Текст книги "Fade Out"

Автор книги: Rachel Caine

Соавторы: Rachel Caine
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Текущая страница: 9 (всего у книги 14 страниц)

“Excuse me? I was here! He grew, just like in a monster movie!”

“Oh, I can see that. Clearly, that isn’t impossible. No, what I meant was your identification of him as Bob.”

“What?”

“This isn’t Bob,” Myrnin said.

Claire rolled her eyes. “He came out of Bob’s cage.”

“Ah, that explains it. I found a companion for Bob. I thought it was likely they’d try to eat each other, but they seemed content enough. So this must have been Edgar. Or possibly Charlotte.”

“Edgar,” Claire repeated. “Or Charlotte. Right.”

Myrnin left the dead spider and went to Bob’s container. He rooted around in it for a few seconds, then triumphantly held out his palm toward Claire.

Bob—presumably—sat crouched there, looking as confused and frightened as a spider could.

“So it was only Edgar,” Myrnin said. “Not the same thing at all.”

“Was Edgar always the size of a dog?”

“Oh, of course not, he—oh, I see your point. Regardless of which spider it is, there are some mysteries to be solved.” Myrnin carefully nudged Bob off his palm, back into the container, and then rubbed his hands together eagerly. “Yes, there’s definitely work to be done. Ada must have made tremendous strides recently in her research, for her to be able to create this kind of effect. I must know how, and what went wrong.”

“Myrnin. Ada made a spider grow into a monster and tried to kill me with it.This isn’t about howshe did it. It’s why.”

“Why is for other people. I am much more concerned with the method, and I’m surprised, Claire; I thought you would be the same. Well, not surprised, perhaps. Disappointed.” He carefully uncurled one of the spider’s long legs. Claire shuddered. “I’ll need a corkboard. A large one. And some very large pins.”

Claire and Michael exchanged a look. He’d been standing there, a fascinated but disgusted observer to all this, and now he just shook his head. “If all he wants is for you to fetch and carry, maybe you should just leave him to it.”

“She’s my assistant; it’s her job to fetch and carry,” Myrnin snapped, and then looked sorry. “But—perhaps you’ve done enough for one day.”

Claire ticked them off on her fingers. “Survived spider attack. Rescued you. Got you blood. Cleaned up blood leftovers.”

“I shall therefore fetch my own corkboard. Claire?” She turned and looked at him as she and Michael headed for the exit. Myrnin looked back in control again, and except for the bloodstain on his vest, you’d never have known he’d been anything less.

“Thank you,” he said softly. “I shall consider what you said. About Ada.”

She nodded, and escaped.

Michael, as it turned out, was headed for the rehearsal of the play Eve was in, and Claire belatedly remembered that she’d been invited, too. His car was parked at the end of the alley, on the cul-de-sac, and he had an umbrella with him to block the sun. It looked kind of funny, but at least it was a giant golf umbrella, very manly. It had a duck carved into the handle.

Michael even opened the passenger door for her, like a gentleman, but instead of getting in, she reached for the umbrella. “You’re the one who combusts,” she said. “You get in first.” He gave her a funny look as she walked him to the driver’s side, and shaded him as he sat. “What?”

“I was thinking how different you are,” he said. “You really stood up to Myrnin in there. I’m not sure a lot of vampires could have done that. Including me.”

“I’m not different. I’m the same Claire as ever.” She grinned, though. “Okay, fewer bruises than when you first met me.”

He smiled and closed the car door; she folded the umbrella and got in on the shotgun side. She was careful to open the door only enough to get in; the angle of the sun was cutting uncomfortably close to reaching Michael’s side of the car. Inside, the tinting cut the light almost completely. It was like being in a cave, again, only she hoped this one didn’t house giant mutated spiders and—what had Michael called them?

Things.

“Some people come to Morganville and collapse,” Michael said as he put the car in motion. “I’ve seen it a dozen times. But there are a few who come here and just—bloom. You’re one of those.”

Claire didn’t feel especially bloomy. “So you’re saying I thrive on chaos.”

