Текст книги "One Day"

Автор книги: David Nicholls

Соавторы: David Nicholls
сообщить о нарушении

Текущая страница: 23 (всего у книги 26 страниц)

Finally, she loved someone and felt fairly confident that she was loved in return. If someone asked Emma, as they sometimes did at parties, how she and her husband had met, she told them:

‘We grew up together.’

So they went to work as usual. Emma sat at her computer by the window overlooking the tree-lined street, writing the fifth and final ‘Julie Criscoll’ novel, in which her fictional heroine, ironically enough, became pregnant and had to decide between motherhood and university. It wasn’t going very well; the tone was too sombre and introspective, the jokes wouldn’t flow. She was keen to get it finished, and yet uncertain what to do next, or what she was capable of doing; a book for grown-ups perhaps, something serious and properly researched about the Spanish Civil War, or the near-future, something vaguely Margaret Atwoody, something her younger self might respect and admire. That was the idea anyway. In the meantime, she tidied the flat, made tea, paid some bills, did a coloured wash, put CDs back in their cases, made more tea then finally turned on her computer and stared it into submission.

At the café, Dexter flirted a little with Maddy, then sat in the tiny stock room that smelt oppressively of cheese and attempted to complete the quarterly VAT return. But the gloom and guilt of this morning’s outburst still clung to him, and when he could no longer concentrate he reached for his phone. It used to be Emma who made the conciliatory calls and smoothed things over, but in the eight months since their marriage they seemed to have changed places, and he now found himself incapable of doing anything while he knew she was unhappy. He dialled, imagining her at her desk, looking at her mobile phone, seeing his name appear and turning it off. He preferred it that way – much easier to be sentimental when no-one was going to answer back.

‘So I’m here, doing my VAT, and I keep thinking about you and I just wanted to say don’t worry. I’ve arranged for us to view this house at five o’clock. I’ll text you the address, so, who knows. We’ll see. Period property, good-sized rooms. It’s got a breakfast bar apparently. I know you’ve always dreamt of one. That’s all. Except to say I love you and don’t worry. Whatever it is you’re worrying about, don’t. That’s everything. See you there at five. Love you. Bye.’

As routine demanded, Emma worked until two, ate lunch, then went swimming. In July she sometimes liked to go to the ladies pool on Hampstead Heath, but the day had become precariously dark and overcast, and instead she braved the teenage kids at the indoor pool. For twenty minutes she weaved unhappily between them as they dive-bombed and ducked and flirted with each other, manic with the freedom of the end of term. Afterwards she sat in the changing rooms, listened to Dexter’s message and smiled. She memorised the address of the property and called back.

‘Hi there. It’s me. Just to say, I’m setting out now and I can’t wait to see the breakfast bar. I might be five minutes late. Also thank you for your message and I wanted to say. . I’m sorry for being so snappy today, and for that stupid argument. Nothing to do with you. Just a bit nuts at the moment. The important thing is I love you very much. So. There you go. Lucky you! I think that’s everything. Bye my love. Bye.’

Outside the sports centre the clouds had darkened and finally burst, letting loose fat grey drops of warm rain. She cursed the weather and the wet seat of her bicycle and set off across North London towards Kilburn, improvising a route through a maze of residential streets towards Lexington Road.

The rain became heavier, oily drops of brown city water, and Emma rode standing on the pedals with her head lowered so that she was only vaguely aware of a blur of movement in the side road to her left. The sensation is less of flying through the air, more of being picked up and hurled, and when she comes to rest on the roadside verge with her face against the wet pavement, her first instinct is to look for her bicycle, which has somehow disappeared from beneath her. She tries to move her head, but is unable to do so. She wants to take off her helmet, because people are looking at her now, faces craning over her and she looks ridiculous in a bicycle helmet, but the people crouching over her seem fearful and are asking her over and over again are you alright are you alright. One of them is crying and she realises for the first time that she is not alright. She blinks against the rain falling on her face. She is definitely going to be late now. Dexter will be waiting.

