Текст книги "Sister Carrie"

Автор книги: Теодор Драйзер

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As he did so, he noticed that the room seemed a little queer. What was it? He looked around, as if he missed something, and then saw an envelope near where he had been sitting. It spoke for itself, almost without further action on his part.

Reaching over, he took it, a sort of chill settling upon him even while he reached. The crackle of the envelope in his hands was loud. Green paper money lay soft within the note.

“Dear George,” he read, crunching the money in one hand. “I’m going away. I’m not coming back any more. It’s no use trying to keep up the flat; I can’t do it. I wouldn’t mind helping you, if I could, but I can’t support us both, and pay the rent. I need what little I make to pay for my clothes. I’m leaving twenty dollars. It’s all I have just now. You can do whatever you like with the furniture. I won’t want it.—Carrie.”

He dropped the note and looked quietly round. Now he knew what he missed. It was the little ornamental clock, which was hers. It had gone from the mantel-piece. He went into the front room, his bedroom, the parlour, lighting the gas as he went. From the chiffonier had gone the knick-knacks of silver and plate. From the table-top, the lace coverings. He opened the wardrobe—no clothes of hers. He opened the drawers—nothing of hers. Her trunk was gone from its accustomed place. Back in his own room hung his old clothes, just as he had left them. Nothing else was gone.

He stepped onto the parlour and stood for a few moments looking vacantly at the floor. The silence grew oppressive. The little flat seemed wonderfully deserted. He wholly forgot that he was hungry, that it was only dinner-time. It seemed later in the night.

Suddenly, he found that the money was still in his hands. There were twenty dollars in all, as she had said. Now he walked back, leaving the lights ablaze, and feeling as if the flat were empty.

“I’ll get out of this,” he said to himself.

Then the sheer loneliness of his situation rushed upon him in full.

“Left me!” he muttered, and repeated, “left me!”

The place that had been so comfortable, where he had spent so many days of warmth, was now a memory. Something colder and chillier confronted him. He sank down in his chair, resting, his chin in his hand—mere sensation, without thought, holding him.

Then something like a bereaved affection and self-pity swept over him.

“She needn’t have gone away,” he said. “I’d have got something.”

He sat a long while without rocking, and added quite clearly, out loud:

“I tried, didn’t I?”

At midnight he was still rocking, staring at the floor.

CHAPTER XLIII

THE WORLD TURNS FLATTERER:

AN EYE IN THE DARK

INSTALLED IN HER COMFORTABLE room, Carrie wondered how Hurstwood had taken her departure. She arranged a few things hastily and then left for the theatre, half expecting to encounter him at the door. Not finding him, her dread lifted, and she felt more kindly toward him. She quite forgot him until about to come out, after the show, when the chance of his being there frightened her. As day after day passed and she heard nothing at all, the thought of being bothered by him passed. In a little while she was, except for occasional thoughts, wholly free of the gloom with which her life had been weighed in the flat.

It is curious to note how quickly a profession absorbs one. Carrie became wise in theatrical lore, hearing the gossip of little Lola. She learned what the theatrical papers were, which ones published items about actresses and the like. She began to read the newspaper notices, not only of the opera in which she had so small a part, but of others. Gradually the desire for notice took hold of her. She longed to be renowned like others, and read with avidity all the complimentary or critical comments made concerning others high in her profession. The showy world in which her interest lay completely absorbed her.

It was about this time that the newspapers and magazines were beginning to pay that illustrative attention to the beauties of the stage which has since become fervid. The newspapers, and particularly the Sunday newspapers, indulged in large decorative theatrical pages, in which the faces and forms of well-known theatrical celebrities appeared, enclosed with artistic scrolls. The magazines also—or at least one or two of the newer ones—published occasional portraits of pretty stars, and now and again photos of scenes from various plays. Carrie watched these with growing interest. When would a scene from her opera appear? When would some paper think her photo worth while?

The Sunday before taking her new part she scanned the theatrical pages for some little notice. It would have accorded with her expectations if nothing had been said, but there in the squibs, tailing off several more substantial items, was a wee notice. Carrie read it with a tingling body:

The part of Katisha, the country maid, in “The Wives of Abdul” at the Broadway, heretofore played by Inez Carew, will be hereafter filled by Carrie Madenda, one of the cleverest members of the chorus.

Carrie hugged herself with delight. Oh, wasn’t it just fine! At last! The first, the long-hoped, for, the delightful notice! And they called her clever. She could hardly restrain herself from laughing loudly. Had Lola seen it?

