Текст книги "Just One Day"
Автор книги: Gayle Forman
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Текущая страница: 12 (всего у книги 20 страниц)
Twenty-one
FEBRUARY
College
For the first few weeks of class, Dee and I tried meeting in the library, but we got dirty looks, especially when Dee broke out into his voices. And he has lots of voices: a solemn En-glish accent when doing Henry, a weird Irish brogue—his take on a Welsh accent, I guess—as Fluellen, exaggerated French accents when doing the French characters. I don’t bother with accents. It’s enough for me to get the words right.
After getting shushed in the library one too many times, we switched to the Student Union, but Dee couldn’t hear me over the din. He projected so well, you’d think he was a theater major or something. But I think he’s history or political science. Not that he’s told me this; we don’t talk aside from the reading. But I’ve glimpsed his textbooks, and they’re all tomes about the history of the labor movement or treatises on government.
So right before we start reading the second play, The Winter’s Tale, I suggest that we move to my dorm, where it’s generally quiet in the afternoons. Dee gives me a long look and then says okay. I tell him to come over at four.
That afternoon, I lay out a plate of the cookies that Grandma keeps sending me, and I make tea. I have no idea what Dee expects, but this is the first time I’ve ever entertained in my room, though I’m not sure what I’m doing qualifies as entertaining or if Dee is company.
But when Dee sees the cookies, he gives me a funny little smile. Then he takes off his coat and hangs it in the closet, even though mine is tossed over a chair. He kicks off his boots. Then he looks around my room.
“Do you have a clock?” he asks. “My phone’s dead.”
I get up and show him the box of alarm clocks, which I have since put back in the closet. “Take your pick.”
He takes a long time choosing, finally settling on a 1940s mahogany deco number. I show him how to wind it. He asks how to set the alarm. I show him. Then he sets it for five fifty, explaining he has to be at his job at the dining hall at six. The reading usually doesn’t take more than a half hour, so I’m not sure why he sets the alarm. But I don’t say anything. About that. Or about his job, even though I’m curious about it.
He sits down on my desk chair. I sit on my bed. He picks up a tube of fruit flies from the desk, examining it with a slightly amused expression. “They’re Drosophila,” I explain. “I’m breeding them for a class.”
He shakes his head. “If you run out, you can come get more in my mama’s kitchen.”
I want to ask him where that kitchen is. Where he’s from. But he seems guarded. Or maybe it’s me. Maybe making friends is a specific skill, and I missed the lesson. “Okay, time for work. See you later, my dropsillas,” he says to the bugs. I don’t correct his pronunciation.
We read a really good scene at the beginning of The Winter’s Tale, when Leontes freaks out and thinks that Hermione is cheating on him. When we get to the end point, Dee packs up his Shakespeare textbook, and I think he’s going to leave, but instead he pulls out a book by someone called Marcuse. He gives me the quickest of looks.
“I’ll make more tea,” I say.
We study together in silence. It’s nice. At five fifty, the alarm goes off and Dee packs up to go to work.
“Wednesday?” he says.
“Sure.”
Two days later, we go through the same routine, cookies, tea, hello to the “dropsillas,” Shakespeare out loud, and silent study. We don’t talk. We just work. On Friday, Kali comes into the room. It’s the first time she’s seen Dee, seen anyone, in the room with me, and she looks at him for a long moment. I introduce them.
“Hi, Dee. Pleasure to meetyou,” she says in a strangely flirty voice.
“Oh, the pleasure is all mine,” Dee says, his voice all exaggeratedly animated.
Kali looks at him and then smiles. Then she goes to her closet and pulls out a camel coat and a pair of tawny suede boots. “Dee, can I askyou something? What do you think of theseboots with this jacket? Too matchy matchy?”
I look at Dee. He is wearing sky-blue sweats and a T-shirt with sparkly lettering spelling out I BELIEVE. I’m not clear how this reads Fashion Expert to Kali.
