackling with dispatches. “Yes, good,” the men would say, nodding.
But soon she found herself advising the drivers where to turn blocks in advance, checking and rechecking their gauges, reminding them of speed limit changes while peering between the headrests out the windshield, blotting the driver’s sightline with her alert face. They would glance at her in the rearview with their bushy eyebrows and try to smile.
After she could no longer abide the taxis, her ordering from home began in earnest. She discovered that with the right mix of ambiguity and persistence—“You see, sir, due to a severe condition I am unable to visit your store”—everyone in town delivered: the grocery store, the library, the pharmacy. Just say “severe condition,” and deliverymen leapt into their trucks. She was surprised by how easy it was, how efficient. They went through a checkbook a week—good thing they delivered those too. She and Will were free to take walks and do artwork and not be stuck dragging a cart through the shrink-wrapped gore of the meat section every Saturday.
Then the outside closed upon her like the aperture of a camera.
The front yard was more of a decision—a calculated avoidance of risk—than anything imposed upon her. While shoveling slush from the driveway, she found herself casually worrying that the panic would return, and by the time the dangerousness of this vein of thinking registered upon her, it was already there: the revving heart, the icy sweat, her throat constricting. She left the job unfinished and fled inside, where the symptoms instantly subsided. With no handy explanation this time, no subway doors, no crowds, no city, no mishandled car, only the snarling shovel and the tight cold and her breath a soft crystal in the air, she knew the panic no longer obeyed laws it once respected and would seize any opportunity she allowed it to decimate her. So after that day she would not venture even a few steps from their front door to where she knew it lay in wait.
Then, as she was picking up carrots, coal, and various items that four-year-old Will had used to personify a snowman, it visited her in the backyard, same as the front.
And if she could venture into neither yard without meeting a tempest of dread, how was she to leave? And how to let her son play in the yard if she couldn’t go out to retrieve him? What if a stray dog came? Or, God forbid, a man?
So they stayed inside. Thankfully, her son was so obsessed with building and painting and his constant tumult of inquisition that he never seemed to mind. Both Will’s father and his uncle Charlie had been solitary boys, content with books and models, words and drawings. It was almost relieving, this simplification, and there followed some relatively peaceful, untroubled years.
Then, around Will’s seventh birthday, it came in. She was folding laundry when the air was sucked from the basement, the way water withdraws from the shore before a wave. Terror like lungfuls of knife-sharp fumes choked her, and her mind tumbled. She was on hands and knees when she reached the stairs to claw her way out. She didn’t imagine anything truly harmful down there, no ghosts or stranglers, just the immovable fact that panic came for her was enough. She ordered Will a stool and taught him to do the laundry by drawing him a diagram of the controls. She ordered another and placed it at the foot of the freezer.
But the most regrettable by-product of staying inside was losing the capacity to face another human being. The micro-rhythms of conversation, the dance of facial mimicry, the fencing match of eye contact were lost to her once she fell out of practice. She soon ceased answering the door—another chore Will assumed with gusto. She grew lonely, but this, too, dropped away. She no longer yearned for people, other than Will, of course. She sated her social impulses with films, music, books, consoled by the fact that no matter what, the actors and characters could never see how hermetic she’d become, how far she had fallen.
At times she’d considered leaving. Pulling on her olive duffle coat and tramping outside. Perhaps bringing an umbrella. How strange it would be. “Hello, I’ve lived next to you for eight years, nice to meet you.” Yet there was never reason enough. She’d always believed that the day she left would be the day she was required to. How that could ever happen she could not say.
If only they could manage to escape, maybe she’d leave the whole mess here behind in Thunder Bay. Back to Toronto, or a fresh start somewhere else, Paris perhaps. Arthur’s generous support checks, which surfaced each month in her account as predictably as tides, would bankroll anything she could dream up. But that would mean an airplane—the anticipatory preamble: tickets, packing, waiting, and searching, then the imperativeness of actually stepping through those awful retractable tunnels and finding her seat, with a whole plane watching in judgment. She half-considered hiring some amateur anesthesiologist to put her under for the journey, but she feared needles, and the effects of drugs, and dreamless sleep. Since passenger ships no longer served the Great Lakes (she’d checked), they couldn’t even take a boat.
Besides it wasn’t that she couldn’t leave, Diane reminded herself. She was refusing to. Her terms. Years of the Thunder Bay Tribune and American news shows had proved what fresh horrors the world invented each day. As far as she could tell, there wasn’t much of the Thunder Bay she’d known left. Its industries gone, just strip clubs, strip malls, taverns, and hockey rinks remained—the old Eaton’s department store now a call center. The houses were still all aimed at the lake like faces to a coronation, eager for some great arrival, even though the lakeboats had stopped coming and the storefronts downtown, once strung with garlands and signs and teeming with families, were now mostly shuttered and vacant. But it was the knocking of grain-ship hulls from the harbor she missed most—now there was only a spooky quiet over an overgrown industrial ruin that reminded her of Tarkovsky’s Stalker, a film she’d nearly memorized in college that seemed made for her alone.