“They’ve got a notice here of the part I’m going to play tomorrow night,” said Carrie to her friend.

“Oh, jolly! Have they?” cried Lola, running to her. “That’s all right,” she said, looking. “You’ll get more now, if you do well. I had my picture in the ‘World’ once.”

“Did you?” asked Carrie.

“Did I? Well, I should say,” returned the little girl. “They had a frame around it.”

Carrie laughed.

“They’ve never published my picture.”

“But they will,” said Lola. “You’ll see. You do better than most that get theirs in now.”

Carrie felt deeply grateful for this. She almost loved Lola for the sympathy and praise she extended. It was so helpful to her—so almost necessary.

Fulfilling her part capably brought another notice in the papers that she was doing her work acceptably. This pleased her immensely. She began to think the world was taking note of her.

The first week she got her thirty-five dollars, it seemed an enormous sum. Paying only three dollars for room rent seemed ridiculous. After giving Lola her twenty-five, she still had seven dollars left. With four left over from previous earnings, she had eleven. Five of this went to pay the regular installment on the clothes she had to buy. The next week she was even in greater feather. Now, only three dollars need be paid for room rent and five on her clothes. The rest she had for food and her own whims.

“You’d better save a little for summer,” cautioned Lola. “We’ll probably close in May.”

“I intend to,” said Carrie.

The regular entrance of thirty-five dollars a week to one who has endured scant allowances for several years is a demoralising thing. Carrie found her purse bursting with good green bills of comfortable denominations. Having no one dependent upon her, she began to buy pretty clothes and pleasing trinkets, to eat well, and to ornament her room. Friends were not long in gathering about. She met a few young men who belonged to Lola’s staff. The members of the opera company made her acquaintance without the formality of introduction. One of these discovered a fancy for her. On several occasions he strolled home with her.

“Let’s stop in and have a rarebit,” he suggested one midnight.

“Very well,” said Carrie.

In the rosy restaurant, filled with the merry lovers of late hours, she found herself criticising this man. He was too stilted, too self-opinionated. He did not talk of anything that lifted her above the common run of clothes and material success. When it was all over, he smiled most graciously.

“Got to go straight home, have you?” he said.

“Yes,” she answered, with an air of quiet understanding.

“She’s not so inexperienced as she looks,” he thought, and thereafter his respect and ardour were increased.

She could not help sharing in Lola’s love for a good time. There were days when they went carriage riding, nights when after the show they dined, afternoons when they strolled along Broadway, tastefully dressed. She was getting in the metropolitan whirl of pleasure.

At last her picture appeared in one of the weeklies. She had not known of it, and it took her breath. “Miss Carrie Madenda,” it was labelled. “One of the favourites of ‘The Wives of Abdul’ company.” At Lola’s advice she had had some pictures taken by Sarony.^an They had got one there. She thought of going down and buying a few copies of the paper, but remembered that there was no one she knew well enough to send them to. Only Lola, apparently, in all the world was interested.

The metropolis is a cold place socially, and Carrie soon found that a little money brought her nothing. The world of wealth and distinction was quite as far away as ever. She could feel that there was no warm, sympathetic friendship back of the easy merriment with which many approached her. All seemed to be seeking their own amusement, regardless of the possible sad consequence to others. So much for the lessons of Hurstwood and Drouet.

In April she learned that the opera would probably last until the middle or the end of May, according to the size of the audiences. Next season it would go on the road. She wondered if she would be with it. As usual, Miss Osborne, owing to her moderate salary, was for securing a home engagement.

“They’re putting on a summer play at the Casino,” she announced, after figuratively putting her ear to the ground. “Let’s try and get in that.”

“I’m willing,” said Carrie.

They tried in time and were apprised of the proper date to apply again. That was May 16th. Meanwhile their own show closed May 5th.

“Those that want to go with the show next season,” said the manager, “will have to sign this week.”

“Don’t you sign,” advised Lola. “I wouldn’t go.”

“I know,” said Carrie, “but maybe I can’t get anything else.”

“Well, I won’t,” said the little girl, who had a resource in her admirers. “I went once and I didn’t have anything at the end of the season.”

Carrie thought this over. She had never been on the road.

“We can get along,” added Lola. “I always have.”

Carrie did not sign.

The manager who was putting on the summer skit at the Casino had never heard of Carrie, but the several notices she had received, her published picture, and the programme bearing her name had some little weight with him. He gave her a silent part at thirty dollars a week.