She thinks very distinctly of two things.

The first is a photograph of herself at nine years old in a red swimsuit on a beach, she can’t remember where, Filey or Scarborough perhaps. She is with her mother and father who are swinging her towards the camera, their sunburnt faces buckled with laughter. Then she thinks of Dexter, sheltering from the rain on the steps of the new house, looking at his watch, impatient; he’ll wonder where I am, she thinks. He’ll worry.

Then Emma Mayhew dies, and everything that she thought or felt vanishes and is gone forever.

Part Five

Three Anniversaries

‘She philosophically noted dates as they came past in the revolution of the year;. . her own birthday; and every other day individualized by incidents in which she had taken some share. She suddenly thought one afternoon, when looking in the glass at her fairness, that there was yet another date, of greater importance to her than those; that of her own death, when all these charms would have disappeared; a day which lay sly and unseen among all the other days of the year, giving no sign or sound when she annually passed over it; but not the less surely there. When was it?’

Thomas Hardy, Tess of the d’Urbervilles

CHAPTER NINETEEN. The Morning After

SATURDAY 15 JULY 1988

Rankeillor Street, Edinburgh

When she opened her eyes again, the skinny boy was still there, his back to her now as he sat precariously on the edge of her old wooden chair, pulling on his trousers as quietly as possible. She glanced at her radio alarm clock: nine-twenty. They had slept for maybe three hours, and now he was sneaking off. She watched as he placed his hand in the trouser pocket to still the rattling of his loose change, then stood and started to pull on last night’s white shirt. One last glimpse of his long brown back. Handsome. He really was stupidly handsome. She very much wanted him to stay, almost as much perhaps as he clearly wanted to leave. She decided that she would have to speak.

‘Not going without saying goodbye, are you?’

He turned round, caught in the act. ‘I didn’t want to wake you.’

‘Why not?’

‘Just you looked so nice, sleeping there.’

Both knew this was a poor effort. ‘Right. Right, I see.’ She heard herself, needy and annoyed. Don’t let him think you care, Em. Be cool. Be. . blasé.

‘I was going to leave you a note, but. .’ He pantomimed looking for a pen, oblivious to the jam jar full of them on the desk.

She lifted her head from the pillow and rested it on one hand. ‘I don’t mind. You can leave if you want to. Ships that pass in the night n’all that. Very, what d’you call it. . bittersweet.’

He sat on the chair, and continued to button his shirt. ‘Emma?’

‘Yes, Dexter?’

‘I’ve had a really nice time.’

‘I can tell by the way you’re searching for your shoes.’

‘No, seriously.’ Dexter leant forward on the chair. ‘I’m really glad we finally got to talk. And the other stuff as well. After all this time.’ He scrunched his face, looking for just the right words. ‘You’re really, reallylovely, Em.’

‘Yeah, yeah, yeah—’

‘No, you are.’

‘Well you’re lovely too and now you can go.’ She allowed him a small, tight smile. He responded by suddenly crossing the room, and she turned her face up towards him in anticipation, only to find that he was reaching beneath the bed for a discarded sock. He noticed her raised face.

‘Sock under bed,’ he said.

‘Right.’

He perched uneasily on the bedframe, speaking in a strained, chipper tone as he pulled on his socks. ‘Big day today! Driving back!’

‘Where to, London?’

‘Oxfordshire. That’s where my parents live. Most of the time anyway.’

‘Oxfordshire. Very nice,’ she said, privately mortified at the speed with which intimacy evaporates, to be replaced by small talk. Last night they had said and done all those things, and now they were like strangers in a bus queue. The mistake she had made was to fall asleep and break the spell. If they had stayed awake, they might still have been kissing now, but instead it was all over and she found herself saying; ‘How long will that take then? To Oxfordshire?’

