Текст книги "Brimstone"

Автор книги: Lincoln Child

Соавторы: Douglas Preston,Lincoln Child
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Текущая страница: 17 (всего у книги 38 страниц)

{ 40 }

 

D'Agosta heard the faint squawking of a radio and looked up through the dense undergrowth. At first, nothing could be seen through the riot of vegetation. But within a few minutes, he began to catch distant flashes of silver, glimpses of blue. Finally a cop came into view-just a head and shoulders above the dense brush-forcing his way through the bracken. The cop spied him, turned. Behind him were two medics carrying a blue plastic remains locker. They were followed by two other men in jumpsuits, lugging a variety of heavy tools. A photographer came last.

The cop shouldered his way through the last of the brush-a local Yonkers sergeant, small and no-nonsense-and stopped before them.

"You Pendergast?"

"Yes. Pleased to meet you, Sergeant Baskin."

"Right. This the grave?"

"It is." Pendergast removed some papers from his jacket. The cop scrutinized them, initialed them, stripped off the copies, and handed the originals back. "Sorry, I need to see ID."

Pendergast and D'Agosta showed their badges.

"Fine." The policeman turned to the two workers in jumpsuits, who were busily unshouldering their equipment. "He's all yours, guys."

The diggers attacked the tombstone with vigor, crowbarring it up and rolling it aside. They cleared an area around the grave with brush hooks, then laid several big, dirty tarps across the clearing. Next they began cutting out the weedy turf with turf cutters, popping out squares and stacking them like bricks on one of the tarps.

D'Agosta turned to Pendergast. "So how did you find him?"

"I knew right away he had to be dead, and I assumed before his death he must have been either homeless or mentally ill: there could be no other reason why he'd prove so elusive in these days of the Internet. But learning more than that was a very difficult task, even for my associate, Mime, who as I mentioned has a rare talent for ferreting out obscure information. Ultimately, we learned Beckmann spent the last years of his life on the street, sometimes under assumed names, cycling through various flophouses and homeless shelters in and around Yonkers."

The turf was now stacked and the two workers began digging, their shovels biting alternately into the soil. The medics stood to one side, talking and smoking. There was another faint roll of thunder and light rain began to fall, pattering onto the thick vegetation around them.

"It appears our Mr. Beckmann had a promising start in life," Pendergast continued. "Father a dentist, mother a homemaker. He was apparently quite brilliant in college. But both parents died during his junior year. After graduation, Beckmann couldn't seem to find out what it was he wanted out of life. He knocked around Europe for a while, then came back to the U.S. and sold artifacts on the flea market circuit. He was a drinker who slid into alcoholism, but his problems were more mental than physical-a lost soul who just couldn't find his way. That tenement was his last place of residence." Pendergast pointed toward one of the decaying tenements ringing the graveyard.

Chuff, chuff, went the shovels. The diggers knew exactly what they were doing. Every movement was economical, almost machinelike in its precision. The brown hole deepened.

"How'd he die?"

"The death certificate listed metastatic lung cancer. Gone untreated. We shall soon find out the truth."

"You don't think it was lung cancer?"

Pendergast smiled dryly. "I am skeptical."

One of the shovels thunked on rotten wood. The men knelt and, picking up mason's trowels, began clearing dirt from the lid of a plain wooden coffin, finding its edges and trimming the sides of the pit. It seemed to D'Agosta the coffin couldn't have been buried more than three feet deep. So much for the free six-foot hole-typical government, screwing everyone, even the dead.

"Photo op," said the Yonkers sergeant.

The gravediggers climbed out, waiting while the photographer crouched at the edge and snapped a few shots from various angles. Then they climbed back in, uncoiled a set of nylon straps, slipped them under the coffin, and gathered them together on top.

"Okay. Lift."

The medics pitched in. Soon the four had hoisted the coffin out of the hole and set it on the free tarp. There was a powerful smell of earth.

"Open it," said the cop, a man of few words.

"Here?" D'Agosta asked.

"Those are the rules. Just to check and make sure."

"Make sure of what?"

"Age, sex, general condition .     And most importantly, if there's a body in there at all."

"Right."

One of the workers turned to D'Agosta. "It happens. Last year we dug up a stiff over in Pelham, and you know what we found?"

"What?" D'Agosta was fairly sure he didn't want to know.

"Two stiffs-and a dead monkey! We said it must've been an organ-grinder who got mixed up with the Mafia." He barked with laughter and nudged his friend, who laughed in turn.