But Dee gets right into it. “Oh, girl, those boots are fine. I might have to take them from you.”
I look at him, sort of shocked. I mean I figured Dee was gay, but I’ve never heard him talk all sassy-gay-sidekick before.
“Oh, no, you won’t,” Kali replies, her strange ways of KO’ing words now blending with some latent Valley Girl tendencies. “They cost me, like, four hundreddollars. You can borrowthem.”
“Oh, you’re a doll baby. But you got Cinderella feet, and ole Dee’s like one of them ugly stepsisters.”
Kali laughs, and they go on like this for some time, talking about fashion. I feel kind of bad. I guess I never realized Dee was so into this kind of thing. Kali got it right away. It’s like she has some radar, the one that tells you how to pick up on things with people, how to be friends. I don’t really care about fashion, but that night, when the alarm goes off and Dee packs up to leave, I show him the latest skirt my mom sent me and ask if he thinks it’s too preppy. But he barely gives it half a glance. “It’s fine.”
After that, Kali starts showing up more often, and she and Dee go all Project Runway, and Dee always switches into that voice. I write it off as just a fashion thing. But then a few days after that, as we’re leaving, Kendra walks in, and I introduce them. Kendra sizes Dee up, like she does with people, and puts on her flight-attendant smile and asks Dee where he’s from.
“New York,” he says. I make a note of that. I’ve known him for almost three weeks, and I’m just now finding out the basics.
“Where in New York?”
“The city.”
“Where?”
“The Bronx.”
The flight attendant smile is gone, replaced by a tight line that looks penciled on.
“Oh, like the South Bronx? Well. You must be so glad to be living here.”
Now it’s Dee who gives Kendra the once-over. They’re eyeing each other like dogs, and I wonder if it’s because they’re both black. Then, he switches to a different voice from the one he talks to Kali or me in. “You from the South Bronx?”
Kendra recoils a little. “No! I’m from Washington.”
“Like where they got all the rain and shit?”
Rain and shit?
“No, not state. DC.”
“Oh. I got some cousins in DC. Down in Anacostia. Shit, those are some nasty-ass projects. Even worse than where I came up. There’s a shooting at their school every damn week.”
Kendra looks horrified. “I’ve never even been to Anacostia. I live in Georgetown. And I went to Sidwell Friends, where the Obama girls go.”
“I went to South Bronx High. Most wack school in America. Ever heard of it?”
“No, I’m afraid I haven’t.” She gives me a quick look. “Well, I have to go. I’m meeting Jeb soon.” Jeb is her new boyfriend.
“Catch you later, homegirl,” Dee calls as Kendra disappears into her room. As Dee picks up his backpack to leave, he is quaking with laughter.
I decide to walk him to the dining hall, maybe eat there for a change. Eating alone sucks, but there are only so many microwave burritos a girl can stomach. When we get downstairs, I ask him if he really went to South Bronx High School.
When he speaks again, he sounds like Dee. Or the Dee I know. “They closed South Bronx High School a year ago, not that I ever went there. I went to a charter school. Then I got snagged in Prep for Prep—scholarship thing—by a private school that’s even more expensive than Sidwell Friends. Take that, Miss Thang.”
“Why didn’t you just tell her where you went?”
He looks at me and then, reverting to the voice he’d used with Kendra, says, “If homegirls wanna see me as ghetto trash”—he stops and switches to his lispy, sassy voice—“or big-ass queer”—now he switches to his deepest Shakespeare voice—“I shall not take it upon myself to disabuse them.”
When we reach the dining hall, I feel like I should say something to him. But I’m not sure what. In the end, I just ask him if he wants chocolate chip or butter cookies next time. Grandma sent me both.
“I’ll supply cookies. My mama sent up some homemade molasses spice ones.”
“That’s nice.”
“Nothin’ nice about it. She’s throwing down. She wasn’t about to be outdone by somebody’s grandma.”
