Текст книги "Chinatown Beat"

Автор книги: Henry Chang

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Henry Chang

Nightrider

Undercovers

Dogs

The City

Freedom

Johnny Wong

Man-Devil

Lucky

Sanctuary

Change

The Easy Score

Driver

Help

Golo

Hope

Struggle

Karaoke

Fear

Cop

Knowledge

Bags

Temple

Darkness

Double Ten

Actress

Fuks

In The Wind

Wisdom

News

Clue

Number Nine Hole

Busted

Heaven Over Earth

Lost

Chase

Chaos

Clash

Drift

Questions

Dirge

Warnings

Discovery

Distance

Moves

Betrayal

East To West

Fog

Lies

Arrival

Fire

Flight

Return

Closure

Paradise

Gratitude

Patience

Counselor

Yellow Badge

Black Widow

Bak Baan

Pa

Lucky

Friends

Henry Chang

Chinatown Beat

Nightrider

Johnny Wong pulled the black Lincoln over, onto the sidewalk halfway down the narrow street, territory of the Hip Chings. It was nine in the evening and before he could kill the engine they appeared, the stocky mustached man they called Uncle Four and the fragile Hong Kong lady, Mona. They were in the car before he could get out and open the door, the man motioning to him with a jerk of his hand.

"Lotus Blossom Club," said Uncle Four. The lady was silent as Johnny drove off wondering about her, passing through the nine neon-lit blocks in the rainy Chinatown night.

Uncle Four never said another word until they arrived.

"Come back eleven," he said. Mona followed him out, then down into the karaoke nightclub, never glancing back. When they were out of view, Johnny slammed the steering wheel hard, pausing for a long moment before urging the car away.

"Dew nei louh mou hei, "he hissed, motherfucker, and soon enough the chopping sound of windshield wipers brought him around to East Broadway, the lower part of town where the radio-car boys gathered and gossiped away the dead ends of their evenings.

They ate, slept, breathed Chinese, these expatriates, and they watched Chinese movies, shopped Chinese supermarkets, got laid in Chinese rub joints.

The laundromat attendant, the bank cashier, the locksmith, the mailman: all spoke Chinese.

The vocabulary of the car boys was limited; every other Chinese phrase rang out motherfucker this, motherfucker that. Whenever they did speak English it was sprinkled in between Chinese sentences, words that sang out: focking got dem, and a lot of cok sooka, molla focka.

Johnny felt superior but comfortable among them. He enjoyed their camaraderie, the spirit they generously shared with him. But he wasn't like them, and he knew it. They drove their limos because it was an easy enough life to fall into, and they found satisfaction in being their own bosses.

The Taxi and Limousine Commission dealt out franchises for seven thousand dollars, which included the radio hookup and the gypsy plates. Another five hundred dollars for the diamond sticker that allowed them to make pickups from the street. Lease or buy a black sedan. His used Continental had cost ten thousand. A 1990 model. It had eighty thousand miles when he bought it off Jung gor, brother Jung, who got cancer and went to San Francisco to die.

Johnny had labored three hard years for Big Wong's Construction and Design. Two years as kup yee, the steam presser, in the Rich Fortune sweatshop. Slaving. Saving cash.

All of it went into the car.

The other night drivers had refused to wait tables for long hours, sucking up to the white tourists. They disdained the misery of the market workers and the hard labor of the construction cowboy gangs, choosing instead to gamble and borrow, cheat and steal from their extended families. Their destinations were the racetracks and the gaming parlors, karaoke clubs and airport bars, nightclubs and whorehouses, glamorous places and secret hideaways where they chauffeured their shady clients of the night.

They were satisfied with themselves, and scoffed at Johnny's few foreign phrases. What the fock did they need the gwailo-white devil-English for?

The oldest driver was Gee Mun, sixty-three, a retired steam presser from the Rich Fortune. When he couldn't survive on Social Security alone, he became the off-driver wheneverJohnny slept, which was mostly during the day. For the use of the car, Gee Mun gave Johnny twenty-five percent of his weekly tally. And he kept the Continental's tank full.

Including the pickups from the street and tips, Johnny was clearing eight hundred a week. Forty thousand a year. Not bad for an ex-Hong Kong waiter with no book smarts, and only fragments of English.

