Текст книги "The Girl on the Train"
Автор книги: Paula Hawkins
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Текущая страница: 11 (всего у книги 19 страниц)
RACHEL
• • •
SATURDAY, AUGUST 3, 2013
MORNING
I dreamed last night that I was in the woods, walking by myself. It was dusk, or dawn, I’m not quite sure, but there was someone else there with me. I couldn’t see them, I just knew they were there, gaining on me. I didn’t want to be seen, I wanted to run away, but I couldn’t, my limbs were too heavy, and when I tried to cry out I made no sound at all.
When I wake, white light slips through the slats on the blind. The rain is finally gone, its work done. The room is warm; it smells terrible, rank and sour—I’ve barely left it since Thursday. Outside, I can hear the vacuum purr and whine. Cathy is cleaning. She’ll be going out later; when she does I can venture out. I’m not sure what I will do, I can’t seem to right myself. One more day of drinking, perhaps, and then I’ll get myself straight tomorrow.
My phone buzzes briefly, telling me its battery is dying. I pick it up to plug it into the charger and I notice that I have two missed calls from last night. I dial into voice mail. I have one message.
“Rachel, hi. It’s Mum. Listen, I’m coming down to London tomorrow. Saturday. I’ve got a spot of shopping to do. Could we meet up for a coffee or something? Darling, it’s not a good time for you to come and stay now. There’s . . . well, I’ve got a new friend, and you know how it is in the early stages.” She titters. “Anyway, I’m very happy to give you a loan to tide you over for a couple of weeks. We’ll talk about it tomorrow. OK, darling. Bye.”
I’m going to have to be straight with her, tell her exactly how bad things are. That is not a conversation I want to have stone-cold sober. I haul myself out of bed: I can go down to the shops now and just have a couple of glasses before I go out. Take the edge off. I look at my phone again, check the missed calls. Only one is from my mother—the other is from Scott. A message left at quarter to one in the morning. I sit there, with the phone in my hand, debating whether to call him back. Not now, too early. Perhaps later? After one glass, though, not two.
I plug the phone in to charge, pull the blind up and open the window, then go to the bathroom and run a cold shower. I scrub my skin and wash my hair and try to quieten the voice in my head that tells me it’s an odd thing to do, less than forty-eight hours after your wife’s body has been discovered, to ring another woman in the middle of the night.
EVENING
The earth is still drying out, but the sun is almost breaking through thick white cloud. I bought myself one of those little bottles of wine—just one. I shouldn’t, but lunch with my mother would test the willpower of a lifelong teetotaller. Still, she’s promised to transfer £300 into my bank account, so it wasn’t a complete waste of time.
I didn’t admit how bad things were. I didn’t tell her I’ve been out of work for months, or that I was fired (she thinks her money is tiding me over until my unemployment check arrives). I didn’t tell her how bad things had got on the drinking front, and she didn’t notice. Cathy did. When I saw her on my way out this morning, she gave me a look and said, “Oh for God’s sake. Already?” I have no idea how she does that, but she always knows. Even if I’ve only had half a glass, she takes one look at me and she knows.
“I can tell from your eyes,” she says, but when I check myself in the mirror I look exactly the same. Her patience is running out, her sympathy, too. I have to stop. Only not today. I can’t today. It’s too hard today.
I should have been prepared for it, should have expected it, but somehow I didn’t. I got onto the train and she was everywhere, her face beaming from every newspaper: beautiful, blond, happy Megan, looking right into the camera, right at me.
Someone has left behind their copy of the Times, so I read their report. The formal identification came last night, the postmortem is today. A police spokesman is quoted saying that “Mrs. Hipwell’s cause of death may be difficult to establish because her body has been outside for some time, and has been submerged in water for several days, at least.” It’s horrible to think about, with her picture right in front of me. What she looked like then, what she looks like now.
There’s a brief mention of Kamal, his arrest and release, and a statement from Detective Inspector Gaskill, saying that they are “pursuing a number of leads,” which I imagine means they are clueless. I close the newspaper and put it on the floor at my feet. I can’t bear to look at her any longer. I don’t want to read those hopeless, empty words.
I lean my head against the window. Soon we’ll pass number twenty-three. I glance over, just for a moment, but we’re too far away on this side of the track to really see anything. I keep thinking about the day I saw Kamal, about the way he kissed her, about how angry I was and how I wanted to confront her. What would have happened if I had done? What would have happened if I’d gone round then, banged on the door and asked her what the hell she thought she was up to? Would she still be out there, on her terrace?
I close my eyes. At Northcote, someone gets on and sits down in the seat next to me. I don’t open my eyes to look, but it strikes me as odd, because the train is half empty. The hairs are standing up on the back of my neck. I can smell aftershave under cigarette smoke and I know that I’ve smelled that scent before.
“Hello.”
I look round and recognize the man with the red hair, the one from the station, from that Saturday. He’s smiling at me, offering his hand to shake. I’m so surprised that I take it. His palm feels hard and calloused.
“You remember me?”
“Yes,” I say, shaking my head as I’m saying it. “Yes, a few weeks ago, at the station.”
He’s nodding and smiling. “I was a bit wasted,” he says, then laughs. “Think you were, too, weren’t you, love?”
He’s younger than I’d realized, maybe late twenties. He has a nice face, not good-looking, just nice. Open, a wide smile. His accent’s Cockney, or Estuary, something like that. He’s looking at me as though he knows something about me, as though he’s teasing me, as though we have an in joke. We don’t. I look away from him. I ought to say something, ask him, What did you see?
“You doing OK?” he asks.