“No. I’m saying you thrive on challenge. But do me a favor, okay?”

“Considering you came running and jumped into a cave to help me out? Yes.”

He shot her a smile so sweet it melted her heart. “Don’t ever let him get that close to you again. I like Myrnin, but he can’t be trusted. You know that.”

“I know.” She took his hand and squeezed it. “Thanks.”

“No problem. You die, I have to call your parents and explain why. I really don’t want to do that. I’ve already got the whole vampire thing against me.”

That took up the entirety of the short drive to the rehearsal hall, which of course had underground parking, being in the vampire part of town. It also had security, Claire was interested to note—a vampire on duty in a blacked-out security booth whom she thought she remembered as being from Amelie’s personal security detail. Hard to tell when they all wore dark suits and looked like the Secret Service, only with fangs. Michael showed ID and got a pass to put in his windshield, and within five minutes, they were heading up a sweeping flight of stairs into the Civic Center’s main auditorium.

There they found the director having a total YouTube moment.

“What do you mean, not here?” he bellowed, and slammed a clipboard to the stage floor. He had an accent—German, maybe—and he was a neat little man, older, with thinning gray hair and a very sharp face. “How can she not be here? Is she not in this play? Who is responsible for the call sheet?”

One of the other people standing in a group around the director onstage waved her hand. She had a clipboard, a microphone headset, and a tense, worried expression. Claire didn’t recognize her. “Sir, I tried calling her cell phone six times. It went to voice mail.”

“You are the assistant director! Find her! I don’t want to hear about this voice mail nonsense!” He dismissed her with a flip of his hand and glared at the rest of the group. “Well? We must shift the schedule, then, until she gets here, yes? Script!”

He held out his hand; some quick thinker slapped a bundle of paper into his hand. He flipped pages. “No, no, no—ah! Yes, we will do that. Is our Stanley here?”

A big, tattooed guy shouldered through the crowd. “Here,” he said. That, Claire guessed, was Rad, the one Eve and Kim were going gaga over. He looked—big. And tough. She didn’t see the appeal; for one thing, he wasn’t anything like Shane, who was almost as big, and probably just as tough. Shane wore it like part of his body. This guy made a production out of it.

“Good, we’ll do the bar scene. We have Mitch? Yes? And all the others?”

Claire stopped listening and glanced at Michael. “Where’s Eve? They’re missing a her.”

“I don’t know.” He looked at the crowd of people rushing around the stage, resetting the scenery, going over lines, arguing with one another. “I don’t see her anywhere.”

“You don’t think—”

Michael was already walking down the aisle, heading for the stage.

“I guess you do think.” Claire hurried after him.

Michael put himself directly in front of the frazzled-looking assistant director, who had a cell phone to one ear, and a finger jammed in the other. She turned a shoulder toward him, clearly indicating she was busy, but he grabbed it and swung her around to face him. Her eyes widened in shock. Michael took the phone from her hand and checked the number. “It’s not Eve’s,” he told Claire, and she saw the intense relief that flooded over his face. “Sorry, Heather.”

“It’s okay, it’s still voice mail.” Heather, the assistant director, looked even more worried. She was biting her lip, gnawing on it actually, and darting her eyes toward the livid director, who was stomping around the stage throwing pages of the script to the floor. “Eve’s in the dressing room. Man, I am so fired.”

Michael zipped off, ruffling their hair with the speed of his passage, leaving Claire standing with Heather. After a hesitation, she stuck out her hand. “Hi,” she said. “Claire Danvers.”

“Oh, that’s you? Funny. I thought you’d be—”

“Taller?”

“Older.”

“So who’s missing?”

Heather held up a finger to silence her, tapped the device strapped to her belt, and spoke into her headset mike. “What’s the problem? Well, tell him that the director wants it that way, so just do it, okay? I don’t care if it looks good. And quit complaining.” She clicked it to OFF and wiped sweat from her forehead. “I don’t know what’s worse, having a crew who’s a bunch of newbies, or having a crew who’s been doing this kind of thing since they still used gas in footlights.”

