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Just Listen
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Текст книги "Just Listen"


Автор книги: Sarah Dessen


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Текущая страница: 7 (всего у книги 18 страниц)

Even worse, it was like he knew he unsettled me, almost as if he liked it. Usually I attempted to make up for my uneasiness by talking too much or too loudly, or both. And when I did, Will would just keep his eyes level, no expression on his face, as I floundered on endlessly before finally sputtering to a stop. I was sure he thought I was stupid. I sounded stupid, like a little girl trying too hard to impress. At any rate, I did my best to avoid him, although it wasn't always possible.

Other girls, though, didn't seem to have this problem, and because of it, dating Will turned out to be a full-time job, even for a girl as hardworking as Sophie. From the very start, there were rumors, and it seemed like everywhere they went Will knew someone, usually female. Add in the fact that they went to different schools, which made the stories we heard second-or thirdhand of his wandering eye and—if the constant rumors were to be believed—hands that much harder to confirm. Plus there was the being-in-a-band factor. Plainly put, Sophie had her work cut out for her, and their relationship quickly became defined by a recognizable cycle: Will interacts in any way with some girl, rumors abound, Sophie goes after said girl, then after Will, they argue, break up, get back together. And on and on.

"I just don't understand why you put up with this," I said to her late one night as we drove too fast through a strange neighborhood, yet again looking for the house of some girl she'd heard had been flirting with Will at a party.

"Of course you don't," she snapped, running a stop sign as we took a sharp right. "You've never been in love, Annabel."

I said nothing to this, because it was true. I'd dated a few guys but had never had anyone serious. Although, if this was love, I thought, as we screeched around another curve, Sophie leaning across me to scan house numbers, her face flushed, I had to wonder if that was really such a bad thing.

"Will could have any girl he wanted," she said, slowing down a bit as we approached a row of houses on the left. "But he chose me. He's with me. And I will be damned if I let some bitch decide she's going to change that."

"They were just talking, though," I said. "Right? I mean, that doesn't mean anything, necessarily."

"Just talking, alone, at a party, in a room with no one else, is not just talking," she snapped. "If you know a guy has a girlfriend—especially if that girlfriend is me—there's absolutely no reason you should be doing anything with him that could be taken the wrong way. It's a choice, Annabel. And if you make the wrong one, you have only yourself to blame when there are consequences."

I sat back in my seat, keeping quiet as she pulled up in front of a small white house. The front porch light was on, and there was a red Jetta in the driveway, a Perkins Day field hockey sticker on the back bumper. If I'd been bolder—or just very stupid—I might have pointed out that it couldn't just be that all the girls in town had it in for Sophie's relationship, that Will had to have some culpability in all the rumors. But then I looked at her face, and something in her expression reminded me of that day at the pool all those years ago, when she'd shown up and immediately zeroed in on Kirsten being her friend. It didn't matter that my sister ignored her or was outright rude to her. When Sophie decided she wanted something, she wanted it. And for all the drama, being with Will had made her more envied than ever. She didn't have to follow the most popular girl around anymore. She was the most popular girl. Because of this, I wondered if the way she saw Will wasn't, really, all that different from how I saw her; while staying could be difficult, doing without entirely would be much, much harder.

So I'd sat there in the car as she got out, dodging the thrown brightness of the porch light as she walked up the driveway to the Jetta. I wanted to look away as she took the key clutched in her hand and dragged it across its pretty red flank, spelling out what this girl now was to her. But I didn't. I watched, the way I always did, only turning away as she came back toward me, when I was already a partner to the crime.

The irony was that even though I'd seen Will and Sophie go through their drama enough times to know it by heart, I was still completely surprised when I suddenly found myself a part of it. One bad move on one night, and the next thing I knew it was me she was after—me who was the slut, the whore—and me cut out, not only of her life, but the one I'd come to know as my own, as well.

* * *

"Annabel," Mrs. McMurty, the director of the Models, said now as she passed behind me, "you're up next, okay?"

I nodded, then stood up, brushing myself off. Across the room, I could see one of the new girls, a tall brunette, posing awkwardly with a large blue serving platter from the kitchen store. The calendar shoot was always kind of weird. Each girl got a month, and you had pose with products from a particular store in the mall. The year before, I'd been unlucky enough to draw Rochelle Tire and got stuck with whitewalls and radials. "Hold it out, like you're offering something," the photographer said, and the girl reached forward, extending her neck. "Too much," he said, and she flushed, then pulled back.