“Didn’t I tell you?” said Lola. “It doesn’t do you any good to go away from New York. They forget all about you if you do.”

Now, because Carrie was pretty, the gentlemen who made up the advance illustrations of shows about to appear for the Sunday papers selected Carrie’s photo along with others to illustrate the announcement. Because she was very pretty, they gave it excellent space and drew scrolls about it. Carrie was delighted. Still, the management did not seem to have seen anything of it. At least, no more attention was paid to her than before. At the same time there seemed very little in her part. It consisted of standing around in all sorts of scenes, a silent little Quakeress. The author of the skit had fancied that a great deal could be made of such a part, given to the right actress, but now, since it had been doled out to Carrie, he would as leave have had it cut out.

“Don’t kick, old man,” remarked the manager. “If it don’t go the first week we will cut it out.”

Carrie had no warning of this halcyon intention. She practised her part ruefully, feeling that she was effectually shelved. At the dress rehearsal she was disconsolate.

“That isn’t so bad,” said the author, the manager noting the curious effect which Carrie’s blues had upon the part. “Tell her to frown a little more when Sparks dances.”

Carrie did not know it, but there was the least show of wrinkles between her eyes and her mouth was puckered quaintly.

“Frown a little more, Miss Madenda,” said the stage manager.

Carrie instantly brightened up, thinking he had meant it as a rebuke.

“No; frown,” he said. “Frown as you did before.”

Carrie looked at him in astonishment.

“I mean it,” he said. “Frown hard when Mr. Sparks dances. I want to see how it looks.”

It was easy enough to do. Carrie scowled. The effect was something so quaint and droll it caught even the manager.

“That is good,” he said. “If she’ll do that all through, I think it will take.”

Going over to Carrie, he said:

“Suppose you try frowning all through. Do it hard. Look mad. It’ll make the part really funny.”

On the opening night it looked to Carrie as if there were nothing to her part, after all. The happy, sweltering audience did not seem to see her in the first act. She frowned and frowned, but to no effect. Eyes were riveted upon the more elaborate efforts of the stars.

In the second act, the crowd, wearied by a dull conversation, roved with its eyes about the stage and sighted her. There she was, gray-suited, sweet-faced, demure, but scowling. At first the general idea was that she was temporarily irritated, that the look was genuine and not fun at all. As she went on frowning, looking now at one principal and now at the other, the audience began to smile. The portly gentlemen in the front rows began to feel that she was a delicious little morsel. It was the kind of frown they would have loved to force away with kisses. All the gentlemen yearned toward her. She was capital.

At last, the chief comedian, singing in the centre of the stage, noticed a giggle where it was not expected. Then another and another. When the place came for loud applause it was only moderate. What could be the trouble? He realised that something was up.

All at once, after an exit, he caught sight of Carrie. She was frowning alone on the stage and the audience was giggling and laughing.

“By George, I won’t stand that!” thought the thespian. “I’m not going to have my work cut up by some one else. Either she quits that when I do my turn or I quit.”

“Why, that’s all right,” said the manager, when the kick came. “That’s what she’s supposed to do. You needn’t pay any attention to that.”

“But she ruins my work.”

“No, she don’t,” returned the former, soothingly. “It’s only a little fun on the side.”

“It is, eh?” exclaimed the big comedian. “She killed my hand all right. I’m not going to stand that.”

“Well, wait until after the show. Wait until tomorrow. We’ll see what we can do.”

The next act, however, settled what was to be done. Carrie was the chief feature of the play. The audience, the more it studied her, the more it indicated its delight. Every other feature paled beside the quaint, teasing, delightful atmosphere which Carrie contributed while on the stage. Manager and company realised she had made a hit.

The critics of the daily papers completed her triumph. There were long notices in praise of the quality of the burlesque, touched with recurrent references to Carrie. The contagious mirth of the thing was repeatedly emphasised.

“Miss Madenda presents one of the most delightful bits of character work ever seen on the Casino stage,” observed the sage critic of the “Sun.” “It is a bit of quiet, unassuming drollery which warms like good wine. Evidently the part was not intended to take precedence, as Miss Madenda is not often on the stage, but the audience, with the characteristic perversity of such bodies, selected for itself. The little Quakeress was marked for a favourite the moment she appeared, and thereafter easily held attention and applause. The vagaries of fortune are indeed curious.”