I laugh. It’s a strange sound, like an old car being started after a long time in the garage. “We won’t tell my grandma that. If she accepts the challenge and bakes her own cookies, we might get food poisoning. She’s the worst cook in the world.”
_ _ _
It becomes a routine then. Every Monday, Wednesday, and Friday: cookies, tea, alarm clock, Shakespeare, study. We still don’t talk much about ourselves, but little things slip through the cracks. His mother works at a hospital. He has no siblings, but five zillion cousins. He’s on a full scholarship. He has a rather huge crush on Professor Glenny. He is double-majoring in history and literature, and maybe a minor in political science. He hums when he’s bored, and when he’s really into his reading, he twists his hair around his index finger so tight, it turns pink. And just as I suspected from that first day in class, he’s smart. That he doesn’t tell me, but it’s obvious. He’s the only one in the entire class to get an A on Glenny’s first assignment, a paper on Henry V; Professor Glenny announces it to the class and reads snippets of Dee’s paper to the class as an example of what the rest of us should strive for. Dee looks mortified, and I feel sort of bad, but the Glenny groupies regard Dee with such looks of naked envy that it’s almost worth it. I, meanwhile, get a very solid B on my paper about Perdita and themes of lost and found.
I tell Dee little things about me too, but half the time, I find myself censoring what I want to say. I like him. I do. But I’m trying to make good on my tabula-rasa promise. Still, I sort of wish I could ask Dee’s opinion about Melanie. I sent her the very first piece I made from ceramics class, along with a note about how I’d completely upended my schedule. I sent it Priority Mail, and then a week went by, and I didn’t hear anything. So I’d called her up to make sure she’d gotten it—it was just a crappy, handmade bowl, but it had a beautiful crackly turquoise glaze—and she apologized for not responding, saying she was busy.
I told her all about my new classes, and about the crazy lengths I was going to so my parents wouldn’t find out: sending them biology tests with improving scores (Dee’s and my lengthy study sessions are paying off) but also sending them my old chemistry lab partner’s tests, with my name on them. I figured she’d get a good laugh about this, but instead her voice had stayed flat, and she’d warned me about the kind of trouble I’d be in if I got caught—as if I didn’t already know that. Then I’d switched gears, telling her all about Professor Glenny and Dee and reading out loud and how mortifying I’d thought it would be to read in front of the class but how everyone does it and it isn’t so bad. I’d expected her to be excited for me, but her voice had been practically monotone, and I’d found myself getting so angry. We haven’t talked or emailed in a couple of weeks, and I’m both upset about it and relieved too.
I’d kind of like to tell Dee about this, but I’m not sure how to do it. Aside from Melanie, I’ve never had a really close friend, and I’m unclear how you make one. It’s silly, I know. I’ve seen other people do it. They make it seem so easy: Have fun, open up, share stories. But how am I supposed to do that when the one story I really want to tell is the very one I’m supposed to be wiping clean? And besides, the last time I did open up to somebody . . . well, that’s precisely why I’m in need of a tabula rasa in the first place. It just seems safer to keep it like it is—friendly, cordial, nice and simple.
_ _ _
At the end of February, my parents come up for Presidents’ Weekend. It’s the first time they’ve been up since Parents’ Weekend, and having learned my lesson, I go to elaborate lengths to keep up the image they expect of me. I put my clocks back out. I highlight pages in my unused chemistry textbook and copy labs out of my old lab partners’ book. I make us lots of plans in Boston to keep us off campus, away from incriminating evidence and the Terrific Trio (who now have become more of a Dynamic Duo anyway because Kendra’s always with her boyfriend). And I tell Dee, with whom I now study on weekends sometimes, that I won’t be around and that I can’t get together Friday and Monday.
“You throwing me over for Drew?” Drew is the second best Shakespeare reader in the class.
“No. Of course not,” I reply, my voice all pinched and panicked. “It’s just I have one of those trips with my ceramics class Friday.” This isn’t entirely untrue. My ceramics class does go on field trips occasionally. We’re experimenting with glazes, using different kinds of organic materials in the kiln, and sometimes even firing our pottery outside in earthen furnaces we build. I dohave field trips, just not in the next couple of days.