The workers now began to attack the lid of the coffin, tapping around it with chisels. The wood was so rotten it quickly broke loose  As the lid was set aside, a stench of rot, mold, and formaldehyde welled up. D'Agosta peered forward, morbid curiosity struggling with the queasiness he never seemed fully able to shake.

Gray light, softened by the misting rain, penetrated the coffin and illuminated the corpse

It lay, hands folded on its chest, upon a bed of rotting fabric, stuffing coming up, with a huge stain of congealed liquid, dark as old coffee, covering the bottom. The body had collapsed from rot and had a deflated appearance, as if all the air had escaped along with life, leaving nothing but a skin lying over bones. Various bony protuberances stuck through the rotting black suit: knees, elbows, pelvis. The hands were brown and slimy, shedding their nails, the finger bones poking through the rotting ends. The eyes were sunken holes, the lips lopsided and drawn back in a kind of snarl. Beckmann had been a wet corpse, and the rain was making him wetter.

The cop bent down, scanning the body. "Male Caucasian, about fifty .    " He opened a tape measure. "Six feet even, brown hair." He straightened up again. "Gross match seems okay."

Gross is right, D'Agosta thought as he looked at Pendergast. Despite the appalling decay, one thing was immediately clear: this corpse had not suffered the ghastly, violent fate that met Grove and Cutforth.

"Take him to the morgue," Pendergast murmured.

The cop looked at him.

"I want a complete autopsy," Pendergast said. "I want to know how this man really died."

{ 41 }

 

Bryce Harriman entered the office of Rupert Ritts, managing editor of the Post , to find the mean, rodent like editor standing behind his enormous desk, a rare smile splitting his bladelike face.

"Bryce, my man! Take a seat!"

Ritts never talked quietly: his voice was high, and it cut right through a person. You might think he was deaf, except that his ferret like ears seemed to pick up the faintest whisper from the farthest corner, especially when it concerned him. More than one editor had been fired for whispering Ritts's nickname from two hundred yards across a busy newsroom. It was an obvious nickname, just the substitution of one vowel for another, but it really got Ritts going. Harriman figured it was because he'd probably been called that as a child on the playground every day and never forgot it. Harriman disliked Ritts, as he disliked almost everything about the New York Post . It was embarrassing, physically embarrassing, to be working here.

He adjusted his tie as he tried to make himself comfortable in the hard wooden chair Ritts tortured his reporters with. The editor came around and seated himself on the edge of the desk, lighting up a Lucky Strike. He no doubt thought of himself as a tough guy of the old school: hard-drinking, tough-talking, cigarette-hanging-off-the-lip kind of guy. The fact that smoking on the job was now illegal seemed to make him enjoy it all the more. Harriman suspected he also kept a cheap bottle of whiskey and a shot glass in a desk drawer. Black polyester pants, scuffed brown shoes, blue socks, Flatbush accent. Ritts was everything that Harriman's family had trained him all his life, sent him to private school, given him an Ivy League education, never to be.

And here he was. Harriman's boss.

"This Menck story is fabulous, Harriman. Fucking fabulous."

"Thank you, sir."

"It was a real stroke of genius, Harriman, finding this guy the day before he left for the Virgin Islands."

"Galápagos."

"Whatever. I have to tell you, when I first read your piece, I had my doubts. It struck me as a lot of New Age bullshit. But it really hit a chord with our readers. Newsstand circ's up eight percent."

"That's great." Here at the Post, it was all about circulation. In the newsroom of the Times , where he used to work, "circulation" had been a dirty word.

"Great? It's fucking fabulous. That's what reporting is all about. Readers. I wish some of these other jokers around here would realize that."

The piercing voice was cutting a wide swath across the newsroom beyond. Harriman squirmed uncomfortably in the wooden seat.

"Just when the devil-killings story was flagging, you find this guy Menck. I have to hand it to you. Every other paper in town was sitting around with their thumbs up their asses, waiting for the next killing, but you-you went out and made the news."

"Thank you, sir."

Ritts sucked in a few quarts of smoke and dropped the cigarette on the floor of his office, grinding it in with his toe, where about twenty others lay, all nicely flattened. He exhaled with a noisy, emphysemic whistle. He lit another, looked up at Harriman, eyed him up and down.