‘’Bout seven, eight hours. My dad’s an excellent driver.’

‘Uh-huh.’

‘You’re not going back to. .?’

‘Leeds. No I’m staying here for the summer. I told you, remember?’

‘Sorry, I was really pretty drunk last night.’

‘And that, m’lud, is the case for the defence. .’

‘It’s not an excuse, it’s. .’ He turned to look at her. ‘Are you annoyed with me, Em?’

‘Em? Who’s Em?’

‘Em ma, then.’

‘I’m not annoyed, I just. . wish you’d woken me up, instead of being all furtive and sneaking off. .’

‘I was going to write you a note!’

‘And what was it going to say, this precious note?’

‘It was going to say “I’ve taken your purse”.’

She laughed, a low morning growl that caught the back of her throat, and there was something so gratifying about her smile, the two deep parentheses in the corners of her mouth, the way she kept her lips tightly closed as if holding something back, that he almost regretted telling his lie. He had no intention of leaving at lunch time. His parents were going to stay over and take him out to dinner that night, then leave tomorrow morning. The lie had been instinctive in order to facilitate a quick, clean escape, but now as he leant across to kiss her he wondered if there was a way to withdraw the deceit somehow. Her mouth was soft, and she allowed herself to fall back on the bed, which still smelt of wine, her warm body and fabric conditioner, and he decided that he really must try to be more honest in future.

She rolled away from the kiss. ‘Just going to the loo,’ she said, lifting his arm to pass beneath it. She stood, hooking two fingers in the elastic of her underpants and tugging the material down over her bottom.

‘Is there a phone I can use?’ he asked, watching her pad across the room.

‘In the hallway. It’s a novelty phone, I’m afraid. Very zany. Tilly finds it hilarious. Help yourself. Don’t forget to leave ten p,’ and she was out in the hall and heading towards the bathroom.

The bath was already running for one of her flatmate’s epic all-day summer hot soaks. Tilly Killick waited for Emma in her dressing-gown, eyes goggling through the steam behind big red spectacle frames, mouth hanging open in a scandalised ‘O’.

‘Emma Morley, you dark horse!’

‘What?’

‘Have you got someone in your room?’

‘Maybe!’

‘It’s not who I think it is. .’

‘Just Dexter Mayhew!’ said Emma, nonchalantly, and the two girls laughed and laughed and laughed.

Dexter found the phone in the hallway, shaped like a startlingly realistic burger. He stood with the sesame seed bun flipped open in his hand, listening to the whispers from the bathroom and experiencing the satisfaction he always felt when he knew people were talking about him. Odd words and phrases were audible through the plasterboard: So did you? No! So what happened? We just talked, and stuff. Stuff? What does that mean, stuff? Nothing! And is he staying for breakfast? I don’t know. Well make sure he stays for breakfast.

Dexter watched the door patiently, waiting until Emma reappeared. He dialled 123, the speaking clock, pressed the bap to his ear and spoke into the beef patty.

‘. . the time sponsored by Accurist will be nine thirty-two and twenty seconds.’

At the third stroke he went into his act. ‘Hi, Mum, it’s me. . yeah, a bit worse for wear!’ He ruffled his hair in a way that he believed to be endearing ‘. . No, I stayed over at a friend’s house. .’ and here he glanced over at Emma, who loitered nearby in t-shirt and underpants, pretending to go through the mail.

‘. . the time sponsored by Accurist will be nine thirty-three precisely. .’

‘So listen, something’s come up and I wondered if we could postpone going home until first thing tomorrow, instead of today?. . I just thought the drive might be easier for Dad. . I don’t mind if you don’t. . Is Dad with you? Ask Dad now then.’

Taking his cue from the speaking clock, he allowed himself thirty seconds and gave Emma his most amiable smile. She smiled back and thought: nice guy, altering his plans just for me. Perhaps she had misjudged him. Yes, he is an idiot, but he needn’t be. Not always.