America had taught him to be cunning. With a little luck he figured to double the forty thousand in a year. The tips were always better at night, bigger chaan jee-cash-from men who gambled with their lives. But Johnny looked beyond jockeying the radio car. He believed he was going to make his money and get out, sell the car, invest his cash in other directions. Find a partner, someone with money and connections. A takeout counter in Brooklyn, go in with the Lucky Valley's third chef. The thirtyminute photo shop idea. The hardware store, the coin laundromat, the produce market. The fish market with the Chow brothers. A bakery franchise. Dreams bantered back and forth among the drivers waiting for calls from the night, in their dark cars.

"Wong Jai," they called Johnny, Kid Wong. "What's with this piece of pussy you keep talking about?" they asked. Johnny never elaborated, but he couldn't keep Mona out of his mind. The others knew this and teased him, knowing he'd only clam up, change the subject.

"Ho sai li," Gee Mun said, dangerous. The drivers knew why. Women were sly, manipulative creatures by nature, instinctively so because of the weakness of their bodies.

Almost four months now he'd been driving her, since the end of the fierce NewYork City winter, a petite woman with deep black hair cut in a short bob. Always wore black. High heels. She had oval eyes with a translucent brown luster, set in a face of porcelain skin that threatened to shatter in the cold the only time he ever saw her in daylight. Her lips, cherry-blossom red.

It was a private contract. He kept her off the radio so none of the other drivers or dispatchers would know about her. But since he filled the bulk of his prime workday with sporadic pickups, leasing his daylight downtime to Gee Mun, the other drivers all knew he was doing side jobs. One of them had spotted Mona exit– ingJohnny's Continental, and word had gotten around, though nobody was sure who she was. Johnny became more careful about the routes he used.

"Secrecy," she'd said, was the key. He'd be required to keep her identity secret, to not talk about her. Johnny had agreed. "Confidential," she'd said, with an edge to her Hong Kong Cantonese.

The old man was short, maybe five-five, and stocky. He had a trim mustache, was balding on top and wore large jade rings on his meaty fingers. Everybody knew he was a big shot of the Hip Chings.

Now she was a regular four nights a week, three or four stops a night. The old man always gave the orders, but it was Mona who paid Johnny, cash. Three hundred a week. They hardly spoke the first two months, and never in front of Uncle Four.

Gradually she opened up to him, and now he wished she hadn't. The money and tips were good, but he didn't like to get involved with the customers, and what she'd confided in him was like a throbbing in his brain, a dull and bothersome headache.

The month before, after they'd begun to speak regularly, she gave him a fearful look and quietly said some nasty things about Uncle Four. He wished he hadn't heard it, wished he could do something about it, but knew it was impossible.

She said Uncle Four beat her and raped her, that he did this regularly. What the fock, he thought, she's his mistress. What the fock does she expect? Why stay with him then?

When he asked her why she didn't simply leave, she just cried. They didn't speak for a week after that, but he knew that she had given him part of her pain, and he was suffering along with her. She didn't have to speak. He saw it in her eyes every time they stole glances at each other, every time she touched his hand, every time she walked away behind the Mustache, never glancing back.

"Focken bitches," the other drivers said, "play you for a sooka."

"Don't let them use you," they warned.

"Money talks, bullshit walks. That's what those hei cants care about."

Johnny was trying to control the fever slowly warming in his brain. He had two hours before he had to pick her up, until he had to face her eyes asking a hundred questions. He glanced at his wristwatch, tossed his bet money into the pool with the other drivers'. Two hours. He invested forty dollars atYonkers Raceway. Snappin Dragon in the fourth. Samurai Warrior in the eleventh. What the hell, he thought, and closed his eyes.

But eleven o'clock came around faster than he expected.

The tears welled up quickly in her sloe eyes.

"Men have hurt me tonight, again," Mona whispered.

Johnny stood quietly and wrapped his arms around her until there were no more words. That's how it was with Mona. Her words came infrequently, calculated, wrapped in precise phrases full of poignancy and passion, but it was the heartbreak in her face, the tears spilling from her eyes, the quiver of her lips, the shiver of her body when he pulled her close, for him that was her true expression.

