Текст книги "The Raven"
Автор книги: Sylvain Reynard
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Текущая страница: 4 (всего у книги 26 страниц)
Chapter Six
When Raven finally arrived at the Uffizi, she had to submit to a scan of her fingerprints in order for security to admit her to the building. After that humiliating experience, she went to the office she shared with a number of different researchers. She greeted her colleagues with a tense wave before trudging to her desk, which was in a far corner.
She sank into her chair and looked around the windowless room. The office hummed with conversations and the occasional ringing of a telephone, while her colleagues stared. More than a few of her coworkers stopped by her desk, wondering who she was and demanding to see her identification. She had to summon security and ask them to vouch for her identity. Afterward, her colleagues continued to glance in her direction with expressions that ranged from surprised to censorious.
Her skin crawled under the scrutiny.
A number of messages sat on her desk, including a recent one from Patrick, asking her to text him when she arrived. She ignored them and placed her head in her hands.
She was in trouble.
Were it not for the fact that she felt pain when she pinched herself, she would have thought she was in a nightmare. There were too many incredible and inexplicable events. First, there was the sudden and spontaneous healing of her disability. Second, there was her loss of weight and radical change in physical appearance. Finally, there was her disappearance and lack of memory.
There was also the possibility that her personality had undergone a slight sharpening. Raven couldn’t remember the last time she’d been so angry or rude. She’d always prided herself in being polite and controlled. But at the police station…
Raven’s gaze alighted on a leaflet that she’d placed on her desk months before. The flyer included information about the Botticelli illustrations and had been distributed by the gallery to visitors.
She picked it up, glancing at the text.
Wordlessly, she stored her backpack in one of the desk drawers and locked it, looping her identification card, which was hung on a cord, over her head. She picked up her cell phone, which she’d barely been able to charge, clutching it in the same hand as the leaflet. Silently, she bemoaned the fact she was wearing yoga pants, which, although they made her derrière extremely attractive, lacked pockets.
She was supposed to report to the restoration lab for work, but instead she walked in the opposite direction, to where the illustrations had been on display. The exhibition hall was cordoned off, the corridor empty.
The hall boasted walls painted a bright blue in order to display the pen and ink illustrations to better effect. Inside the room was a series of cases, in which the artwork had been kept safe from exposure and human touch.
Raven scanned the now empty cases, noting that each of them, along with the walls and even the floors, had been dusted for fingerprints. Scaffolding stood in one corner, rising to the high ceiling. From the looks of it, someone had dusted the white ceiling as well. Sections of it were smudged with gray and black.
She began reading the description of the exhibit, which was printed on the leaflet. As Ispettor Batelli had mentioned, the illustrations were copies. Botticelli had prepared one hundred drawings of Dante’s Divine Comedy for Lorenzo di Pierfrancesco de’ Medici, who died in 1503. Unfortunately, eight of them had been lost. The Vatican owned a few of the originals and the rest were owned by the Staatliche Museen in Berlin.
The Emersons’ collection was complete. Yes, they were only copies, but the Emersons owned the full one hundred of the original complement. This fact alone made the collection priceless.
Certainly the Uffizi was more than pleased to exhibit them. It charged extra for visitors to view the exhibition, using the funds to finance some of the restoration projects in the gallery, including the work that Raven and Professor Urbano’s team were doing.
The illustrations had been on loan to the Uffizi for two years, since the summer of 2011. Raven remembered the announcement well, as she’d been researching her dissertation and doing work at the Opificio at the time.
Prior to the announcement, no one knew about the Emersons’ collection. Raven had done some amateur investigation on the subject, but found nothing. For such important works of art, the lack of images or information was surprising.
Dottor Vitali had prepared an account of the illustrations’ provenance, which was reproduced on the leaflet, but his information must have come from the Emersons themselves, for Raven hadn’t found any independent confirmation of the facts presented.
She found this fact curious.
According to the leaflet, the illustrations had been prepared in the sixteenth century, probably by a student of Botticelli. Somehow they’d come to a Swiss family in the nineteenth century. They’d sold the illustrations to Professor Emerson in a private sale a number of years back.