The critic of the “Evening World,” seeking as usual to establish a catch phrase which should “go” with the town, wound up by advising: “If you wish to be merry, see Carrie frown.”

The result was miraculous so far as Carrie’s fortune was concerned. Even during the morning she received a congratulatory message from the manager.

“You seem to have taken the town by storm,” he wrote. “This is delightful. I am as glad for your sake as for my own.”

The author also sent word.

That evening when she entered the theatre the manager had a most pleasant greeting for her.

“Mr. Stevens,” he said, referring to the author, “is preparing a little song, which he would like you to sing next week.”

“Oh, I can’t sing,” returned Carrie.

“It isn’t anything difficult. ‘It’s something that is very simple,’ he says, ‘and would suit you exactly.’ ”

“Of course, I wouldn’t mind trying,” said Carrie, archly.

“Would you mind coming to the box-office a few moments before you dress?” observed the manager, in addition. “There’s a little matter I want to speak to you about.”

“Certainly,” replied Carrie.

In that latter place the manager produced a paper.

“Now, of course,” he said, “we want to be fair with you in the matter of salary. Your contract here only calls for thirty dollars a week for the next three months. How would it do to make it, say, one hundred and fifty a week and extend it for twelve months?”

“Oh, very well,” said Carrie, scarcely believing her ears.

“Supposing, then, you just sign this.”

Carrie looked and beheld a new contract made out like the other one, with the exception of the new figures of salary and time. With a hand trembling from excitement she affixed her name.

“One hundred and fifty a week!” she murmured, when she was again alone. She found, after all—as what millionaire has not?—that there was no realising, in consciousness, the meaning of large sums. It was only a shimmering, glittering phrase in which lay a world of possibilities.

Down in a third-rate Bleecker Street hotel, the brooding Hurstwood read the dramatic item covering Carrie’s success, without at first realising who was meant. Then suddenly it came to him and he read the whole thing over again.

“That’s her, all right, I guess,” he said.

Then he looked about upon a dingy, moth-eaten hotel lobby.

“I guess she’s struck it,” he thought, a picture of the old shiny, plush-covered world coming back, with its lights, its ornaments, its carriages, and flowers. Ah, she was in the walled city now! Its splendid gates had opened, admitting her from a cold, dreary outside. She seemed a creature afar off—like every other celebrity he had known.

“Well, let her have it,” he said. “I won’t bother her.”

It was the grim resolution of a bent, bedraggled, but unbroken pride.

CHAPTER XLIV

AND THIS IS NOT ELFLAND:

WHAT GOLD WILL NOT BUY

WHEN CARRIE GOT BACK on the stage, she found that over night her dressing-room had been changed.

“You are to use this room, Miss Madenda,” said one of the stage lackeys.

No longer any need of climbing several flights of steps to a small coop shared with another. Instead, a comparatively large and commodious chamber with conveniences not enjoyed by the small fry overhead. She breathed deeply and with delight. Her sensations were more physical than mental. In fact, she was scarcely thinking at all. Heart and body were having their say.

Gradually the deference and congratulation gave her a mental appreciation of her state. She was no longer ordered, but requested, and that politely. The other members of the cast looked at her enviously as she came out arrayed in her simple habit, which she wore all through the play. All those who had supposedly been her equals and superiors now smiled the smile of sociability, as much as to say: “How friendly we have always been.” Only the star comedian whose part had been so deeply injured stalked by himself. Figuratively, he could not kiss the hand that smote him.

Doing her simple part, Carrie gradually realised the meaning of the applause which was for her, and it was sweet. She felt mildly guilty of something—perhaps unworthiness. When her associates addressed her in the wings she only smiled weakly. The pride and daring of place were not for her. It never once crossed her mind to be reserved or haughty—to be other than she had been. After the performances she rode to her room with Lola, in a carriage provided.

Then came a week in which the first fruits of success were offered to her lips—bowl after bowl. It did not matter that her splendid salary had not begun. The world seemed satisfied with the promise. She began to get letters and cards. A Mr. Withers—whom she did not know from Adam—having learned by some hook or crook where she resided, bowed himself politely in.

“You will excuse me for intruding,” he said; “but have you been thinking of changing your apartments?”

“I hadn’t thought of it,” returned Carrie.

“Well, I am connected with the Wellington—the new hotel on Broadway. You have probably seen notices of it in the papers.”

Carrie recognised the name as standing for one of the newest and most imposing hostelries. She had heard it spoken of as having a splendid restaurant.