I started up toward where the photographer was, working my way around a few girls who were leaning against the wall. I was almost there when Hillary Prescott stepped in front of me, blocking my path.

"Hey, Annabel."

Hillary and I had started in the Models together. While initially we'd been kind of friends, I'd quickly learned to keep my distance, as she was a huge gossip. She was also an instigator, more than happy to not only report the dish but stir it up as well.

"Hi, Hillary," I said. She was unwrapping a stick of gum, which she now popped in her mouth, then offered the pack to me. I shook my head. "What's going on?"

"Not much." She reached up, twisting a strand of hair around her finger, looking at me. "How was your summer?"

If it had been anyone else, I would have offered up my stan-dard answer—"Fine"—without even thinking. But since it was Hillary, I was on my guard. "Good," I said, keeping my voice curt. "How was yours?"

"Totally boring," she replied, sighing. She chewed her gum for a moment: I could see it, pink and shiny, on her tongue. "So what's up with you and Emily?"

"Nothing," I said. "Why?"

She shrugged. "It's just, you guys always used to hang out. Now you're not even talking to each other. Just seems kind of weird."

I glanced over at Emily, who was examining her fingernails. "I don't know," I said. "Things change, I guess."

I could feel her looking at me, and I knew, despite her questions, that she knew exactly what had happened, or most of it. Still, I'd be damned if I filled in the rest of the details. "I better go," I told her. "I'm up next."

"Right," she said, narrowing her eyes at me as I stepped around her. "See you later."

I took my place against the wall, then settled to wait again, yawning. It was two in the afternoon, but I was exhausted. And it was all Owen Armstrong's fault.

That morning I'd happened to wake up briefly and glance at the clock right at 6:57 a.m. Just as I was about to roll back over, I remembered Owen's show. He'd been on my mind a lot that weekend, if only because I was suddenly aware of every little white lie I told, from the "Fine" I replied when my dad asked me how school was on Friday to how I'd nodded when my mom asked me the night before if I was excited about getting back to the Models. Cumulatively, it seemed like a lot of dishonesty, enough so that I found myself wanting to keep my word whenever possible. I'd told Owen I would listen to his show. So I did.

When I first turned it on at seven sharp, I could hear only static. I leaned closer to the radio, pressing my ear to it, just as there was an explosion of noise: a sudden burst of guitar, a clanging of cymbals, followed by someone screaming. I jerked, startled, whacking the radio with my elbow and knocking it off the bed. It hit the floor with a bang but kept playing, now at full blast.

Whitney started banging on the other side of the wall as I grabbed it, turning it down as quickly as I could. When I finally pulled it back to my ear—carefully this time—the song was still going, the words the singer was saying (or screeching, really) indecipherable. I had never heard music like this, if it was even music at all.

Finally, with a burst of cymbals, it was over. The next song, though, was no better. Instead of thrashing guitars, it was some sort of electronic piece, consisting of various beeps and blips with a man talking over them, reciting what sounded, to me anyway, like a shopping list. Plus, it went on for five and a half minutes, which I knew because I was watching the clock the entire time, praying for it to finish. When it finally did, Owen came on.

"That was Misanthrope with 'Descartes Dream,'" he said. "Before that, we had Lipo with 'Jennifer.' You're listening to Anger Management, here on WRUS, your community radio station. Here's Nuptial."

Which was another long techno piece, followed by something that sounded like old men reciting poems about whaling ships, their voices gruff and uneven, after which came a solid two minutes of very drippy-sounding harp music. It was such a mishmash, I couldn't even begin to adjust to it. Instead, for a full hour, I sat there, listening to song after song, waiting for one I could actually either a) understand or b) enjoy. It didn't happen. Clearly, I was not going to be enlightened. Just exhausted.

"Annabel," Mrs. McMurty called out, jerking me back to the present. "We're ready for you."

I nodded, then stepped over to stand in front of the backdrop, which was now decorated with several plants: a spider plant, some ferns, and a big palm tree in a pot with wheels. Clearly, this year I'd drawn Laurel's Florals. At least it was better than tires.

The photographer was one I hadn't met before, and he didn't say hello as I stepped in front of him, too busy messing with his camera as a prop guy pushed the rolling pot closer to me. A frond brushed my cheek.