Claire blinked. “You’ve got vampires on the crew.”

“Of course. Also in the cast, and of course, Mein Herr, there.” Heather jerked her chin at the director, who was lecturing some poor sap trying to position a potted plant. “He’s kind of a perfectionist. He imported the costumes from vintage shops. You tell me, who worries about authentic fabrics when you’ve just cast two Goth girls as the leads?”

Heather wasn’t so much talking to her as at her, Claire decided, so she just shrugged. “So, who’s missing?”

“Oh. Our second female lead. Kimberlie Magness.”

Kim. Claire felt a slow roll of irritation. “Does she usually show up on time?” Because that would be a surprise.

Heather raised her eyebrows. “In this production, everybodyshows up on time. According to Mein Herr, to be early is to be on time, and to be on time is to be late. She’s never been late.”

Still.

Kim.

Probably nothing at all.

“Where is my Stella?” the director bellowed suddenly, and the sound bounced around the stage and also out of Heather’s earpiece. She winced and turned down the volume. “Stella!” He drew it out, Brando-style.

And in the wings of the stage, Eve stepped out from behind the curtains, tightly holding Michael’s hand. She was dressed in tight black jeans, a black baby-doll shirt with a pentagram on it, and lots of chains and spikes as accessories.

From the director’s sudden silence, and Heather’s intake of breath, Claire figured that wasn’t what Eve was supposed to be wearing. “Oh no,” Heather whispered. “This isn’t happening.”

“What?”

“He insists on rehearsal in costume. Something about getting inside the characters. She’s supposed to be in her slip.”

The director stomped to Eve, stopping inches away from her. He looked her up and down, and said coldly, “What do you think you are doing?”

“I have to go,” she said. Her knuckles were white where she gripped Michael’s hand, but she stared the director right in the eyes. “I’m sorry, but I have to.”

“No one leaves my rehearsals except in a body bag,” he said. “Is that how you’d prefer it?”

“Is that really how youwant this to go?” Michael asked quietly. “Because somebody could leave in a body bag, but it won’t be her.”

The director showed teeth in a grimace—it actually looked painful for him to smile. “Are you threatening me, boy?”

“Yes,” Michael said, completely still. “I know I’m new at this. I know I’m not a thousand years old with a pile of bodies behind me. But I’m telling you that she has to go, and you’re going to let her.”

“Or?”

Michael’s eyes took on a shine—not red, but almost white. It was eerie. “Let’s not find out. You can spare her for the day.”

The director hissed, very softly, and held the stare for so long, Claire thought things were about to go very, very wrong . . . and then a mild-looking man in a retro bowling shirt stepped up and said, “Is there a problem? Because I am responsible for these two in Amelie’s absence.”

And Claire blinked, and realized it was Oliver. Not really Oliver, because he looked . . . different—not just the clothes, but his whole body language. She’d seen him do that before, but not quite this dramatically. His accent was different, too—more of a flat Midwest kind of sound, nothing exotic about it at all.

The director threw him a look, then blinked and seemed to reconsider his position. “I suppose not,” he finally said. “I can’t have this kind of disruption, you know. This is serious business.”

“I know,” Oliver said. “But a day won’t matter. Let the girl go.”

“We’re going to find Kim,” Eve said. “So really, we’re still on company business, right?”

The director’s face tensed again, on the verge of an outburst, but he swallowed his words and finally said, “You may tell Miss Magness that she may have onerehearsal as a grace period. If she is late one second to any other time I call, she will be mine.” He didn’t mean fired. He meant lunch.

Claire swallowed. Heather didn’t seem surprised. She made a note on her clipboard, shook her head, and then cocked her head again as a burst of words came out of her headphone. “Dammit,” she sighed. “Are you kidding me? Great. No, I don’t care how you do it; just make it happen.” She clicked off and looked at Claire. “Wish me luck.”

“Um, luck?”

Heather mounted the stairs to the stage and approached the director to whisper something to him. He shouted in fury and stomped away, waving his arms.