No, she and Will were stuck, like the pilgrims who’d built the frames of their houses from the planks of their ships. All they could do now was decorate.
3
Before Will’s trip Outside, he’d always given thanks for what their house provided. They filled their lungs with the air of its rooms, drank from its faucets, and were powered by its outlets. They warmed themselves in the abundance of its furnace and cleansed their filth in the waters of its tub.
Lightbulbs popped, went dead, were changed. This was repeated. The vacuum whorled galaxies in the carpet and seasons transpired in their windows like plotless movies. Plants reached from their pots to taste the sun. The fridge murmur-whined in complaint if you opened its door, yet, nobly, it never quit. The dishwasher whooshed plates new as the furnace huffed warm air through the teeth of its vents.
Will and his mother lived as indistinguishably from the house as its appliances and furniture, its lumber, drywall, and brick, dousing time with activities and art. Days were spacious and never-ending. Will painted masterpieces while she played guitar or thwacked paperback pages in her reading chair. They scoured flyers and transcribed codes for what they needed from catalogues—A, B, C, D … AA, BB, CC, DD—and the very same things materialized in the arms of deliverymen. Once, a teenager from the grocery store returned with a replacement egg for one he broke, pulling it from behind Will’s ear like a magic trick.
Will signed their clipboards with a swashbuckling replica of his mother’s signature, and the deliverymen tousled his hair and asked why he wasn’t in school. “Home school,” his mother would say, bending around the corner from Paris in one of her threadbare, translucent tank tops, acting as if she hadn’t come to the door because she was cooking, not because she was afraid to touch the doorknob. “Lucky duck,” they’d say with a conspiratorial wink he knew was more for her, because she frowned.
Will and his mother reigned over their private kingdom with the Black Lagoon as its border. It decreed where they could go, how deeply they could breathe, what shapes their thoughts could assume. It reminded them that the Outside world was dark, pitiless, futile, transpiring only in the windows, in their books and films, in the TV they seldom ignited, that there was no true world but their own. It was perfect.
Until it wasn’t.
In the weeks after his jaunt Outside, a clutch of nine minutes Will had rekindled over and over with perfect dives of fragrant memory, the house seemed infiltrated, altered, both unfamiliar and familiar, disgusting and comforting, like a wetsuit he’d been wearing for a year.
Since then, Will could muster no desire to paint masterpieces or sculpt or even sketch during Relaxation Time. Maybe it was an attempt to emulate Other Will’s bravery, the way he moved through the ocean of the Outside as though he’d been born there, or maybe his spirit had infected Will somehow, emboldening him. But each day, as soon as the headphones were clamped over her ears and the glasses set over her eyes, Will would descend into Toronto to satisfy a new hunger.
His first Destructivity Experiment involved the G.I. Joe figures that had survived the great toy cull of a year previous, when his mother solemnly phoned the Salvation Army, and an annoyingly cheerful man came to cart Will’s childhood away. His mother had already loathed ordering the ammunition-laden figures in the first place. “We just got this stuff,” she said. “But that’s okay,” she added quickly. “You’re really developing lately.” Will wept when the man plucked his boxes from the foyer, all his soldiers finally sent off to die. “Killed by the Salvation Army,” he said later, and her laugh spat coffee on the table.
Down in Toronto, with the windows open to vent fumes, he burned the remaining figures into napalm-attack survivors with a barbecue lighter he’d secretly ordered and hidden behind the furnace. They burbled above the flame as drools of plastic slipped from their arms, legs, and—when he’d built the nerve—their faces. They released a purple-black smoke that stuck in his nostrils and pushed his head into somersaults. He shaped the little corpses with popsicle sticks, sculpting mutants, severing their elastics, and undoing the screws that bound their bodies, reassembling them in unholy configurations. Next he managed to start the ancient lawnmower and ran them over, flinging the soldiers across the unfinished basement, leaving gory gashes in their already mangled appendages.
After a month of Experiments, Will had amassed a plethora of important Destructivity data:
• You can smash a snow globe with a ball-peen hammer and be disappointed that the glass is actually plastic and the snow actually ground-up Styrofoam.
• You can laminate anything by winding it in plastic wrap before a five-minute tumble on Cotton in the dryer.
• You can microwave a lightbulb for nearly twenty beautiful seconds as it turns in there like a pink comet before it finally goes supernova.
• You can safely remove your Helmet and whack your head repeatedly on the drywall, weaving an orange velvet into your vision, before you manage to leave a dent.
• You can cover a wall dent by hanging a masterpiece over it and claiming that you need the work at eye level to properly appreciate it.
• You can simulate immortality by sticking a rubberhandled flathead screwdriver directly into the outlet and only trip a breaker.
• You can ride the laundry basket down the carpeted stairs like a mine cart four times until it catches and ejects you to the bottom, where you strike your elbow and it swells red as a hot-water bottle.
• You can safely light the fluff on your sweatpants with a barbecue lighter and send flame rolling over your legs like poured blue water, leaving a crispy black stubble.
• You can halt a fan if you thrust your hand into the blades bravely—only when you hesitate will your knuckles be rapped.