“And I’ll probably work on a paper this weekend.” Another lie; the only class I have papers for is Shakespeare. It’s amazing how good at lying I’ve become. “I’ll see you Wednesday, okay? I’ll bring the cookies.”
“Tell your grandma to send some more of those twisty ones with the poppy seeds.”
“Rugelach.”
“I can’t say it. I just eat it.”
“I’ll tell her.”
_ _ _
The weekend with my parents goes decently enough. We go to the Museum of Fine Arts, the Museum of Science. We go ice skating (I can’t keep my blades straight). We go to the movies. We take tons of pictures. There’s an awkward moment or two when Mom pulls out next year’s course catalog and starts going over class schedules with me and then asks me about my summer plans, but I just listen to her suggestions like I always have and don’t say anything. By the end of the weekend, I feel drained in the same way that I do after a marathon session of reading Shakespeare aloud and trying to be all those different people.
On Sunday afternoon, we’re back at my dorm before dinner when Dee pops by. And though I haven’t told him one single thing about my family, not even that they were coming, let alone what they believe about me, what they expect of me, he still shows up in a pair of plain jeans and a sweater, something I’ve never seen him wear before. His hair is pulled back into a cap and he’s not wearing lip gloss. I almost don’t recognize him.
“So, how do you two know each other?” Mom asks after I nervously introduce them.
I freeze, in a panic.
“We’re biology lab partners,” Dee says, not missing a beat. “We’re raising the Drosophila together.” It’s the first time I’ve ever heard him pronounce it correctly. He picks up the tube. “Breeding all kinds of genetic abnormalities here.”
My dad laughs. “They had us do the same experiment when I went here too.” He looks at Dee. “Are you pre-med also?”
Dee’s eyebrows flicker up, the slightest ripple of surprise. “I’m still undeclared.”
“Well, there’s no rush,” Mom says. Which almost makes me laugh out loud.
Dad turns to puts the tube back next to a cylinder of pottery I forgot to hide away. “What’s this?”
“Oh, Imade that,” Dee says, picking up the piece. And then he starts explaining how he’s taking a pottery class, and this year’s class is experimenting with different kinds of glazes and firing methods, and for these pieces, they fired everything in an earthen kiln fueled by cow patties.
“Cow patties?” Mom asks. “As in . . . feces?”
Dee nods. “Yes, we went to local farms and asked if we could collect their cow manure. They actually don’t smell that bad. They’re grass-fed cows.”
And it hits me then that Dee is using another voice, but this time, the person he’s playing is me. I had told him all about the cow patties, the earthy smell, collecting them from the farms . . . though when I’d done it, he’d laughed his head off at the thought of all us rich kids at our forty-thousand-dollar-a-year school paying for a class in which we went to farms and picked up after cows. I’ve told Dee more about myself than I guess I realized. And he listened. He paid attention, absorbed a bit of me. And now he’s saving my ass with it.
“Cow feces. How fascinating,” my mother tells him.
_ _ _
The next day, my parents leave, and on Wednesday, our Shakespeare class starts on Twelfth Night. Dee has checked out two different versions from the media center for us to watch. He feels that as penance for not doing our homework, we should at least watch several. He hands me the stage version as I fire up my laptop.
“Thank you for getting these,” I say. “I would have done it.”
“I was at the media center anyway.”
“Well, thank you. Also, thank you for how completely awesome you were with my parents.” I pause for a second, more than a little embarrassed. “How’d you know they were coming?”
“My girlfriend Kali. She tell me. She tell me everything,because we be besties.” He narrows his eyes. “See? Wasn’t no need to hide Miss Dee from the folks. I clean up real nice.”
“Oh, right. I’m sorry about that.”
Dee stares at me, waiting for more.