Michael and Eve took the chance to escape down to where Claire waited.

Oliver followed them.

“Nice shirt,” Claire said, straight-faced.

He glanced down at it, dismissed it, and said, “Now tell me what’s going on. Immediately.”

“Kim’s missing,” Eve said. “I tried to find her before the rehearsal; we were supposed to get together—anyway, she didn’t show. I was really worried. I was almost late, and I couldn’t find her. She’s not answering her phone, either.”

“Kim,” Oliver said. “Valerie owns her contract. Her unreliability is very much Valerie’s problem.” He didn’t sound overly bothered about it. Claire guessed Kim hadn’t made friends there, either.

“We need you to call the police. Tell them to look for her.”

“No.”

“No?”

“Kim has a Protector, who is responsible for her,” he repeated. “I will not order town resources to be spent chasing down someone who is, in all likelihood, a victim of her own folly in one way or another.”

“Wait a minute. According to the Morganville rules, she’s got rights,” Claire said. “Whether she’s got a vampire Protector or not, she’s still a resident. You can’t just abandon her!”

“In fact, I can,” Oliver said. “I am neither required to help nor harm. Kim Magness is no concern of mine, or any other vampire except Valerie, whom I will inform in due course. If you wish to call Chief Moses and explain the situation, you are free to do so. She and the mayor have jurisdiction over the humans. But I sincerely doubt that a human well known to be unstable, who’s been missing only a few hours, will be a top priority.” He dismissed the whole thing, and walked away, back up the steps. By the time he’d reached the stage, he was back in his meek, mild persona.

That was just weird.

“Son of a bitch,” Eve hissed through clenched teeth.

“Come on, we don’t need him,” Michael said. “Where first?”

Eve took a deep breath. “I guess her apartment.” She cast an almost apologetic look at Claire. “I’m sorry. I know you guys don’t exactly, ah, click, but—”

“I’ll help,” Claire said. Not because she cared so much about Kim, but because she cared about Eve. Eve gave her a quick hug. “Want me to call Shane?”

“Would you?” Eve was making puppy-dog eyes now, really pitiful. “Any help we can get—I’m really worried, Claire. This isn’t like Kim. It really isn’t.”

Claire nodded, took out her phone, and dialed Shane’s number. He didn’t seem to need a lot of encouragement to yell to his boss that he had to go, family emergency. Claire told him they’d swing by to pick him up.

By the time the call was over, they were heading down into the darkened parking garage again. “I can’t believe I did that,” Eve said. “I just totally blew my shot at the play, forever. He’s going to replace me. I’ll never get a part in anything, ever again. My life is over.”

“Blame Kim,” Claire said. “You’re a good friend.”

Eve looked miserable anyway. “Not good enough, or she’d be here, right?”

“So not your fault.”

Eve raised her eyebrows. “What if it were me missing? Wouldn’t you guys feel guilty, somehow?”

That shut Claire up, because she would, and she knew it. Even if she’d had nothing to do with it, she’d feel she should have done something.

She was still thinking that over when she felt the tingle of a portal opening nearby. Claire felt a spike of alarm drive deep, and grabbed her phone to look at the tracking app she’d loaded on it.

Yes.

An unplanned portal was getting forced open, right here, in the shadows about a dozen feet away.

“Get to the car!” she yelled, and sprinted for it. Eve didn’t ask why, thankfully; she just tore off in pursuit, and Michael bounded ahead to jump in the driver’s side.

A flood of spiders poured out, skittering across the concrete floor—bouncing, as if they were being poured out of a giant bucket.

Thousands of Bobs, only larger, the size of small Chi huahuas. Eve shrieked and threw herself into the backseat, slamming the door as one launched itself toward them; it hit the glass and bounced off. Claire kicked one away as she jumped in the passenger seat, and Michael locked the doors. “What the hell?” Eve yelled. “Oh my God, it’s like Attack of the Giant CGI!”

“It’s Ada,” Claire said. She and Michael exchanged a look. “She’s tracking me. She’s got to be.”