‘Sorry!’ he mouthed.

‘I don’t want you to change your plans for me—’ she said, apologetically.

‘No, I’d like to—’

‘Really, if you’ve got to go home—’

‘It’s fine, it’s better this way—’

‘At the third stroke the time sponsored by Accurist will be nine thirty-four precisely.’

‘I don’t mind, I’m not offended or anything—’

He held up his hand for quiet. ‘Hi, Mum?. .’ A pause; build anticipation, but don’t overdo it. ‘Really? Okay, that’s great! Alright, I’ll see you at the flat later! Okay, see you. Bye.’ He snapped the bun closed like a castanet and they stood and grinned at each other.

‘Great phone.’

‘Depressing, isn’t it? Every time I use it, makes me want to cry.’

‘You still want that ten p?’

‘Nah. You’re alright. My treat.’

‘So!’ he said.

‘So,’ said Emma. ‘What are we going to do with the day?’

CHAPTER TWENTY.The First Anniversary

A Celebration

FRIDAY 15 JULY 2005

London and Oxfordshire

Fun, fun, fun – fun is the answer. Keep moving and don’t allow yourself a moment to stop or look around or think because the trick is to not get morbid, to have fun and see this day, this first anniversary as – what? A celebration! Of her life and all the good times, the memories. The laughs, all the laughs.

With this in mind he has ignored his manager Maddy’s protests, taken two hundred pounds from the café’s cash register and invited three of the staff – Maddy, Jack, and Pete who works on Saturdays – out on the town to welcome the special day in style. After all, it’s what she would have wanted.

And so the first moments of this St Swithin’s Day find him in a basement bar in Camden with his fifth martini in one hand and a cigarette in the other because why not? Why not have some fun and celebrate her life? He says this, slurs this to his friends who smile at him a little weakly and sip at their drinks so slowly that he begins to regret bringing them along. They’re so stuffy and boring, accompanying him from bar to bar less like good mates, more like hospital orderlies, humouring him and making sure he doesn’t bump into people or crack his head as he falls from the taxi. Well, he’s had enough of it. He wants some release, wants to let his hair down, he deserves it after the year he has just had. With this in mind he suggests that they all go to a club he once went to on a stag night. A strip club.

‘Don’t think so, Dex,’ says Maddy, quietly appalled.

‘Oh, come on, Maddy! Why not?’ he says, his arm draped around her shoulder. ‘It’s what she would have wanted!’ and he laughs at this and raises his glass once more, reaching for it with his mouth and missing by some distance so that the gin spatters onto his shoes. ‘It’ll be a laugh!’ Maddy reaches behind her for her coat.

‘Maddy, you lightweight!’ he shouts.

‘I really think you ought to go home now, Dexter,’ says Pete.

‘But it’s just gone midnight!’

‘Goodnight, Dex. See you whenever.’

He follows Maddy to the door. He wants her to have fun, but she seems tearful and upset. ‘Stay, have another drink!’ he demands, tugging at her elbow.

‘You will take it easy, won’t you? Please?’

‘Don’t leave us boys alone!’

‘Got to. I’m opening up in the morning, remember?’ She turns and takes both his hands in hers in that maddening way she has, all caring and sympathetic. ‘Just be. . careful?’

But he doesn’t want sympathy, he wants another drink, and so he drops her hands abruptly and heads back towards the bar. He has no trouble getting served. Just a week ago bombs have exploded on public transport. Strangers have set out to kill at random and despite all the pluck and bravado the city has an under-siege atmosphere tonight. People are scared to be out and so Dexter has no problem flagging down a taxi to take them towards Farringdon Road. His head is resting against the window as he hears Pete and Jack chickening out, offering up the usual excuses: it’s late, they have work in the morning. ‘I’ve got a wife and kids you know!’ says Pete jokily; they’re like hostages pleading for release. Dexter feels the party disintegrating around him but doesn’t have the energy to fight it, so he stops the cab in King’s Cross and sets them free.