The whereabouts of the illustrations from the sixteenth to the nineteenth centuries were a complete mystery. Certainly neither the Swiss family nor Professor Emerson had been in a hurry to disclose the existence of the illustrations to the public. It was said that Mrs. Emerson had finally convinced her husband to share the artwork with the world.
And now they’re gone, thought Raven. She looked at the empty display cases and felt tears well up in her eyes.
She was about to report to the restoration lab, when her phone chimed with a text. It was from Patrick.
Where r u?
She quickly typed her reply.
Exhibition hall
She waited for Patrick’s response, but none came.
She scrolled through the texts she’d been sent during the past week, noting that both Patrick and Gina had sent several messages, escalating in concern. She’d missed several e-mails and phone messages as well.
With a sigh she took one last, sad look at the empty cases and exited the room. Down the corridor, she saw Patrick striding toward her.
“How did it go with the police?” His face was creased with worry.
“Not good.”
Patrick cursed.
“Come on.”
He took her hand and led her to one of the back staircases. They climbed the stairs to the second floor and walked to a quiet corner.
He released her hand and crossed his arms over his chest, standing close to her.
“What did they say?”
“They asked me a bunch of questions. They’re suspicious, obviously, and my inability to answer their questions makes me look guilty.” She rubbed at her eyes. “I have no idea where I was last week. My memory is all screwed up.”
“You don’t remember last week at all?” He sounded concerned.
“Nothing since Gina’s party. Maybe somebody slipped me something.” She avoided his eyes, examining her feet.
“No way.” Patrick’s tone was firm. “I was pouring drinks, remember? I know everyone who was there. No one would have slipped you something.”
“Then why can’t I remember?”
“I don’t know.” His expression grew even more tense. “Dottor Vitali wants to see you.”
“What?”
Patrick nodded in the direction of the director’s office. “He’s keeping tabs on everything having to do with the investigation, including your interview. And the Emersons just arrived. I saw the police escort them inside.”
Raven groaned. Of course the Emersons would be upset about the theft. And Professor Gabriel Emerson had a reputation for being a trifle… mercurial.
Patrick continued. “I told Professor Urbano you were back, but I didn’t mention the police. He wants to see you after Vitali is done with you.”
“I liked it better when no one noticed me.”
Patrick frowned. “Hey. That’s the second time you’ve said something like that. Look around. I’m worried about you and so is Urbano. We’ve been stressed for a week wondering where you were.”
She chewed at the inside of her mouth. “Maybe you should be suspicious of me. I’m suspicious of me.”
Patrick took a step closer, leaning down so he was at eye level. “Don’t start with that shit. Remember what happened to Amanda Knox?”
Raven shivered. “Yeah.”
“She says she’s innocent. Maybe she is. But she was caught up in an Italian police investigation. By the time they were finished, everyone thought she was guilty. The American consulate can’t help you if you’re charged with a crime. Don’t give the police any ammunition.” Patrick squeezed her arm sympathetically. “You’d better get going. Vitali wants to see you right away.”
“He’s going to suspend me, isn’t he?”
Patrick squeezed her arm again. “I don’t know. But there has to be a reasonable explanation for what happened. We’ll find out, I promise.”
She gave him a wan smile before walking the few steps to Dottor Vitali’s office.
She knocked twice and waited.
The door was opened by a tall, handsome man with dark hair and piercing blue eyes. He was dressed in a white shirt and jeans, his feet clad in brown leather shoes.
His posture was anything but casual.
“Yes?” His expression, like his tone, was decidedly unfriendly.
“Good morning. Dottor Vitali asked to see me,” Raven replied in polite Italian.
The man opened the door wider, and Raven saw beyond him that Vitali was seated behind his desk, talking to a young woman who was holding a baby on her lap.
“What do you mean there aren’t any fucking fingerprints?” The man, who Raven surmised was Professor Emerson, brushed past her to stand in front of the desk.
“Gabriel.” The woman, who Raven assumed was his wife, glanced from the professor to the child in her arms.
“I’m sorry, darling.” Professor Emerson sounded contrite. He placed a hand on the baby’s head. “I meant fracking fingerprints.”
“That’s not really an improvement.” Mrs. Emerson gave him a half smile.
The child started fussing and tugging at her mother’s dress. She balled up a chubby fist and began chewing on it, but not before making a noise that sounded to Raven like a squawk.