“Why?”

Symbols flashed in front of Claire’s eyes, the symbols she reviewed and committed to memory every single morning. “Because I know her secret,” she said. “I know how to reset her, kind of like wiping her memory. Myrnin won’t do it, but I will. And she can’t have that.”

“Great,” Michael said. “And where do you have to go to reset her?”

“Guess.”

“You are just all kinds of fun right now.” He fired up the engine and hit the gas. Claire hid her eyes as they drove over spiders, because that was just sick and kind of sad. The spiders chased them for a while, then milled around in the distance and one by one, turned up their legs and died.

Ada hadn’t been able to keep them alive for long, which was great news for the next person in the parking garage.

“Kim first,” Claire said. “Eve’s right. Something could have happened to her.”

“You’re sure.”

“I’m sure Ada would expect me to come running. I’d rather let her wait. And worry.”

10

Kim’s loft was a crime scene. Maybe not literally, but Claire thought if the police had roped it off, nobody would disagree. . . . Things were tossed everywhere, broken junk was piled in the corners, clothes were tossed on every flat surface. It smelled of old Chinese food, and the at-least-month-old trash was overflowing with cartons and pizza boxes. One pizza carton lay on the floor with a couple of slices of sausage withered inside.

“Nice,” Shane said, and looked around. “Well, we know she’s not a closet neat freak.” There was paint all over the walls, too—not paintings, just paint, thrown on in sprays as if Kim had taken a few gallons and spun around in a circle, splashing it all over. It was probably still art, just not Claire’s favorite kind.

“She’s busy,” Eve said, and cleaned up the pizza box and a few other Chinese food cartons, which she jammed into a plastic trash bag. “She’s an artist.”

“She’s a slob,” Shane said. “I’m not judging, though. So, what’s the plan? We look around? Can I have dibs on the underwear drawer?”

Claire winced. “I can’t believe you just said that.”

Shane took on an angelic look. “Somebody’s got to do it.”

“Then that somebody will be me.”

Shane lost his smile and got serious. “Hey. I’m sorry. I didn’t mean—”

“I know.” It still hurt. She avoided his eyes and started rummaging through things. It wasn’t as if Kim actually hadan underwear drawer—she didn’t seem bothered by leaving her bras and panties all over the place. Claire grabbed a bag and started stuffing the clothes into it, just because.

“Girls,” Michael said. “We’re here for clues, right? Not cleanup?”

“Right.” Eve took a deep breath. “I’ll check the bedroom.”

“Bathroom,” Shane volunteered.

“You’re brave. All right, you keep going in here,” Michael told Claire. “I’ll take the kitchen.”

“Good luck.” She meant it. She bet mold had formed its own civilization in the refrigerator.

That left Claire on her own in the big, trashed-out room. She had no idea where to even start looking, but when she let herself ignore the trash, strewn clothes, and general mess, she found herself focusing on the walls. One of them had a mural painted on it, creepy elongated faces and staring eyes.

Staring eyes.

They glittered. For a frozen second, Claire thought there was someone behind the wall, watching her, and then she got her head together. It was just glass, reflecting; it wasn’t real eyes. But why would Kim put glass on the eyes—no, on only oneeye?

Oh.

“Guys?” Claire opened the closet beside the mural, shoved through piles of crap and boxes, and found the camera that looked out through the eyehole. It was a small high-tech thing, wireless. So there had to be some kind of receiver, somewhere. She ducked out of the closet to yell, “Any computers around here?”

“In here,” Eve said. There was a Mac set up on a rickety table in the corner of the bedroom, jammed in next to a sagging, unmade bed. It had a screen saver on it, and when Claire tapped the space bar, it asked for a password. She looked at Eve, who raised her shoulders in a clear no-idea shrug.

Claire typed in Eve’s name. Nothing. She tried Morganville, but again, nothing.

On a wildly unpleasant hunch, she typed in Shane.

The screen cleared, and Claire was looking at herself. She recoiled in surprise, and the screen image did the same, leaning back from the camera.