‘Come back with us, Dex mate? Yeah?’ says Jack, peering in at the window with that stupid concerned look on his face.

‘Nah, I’m alright.’

‘You can always stay at mine?’ says Pete. ‘Sleep on the sofa?’ but Dexter knows he doesn’t really mean it. As Pete has pointed out, he’s got a wife and kids, so why would he want this monster in his house? Sprawled stinking and unconscious on the sofa, weeping while Pete’s kids try to get ready for school. Grief has made an idiot of Dexter Mayhew once again, and why should he impose this on his friends? Best just stick with strangers tonight. And so he waves goodbye and orders the taxi onto a bleak, shuttered side street off Farringdon Road, and Nero’s night-club.

The outside is marked by black marble pillars, like a funeral directors. Falling from the cab, he worries that the bouncers won’t let him in, but in fact he is their perfect customer: well dressed and stupid-drunk. Dexter grins ingratiatingly at the big man with the shaved head and the goatee, hands over his cash and is waved through the door and into the main room. He steps into the gloom.

There was a time, not so long ago, when a visit to a strip club would have seemed raffishly post-modern; ironic and titillating at the same time. But not tonight. Tonight Nero’s night-club resembles a business-class departure lounge in the early Eighties. All silver chrome, low black leather sofas and plastic pot plants, it is a particularly suburban notion of decadence. An amateurish mural, copied from a children’s textbook, of slave-girls bearing trays of grapes, covers the back wall. Polystyrene Roman pillars sprout here and there, and standing around the room in unflattering cones of orange light on what look like low coffee tables are the strippers, the dancers, the artistes, all performing in various styles to the blaring R & B; here a languid jig, there a sort of narcoleptic mime act, another girl performing startling aerobic high-kicks, all of them naked or nearly so. Beneath them sit the men, suited mainly, ties undone, slumped on the slippery booths with heads lolling backwards as if their necks had been crisply snapped: his people. Dexter takes the room in, his eyes slipping in and out of focus, grinning stupidly as he feels lust and shame combine in a narcotic rush. He stumbles on the stairs, steadies himself on the greasy chrome rail, then stands and shoots his cuffs and weaves between the podiums towards the bar where a hard-faced woman tells him single drinks can’t be bought, just bottles, vodka or champagne, a hundred quid each. He laughs at the audacious banditry and hands over his credit card with a flourish, as if challenging them to do their worst.

He takes his bottle of champagne – a Polish brand that comes in a pail of tepid water – and two plastic glasses, carrying them to a black velvet booth where he lights a cigarette and starts to drink in earnest. The ‘champagne’ is as sugary as a boiled sweet, apple-flavoured and barely sparkling, but it doesn’t matter. His friends have gone now and there is no-one to take the glass from his hand or distract him with conversation, and after the third glass the time itself begins to take on that strange elastic quality, speeding up and slowing down, moments disappearing altogether as his vision fades to black and back up again. He is about to slip into sleep, or unconsciousness, when he feels a hand on his arm and finds himself facing a skinny girl in a very short, sheer red dress with long blonde hair, shading into black an inch from her scalp. ‘Mind if I have a glass of champagne?’ she says, sliding into the booth. She has very bad skin beneath the thick foundation and speaks with a South African accent, which he compliments her on. ‘You’ve got a lovely voice!’ he shouts against the music. She sniffs and wrinkles her nose and introduces herself as Barbara in a way that suggests that ‘Barbara’ was the first name that came to hand. She is slight with bony arms and small breasts which he stares at baldly, though she doesn’t seem to mind. A ballet dancer’s physique. ‘Are you a ballet dancer?’ he says, and she sniffs and shrugs. He has decided that he really, really likes Barbara.

‘What brings you here then?’ she asks mechanically.

‘It’s my anniversary!’ he says.