Harriman shifted again in his chair. Was there something wrong with the way he was dressed? Of course not: it was one of those things he'd been schooled in from day one. He knew just when to break out the madras, when to put away the seersucker, knew the acceptable shade of cordovan for tasseled loafers. And anyway, Ritts was the last person who could criticize anyone else's taste in clothes.

"The National Enquirer 's picked up the story, USA Today ,Regis, Good Day New York. I like the feel of this, Harriman. You've done well. In fact, well enough to make you a special correspondent at the crime desk."

Harriman was astonished. He hadn't expected this. He tried to control his facial muscles: he didn't want to be seen grinning like an idiot, especially to Ritts. He nodded his head. "Thank you very much, Mr. Ritts. I really appreciate it."

"Any reporter that pushes the circ up eight percent in a week is gonna get noticed. It comes with a ten-thousand-dollar raise, effective immediately."

"Thank you again."

The managing editor seemed to be observing Harriman with ill-concealed amusement, looking him up and down again, eyes lingering on his tie, his striped shirt, his shoes. "Listen, Harriman, as I said, your story touched a chord. Thanks to you, a bunch of New Agers and doomsday freaks have started congregating in the park in front of Cutforth's building."

Harriman nodded.

"It's nothing much. Yet. They're gathering spontaneously, lighting candles, chanting. Flying Nun kind of shit. What we need is follow-up. First, a story about these guys, a serious story, a respectful story. A story that'll let all the other freaks know there's a daily gathering they're missing out on. If we handle this right, we could build up quite a crowd up there. We could stimulate some TV coverage. Who knows, there might even be demonstrations. See what I'm getting at? Like I said: here at the Post , we don't sit around waiting for news to happen, we go out and make it happen."

"Yes, Mr. Ritts."

Ritts lit up again. "Can I give you some friendly advice? Just between you and me."

"Sure."

"Lose the repp ties and the penny loafers. You look like a goddamn Times reporter. This is the Post. This is where the excitement is. You sure as hell don't want to be back with those ass-puckered types over there, do you? Now, go on out and talk to every nut who's shaking a Bible. You've touched a nerve, now you've got to keep the pressure on, keep the story building. And bring in a couple of colorful personalities. Find the leader of this rabble."

"What if there isn't a leader?"

"Then make one. Set him up on a pedestal, pin a damn medal on him. I smell something big here. And you know what? In thirty years, I've never called a bad one."

"Yes, sir. Thank you, Mr. Ritts." Harriman tried to keep the contempt out of his voice. He would do what Ritts wanted, but he would do it in his own way.

Ritts sucked deep on his cigarette, tobacco hissing and spitting. Then he tossed the butt onto the floor and ground it out again with his foot. He coughed and smiled, displaying a rack of uneven teeth as yellowed as the stem of a corncob pipe.

"Go get 'em, Harriman!" he cackled.

{ 42 }

 

Vasquez worked off a piece of green chile beef jerky, chewed it meditatively, swallowed, and took a swig of bottled water. He went back to the cryptic crossword from the Times of London, pondered, made another entry, erased an earlier one, then set the puzzle aside.

He sighed. He always felt a little nostalgic at the close of an operation: knowing he would have to leave, that all his preparations and deliberations and the cozy little world he had created would quickly become ancient history, pawed over by police officers and photographers. At the same time, he looked forward to seeing sunlight again, breathing fresh air, and listening to the thunder of surf. Funny, though, how he never felt quite so free and alive outside as he did within a cramped kill nest, on the brink of a kill.

He checked his equipment yet again. He looked through the scope, made an infinitesimal correction with the windage adjuster, then raised his eye to examine the flash hider. Just a few minutes now. The box magazine held four rounds, with another in the chamber. All he'd need was two. Once again he shed his clothes and put on his disguise.

Five minutes to one. He glanced regretfully around his nest, at everything he would have to leave behind. How many times had he actually had the opportunity to finish a Times cryptic? He rested his eye against the scope and watched. The minutes ticked past.

Once again the door to the porte-cochère opened. Vasquez slowed his breathing, slowed his heart rate. Once again Pendergast's head and shoulders appeared in the reticle. This time Vasquez couldn't make out the butler, who must have been standing too far inside the door to be seen, but he was clearly there, because Pendergast was faced back toward the doorway, obviously talking to somebody. So much the better: an off-center shot to the back of the head would be just as hard to analyze later.

His breath suspended, timing his shots between heartbeats, Vasquez pressed his cheek against the pebbled stock and squeezed the trigger slowly. The weapon bucked in his hands; in a flash, he'd drawn the bolt, resighted, and fired again.