• You can stick the chilly steel tube of the vacuum to your belly and generate a hideous yet painless bruise, and these pulsating circles when placed carefully can form an Olympic symbol that lasts well into a second week.
Of course his mother’s catching wind of any of this would mean a cataclysmic Black Lagoon. But she didn’t. Like Will, she was a genius, yet she was also naive. Because everything wasn’t only making. When he was a little boy, Will’s mother urged him to paint masterpieces of trees, houses, and doe-eyed animals, and then it was impressionistic splatters and loosely patterned blocks of color. But he knew now it had all been meaningless. In his true heart he’d rather draw a fight, a war, a chemical spill pulling the flesh from the bones of the villagers. He torched bugs by magnifying the noon sun that throbbed through the window in Cairo, not because he enjoyed pain, but to witness what would happen, to grasp it. And what was the difference between making something and making it come apart? Painting a masterpiece was also destroying a canvas, sculpting was wrecking a good rock, drawing dulling a good pencil forever.
Even though his Destructivity Experiments charged him with daring, he still couldn’t bear to sleep alone in New York—which was supposed to be his bedroom, though he used it as a studio. A single bed would be like a house without a furnace, a body without blood, and without the clean whoosh of her breathing beside him, Will could never settle.
After her Sessions she baked him fresh bread in the breadmaker, read page-turners, or strummed folk songs, her small, white-tendoned hand flexed at the guitar’s neck, always seeming too small to corral the thick strings. For someone afraid of everything, she was most fearsome on the stool at the counter in Paris, the stretchy phone cord coiled around her thin arms, where she’d arrange the week’s complex schedule of deliveries. Sometimes, when arguing about an overcharge or when met with an outsized incompetence, she’d hold the receiver away from her face and stare at it, her dark eyebrows flexed in disbelief, as though the object itself had betrayed her.
But even when the deliveries went smoothly and Will didn’t have accidents, there still remained Black Lagoon traces in everything she did. If he said “Mom” as a leadoff to something, she’d instantly answer “Yes?” stricken with alarm, as if he were about to inform her of their recent death sentence.
He knew the textures and temperaments of their house just as intimately as he did hers. She’d archived his detailed architectural blueprints along with his masterpieces in Toronto. They’d always called the kitchen Paris, his studio New York, their bedroom San Francisco, the living room Cairo. She told him it had been his idea when he was young, yet he couldn’t remember having it. He did recall that she’d insisted on naming the basement Toronto, which seemed to please her, maybe because that’s where she’d grown up, even if the Black Lagoon never allowed her down there. Will did the laundry and fetched arm-numbing frozen loaves of her bread from the deep freeze.
Sometimes other rooms would temporarily close off to her. She’d avoid one for as long as a month, take the long way around. Will loved when this was Paris, because they’d be forced to order in, and he could talk her into off-limit, choke-prone foods like pizza or Chinese. When it was San Francisco, Will would pick her outfits from her closet, mostly shift dresses she’d crudely sewn or floral tank tops and elastic-waisted jeans, and they’d sleep on the couches in Cairo and wake in a whirlpool of sun from the big window. Luckily it was never the bathroom, called Venice, because she couldn’t pee in the sink, as Will did sometimes as an Experiment, because even though she was a mother, she had a vagina, which couldn’t aim. Then, inexplicably as seasons changing, the Black Lagoon would relent, and she’d return to the foreclosed room as though nothing had happened.
Still, the Black Lagoon would never surrender the Outside. Will sometimes pictured their house surrounded by crackling electric fences and froth-mouthed Dobermans, sheer cliffs falling from their doorstep to an angry sea. Though he’d never been in a church, he imagined they shared similarities with their house: keeping certain things in and certain things out.
After a day of Destructivity Experiments, Will would try to arrange himself casually on the couch, limbs flung loosely, face careless as a boy who’d never been Outside, who didn’t have a friend who fired slingshots and feared nothing, who wasn’t already changed forever and only felt counterfeit and hollow. Later, while crunching into a piece of toast he’d puttied with butter, a flavor he knew as well as that of his own saliva, he couldn’t suppress the creeping suspicion that staying home was somehow unnatural, something people didn’t do unless they were certified cloistered wing nuts like Ms. Havisham or Boo Radley—characters in long books she’d read him that she enjoyed more than he did. He’d always thought his mother was enacting something heroic, like a knight or a navy SEAL, but also something complicated, like how the Vikings had a woman-god called Frejya, who was the god of Love, War, and Beauty all at once, which throbbed his brain to think about.
Everyone went Outside, Will concluded. Everyone leaves. That’s easy. Only true warriors and heroes could overcome this weakness, could fortify the stronghold, sit tight, wait it out. But now that he’d felt his gooseflesh stand in the Outside air; now that he’d tempered himself with the true danger and beauty of the backyard and gathered unforgettable data with his Destructivity Experiments; and now that the scab on his forehead had grown dark as beef jerky and started to chip at the edges, Will knew that even though he was her guardian and her only son and their blood was the very same crimson hue, he’d never be as strong as she was.