‘Congratulations,’ she says, absently, pouring herself some champagne and raising her plastic glass in the air.

‘Aren’t you going to ask me what it’s the anniversary of?’ he says, though he must be slurring his speech pretty badly because she asks him to repeat it three times. Best try something more straightforward. ‘My wife had an accident exactly one year ago today,’ he says. Barbara gives a nervous smile and starts to look around as if regretting sitting down. Dealing with drunks is part of the job but this one is plainly weird, out celebrating some accident, then whining on incoherently and at great length about some driver not looking where he was going, a court case that she can’t understand and can’t be bothered to understand.

‘Do you want me to dance for you?’ she says, if only to change the subject.

‘What?’ He falls towards her. ‘What did you say?’ His breath is rank and his spit flecks her skin.

‘I said do you want me to dance for you, cheer you up a bit? You look like you might need cheering up.’

‘Not now. Later maybe,’ he says, slapping his hand on her knee now, which is as hard and unyielding as a banister. He is speaking again, not normal speech but a tangle of unconnected mawkish, sour remarks that he has made before – only thirty-eight years old we were trying for a baby the driver walked away scot-free wonder what that bastard’s doing right this minute taking away my best friend hope he suffers only thirty-eight where’s the justice what about me what am I meant to do now Barbara tell me what am I supposed to do now? He comes to a sudden halt.

Barbara’s head is lowered and she’s staring at her hands, which she holds devoutly in her lap as if in prayer and for a moment he thinks he has moved her with his story, this beautiful stranger, touched her deeply in some way. Perhaps she’s praying for him, perhaps she’s even crying – he has made this poor girl cry and he feels a deep affection for this Barbara. He puts his hand over hers in gratitude, and realises that she is texting. While he has been talking about Emma, she has had her mobile phone in her lap and is writing a text. He feels a sudden flush of rage and revulsion.

‘What are you doing?’ he asks, voice trembling.

‘ What?’

He is shouting now. ‘I said what the fuck are you doing?’ He swipes wildly at her hands, sending the phone skittering across the floor. ‘I was talking to you!’ he shouts, but she is shouting back now, calling him a nutter, a loony, then beckoning to the bouncer. It’s the same immense goateed man who had been so friendly at the door, but now he just puts his massive arm around Dexter’s shoulders, the other round his waist, scooping him up like a child and carrying him across the room. Heads turn, amused, as Dexter bawls over his shoulder, you stupid, stupid cow, you don’t understand, and he catches one last glance of Barbara, both middle fingers raised and jabbing upwards, laughing at him. The fire exit is kicked open and he is out once again on the street.

‘My credit card! You’ve got my fucking credit card!’ he shouts, but like everyone else the bouncer just laughs at him, and pulls the fire exit closed.

Enraged now, Dexter steps straight off the pavement and waves his arms at the many black cabs that head westward, but none of them will stop for him, not while he’s staggering in the road like this. He takes a deep breath, steps back onto the pavement, leans against a wall and checks his pockets. His wallet has gone, and so have his keys, to his flat and his car. Whoever’s got the keys and wallet will have his address too, it’s on his driving licence, he’ll have to have the locks changed, and Sylvie’s meant to be coming round at lunch time. She’s bringing Jasmine. He kicks at the wall, rests his head against the bricks, checks his pockets again, finds a balled-up twenty-pound note in his trouser pocket, damp from his own urine. Twenty quid is enough to get him safely home. He can wake up the neighbours, get the spare key, sleep it off.

But twenty quid is also enough to get him into town, with change for another drink or two. Home or oblivion? Forcing himself to stand straight, he hails a cab and sends it into Soho.