The photographer glanced up at me. "We need more plants," he said to Mrs. McMurty, who was standing off to the side. "Or else I'm just going to have to shoot really close."

"Do we have more plants?" Mrs. McMurty asked the prop guy.

He glanced into the adjoining room. "A couple of cacti," he said. "And one ficus. But it's looking kind of sick."

There was a pop as the light meter went off. I reached up, trying to push the frond out of my face. "Good," the photographer said, coming closer and moving it back. "I like that. Kind of a reveal thing. Do it again."

I did, holding back a sneeze as a branch tickled my face. Behind the photographer, I could see the other girls watching me—the new models, the seniors, Emily. But while I'd had so much trouble lately with being stared at, in this setting it was familiar, what was supposed to happen. If only for a few minutes, I could stop thinking of everything inside to focus only on the surface: one glimpse, one glance, one look. This one.

"Good," the photographer said. A cactus was moving closer in my side vision, but I kept my eyes on him as he moved around me, the flash popping as he directed me to come out, emerge, again and again.

That night, after my mom had gone to bed, and Whitney was locked away in her room, I went downstairs for a glass of water. My dad was sitting in the den just beyond the kitchen, the TV on in front of him, his feet up on the ottoman. When I flicked on the light, he turned around.

"You," he said, "are just in time for a great documentary on Christopher Columbus."

"Really," I said, pulling a glass out of the cabinet.

"It's fascinating," he said. "You want to watch with me? You might just learn something."

My dad loved the History Channel. "It's the story of the world!" he always said, when the rest of us complained about having to watch yet another show about the Third Reich, the fall of the Berlin Wall, or the Great Pyramids. Usually he capit-ulated, allowing himself to be outvoted, and was subsequently subjected to the Style Network, HGTV, or an endless series of reality shows. When he was alone later at night, though, the TV was all his. Still, he always seemed eager for company, as though history was even better when you had someone to share it with.

Usually, that someone was me. While my mom went to bed early, Whitney claimed boredom, and Kirsten always talked too much no matter what you were watching, my dad and I were a good match in the evenings, sitting together as history unfolded before us. Even if it was a show I knew he'd seen before, he still acted interested, nodding and saying, "Hmm," and "You don't say," as if the narrator could not only hear him, but required this feedback to continue.

In the last few months, though, I'd stopped watching with him. I wasn't sure why, but each time he asked, I suddenly felt tired, too tired to keep up with world events, even if they had already happened. There was something so heavy about the burden of history, of the past. I wasn't sure I had it in me to keep looking back.

"No thanks," I said now. "It's been a long day. I'm pretty tired."

"All right," he said, sitting back and picking up the remote. "Next time."

"Yeah. Definitely."

I picked up my water and walked over to his chair, and he leaned sideways, offering his cheek for me to kiss good night. After I did, he smiled, then hit the volume button, the sound of the narrator rising as I walked out of the room.

"In the fifteenth century, explorers yearned for…" Halfway to the stairs I stopped, taking a sip of my water, then turned back and looked at him. The remote was now on his stomach, the light of the TV flickering across his face. I tried to picture myself retracing my steps, moving back to take my place on the couch, but I just couldn't. So I left him there alone to watch history repeat, the same events retold again and again, on his own.

Chapter Seven

The entire weekend, I'd wondered what to expect when I next saw Owen at school. If anything would be different after what had happened on Friday, or we'd go back to our shared silence and distance, as if nothing had happened. A few minutes after he sat down, he made the choice for us.

"So. Did you listen?"

I put my sandwich down, turning to face him. He was in his normal spot, wearing jeans and a black crewneck. His iPod was out as well, earphones hanging around his neck.

"To your show?" I said.

"Yeah."

I nodded. "I did, actually."

"And?"

Despite the fact that I'd spent most of the weekend realizing how often I fibbed or outright lied to keep the peace, my first instinct at this moment was to do just that. Honesty in principle was one thing. In someone's face, another.

"Well," I began. "It was… interesting."

"Interesting," he repeated.

"Yeah," I said. "I'd, um, never heard those songs before."

He just looked at me, studying my face for what felt like a very long time. Then he startled me by standing up and taking three strides, quickly closing the distance between us before sitting down beside me. "Okay," he said. "Did you really listen?"

"Yeah," I said, trying not to stammer. "I did."

"I don't know if you remember," he said, "but you did tell me that you lie."