The first shot had been perfectly placed. It spun the target in exactly the right way, the next shot coming a split second later, entering just above the ear, the head exploding in all directions. Pendergast fell back into the shadows of the door frame and disappeared.

Vasquez now moved with a swiftness born of years of practice. Leaving the lights out, he threw the gun and laptop into a duffel, slung it over his shoulder, and snugged on the night-vision goggles that would help him to get out the back of the darkened building. He plugged the shooting hole, strode to the door, and with the battery-powered screwdriver backed out the four screws that held the door shut. Then he stripped off the gaffing tape sealing the jambs and quietly opened the door, stepping noiselessly into the hall.

A flash of light overloaded his goggles, blinding him; he tore them off, reaching down to pull out a sidearm, but a figure in the hallway moved too fast; he was slammed into the wall, still blinded, and the gun went skittering down the passage.

Vasquez swung wildly at his attacker, barely connecting, and received a tremendous blow to the ribs in return. He swung again, this time connecting solidly, dropping his assailant. It was the Southampton cop. In a fury, Vasquez yanked out his knife and leaped on him, aiming for the heart. A foot lashed out from one side; he felt it connect with his forearm, heard the snap, fell to the floor, and was immediately pinned.

The cop was on him. And there, beyond the brilliant glow of the lamp, he stood. Pendergast. The man he had just killed.

Vasquez stared, his mind instantly rearranging the facts.

It had been a setup. They must've known almost from the start what was going on. Pendergast had played his part perfectly. Vasquez had shot some dummy, some special-effects dummy. Mother of God.

He had failed. Failed.

Vasquez couldn't quite believe it.

Pendergast was staring at him closely, frowning. Suddenly his eyes widened, as if in understanding. "His mouth!" he said sharply.

D'Agosta shoved something wooden between his teeth, as he would for a dog or an epileptic. But it wouldn't do any good, Vasquez thought as the pain began to build in his broken arm. That wasn't where he carried his cyanide. The needle had been in the tip of his pinkie finger, shot off many years ago and now harnessed to another purpose. He pressed the prosthetic fingertip hard into his palm, felt the ampoule break, pressed the needle into his skin. The pain died away as numbness began stealing up his arm.

The day I fail is the day I die .

{ 43 }

 

The cab pulled up at the grand courtyard of the Helmsley Palace. D'Agosta hastened around the cab and opened the door for Hayward, who got out, looking around at the fanciful topiaries covered with lights, the Baroque facade of the Helmsley Palace rising around her.

"This is where we're having dinner?"

D'Agosta nodded. "Le Cirque 2000."

"Oh my God. When I said a nice dinner, I didn't mean this."

D'Agosta took her arm and led her to the door. "Why not? If we're going to start something, let's start it right."

Hayward knew that Le Cirque 2000 was possibly the most expensive restaurant in New York City. She had always felt uncomfortable when men spent a pile on her, as if money was somehow the way to her heart. But this time it felt different. It said something about Vinnie D'Agosta, about how he looked at their relationship, that boded well for the future.

Future? She wondered why that word had even entered her mind. This was a first date-sort of. D'Agosta wasn't even divorced, had a wife and kid in Canada. True, he was interesting, and he was a damn good cop. Take it easy and see where it goes-that's all.

They entered the restaurant-jammed, even on a Sunday night-and were met by one of those maître d's who managed to convey an outward expression of groveling subservience while simultaneously projecting inner contempt. He regretted to inform them that, despite their reservation, the table wasn't ready; if they would care to make themselves comfortable in the bar, it shouldn't be more than thirty minutes, forty at the outside.

"Excuse me. Did you say forty minutes?" D'Agosta spoke in a quiet yet menacing way.

"There's a large party .     I'll see what I can do."

"You’ll see what you can do?" D'Agosta smiled and took a step closer. "Or you’ll do it?"

"I'll do what I can, sir."

"I have no doubt that what you can do is get us a table in fifteen minutes, and that is what you will do."

"Of course. Naturally, sir." Now the maître d' was in full retreat. "And in the meantime," he went on, voice artificially high and bright, "I'll have a bottle of champagne sent to your table, compliments of the house."

D'Agosta took her arm and they went into the bar, which was decorated with a confusion of neon lights Hayward figured must somehow represent the "circus" theme of the restaurant. It was fun-if you didn't have to spend too long in there.