Oh.

The built-in camera was on. Claire clicked it off and looked at what was on the desktop, which was where she personally put things she wanted to use quickly . . . and there it was. It was a folder, marked Reality Project Cam #72.

There were video files there. Claire clicked one, and instantly, Kim was there, filling the screen, leaning in dramatically toward the computer’s lens. “Day twenty-two of the project,” she said in a loud whisper. “Still not sure whether or not any of the extra sites have been discovered, but I’ll run it as long as I can. Great stuff so far. The official history project is still going, but most of the vamps won’t talk. It doesn’t matter anyway; this is going to be so much better. The Oscars are going to be kissing my ass.” She grabbed a handy bottle of soda and held it in both hands, looking over-the-top happy. “Oh, thank you so much; I just can’t believe this honor. I’d like to thank the Academy—”

Claire paused it and looked at Eve, and Shane, who’d come out of the bathroom to watch. Michael joined, too.

“What is this?” Claire asked. Eve was shaking her head, eyes fixed on the screen. “Seriously, you don’t know?”

“No. What’s she talking about?”

Claire fast-forwarded until Kim finished her acceptance speech, then clicked PLAY again. Kim’s image was glowing with glee. Whatever she was talking about, to her, it was major.

“I can’t believe it; I finally got to put some in the last Founder House. Connections look good, stream is starting up. God, why do people always fall for the stu pidest things? The old bathroom trick? She didn’t even worry when I was gone for ten minutes, poking around. Sweet.” Kim leaned in, close and confidential. “I may have to keep some of this for myself. Shane, undressed. Oh yeah.”

“Excuse me?” Shane blurted. “What the hell?”

Eve’s eyes widened, and she licked her black-painted lips and said, “When was this?”

Claire checked the date. “Early last week.”

“Oh God,” Eve said. “I—I met Kim at the auditions. I mean, I already knew her, but not like close friends or anything, and she just seemed really—interesting. She came over after we got done. You were at school, Michael was out, Shane was just leaving.”

“And she asked to use the bathroom?” Claire prodded.

Eve looked miserable. “Yeah. She was gone awhile, but you don’t ask, right? You’re not supposed to hover, I mean, come on. Besides, she was so cool.”

“She is cool,” Shane agreed. “She’s also a raving bitch manipulator. I dated her, remember? Once. You should have asked me. And what is this crap about seeing me naked? I wasn’t even there!”

Eve covered her mouth with both hands. “What did she do? Oh my God—she used me, right? She used me.”

“She uses everybody,” Shane said. “Twenty-four, seven. I’m sorry, but I was kind of worried when you got so head over heels with her. She’s not . . . yeah. She’s just not.”

Claire wondered if she should feel some kind of vindication, but she didn’t. She felt nervous. “What did she do in our house?”

“What do you get Oscars for?”

Shane and Michael both said, at the same time, “Movies.”

And the four of them looked at one another in silence for a moment. Claire didn’t know how they felt, but her stomach seemed to be in free fall, and no end in sight.

She slowly turned back to the screen, shut down the video, and looked at the folder.

“What?” Shane asked. She pointed at the screen.

“This is Kim’s personal video journal,” she said. “It’s where she recorded all her personal stuff.”

“So?”

“Look at the number.”

“Reality project cam . . . number . . .” Eve drew in a sharp breath. “Oh, holy crap.”

“There are seventy-one other cameras out there in Morganville,” Claire said. “Somewhere.”

“And at least one of them’s in our house,” Shane finished.

There was no sign on the Mac in Kim’s apartment as to where the video was streaming to. . . .

She’d need more computing power than a laptop to run seventy-one other cameras, especially if she was saving terabytes of data. “She’d need a server array,” Claire concluded, after doing the math. “Or off-line storage dumps. Maybe she only records during certain hours, then dumps everything to DVD-ROM or something.”

“What about the university?” Eve asked. “Plenty of servers there, right?”