“Really. It’s just my parents. There’s a lot . . . well, it’s complicated.”
“Ain’t so complicated. I gets it just fine. Okay to slum with Dee but not to bring out the good silver.”
“No! You’ve got it wrong!” I exclaim. “I’m not slumming. I really like you.”
He crosses his arms and stares at me. “How was your field trip?” he asks acidly.
I want to explain, I do. But how? How do I do that without giving myself away? Because I’m trying. I’m trying to be a new person here, a different person, a tabula rasa. But if I explain about my parents, about Melanie, about Willem, if I show who I really am, then aren’t I just stuck back where I started?
“I’m sorry I lied. But I swear, it’s not about you. I can’t tell you how much I appreciate what you did.”
“Ain’t no thang.”
“No, I reallymean it. You were great. My parents loved you. And you were so smooth, about everything. They didn’t suspect a thing.”
He whips the lip gloss out of his pocket and, with painstaking precision, applies it first to his top lip, then his bottom. Then he smacks them together, noisily like some kind of rebuke. “What’s to suspect? I don’t know nothin’ ’bout nobody. I just be the help.”
I want to make it right. For him to know that I care about him. That I’m not ashamed of him. That he is safe with me. “You know,” I begin, “you don’t have to do that with me. The voices. You can just be yourself.”
I mean it as a compliment, so he’ll know that I like him as is. But he doesn’t take it that way. He purses his lips and shakes his head. “This ismyself, baby. All of my selves. I own each and every one of them. I know who I’m pretending to be and who I am.” The look he gives me is withering. “Do you?”
I purposely tried to keep all of that from him, but Dee—smart, sharp Dee—he got it. All of it. He knows what a big fat fake I am. I’m so ashamed I don’t even know what to say. After a while, he slips Twelfth Nightinto my computer. We watch the entire thing in silence, no voices, no commentary, no laughing, just four eyeballs staring at a screen. And that’s how I know I’ve blown it with Dee.
I’m so miserable about this that I forget to be upset about Willem.
Twenty-two
MARCH
College
The winter drags on, no matter what the groundhog says. Dee stops coming over in the afternoons, ostensibly because we’re not reading Twelfth Nightaloud, but I know that’s not really it. The cookies from my grandmother pile up. I get a bad cold, which I can’t seem to shake, though it does have the side benefit of getting me out of reading any of Twelfth Nightin front of the class. Professor Glenny, who is stuffy himself, gives me a packet of something called Lemsips and tells me to get in shape so I can pull a double shift as Rosalind in As You Like It, one of his favorite plays.
We finish Twelfth Night. I thought I’d feel relieved, as if I’d dodged a bullet. But I don’t. With Dee out of my life, I feel like I took the bullet, even without reading the play. Tabula rasa was the right move. Taking this class was the wrong move. Now I just have to buckle through. I’m getting used to that.
We move on to As You Like It. In his introductory spiel ,Professor Glenny goes on about how this is one of Shakespeare’s most romantic plays, his sexiest, and this gets all the Glenny groupies up front swooning. I take vacant notes as he outlines the plot: A deposed duke’s daughter named Rosalind and a gentleman named Orlando meet and fall in love at first sight. But then Rosalind’s uncle kicks her out of his house, and she flees with her cousin Celia to the Forest of Arden. There, Rosalind takes on the identity of a boy named Ganymede. Orlando, who has also fled to Arden, meets Ganymede, and the two strike up a friendship. Rosalind as Ganymede uses her disguise and their friendship to test Orlando’s proclaimed love for Rosalind. Meanwhile, all sorts of people take on different identities and fall in love. As always, Professor Glenny tells us to pay attention to specific themes and passages, specifically how emboldened Rosalind becomes when she is Ganymede and how that alters both her and the courtship with Orlando. It kind of all sounds like a sitcom, and I have to work hard to keep it straight.