They sat down at a table, and a waiter soon appeared unbidden with menus, two glasses, and a chilled bottle of Veuve Clicquot.

She laughed. "That was pretty effective, the way you handled that maître d'."

"If I can't intimidate a waiter, what kind of a cop am I?"

"I think he was expecting a tip."

D'Agosta glanced at her quickly. "You do?"

"But you managed it all right and saved yourself some money."

D'Agosta grunted. "Next time I'll give him a fiver."

"That would be worse than nothing at all. The going rate is at least twenty."

"Jesus. Life is complicated at the top." He raised his glass. "Toast?"

She raised hers.

"To .    " He hesitated. "To New York's finest."

She felt relieved he hadn't said what she expected. They clinked glasses. She sipped, looking at him while he studied the menu the waiter had left. It seemed he'd slimmed down a bit since she first ran into him at Cutforth's apartment. He'd mentioned something about working out every day, and it was pretty evident he wasn't kidding. Working out and shooting at the 27th Precinct range. She took in his hard, clean jawline, jet-black hair, soft brown eyes. He had a nice face, a really nice face. He seemed to be that rarest of finds in New York: a genuinely decent guy. With strong, old-fashioned values, solid, kind, steady-but no wimp, as proved by his surprise performance three nights before in her office .

She found herself blushing and tingling at the same time, and she covered it by raising her own menu. She glanced over the list of main courses and was horrified to see that the cheapest, the paupiette of black sea bass, was thirty-nine dollars. The cheapest appetizer was twenty-three dollars, for the braised pigs' feet and cheeks (no, thank you). Her eye looked in vain for anything under twenty dollars, finally coming to rest on the dessert menu, where the first item that caught her eye-a donut!-was ten dollars. Well, there was no help for it. She swallowed and began picking out her dishes, trying to avoid adding up the sums in her head.

Vincent was looking over the wine list, and she had to admit he hadn't lost any color, at least not yet. In fact, he seemed positively expansive.

"Red or white?" he asked.

"I think I'm going to have fish."

"White, then. The Cakebread Chardonnay." He shut the menu and smiled at her. "This is fun, don't you think?"

"I've never been in a restaurant like this in my life."

"Me neither, to tell you the truth."

By the time their table was ready, fifteen minutes later, the bottle of champagne was half gone and Hayward was feeling no pain. The maître d' seated them in the first dining room, a spacious chamber done in opulent Second Empire style with gilded moldings, high windows with silk brocade draperies, and crystal chandeliers, the effect curiously enhanced by suspended neon lighting and several floral arrangements as large as small elephants. The only drawback was the large party next to them, a table of loud people from one of the outer boroughs-Queens, by the accent. Well, you can't bar people at the door because they have the wrong accent, she thought.

D'Agosta ordered for them, and Hayward was once again impressed with his self-assurance, which she hadn't expected, especially in a place like this.

"Where'd you learn so much about haute cuisine?" she asked.

"Are you kidding?" D'Agosta grinned. "I recognized about half the words on the menu. I was just winging it."

"Well, you could have fooled me."

"Maybe it's all the time I'm spending with Pendergast. He's rubbing off on me."

She nudged him. "Isn't that Michael Douglas in the corner?"

He turned. "So it is." Turned back, unimpressed.

She nodded. "And look who's over there." A woman sat in a quiet corner by herself, eating a plate of french fries, dipping each one in a large dish of ketchup and pushing them into her mouth with evident satisfaction.

D'Agosta stared. "She kinda looks familiar. Who is she?"

"You been living under a rock? Madonna."

"Really? Must've dyed her hair or something."

"This would make a great scene in a novel. Maybe your next."

"There won't be a next."

"Why not? I loved those two books you wrote. You've got real talent."

He shook his head. "Talent-maybe. My problem is, I don't have the touch."

"What touch?"

He rubbed his fingers together. "The money touch."

"A lot of people never get one novel published. You got two. And they were good . You can't give it up totally, Vinnie."

He shook his head. "Did I ever tell you this isn't my favorite subject?"

"I'll drop it if you want. For now. I actually wanted to ask you a question. I know we shouldn't be talking shop, but how in the world did Pendergast know that guy-what's his name, Vasquez-was gunning for him? Interpol's been chasing that killer for ten years, and he's a pro if ever there was one."