There was no escape from these images, Johnny knew. They wrenched his heart, and shredded his toughness. She was making him as vulnerable as he thought she was, and then, the other drivers laughingly warned him, she'd nail him.

He couldn't say no to anything she desired.

Later, when they lay together in his tenement flat, there was no need for the words he didn't have, the only sounds coming from the slap and pull of their bodies against each other, the soft clutching groans and whispers leading to hard, fast breathing and the sharp anguished cry of desperate pleasure.

Undercovers

Jack Yu leaned back from his desk in the empty squad room, tilted his head and rolled his neck over his bunched shoulders. He heard the ligaments pop, took a deep breath. There was a rotted wood smell from inside the floorboards that floated out every time it rained. He'd noticed it when he transferred precincts in July, during a week of summer storms. Now the rain that should have come in August arrived in October, cooling down Indian Summer, giving weight to the soggy leaves that blew into piles in the neighborhood parks.

The Fifth Precinct stationhouse, the 0-Five, was the oldest in the city, a four-story Federalist walk-up made of red brick, fronted by matching lanterns of Kelly green. The lanterns glowed in the mist, and rain dripped from the scrollwork around numerals that ran across the top of the building: 1881.

The blue-and-whites parked out front, up and down Elizabeth Alley, and out to Canal Street. Scooters. Vans. Undercover Dodges.

Jack could see them from the squad-room window, rolling out. The night patrols. He checked his watch. It was after ten, at the end of a long week full of bad dreams and sleepless fatigue. He knew he should go home. He had the weekend off and much to do.

He scanned the room, a shabby array of cluttered metal desks bumped up against each other across the creaky wooden floor. There was a color computer monitor but under the light from the dirty fluorescent overheads everything else was gray, worn. A bank of small steel lockers the detectives used. The surplus secretarial chairs. Across the long wall opposite him, sheets of assignment data and faded Wanted posters, covering like wallpaper anything that wasn't cracked and peeling.

He stroked the thin line of scar tissue that ran across his left brow, a nervous tic. His mind was drifting elsewhere and he clicked off the cheap fluorescent desk lamp, pushed back from the tangle of paperwork and open-case files. He ran his trigger fingers in tight circles around his temples and closed his eyes.

Running Dogs

Of the twenty-eight thousand, eight hundred and sixty-nine officers in the New York City Police Department, Jack Yu was the eighty-eighth cop of Chinese-American heritage. A lucky number, he once thought. At a sinewy five-foot-ten, he'd have failed the height requirement of a decade earlier. Now, four years into his career, he'd been transferred to Chinatown, back into his old neighborhood, a detective second grade.

After four months here he realized that working in the 0-Five was like living in two worlds at the same time. In a precinct that was ninety-nine percent yellow, the Commanding Officer was named Salvatore Marino, and the beat cops were ninety-nine percent white. The white cops put in their shifts, then beat a quick retreat back to the welcome of white enclaves beyond the colored reaches of the inner city. Chinatown was like a foreign port to them, full of experiences confounding to the average Caucasian mind. Don't worry about it, fake, its Chinatown. They were able to dismiss it as a troublesome nightmare, half-remembered and unfathomable. These Chinese were creatures unlike themselves, existing in a world where the English language and white culture carried little significance. Generations of sons and daughters of the Celestial Kingdom, they lived their lives by their own set of odd cultural rules. When a crime was committed, no one ever saw or heard anything. When the cops rousted them, it was a Chinese fire drill.

But Jack had grown up in Chinatown, knew what it felt like to look and breathe Chinese, to savorfoo yee, ga lei, pungent and spicy aromas that white precinct cops wrinkled up their noses at, to speak and decipher regional dialects that sounded to the others like a back-alley cockfight.

He could remember a boyhood time when there were no Chinese cops, no Asian Squad, no interpreters, no community liaison, only gwai to white devil faces in the blue uniforms howling watseemotta no speakeeEnglee?

Four months after his transfer, his father passed away in the Chinatown tenementJack remembered growing up in. Realizing Jack was a cop, the landlord graciously allowed him the full month to clear out his father's belongings, purposely Jack figured-never once mentioning the key money he'd taken from the old man those many long years ago.