Claire considered it, then shook her head. “Yeah, there’s available space, but how would she get to it without somebody noticing? She’s not even an enrolled student. And the TPU computer security’s pretty tight—it would have to be, because the vamps monitor it to prevent anybody from sending compromising information out.” That led her to another, badder place in her mind. “Kim thinks of herself as some kind of renegade indie filmmaker, right?”

“Right,” Eve said. “She talks about that a lot. About TV, cable shows, all that kind of thing. She’s kind of obsessed with it. The acting thing was really so she could see all the backstage stuff, the technical parts.”

Shane lowered himself onto Kim’s sagging bed, which gave Claire unpleasant associations she wished she hadn’t made. “She’s bugged the town,” Shane said. “She’s got it rigged up with surveillance. And she’s going to cut it all into, what, some kind of über-documentary about vampires?”

“Worse,” Claire said. “Seventy-two cameras, all running at once? She’s cutting together episodes. She wants a reality show. A Morganvillereality show.” She spun back toward the keyboard and brought up Kim’s e-mail. As far as Claire could tell, the built-in in-box had never been used. “She’s got to have e-mail.”

“Web mail,” Michael said. “If she wanted to cover her tracks, she’d do it that way. You think she’s in communication with someone outside?”

Claire brought up the browser’s history, but it had been cleared. “There’s some kind of maintenance app running. It wipes out her temp files and history every twenty-four hours.”

“Somebody’s working with her,” Shane said, and shrugged when they all looked at him. “Makes sense. Webcams don’t fall off trees, right? Buying that many takes funding, and Kim isn’t making that off her spare-parts art.”

“Somebody outside Morganville knows,” Claire said. “Do you think the vampires found out? That they’re behind Kim’s disappearing?”

“Oliver didn’t seem bothered. If we knew, I guarantee you that this wouldn’t still be here,” Michael said, and nodded at the computer.

We,not they. Claire didn’t miss that, and she saw it register on Eve, too. “We’d have taken it.”

Shane exchanged a look with both the girls. He hadn’t missed the us-versus-them implications, either. “What’s with the we, man?”

“What?”

“You counting yourself on the vampire team now?”

Michael sighed. “Do we need to have this fight right now? Because I think we’ve got bigger problems.”

“No, we don’t,” Eve said. “Kim’s disappeared. She’s doing something really dangerous, and a lot of people—including the vampires—might want her stopped, or just gone. But I need to know where you are, Michael. Are you with the vampires? Or are you with us?”

“ Usmeaning what? Humans? Eve—”

“ Usmeaning me, Shane, and Claire,” Eve said flatly. “Are you? Or are you going to tell Amelie and Oliver what Kim’s doing and make this an all-out witch hunt?”

He didn’t answer for a few seconds. Shane got up off the bed, which groaned as the old springs adjusted. “Michael?”

“Don’t do this,” Michael said, straight to Eve. “It’s not a choice. I don’t have a choice.”

“You always have one, you know that. You had one when you let Amelie turn you, and you’ve got one now. Sam didn’t run with the crowd. You don’t have to, either. You can—do good things.”

“Not everything vampires do is bad.”

Shane slapped his hand on the wall, a sharp gunshot of impact, and they all jumped and looked at him. “Are you going to help us stop this, or are you going to run off and snitch?” he asked. “It’s a simple question, man.”

“It’s not about you three. This is about Kim trying to destroy all of us, make herself some kind of reality TV diva, and get rich.”

“Maybe,” Shane said. “And maybe it doesn’t have to be. The video’s streaming somewhere. She must still be trying to cut it together. We can still find her and put a stop to it. Nobody else has to know.”

“Why do you want to protect her?” Michael asked. Shane glanced quickly at Claire, just a flash, but she saw the guilt in it. “Old-girlfriend blues?”

“Oh man, you’d bettershut up.”

“Eve wants to save her because they were friends; I get that. Claire just wants to save everybody—”

“Not everybody,” she muttered.

“But you, you hold grudges. You’d throw Monica under the bus in a hot second, but you don’t want Kim to get hurt.”