“I think she’s hungry.” Mrs. Emerson gave an apologetic look to their host.
“Vitali, can we have a quiet room somewhere so Julianne can feed Clare?” Professor Emerson placed a hand on his wife’s shoulder.
“Of course.” Vitali smiled, motioning to Raven to come forward. “And you are… ?”
Raven paused, embarrassed. “Raven Wood, dottore.”
Dottor Vitali took in her appearance with a look of incredulity.
Raven fidgeted.
Vitali glanced at his guests, appearing to recover from his shock.
“Miss Wood.” He began speaking English. “Bring Mrs. Emerson to the conference room. Then return here. I’d like to speak to you.”
“Of course.” Raven forced a smile, for the director’s tone and posture were noticeably cold.
“Thank you.” Mrs. Emerson stood, holding the baby in one hand and attempting to lift a purse and a large Coach messenger bag with the other.
Raven gestured to the hallway. “This way, please.”
The professor lifted the purse and bag, placing them over his wife’s shoulder, before stroking the baby’s head and kissing her.
Raven looked away as he embraced his wife, before stepping aside to let her pass.
“Come back when you’re ready, darling.” The professor smiled.
Mrs. Emerson nodded before addressing Raven in English. “Thank you. I tried to give Clare her breakfast at the hotel but she wouldn’t eat. I’m afraid we’re all jet-lagged.”
“No problem. The conference room is private and it’s just down the hall.” Raven gestured to their right as they exited the office, responding in English.
Mrs. Emerson was dressed in a simple black shirtdress, with black espadrilles that tied in wide bands around her ankles and shapely lower legs. She had shoulder-length brown hair, highlighted with gold, and big brown eyes. She was petite and young looking, with a very gentle way about her.
Next to her, Raven felt enormous and dowdy, as she always felt when standing next to a thin and beautiful person. (She was forgetting that she’d recently undergone a tremendous physical transformation.)
“Can I carry your bags, Mrs. Emerson?”
She laughed. “Call me Julia. We have to be the same age.”
“I’m almost thirty,” Raven blurted out.
“I’ll be thirty in a couple of years. So please call me Julia. If you’d carry the diaper bag, I’d be grateful.”
She held Clare with one hand while Raven pulled the bag from her shoulder.
Raven was unprepared for the weight and nearly dropped it, but managed to keep it from hitting the floor at the last moment.
“I’m sorry. I should have warned you.” Julia made a move to help her, but Raven waved her off and lifted the item with both hands.
“Gabriel wants to be prepared for any emergency and so he stuffs things into it when I’m not looking. I need a stroller for Clare and a stroller for the diaper bag.” She laughed. “Actually, I need a stroller for myself. Traveling with a baby is more challenging than I thought.”
“Are you staying nearby?”
“Yes, at the Gallery Hotel Art.” Julia’s expression brightened. “We’re here for a week, then we’re going to Umbria. Clare’s godmother is with us.”
“That’s nice.” Raven didn’t really know what to say.
“But we’re really upset about the robbery,” Julia confided, holding Clare close to her body. “The illustrations are more than just artwork to us. They have sentimental value. When Dottor Vitali called to say they’d been stolen…”
Julia nuzzled her daughter, as if she were trying to hide her face.
“I’m so sorry,” Raven whispered.
“Gabriel is hoping they’ll be recovered, but I’m not sure how likely that is. I guess all we can do is pray.
“It’s possible the illustrations were stolen once before and that’s how they came to belong to the family who sold them to my husband.” Julia sighed. “I guess we’ll never know.”
Raven was curious about her remark, since it was a possibility that had not been disclosed in Dottor Vitali’s leaflet. She elected not to press the point.
“The police are doing all they can. I hope they find them.”
“I hope so, too. You sound American.” Julia looked at her with interest.
“I’m from New Hampshire. I lived in Florida so long I lost my accent.”
“I’m from Pennsylvania, but we live in Cambridge.” Julia grinned. “I don’t think I’ll ever sound as if I’m from Boston. What part of the gallery do you work in?”
“Restoration and conservation. I’m part of the team working on the Birth of Venus.”
Julia’s brown eyes lit up. “That’s one of my favorite paintings. I don’t suppose you let guests view the restoration? I promise not to get in the way.”