Through a plain red door in an alley off Berwick Street he finds an illicit underground dive that he used to go to ten, fifteen years ago as a very last resort. It’s a grubby windowless room, dark and dense with smoke and people drinking from cans of Red Stripe. He crosses to the formica table that doubles as a bar, using the crowd for support, but then discovers that he has no cash, has given the last of it to the taxi-driver, lost the change. He’ll have to do what he always used to do when he had lost all his money, pick up the nearest drink and neck it. He walks back into the room, ignoring the abuse of the people he stumbles into, grabs what looks like a forgotten can and drains what’s left, then boldly takes another and jams himself in a corner, sweating, his head against a loudspeaker, his eyes closed, the drink running down his chin and onto his shirt and suddenly there’s a hand against his chest pushing him back into the corner and someone wants to know what the fuckhe thinks he’s playing at, nicking people’s drinks. He opens his eyes: the man before him is old, red-eyed, squat like a toad.

‘Actually, I think you’ll find it’s mine,’ says Dexter, then sniggers at how unconvincing the lie is. The man snarls, bares his yellow teeth and shows his fist, and Dexter realises what he wants: he wants the man to hit him. ‘Get your hands off me, you ugly old cunt,’ he slurs, and then there’s a blur and a noise like static, and he is lying on the floor with his hands to his face as the man kicks at his stomach and stamps on his back with his heel. Dexter tastes the foul carpet as the kicks come down, and then suddenly he is floating, face down, six men lifting him by the legs and arms, like at school when it was his birthday and all his mates threw him in the pool and he is whooping and laughing as they carry him along the corridor through a restaurant kitchen and out into the alley where he is bowled into a huddle of plastic bins. Still laughing he rolls off onto the hard, filthy ground and feels the blood in his mouth, the hot iron taste of it, and he thinks, well, it’s what she would have wanted. This is what she would have wanted.

15th July 2005

Hello there, Dexter!

I hope you don’t mind me writing. It’s a weird thing to do, isn’t it, writing a letter in these days of t’internet! but it felt more appropriate. I wanted to sit down and do something to mark the day, and this seemed like the best thing.

So how are you? And how are you keeping? We spoke briefly at the memorial service, but I did not want to intrude as it was clear how tough that day was for you. Brutal, wasn’t it? Like you, I’m sure, I have been thinking of Emma all day. I’m always finding myself thinking of her, but today is especially tough and I know you must find it tough too, but I wanted to drop you a line with my thoughts for what they are worth (i.e. not very much!!!!). Here goes then.

When Emma left me all those years ago, I thought my life would go to bits, and it did too for a couple of years. To be honest, I think I went a bit nuts. But then I met this girl in a shop where I was working and for our first date I took her to see me do some stand-up comedy. Afterwards she said please not to take this the wrong way but that I was a very, very bad comedian and that the best thing I could do was give it up and be myself instead. That moment was the moment that I fell in love with her and now we have been married for four years and have three amazing kids (one of each! Ha ha). We live in the teeming metropolis that is Taunton to be near my parents (i.e. free baby-sitting!!!). I work in a big insurance office now, working in the customer enquiries department. No doubt this will sound a bit dullsville to you, but I am good at it and we have a really good laugh. All things considered I am really happy. Our kids are a boy and two girls. I know you have a kid too. Knackering, isn’t it?!!!

But why am I telling you all this? We were never particularly good pals and you probably don’t care very much what I am doing. I suppose if there is a reason for writing it is this.

After Emma left me I thought I was finished, but I wasn’t, because I met Jacqui my wife. Now you’ve lost Emma too, only you can never get her back, none of us can, but I just wanted to urge you not to give up. Emma always loved you, very, very much. For many years this caused me a great deal of pain and jealousy. I used to overhear your phone-calls and watch you together at parties, and she always lit up and sparkled with you in a way she never did with me. I’m ashamed to say I used to read her notebooks when she was out, and they were full of you and your friendship and I couldn’t bear it. To be honest, mate, I didn’t think you deserved her, but then I don’t think any of us deserved her really. She was always going to be the smartest, kindest, funniest, loyalest person we would ever meet, and the fact of her not being here well it just isn’t right.