When he opened his eyes, nothing had changed except the sound of the rain falling harder outside. Now, with his father six days in the still-soft ground of Evergreen Hills, he was feeling the tiredness heavy in his bones, the fung sup, arthritis, setting in. He adjusted the Detective Special nestled in the small of his back, then rose from the desk and took a black canvas knapsack from the steel lockers, checked it for disposable cameras, a pager, cellular phone, a silver flask. He went down the hundred-year-old stairs, exited onto Elizabeth Alley and followed the streets back to the Mott Street tenement he'd grown up in.

Dogs

The rain came down in thick sheets, rattled the stairwell windows as Jack climbed with leaden legs the five flights of tenement squalor.

Pa had lived here, all his forty-nine years of Chinatown life. A dead dog, the Chinese numbers meant: forty-nine, say gow.

Time and again Jack had asked Pa to move. Uptown. Crosstown. Queens maybe. A decent apartment they could rent somewhere, where the winter freeze didn't sneak in through the windows, where the dank misery of changing seasons didn't settle on the bedcovers. Where vermin didn't feast on the kitchen table, in the toilet, under the pillow.

Pa wouldn't hear of it, angry each time Jack brought it up. Where would he get his Chinese vegetables? His Chinese newspapers? Where would he find his cronies to gossip with, to keep track of who died, who lost at the track? All the important things. Didn't matter, Jack would say. There were three Chinatowns now. Sunset Park. Or Flushing.

Flushing, too far, would be Pa's answer. And Brooklyn, too many halt yun-blacks.

New frontiers were opening up for old-timers stuck too long, for newcomers too long locked out. No longer was the Chinese community defined by a single geographic boundary, but by a single consciousness of race. Not that any of that had mattered to Jack. He knew who he was, but knew he needed another space to live in, to be free from the burden his past here placed on him. But they trapped themselves, the old bachelors, wrapping themselves in their fierce Chineseness, taking pride in their disdain for American ways. Jack's ways. The man accusing the boy of trying to be white. Father and son were at cross-cultural odds, their lives a clash.

The keys were old and tarnished, the metal edges worn smooth and rounded from a hundred thousand turns. The lock itself was older than the keys, older than the grime in the hallway.

Jack twisted the key and heard the bolt open silently, effortlessly. He pushed open the creaking door and stepped inside Pa's world, his own past.

Nothing had changed. He wondered why he had ever thought it might have. Under the dim lifeless circle of fluorescent light spreading along the flaking gray ceiling, everything looked the same.

He stared at the scuffed and dented linoleum floor, produced the slim silver flask he'd prepared for the visit to the cemetery, full of the whiskey with which they'd celebrated life and mourned death. Sanctified liquor. He took a deep swallow, swinging his black knapsack down to the floor.

There was the tear-off wall calendar from the Hang Seng Bank, bright red with raised gold Chinese characters, trumpeting the Year of the Dog, the thin sheet of white paper printed with the number Four in black, freezing the day Pa died.

September 4, 1994, gow say gore say, twice a dead dog.

He crossed the stillness of the room to Pa's bed, pulled plastic packets of photographs from the bedside table, saw they were thick with dust except for spots where fingerprints had touched down recently, pushing across clear lines in search of memories.

How soon near the end do we begin to grope for our past?

When he opened the albums, the fingerprints led him to streaked and faded black-and-white photographs of himself as a child, then pictures of Ma, sometime in the 1940s. Her hair was shiny and combed back, away from eyebrows perfectly curved and sharp as a razor, her mouth slightly opened and dark lips smiling, revealing teeth framed in gold. She couldn't have been more than nineteen, an arranged bride, her almond eyes small lights of hope, resignation.

And there was the picture of himself with Pa, taken on a visit to the Tofu King almost a decade ago, by the front counter with the bean curd-dao foo-and the flat sheets of white noodles.

He swallowed quickly, noticed Pa's gourd-shaped bottle of mao-tai liquor on the floor. The seal had been broken but it felt more than half full. His mind drifted backward.

Jack was never the good son, but he struggled to maintain the truncated sense of family he had with Pa, who, in the few hours he was home from the laundry or the restaurant, was full of criticism or complaint, the smell of whiskey tinging his words.

Other times, around holidays, Pa was more melancholy, but managed a smile and brought home sweet cakes and fruit for his son, the jook sing, the American-born, the empty piece of bamboo.