"I didn't say that." He raised an eyebrow. "I said I often hold back the truth. I'm not doing that this time, though. I listened to the whole show."

He still didn't believe me, it was obvious. And not exactly surprising.

I took a breath. "'Jennifer' by Lipo. 'Descartes Dream' by Misanthrope. Some song with a lot of beeping—"

"You did listen." He sat back, nodding his head. "Okay, then. Now tell me what you really thought."

"I told you. It was interesting."

"Interesting," he said, "is not a word."

"Since when?"

"It's a placeholder. Something you use when you don't want to say something else." He leaned a little closer to me. "Look, if you're worried about my feelings, don't be. You can say whatever you want. I won't be offended."

"I did. I liked it."

"Tell the truth. Say something. Anything. Just spit it out."

"I—" I began, then stopped myself. Maybe it was the fact that he was so clearly on to me. Or my sudden awareness of how rarely I was honest. Either way, I broke. "I… I didn't like it," I said.

He slapped his leg. "I knew it! You know, for someone who lies a lot, you're not very good at it."

This was a good thing. Or not? I wasn't sure. "I'm not a liar," I said.

"Right. You're nice," he said.

"What's wrong with nice?"

"Nothing. Except it usually involves not telling the truth," he replied. "Now. Tell me what you really thought."

What I really thought was that I felt very unsettled, as if somehow, Owen Armstrong had figured me out, and I hadn't even realized it. "I liked the show format," I said, "but the songs were kind of…"

"Kind of what?" He waggled his fingers at me. "Give me some adjectives. Other than interesting."

"Noisy," I said. "Bizarre."

"Okay." He nodded. "What else?"

I looked at his face carefully, gauging it for signs that he was offended, or bothered. There were none, so I continued. "Well, the first song was… painful to listen to. And the second, the Misanthrope one…"

"'Descartes Dream.'"

"It put me to sleep. Literally."

"That happens," he said. "Go on."

He said this so easily, like he wasn't bothered in the least. So I did. "The harp music sounded like something you'd hear at a funeral."

"Ah," he said. "Okay. Good."

"And I hated the techno."

"All of it?"

"Yes."

He nodded. "Well. Okay, then. That's good feedback. Thank you."

And that was that. He pulled out his iPod and started pushing buttons. No tantrums, no hurt feelings, no offense. "So… you're okay with that?" I asked.

"That you didn't like the show?" he replied, not looking up.

"Yeah."

He shrugged. "Sure. I mean, it would have been cool if you had. But most people don't, so it's not exactly surprising."

"And that doesn't bother you," I said.

"Not really. I mean, at first, it was kind of disappointing. But people recover from disappointment. Otherwise we'd all be hanging from nooses. Right?"

"What?"

"Hey, what about the sea shanty?" he asked. I just looked at him. "The men chanting about sailing the open sea. What was your take on that one?"

"Weird," I said. "Very weird."

"Weird," he repeated slowly. "Huh. Okay."

Just then I heard voices, and footsteps, and turned my head just in time to see Sophie crossing the courtyard with Emily. I'd been so distracted by what had happened with Owen on Friday that initially, I'd forgotten about the confrontation that preceded it. That morning, though, on the way to school, the dread set in as I began wondering what would happen. But so far, I'd only crossed paths with Sophie once, at which point she'd glared at me, mumbling a "slut" as she went by. Same old, same old.

Now, though, she glanced over at me, her eyes widening slightly before she nudged Emily with her elbow. Then they were both staring at me, and I felt my face flush as I looked down at my backpack at my feet.

Owen, for his part, did not notice this as he put his player down, running a hand through his hair. "So you didn't like any of the techno?" he asked. "Like, not even one aspect?"

I shook my head. "No," I said. "Sorry."

"Don't be sorry, it's your opinion. There's no right and wrong in music, you know? Just everything in between."

Just then, the bell rang, surprising me. I was so used to lunch being interminable, but this one had flown by. I reached down, balling up what was left of my sandwich as Owen hopped off the wall, slipping his player in his pocket and grabbing his earphones.

"Well," I said, "I guess I'll see you around."

"Yeah." He started to put on his earphones as I grabbed my bag, sliding off the wall. "See you later."

As he walked away, I took another look at the bench. Sure enough, Sophie and Emily were still staring. I watched as Sophie said something, and Emily smiled, shaking her head. I could only imagine what they would say about us, what stories they would come up with. None of them could be weirder than the truth: that Owen Armstrong and I just might be friends.