“Just so,” went on Mr. Withers, accepting her acknowledgment of familiarity. “We have some very elegant rooms at present which we would like to have you look at, if you have not made up your mind where you intend to reside for the summer. Our apartments are perfect in every detail—hot and cold water, private baths, special hall service for every floor, elevators and all that. You know what our restaurant is.”

Carrie looked at him quietly. She was wondering whether he took her to be a millionaire.

“What are your rates?” she inquired.

“Well, now, that is what I came to talk with you privately about. Our regular rates are anywhere from three to fifty dollars a day.”

“Mercy!” interrupted Carrie. “I couldn’t pay any such rate as that.”

“I know how you feel about it,” exclaimed Mr. Withers, halting. “But just let me explain. I said those are our regular rates. Like every other hotel we make special ones, however. Possibly you have not thought about it, but your name is worth something to us.”

“Oh!” ejaculated Carrie, seeing at a glance.

“Of course. Every hotel depends upon the repute of its patrons. A well-known actress like yourself,” and he bowed politely, while Carrie flushed, “draws attention to the hotel, and—although you may not believe it—patrons.”

“Oh, yes,” returned Carrie, vacantly, trying to arrange this curious proposition in her mind.

“Now,” continued Mr. Withers, swaying his derby hat softly and beating one of his polished shoes upon the floor, “I want to arrange, if possible, to have you come and stop at the Wellington. You need not trouble about terms. In fact, we need hardly discuss them. Anything will do for the summer—a mere figure—anything that you think you could afford to pay.”

Carrie was about to interrupt, but he gave her no chance.

“You can come to-day or to-morrow—the earlier the better—and we will give you your choice of nice, light, outside rooms—the very best we have.”

“You’re very kind,” said Carrie, touched by the agent’s extreme affability. “I should like to come very much. I would want to pay what is right, however. I shouldn’t want to—”

“You need not trouble about that at all,” interrupted Mr. Withers. “We can arrange that to your entire satisfaction at any time. If three dollars a day is satisfactory to you, it will be so to us. All you have to do is to pay that sum to the clerk at the end of the week or month, just as you wish, and he will give you a receipt for what the rooms would cost if charged for at our regular rates.”

The speaker paused.

“Suppose you come and look at the rooms,” he added.

“I’d be glad to,” said Carrie, “but I have a rehearsal this morning.”

“I did not mean at once,” he returned. “Any time will do. Would this afternoon be inconvenient?”

“Not at all,” said Carrie.

Suddenly she remembered Lola, who was out at the time.

“I have a room-mate,” she added, “who will have to go wherever I do. I forgot about that.”

“Oh, very well,” said Mr. Withers, blandly. “It is for you to say whom you want with you. As I say, all that can be arranged to suit yourself.”

He bowed and backed toward the door.

“At four, then, we may expect you?”

“Yes,” said Carrie.

“I will be there to show you,” and so Mr. Withers withdrew.

After rehearsal Carrie informed Lola.

“Did they really?” exclaimed the latter, thinking of the Wellington as a group of managers. “Isn’t that fine? Oh, jolly! It’s so swell. That’s where we dined that night we went with those two Cushing boys. Don’t you know?”

“I remember,” said Carrie.

“Oh, it’s as fine as it can be.”

“We’d better be going up there,” observed Carrie, later in the afternoon.

The rooms which Mr. Withers displayed to Carrie and Lola were three and bath—a suite on the parlour floor. They were done in chocolate and dark red, with rugs and hangings to match. Three windows looked down into busy Broadway on the east, three into a side street which crossed there. There were two lovely bedrooms, set with brass and white enamel beds, white, ribbon-trimmed chairs and chiffoniers to match. In the third room, or parlour, was a piano, a heavy piano lamp, with a shade of gorgeous pattern, a library table, several huge easy rockers, some dado book shelves, and a gilt curio case, filled with oddities. Pictures were upon the walls, soft Turkish pillows upon the divan, footstools of brown plush upon the floor. Such accommodations would ordinarily cost a hundred dollars a week.

“Oh, lovely!” exclaimed Lola, walking about.

“It is comfortable,” said Carrie, who was lifting a lace curtain and looking down into crowded Broadway.

The bath was a handsome affair, done in white enamel, with a large, blue-bordered stone tub and nickel trimmings. It was bright and commodious, with a bevelled mirror set in the wall at one end and incandescent lights arranged in three places.

“Do you find these satisfactory?” observed Mr. Withers.

“Oh, very,” answered Carrie.