Jack flipped the cellophane-covered pages, came across old prints of Pa in the laundry, with Grandpa, who had gone back to China, beside him.

He took another swallow, then sliding his fingers through the dust-covered pages, came to a curled print of himself, in the poolroom, in between Tat Louie and Wing Lee, all mugging for the camera.

Now, sitting on his father's crumpled bed, Jack was unable to find the peace of mind he needed. What bothered him wasn't the neon lights from the Lee Luck restaurant sign whose colors intruded into the darkened room. It wasn't the clawing sound of rat feet scratching for entry somewhere along the baseboards, near the radiators. And it wasn't the smells of lop cheung-pork sausage-and hom yee-salted fish-long since leached into the walls, becoming one with the cracked and peeling green paint after thirty years, making time stand still.

It was the sense of being here, too late, the son, the cop. After the fact.

Somewhere down the stairs, across the hall, he could hear the vague singsong of Chinese opera, and closer, the rat-a-tat-tat action of Hong Kong videotapes.

He hadn't had the chance to say goodbye.

Decades of Chinese smell and sound hung so thick he could almost touch them, settling upon him a strong feeling of his father's presence. It wasn't Jack sitting on the bed after all. It was his sense of his father mixed with the spirit of his own younger self, surrounded by the ghosts of his father's bachelor apartment.

Jack felt thirst grabbing in his throat and emptied the flask. Pulling the few much-fingered pictures from the album, he slipped them inside his vest pocket and tossed the rest into the empty Seagram's carton on the floor.

As he lay down on Pa's pillow, memories came flooding; then the alcohol reached his brain and rolled him back a decade and four years, into a nightmare.

The three of them, Tat, Wing, and himself, racing across rooftops, leaping the spaces between buildings. Tat is throwing stones at windows as they run, three teenagers shrieking with juvenile laughter, curses following them from inside the tenement apartments.

They are clambering down a fire escape, dropping to a courtyard below.

Wing is shouting, "Race! Last one out sucks lop cheung."

They are sprinting through a back alley, jumping cinderblock partitions, dashing for a connecting tunnel. The other end of the tunnel leads out to a side street, and they don't see the gang of Wah Yings until Wing crashes headlong into the leader.

He cuffs Wing with a backhand punch, snatches a gold chain from his neck. Wing lunges for the chain and the nasty boys break out their knives. They're flipping the chain from one to another, taunting Wing. Tat steps sideways, launches a side kick into the leader's groin, and suddenly everybody's screaming, cursing.

The Ying leader swings his switchblade around, and with a short punch blunts Wing's desperate charge. Wing lurches back, then charges again, his eyes white now.

There is a crash of black and white across Jack's forehead, blood from the gash running into his eye, as he watches Wing dropped by a chopping right hand, the color of red wine suddenly spreading across Wing's white T-shirt. Tat is screaming, and the Yings are beating the shit out of him.

Then everything is black, filled with the wails of a family overcome with grief. Racks of flowers fail to brighten a room cloaked in the choking odor of incense and death.

Wing is laid out in the casket and mourners are bowing, bowing, bowing, and burning death money. Tat is speechless and Jack watches him flee the funeral parlor as Wing's mother explodes with grief.

The sound of gunfire awoke him, yelling and shooting in the connecting back alley that led out to Mott Street. In the dark of Pa's apartment he could not tell what time it was, only that it was still black outside. More gunshots and screaming. He groped for his Colt Special, found it, and crept out onto the stairwell landing.

From the hallway window, he could see shadows and figures darting through the alleyway. He slapped out the hallway bulb with the gun barrel, crouched to observe the action below. But in another instant, it was quiet again. When he climbed down the fire escape into the alleyway, they were all gone, only a few spent shell casings on the ground and the burnt smell of gunpowder in the dark air. No bodies, and too dark to see if there had been bloodshed. He tried to shake the grogginess from his head, his adrenaline rush subsiding now, leaving a ferric taste in his mouth.

Back in Pa's apartment he sat upright on the bed and closed his eyes. Sleep didn't return and he reached for the flask and tilted it, but it barely wet his lips now. He picked up the gourd, shook it, refilled the flask with mao-tai. Then he found the keys to his Fury and went back out into the deadness of night.