Thinking this, I glanced over, finding him in the crowd. He'd put on his earphones and was headed up to the arts build-ing, his bag over his shoulder. They'd been watching him, too, but he hadn't even noticed. If he did, I was pretty sure he wouldn't care anyway. And for that, more than the honesty, the directness, and everything else, I envied him most of all.

I didn't get the Mooshka job. This was neither upsetting nor surprising, at least to me, although my mother did seem disappointed. Personally, I was just relieved the whole thing was over, and ready to move on. But the next day, as I took out my lunch, a note fell out with it.

Annabel,

I just wanted to tell you that I'm so proud of you for all you've accomplished, and not to be discouraged about the Mooshka campaign. It was very competitive, Lindy said, and they did think highly of you. She and I have arranged to talk today about some other things she's lining up, which sound very exciting. I'll fill you in tonight. Have a great day.

"Bad news?"

I jumped, startled, then glanced up to see Owen was standing in front of me. "What?"

"You looked stressed," he said, nodding at the note in my hand. "Something wrong?"

"No," I said, folding the note and putting it down beside me. "Everything's fine."

He walked over to the wall, sitting down not right next to me, as he had the day before, but not as far away as he once had, either. I watched him as he slid his iPod out of his pocket, then leaned his palms back on the grass beside us, surveying the courtyard.

I was aware, during all of this, that with my last response, I hadn't exactly been honest with him. Of course, he never would have known this. Or cared, probably. Still, for some reason, I felt the need to Rephrase and Redirect. As it were.

"It's just this thing with my mom," I said.

He turned his head, and I wondered if maybe he thought I was crazy, or had no idea what I was talking about. "Thing," he repeated. "Just so you know; that's a serious placeholder."

Of course it is, I thought. Still, I clarified. "It has to do with my modeling."

"Modeling?" He looked confused. "Oh, right. Like Mallory was talking about. You were in a commercial or something?"

"I've been doing it since I was a kid. Both my sisters did it, too. But lately, I've been wanting to quit."

And there it was. The one thing I'd only said in my head, now finally out there, and to Owen Armstrong, of all people. This was so big a step for me that I probably could have stopped right there. But for whatever reason, I continued.

"And anyway," I said, "it's complicated, because my mom's really into it, and if I quit, then she'll be upset."

"But you don't want to do it anymore," he said. "Right?"

"Yeah."

"So you should tell her that."

"You say that like it's easy," I said.

"Isn't it?"

"No."

There was a burst of laughter from the doors to our left as a group of freshmen came out, talking too loudly. Owen looked over at them, then back at me. "Why not?" he asked.

"Because I don't do confrontations."

He glanced over at Sophie, who was sitting on her bench with Emily, then slowly slid his eyes back to me.

"Well," I added, "I don't do confrontations well."

"What happened between you two, anyway?"

"Me and Sophie?" I asked, although I knew what he meant. He nodded. "It was just… we had a falling-out over the summer."

He didn't say anything; I knew he was waiting for more details. "She thinks I slept with her boyfriend," I added.

"Did you?"

Of course he would ask, point-blank. But still, I felt my face flush. "No," I said. "I didn't."

"Maybe you should tell her that," he said.

"It's not that simple."

"Huh," he said. "Call me crazy, but I'm sensing a theme here."

I looked down at my hands, thinking again that I had to be awfully simple for him to deduce so much about me in less than a week. "So if you were me," I said, "you would—"

"—just be honest," he finished. "On both counts."

"You say that like it's easy, too," I told him.

"It's not. But you can do it. It just takes practice."

"Practice?"

"In Anger Management," he said, "we had to do all this role-playing stuff. You know, to get used to handling things in a less volatile way."

"You role-played," I said, trying to picture this.

"I had to. It was court-ordered." He sighed. "But I have to say, it was kind of helpful. You know, so that when and if something similar did happen, you had some kind of road map for dealing with it."

"Oh," I said. "Well, I guess that makes sense."

"All right, then." He slid a little closer to me. "So say I'm your mom."

"What?" I said.

"I'm your mom," he repeated. "Now tell me you want to quit modeling."

I could feel myself blushing. "I can't do that," I said.

"Why not?" he asked. "Is it so hard to believe? You think I'm not a good role-player?"

"No," I said. "It's just—"

"Because I am. Everyone wanted me to be their mother in group."

I just looked at him. "I just… It's weird."