"I could hardly believe it myself. But when he explained, it made perfect sense. Bullard-who was no doubt behind it-felt threatened enough to set two goons on me after our first interview. Pendergast figured Bullard was desperate to leave the country and wouldn't let anybody stand in his way. He also figured Bullard would try again, this time against him . So he asked himself how a professional killer would do it. The answer was obvious: set yourself up in the vacant building across the street from his house. So right after we took Bullard downtown, Pendergast began watching the boarded-up windows of that building with a telescope. Soon enough, he noticed a fresh hole cut in the plywood. Bingo! That's when he let me in on it, told me what he was planning to do. Next, Pendergast established a routine so he could control when the man would strike."

"But how did he have the guts to walk in and out of his house, leaving himself exposed?"

"Whenever he stepped out of the building, he had Proctor train the telescope on the peephole. At one point, he had me shoot out a bulb on the street at a critical moment. That's when he tagged the man's weapon, knew the killer had missed his opportunity for the day. Figured he'd therefore act the next. So last night we had the dummy all ready for him. Proctor handled it perfectly, wheeled it out so just the upper part was visible."

"But why not just go in and take the guy out beforehand? Why run the risk?"

"No proof, for one thing. On top of that, the guy was barricaded in there-he might have slipped through our fingers. As you said, he was a real pro. And for sure he would have put up resistance. His vulnerable moment was while he was escaping. We just waited for him to run into our trap."

Hayward nodded. "That explains a lot."

"Too bad the guy took the suicide route."

Their first courses arrived, whisked to their table by no less than three waiters, with the sommelier hard on their heels to fill their wineglasses and another functionary to top off their water glasses.

"Now I've got a question for you ," said D'Agosta. "How'd you make captain? So fast, I mean."

"There's no great mystery. I saw how things were going, so I went and got my M.S. from NYU in forensic psychology. A degree really helps these days-and, of course, it didn't hurt that I'm a woman."

"Affirmative action?"

"More like belated action. Once the lid of oppression was lifted off the force by Commissioner Rocker, naturally some of us rose to the surface. They looked around in a panic and realized there weren't any high-level women on the force-because they'd been discriminating against us forever-and began promoting. I was in the right place at the right time, with the right test scores and credentials."

"Ambition and talent had nothing to do with it?"

"I wouldn't say that." She smiled.

"Neither would I." Vincent sipped his wine. "Where'd you grow up?"

"Macon, Georgia. My dad was a welder, my mom a homemaker. I had an older brother, killed in Vietnam. Friendly fire. I was eight."

"I'm sorry."

Hayward shook her head. "My parents never recovered. Dad died a year later, Mom the year after that. Cancer, both of them, but I think it was more from grief. He was their pride and joy."

"That's really hard."

"That was a long time ago, and I had a wonderful grandmother in Islip who raised me. It helped me realize I was pretty much alone in this world and that nobody would kick ass for me. I'd have to do the kicking myself."

"You've done a good job of it."

"It's a game."

He paused. "You really shooting for commissioner?"

She smiled, saying nothing, then raised her glass. "Nice to have you back in the Big Apple where you belong, Vinnie."

"I'll drink to that. You don't know how I've missed this town."

"Best place in the world to be a cop."

"When I was a lieutenant, back during the museum murders, I never really appreciated it. I thought it would be great to get out of the city, live in the country, breathe fresh air for a change, listen to the birds chirping, watch the leaves turn color. I wanted to go fishing every Sunday. But you know what? Fishing is boring, the birds wake you up in the morning, and instead of Le Cirque, up in Radium Hot Springs you've got Betty Daye's Family-Style Restaurant."

"Where you can feed a family of four for what it costs here to buy a donut."

"Yeah, but who wants chicken-fried steak at four ninety-nine when you can have duck magret dusted with Espelette pimento for only forty-one bucks?"

Hayward laughed. "That's what I love about New York-nothing's normal. Everything's totally over the top. Here we are having dinner in the same room with Madonna and Michael Douglas."

"New York'll drive you crazy, but it's never boring."

She took a sip of wine and the waiter rushed over to refill her glass. "Is there really a town called Radium Hot Springs up there? It sounds like a joke."

"I've been there. I'm pretty sure it's real."

"What was it like?"

"I kid about it, but it wasn't a bad place. Small town, good values. Canadians are a friendly bunch. But it wasn't home. I always felt like an exile, you know what I mean? And it was too damn quiet. I thought I'd go crazy, I couldn't concentrate with all those chirping birds. Give me the roar of rock-solid Friday afternoon Midtown gridlock, stretching from river to river. Man, that's the voice of life itself."