Dee and I start reading together again, but now we’re back in the Student Union, and he packs up as soon as we finish our assignment. He’s stopped doing all the crazy voices, which makes me realize just how helpful they were in “interpreting” the plays because now, with both of us reading in monotones, the words sort of drift over me like a foreign language. We may as well be reading it to ourselves for how boring it has become. The only time Dee uses his voices now is when he has to speak to me. I get a different voice, or two, or three, every day. The message is clear: I’ve been demoted.
I want to undo this. To make it right. But I have no idea how. I don’t seem to know how to open up to people without getting the door slammed in my face. So I do nothing.
_ _ _
“Today we will read one of my favorite scenes in As You Like It, the beginning of act four,” Professor Glenny says, one bone-chillingly cold March day that makes it seem like we’re heading into winter, not out of it. “Orlando and Ganymede/Rosalind are meeting again in the Forest of Arden, and the chemistry between them reaches its boiling point. Which is kind of confusing and amusing, given that Orlando believes himself to be speaking to Ganymede, who is male. But it’s equally confusing for Rosalind, who is in a kind of delicious torment, torn between two identities, the male and the female, and two desires: a desire to protect herself and remain Orlando’s equal, and the exquisite desire to simply submit.” Up in the front of the classroom, the groupies seem to emit a little joint sigh. If Dee and I were still friends, it would be the kind of thing that would make us look at each other and roll our eyes. But we’re not, so I don’t even look at him.
“So, Orlando comes to Ganymede in the forest, and the two perform a sort of Kabuki theater together, and in doing so, they fall deeper in love, even as they don’t entirely know whomthey’re falling in love with,” Professor Glenny continues. “The line between true self and feigned self is blurred on all sides. Which I think is a rather handy metaphor for falling in love. So, it’s a good day to read. Who’s up?” He scans the class. People are actually raising their hands. “Drew, why don’t you read Orlando.” There’s a smattering of applause as Drew walks up the front of the room. He’s one of the best readers in the class. Normally, Professor Glenny pairs him with Nell or Kaitlin, two of the best girls. But not today. “Allyson, I believe you owe me a Rosalind.”
I shuffle up to the front of the room, along with the other readers he’s chosen. I’ve never loved this part of the class, but at least before, I could feel Dee cheering me on. Once we’re assembled, Professor Glenny turns into a director, which apparently is what he used to do before becoming an academic. He offers us notes: “Drew, in these scenes, Orlando is ardent and steadfast, completely in love. Allyson, your Ganymede is torn: smitten, but also toying with Orlando, like a cat with a mouse. What makes this scene so fascinating to me is that as Ganymede questions Orlando, challenges him to prove his love, you can feel the wall between Rosalind and Ganymede drop. I love that moment in Shakespeare’s plays. When the identities and false identities become a morass of emotion. Both characters feel it here. It gets very charged. Let’s see how you two do.”
The scene opens with Rosalind/Ganymede/me asking Orlando/Drew where he’s been, why he’s taken so long to come see me—I’m “pretending” to be Rosalind. That’s the gimmick. Rosalind has been pretending to be Ganymede, who must now pretend to be Rosalind. And she tries to talk Orlando out of loving Rosalind, even though she really isRosalind and even though she really does love him back. Trying to keep track of all the pretending makes my head spin.
Drew/Orlando replies that he came within an hour of his promised time. I say to be even an hour late when you’ve made a promise in love’s name puts in question whether you’re truly in love. He begs my forgiveness. We banter a bit more, and then I, as Rosalind as Ganymede feigning Rosalind, ask, “What would you say to me now, an I were your very very Rosalind?”
Drew pauses, and I find that I’m waiting, holding my breath, even, for his answer.
And then he replies, “I would kiss before I spoke.”
Drew’s eyes are blue, nothing like his, but for a second, it’s his dark eyes I see. Electric and charged, right before he kissed me.
I’m kind of rattled as I deliver my next lines, advising Orlando that he should speak before he kisses. We go back and forth, and when we get to the part when Orlando says he would marry me—her—I don’t know about Rosalind, but I’m feeling dizzy. Luckily, Rosalind has more grit than I do. She, as Ganymede, says, “Well, in her person, I say I will not have you.”