"No, it's hard. But not impossible. Just try it."

A week earlier, I hadn't even known what color his eyes were. Now, we were family. At least temporarily. I took in a breath.

"Okay," I said. "So—"

"Mom," he said.

"What?"

"The more accurate the exercise, the more effective it is," he explained. "Go all out, or don't go at all."

"Okay," I said again. "Mom."

"Yes?"

This is so weird, I thought. Out loud, I said, "The thing is, I know that the modeling thing is really important to—"

He held up a hand in the stop position. "R and R. Rephrase and Redirect that."

"Why?"

"Thing. Like I said, major placeholder, super vague. In confrontations, you have to be as specific as possible, to avoid misunderstandings." He leaned a little closer to me. "Look, I know it's weird," he said. "But it works. I promise."

This was little comfort, though, as I proceeded to cross over from simply uncomfortable to borderline humiliated. "I know my modeling is very important to you," I said, "and that you really enjoy it."

Owen nodded, gesturing for me to go on.

"But to be honest…" I reached up, tucking a piece of hair behind my ear. "It's just that lately, I've been thinking about it a lot, and I feel like…"

The thing was, I knew this was just a game. Practice, not real. But even so, I felt something seizing up in me, like an engine sputtering to a stop. I had too much at stake here– failing would not only reveal my weakness about confrontation, but embarrass me in front of him, as well.

He was still waiting.

"I can't do it," I said, and looked away.

"You so had it, though!" he said, slapping the wall with the palm of his hand. "You were right there."

"I'm sorry," I said, picking up my sandwich again. My voice sounded tight as I said, "I just… I can't."

He looked at me for a moment. Then he shrugged. "All right," he said. "No big deal."

We sat there, both of us silent for a second. I had no idea what had just happened, but it did feel like a big deal, suddenly. Then I heard Owen take in a breath.

"Look," he said, "I'm just going to say this: It's got to suck, you know? Keeping something like that in. Walking around every day having so much you want to say, but not doing it. It's gotta make you really mad. Right?"

I knew he was talking about modeling. But hearing this, I thought of something else, the thing I could never admit, the biggest secret of all. The one I could never tell, because if the tiniest bit of light was shed upon it, I'd never be able to shut it away again.

"I should go," I said, stuffing my sandwich back into the bag. "I… I have to talk to my English teacher about this project I'm supposed to be doing."

"Oh," he said. I could feel him watching me, and made a conscious effort not to look back. "Sure."

I stood up, grabbing my bag. "I'll, um, see you later."

"Right." He picked up his iPod. "See you around."

I nodded, and then, somehow, I was walking away, leaving him behind. I waited until I was at the main doors to look back.

He was just sitting there, head ducked down, listening to his music like nothing had happened at all. I had a flash of my first impression of him—that he was dangerous, a threat. I knew now he wasn't, at least not in the ways I'd thought then. But there was something frightening about Owen Armstrong: he was honest and expected the same from everyone else. And that scared me to death.

When I first walked away from Owen, I felt relieved. But it didn't last.

The real truth, I realized as the day wore on, was that even though I hardly knew Owen, I'd actually been more honest with him than anyone else in a long time. He knew about what had happened between me and Sophie, about Whitney's illness, and that I hated modeling. This seemed like an awful lot to reveal to someone who, in the end, I couldn't even risk being friends with. But I didn't know it for sure until I saw Clarke.

It was after seventh period, in the hallway, and she was opening her locker. Her hair was in two spriggy pigtails, and she had on jeans, a black shirt, and shiny Mary Janes. As I watched, a girl I didn't know passed behind her, saying her name, and Clarke turned, smiling, and said hello back to her. It was all totally normal, just another moment in another day, but something in it struck me, and I found myself going back, back, all the way to that night down by the pool. Another time I'd been afraid of conflict, afraid to be honest, afraid even to speak. I'd lost a friend then, too. The best friend, really, I'd ever had.

It was too late to try and alter what had happened between me and Clarke, but there might still be time to change something else. Maybe even me. So I went to look for Owen.

In a school of over two thousand students, it was easy to lose yourself, not to mention someone else. But Owen definitely stood out in a crowd, so when I couldn't find him or the

Land Cruiser, I figured I'd missed him. When I got into my car and pulled out onto the main road, though, I spotted him. He was on foot, walking down the center of the median, his backpack over one shoulder, earphones on.


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