“I’m sure Dottor Vitali can arrange something. I’d be happy to show you what we’re doing but Professor Urbano is the one in charge. He worked on the restoration of Primavera under Umberto Baldini.”
“That’s another of my favorites. I’ve always loved Botticelli.” Julia’s tone was wistful. “That’s why we wanted to lend the illustrations. We wanted other people to enjoy them.”
Raven stopped, turning to face her. “Let me tell you how happy I was to be able to see them. I visited them almost every day. We were all so glad when you and your husband decided to extend the exhibit beyond a few months.”
“Thank you.” Julia’s smile faded. “I can’t help but think this is my fault. I persuaded Gabriel to let the gallery keep the illustrations while we were on leave with Clare. Now they’re gone.”
“I’m so sorry.”
“So am I.”
Raven regarded her curiously.
“You and Professor Emerson are both on leave? Are you a professor as well?”
“I’m a professor in training. I’m in the middle of a Ph.D. on Dante.”
“Where are you studying?”
Julia smiled. “Harvard. I’m still finishing coursework.”
“Professor Emerson is a Dante specialist, isn’t that right?”
“Yes. Clare’s godmother is a retired Dante specialist as well. Apparently, it takes three Dante specialists to look after one baby.”
Raven laughed, opening the door to the conference room. She gestured for Julia to enter before her, and she changed the sign on the door to indicate that a meeting was in progress.
“No one will bother you here. Do you need anything?” She placed the diaper bag on the long table that dominated the space.
Julia quickly sat down and began rummaging in the bag. She removed a large bottle of sparkling water.
“If you have a glass, that would be great. I try to drink a lot of water while I’m breastfeeding.” She removed her iPhone from her purse, placing it on the table in front of her. “If I need anything else, I’ll just call Gabriel.”
Raven retrieved a water glass from one of the cabinets on the far wall and handed it to Julia. She looked at the child, who had large blue eyes like her father and an abundance of fine, dark hair.
“How old is Clare?”
“She was born last September. She’s almost nine months.”
“She’s beautiful.” Raven touched the child’s head gently.
“Thank you. I think she looks like her daddy. But everyone says she has my mouth. Do you have children?”
“No.” Raven stiffened, looking from the child to her mother. “If you need anything, I’ll be in Dottor Vitali’s office.”
Julia poured water into a glass. “We’ll be fine.”
“I hope they find the illustrations.” Raven’s voice was quiet.
Julia looked up at her.
“I hope so, too. Losing them is much more than losing art.” Julia looked down at her daughter. “It’s like losing family.”
Raven nodded and exited the conference room, shutting the door firmly behind her.
Mrs. Emerson was not what she had expected. She was younger and much nicer than many of the important patrons and donors who visited the gallery on occasion.
Raven felt sorry for her, recalling the expression of sadness she’d worn when talking about the loss of the artwork. It sounded as if the Emersons truly loved those objects. Now they’d lost them.
As Raven approached Dottor Vitali’s office, she noticed that the door was open.
Professor Emerson was speaking loudly in Italian, his voice trailing down the corridor.
“So the Carabinieri have interviewed all the local patrons and they’ve made attempts to speak to everyone who attended the gala when the exhibit opened. What did they think of William York?”
“Who?” Dottor Vitali sounded confused.
“The young man who accosted me at the exhibit opening. I pointed him out to you and you said he was a local recluse who’d given a substantial donation to the gallery in order to be invited.”
“I don’t know anyone by that name.”
Raven approached the doorway, taking care to remain out of sight.
“Massimo, you recognized the man and had your assistant look up his name. Remember? He’s shorter than me; about five foot eleven, with blond hair. He’s English, from Oxford, I think. You said something about his patronage of the restoration of the Palazzo Medici Riccardi.”
“Gabriel, my friend, I don’t know anyone called William York.”
Raven heard the sound of papers shuffling.
“Here is the guest list for the gala. His name isn’t on the list. Certainly I know of no connection between an Englishman and the Medici palaces. Palazzo Riccardi is owned by the province. They financed the restoration, along with a select group of Italian patrons.”
Professor Emerson swore in frustration and Raven heard the sound of a chair toppling over.