“Well, then, any time you find it convenient to move in, they are ready. The boy will bring you the keys at the door.”

Carrie noted the elegantly carpeted and decorated hall, the marbelled lobby, and showy waiting-room. It was such a place as she had often dreamed of occupying.

“I guess we’d better move right away, don’t you think so?” she observed to Lola, thinking of the commonplace chamber in Seventeenth Street.

“Oh, by all means,” said the latter.

The next day her trunks left for the new abode.

Dressing, after the matinee on Wednesday, a knock came at her dressing-room door.

Carrie looked at the card handed by the boy and suffered a shock of surprise.

“Tell her I’ll be right out,” she said softly. Then, looking at the card, added: “Mrs. Vance.”

“Why, you little sinner,” the latter exclaimed, as she saw Carrie coming toward her across the now vacant stage. “How in the world did this happen?”

Carrie laughed merrily. There was no trace of embarrassment in her friend’s manner. You would have thought that the long separation had come about accidentally.

“I don’t know,” returned Carrie, warming, in spite of her first troubled feelings, toward this handsome, good-natured young matron.

“Well, you know, I saw your picture in the Sunday paper, but your name threw me off. I thought it must be you or somebody that looked just like you, and I said: ‘Well, now, I will go right down there and see.’ I was never more surprised in my life. How are you, anyway?”

“Oh, very well,” returned Carrie. “How have you been?”

“Fine. But aren’t you a success! Dear, oh! All the papers talking about you. I should think you would be just too proud to breathe. I was almost afraid to come back here this afternoon.”

“Oh, nonsense,” said Carrie, blushing. “You know I’d be glad to see you.”

“Well, anyhow, here you are. Can’t you come up and take dinner with me now? Where are you stopping?”

“At the Wellington,” said Carrie, who permitted herself a touch of pride in the acknowledgment.

“Oh, are you?” exclaimed the other, upon whom the name was not without its proper effect.

Tactfully, Mrs. Vance avoided the subject of Hurstwood, of whom she could not help thinking. No doubt Carrie had left him. That much she surmised.

“Oh, I don’t think I can,” said Carrie, “to-night. I have so little time. I must be back here by 7.30. Won’t you come and dine with me?”

“I’d be delighted, but I can’t to-night,” said Mrs. Vance, studying Carrie’s fine appearance. The latter’s good fortune made her seem more than ever worthy and delightful in the other’s eyes. “I promised faithfully to be home at six.” Glancing at the small gold watch pinned to her bosom, she added: “I must be going, too. Tell me when you’re coming up, if at all.”

“Why, any time you like,” said Carrie.

“Well, to-morrow then. I’m living at the Chelsea now.”¹⁵

“Moved again?” exclaimed Carrie, laughing.

“Yes. You know I can’t stay six months in one place. I just have to move. Remember now—half-past five.”

“I won’t forget,” said Carrie, casting a glance at her as she went away. Then it came to her that she was as good as this woman now—perhaps better. Something in the other’s solicitude and interest made her feel as if she were the one to condescend.

Now, as on each preceding day, letters were handed her by the doorman at the Casino. This was a feature which had rapidly developed since Monday. What they contained she well knew. Mash notes were old affairs in their mildest form. She remembered having received her first one far back in Columbia City. Since then, as a chorus girl, she had received others—gentlemen who prayed for an engagement. They were common sport between her and Lola, who received some also. They both frequently made light of them.

Now, however, they came thick and fast. Gentlemen with fortunes did not hesitate to note, as an addition to their own amiable collection of virtues, that they had their horses and carriages. Thus one:

I have a million in my own right. I could give you every luxury. There isn’t anything you could ask for that you couldn’t have. I say this, not because I want to speak of my money, but because I love you and wish to gratify your every desire. It is love that prompts me to write. Will you not give me one half-hour in which to plead my cause?

Such of these letters as came while Carrie was still in the Seventeenth Street place were read with more interest—though never delight—than those which arrived after she was installed in her luxurious quarters at the Wellington. Even there her vanity—or that self-appreciation which, in its more rabid form, is called vanity—was not sufficiently cloyed to make these things wearisome. Adulation, being new in any form, pleased her. Only she was sufficiently wise to distinguish between her old condition and her new one. She had not had fame or money before. Now they had come. She had not had adulation and affectionate propositions before. Now they had come. Wherefore? She smiled to think that men should suddenly find her so much more attractive. In the least way it incited her to coolness and indifference.