Then Drew says, “Then in mine own person I die.”
And then something in me just comes undone. I can’t find the right line or the right page. And I seem to have lost something else too. My grip on myself, on this place. On time. I’m not sure how much of it elapses while I stand there frozen. I hear Drew clear his throat, waiting for me to say my next line. I hear Professor Glenny shift in his chair. Drew whispers my line to me, and I repeat it and somehow manage to regain my bearings. I continue to question Orlando. Continue to ask him to prove his love. But I am no longer acting, no longer pretending.
“Now tell me how long you would have her after you have possessed her?” I ask as Rosalind. My voice no longer sounds like mine. It is rich and resonant with emotion—full of the questions I should’ve asked back when I had the chance.
He answers, “For ever and a day.”
All the breath whooshes out of me. This is the answer that I need. Even if it doesn’t happen to be true.
I try to read the next line, but I can’t speak. I can’t breathe. I hear a roar of wind in my ears and blink to stop the words from dancing all over the page. After a few moments, I manage to choke out the next sentence, “Say ‘a day’ without the ‘ever,’” before my voice breaks.
Because Rosalind understands. Say a day without the ever. That after the one day comes heartbreak. No wonder she won’t tell him who she truly is.
I feel the hot tears in my eyes and through their veil see the class, silent, gaping at me. I drop my book to the floor and bolt toward the door. I run out into the hallway, past the classrooms, and into the ladies’ room. Crouching in a corner stall, I gulp deep breaths and listen to the hum of the fluorescent lights, trying desperately to push back against this hollowness that threatens to swallow me alive.
I have a full life. How can I be this empty? Because of oneguy? Because of oneday? But as I hold back my tears, I see the days before Willem. I see myself with Melanie at school, feeling all cocooned and smug, gossiping about girls we didn’t bother to get to know or, later on, on the tour, pantomiming a friendship sputtering on fumes. I see myself with my parents, at the dinner table, Mom with her ever-present calendar, scheduling dance class or SAT prep or some other enrichment activity, leafing through catalogs for a new pair of snow boots, talking at each other but not to each other. I see myself with Evan, after we slept together for the first time and he said something about how this meant we were the closest people to each other, and it had been a sweet thing to say, but it felt like something he’d gotten out of a book. Or maybe it was that I hadn’t felt it because I’d begun to suspect that we’d only gotten together because Melanie had started dating his best friend. When I’d started to cry, Evan had mistaken my tears for joy, which had only made it worse. And, yet, I’d stayed with him.
I have been empty for a long time. Long before Willem entered and exited my life so abruptly.
I’m not sure how long I’m in there before I hear the squeak of the door. Then I see Dee’s pink Ugg knockoffs under the stall.
“You in here?” he asks quietly.
“No.”
“Can I come in?”
I unlock the stall. There’s Dee, holding all my stuff.
“I’m so sorry,” I tell him.
“Sorry? You were stupendous. You got a standing ovation.”
“I’m sorry I didn’t tell you my parents were coming. I’m sorry I lied to you. I’m sorry I bungled everything. I don’t know how to be a friend. I don’t know how to be anything.”
“You know how to be Rosalind,” he says.
“That’s because I’m an expert faker.” I swipe a tear with my hand. “I’m so good at faking I don’t even know when I’m doing it.”
“Oh, honey, have you learned nothing from these plays? Ain’t such a line between faking and being.” He opens his arms, and I step into them. “I’m sorry too,” he says. “I might’ve overreacted a hair. I can be dramatic, in case you haven’t noticed.”
I laugh. “Really?”
Dee holds my coat, and I slip into it. “I don’t like being lied to, but I do appreciate what you tried to say to me. People have never known what to make of me—not in my neighborhood, not at high school, not here—so they’re always trying to figure it out and tell me what I am.”