Without reflecting on her actions, she moved to stand in the doorway. “Dottor Vitali?”
She looked in anxiety from the administrator of the gallery to the professor, who was standing over the fallen chair with clenched fists.
“Signorina.” Vitali gestured to her to enter before turning his attention to the professor. “My friend, please remain calm. Join your wife and your child and let me worry about this.”
“I’m worrying about this, Massimo, because someone has stolen what is precious to me.” The professor spoke between clenched teeth. “I will make it my life’s mission to see that those illustrations are returned.
“I swear I met William York. He behaved very strangely at the exhibit, and you and I spoke about him afterward. He seemed resentful about the illustrations and, although he’s young, he’s a man with deep pockets. Someone needs to go through the donor records and find his donation. You told me he gave several thousand euros to the gallery.”
Professor Emerson placed his fists on the top of Vitali’s desk, leaning toward him.
“And if you or the Carabinieri won’t see to this, I will personally hire agents who will complete this investigation.”
A long look passed between the two friends.
Raven shifted uncomfortably, glancing back at the open door. She wished she could disappear.
“Va bene,” said Vitali at last, waving at his friend. “Speak to Ispettor Batelli. He’s in charge.”
“Thank you.” Professor Emerson straightened and, without another word, walked out.
Raven waited, watching as Dottor Vitali closed his eyes and bent forward, almost as if he were praying.
At last he opened his eyes and gestured to a chair. “Signorina Wood. Explain your sudden change in appearance. And tell me where you were last week.”
Raven sat down, took a deep breath, and began her story.
On leaving Vitali’s office, Raven walked, deep in thought, down the corridor.
He hadn’t suspended her. He’d asked pointed questions about her appearance, her absence, and her interview with the police. His cool demeanor seemed to warm with her answers. By the time their conversation concluded, Raven believed she’d convinced him she had nothing to do with the robbery.
He’d sent her back to her job, informing her that the weeklong absence would be deducted from her vacation days. She was relieved she hadn’t been suspended or fired.
She walked down the hall, reflecting on Botticelli’s original illustrations of The Divine Comedy. They’d been prepared for Lorenzo di Pierfrancesco de’ Medici, who also owned Primavera.
She wondered if the thieves knew that. She wondered if the thieves were particularly devoted to Botticelli or simply opportunist.
She imagined a group of hardened criminals, dumping the priceless illustrations into plastic bags and shoving them into backpacks. They wouldn’t treat the artwork properly. They wouldn’t protect it.
They’ve probably spread them on a kitchen table somewhere and are eating breakfast on top of them right now.
She shuddered, imagining drops of milk or coffee marring the beautiful ink and the rare, brilliant colors. She imagined the thieves smoking, perhaps flicking pieces of ash over the faces of Dante and Beatrice.
Assholes.
If the thieves were devotees of Botticelli, small wonder they stole the illustrations. The size and weight of Primavera was so great, the painting couldn’t have been removed from the Uffizi without a team of men and the use of heavy equipment.
The thieves were probably unaware that the Birth of Venus was housed in the restoration lab on the lower floor. The lab was secure, but its security was not as elaborate or sophisticated as that of the exhibition halls. However, like Primavera, the painting was large and heavy and would require several people to carry it. It wasn’t exactly a piece someone could pass through a window.
With such thoughts in mind, Raven found herself entering the Botticelli room. Immediately, she walked over to stand in front of Primavera.
The room felt off center. The large and imposing painting was usually balanced by the Birth of Venus, but it had been taken down almost a year before. It would be a few more months before it could be returned to its rightful place.
Raven stepped close to Primavera, her eyes alighting on the lone male figure on the left. She was drawn to his hands, the muscles and shape of his arms, and his perfect skin. She admired his chest and neck and, finally, his face. He possessed pale eyes and a straight nose, his lips full, his hair long.
Something about his hair displeased her, as if it were incongruous with the rest of him. But his face…
She heard a voice whispering in her ear, but she couldn’t quite make out the words.
She whirled around. There was no one behind her.
She took a moment to close her eyes and focus on her breathing, trying with all her might to stave off the anxiety that plagued her.
With one last glance at the painted figure of Mercury, she walked to the door, bracing herself for her meeting with Professor Urbano.