“Yes, I’m fine.” I’m looking out of the window again, but I can feel his eyes on me and I have the oddest urge to turn towards him, to smell the smoke on his clothes and his breath. I like the smell of cigarette smoke. Tom smoked when we first met. I used to have the odd one with him, when we were out drinking or after sex. It’s erotic to me, that smell; it reminds me of being happy. I graze my teeth over my lower lip, wondering for a moment what he would do if I turned to face him and kissed his mouth. I feel his body move. He’s leaning forward, bending down, he picks up the newspaper at my feet.
“Awful, innit? Poor girl. It’s weird, ’cos we were there that night. It was that night, wasn’t it? That she went missing?”
It’s like he’s read my mind, and it stuns me. I whip round to look at him. I want to see the expression in his eyes. “I’m sorry?”
“That night when I met you on the train. That was the night that girl went missing, the one they just found. And they’re saying the last time anyone saw her was outside the station. I keep thinking, you know, that I might’ve seen her. Don’t remember, though. I was wasted.” He shrugs. “You don’t remember anything, do you?”
It’s strange, the way I feel when he says this. I can’t remember ever feeling like this before. I can’t reply because my mind has gone somewhere else entirely, and it’s not the words he’s saying, it’s the aftershave. Under the smoke, that scent—fresh, lemony, aromatic—evokes a memory of sitting on the train next to him, just like I am now, only we’re going the other way and someone is laughing really loudly. He’s got his hand on my arm, he’s asking if I want to go for a drink, but suddenly something is wrong. I feel frightened, confused. Someone is trying to hit me. I can see the fist coming and I duck down, my hands up to protect my head. I’m not on the train any longer, I’m in the street. I can hear laughter again, or shouting. I’m on the steps, I’m on the pavement, it’s so confusing, my heart is racing. I don’t want to be anywhere near this man. I want to get away from him.
I scramble to my feet, saying “Excuse me” loudly so the other people in the carriage will hear, but there’s hardly anyone in here and no one looks around. The man looks up at me, surprised, and moves his legs to one side to let me past.
“Sorry, love,” he says. “Didn’t mean to upset you.”
I walk away from him as fast as I can, but the train jolts and sways and I almost lose my balance. I grab on to a seat back to stop myself from falling. People are staring at me. I hurry through to the next carriage and all the way through to the one after that; I just keep going until I get to the end of the train. I feel breathless and afraid. I can’t explain it, I can’t remember what happened, but I can feel it, the fear and confusion. I sit down, facing in the direction I have just come from so that I’ll be able to see him if he comes after me.
Pressing my palms into my eye sockets, I concentrate. I’m trying to get it back, to see what I just saw. I curse myself for drinking. If only my head was straight . . . but there it is. It’s dark, and there’s a man walking away from me. A woman walking away from me? A woman, wearing a blue dress. It’s Anna.
Blood is throbbing in my head, my heart pounding. I don’t know whether what I’m seeing, feeling, is real or not, imagination or memory. I squeeze my eyes tightly shut and try to feel it again, to see it again, but it’s gone.
ANNA
• • •
SATURDAY, AUGUST 3, 2013
EVENING
Tom is meeting some of his army buddies for a drink and Evie’s down for her nap. I’m sitting in the kitchen, doors and windows closed despite the heat. The rain of the past week has stopped at last; now it’s stiflingly close.
I’m bored. I can’t think of anything to do. I fancy going shopping, spending a bit of money on myself, but it’s hopeless with Evie. She gets irritable and I get stressed. So I’m just hanging round the house. I can’t watch television or look at a newspaper. I don’t want to read about it, I don’t want to see Megan’s face, I don’t want to think about it.
How can I not think about it when we’re here, just four doors away?
I rang around to see if anyone was up for a playdate, but everyone’s got plans. I even called my sister, but of course you’ve got to book her at least a week in advance. In any case, she said she was too hungover to spend time with Evie. I felt a horrible pang of envy then, a longing for Saturdays spent lying on the sofa with the newspapers and a hazy memory of leaving the club the night before.
Stupid, really, because what I’ve got now is a million times better, and I made sacrifices to secure it. Now I just need to protect it. So here I sit in my sweltering house, trying not to think about Megan. I try not to think about her and I jump every time I hear a noise, I flinch when a shadow passes the window. It’s intolerable.
What I can’t stop thinking about is the fact that Rachel was here the night Megan went missing, stumbling around, totally pissed, and then she just disappeared. Tom looked for her for ages, but he couldn’t find her. I can’t stop wondering what she was doing.
There is no connection between Rachel and Megan Hipwell. I spoke to the police officer, Detective Riley, about it after we saw Rachel at the Hipwells’ house, and she said it was nothing to worry about. “She’s a rubbernecker,” she said. “Lonely, a bit desperate. She just wants to be involved in something.”
She’s probably right. But then I think about her coming into my house and taking my child, I remember the terror I felt when I saw her with Evie down by the fence. I think about that horrible, chilling little smile she gave me when I saw her outside the Hipwells’ house. Detective Riley doesn’t know just how dangerous Rachel can be.
RACHEL
• • •
SUNDAY, AUGUST 4, 2013
MORNING
It’s different, the nightmare I wake from this morning. In it, I’ve done something wrong, but I don’t know what it is, all I know is that it cannot be put right. All I know is that Tom hates me now, he won’t talk to me any longer, and he has told everyone I know about the terrible thing I’ve done, and everyone has turned against me: old colleagues, my friends, even my mother. They look at me with disgust, contempt, and no one will listen to me, no one will let me tell them how sorry I am. I feel awful, desperately guilty, I just can’t think what it is that I’ve done. I wake and I know the dream must come from an old memory, some ancient transgression—it doesn’t matter which one now.
After I got off the train yesterday, I hung around outside Ashbury station for a full fifteen or twenty minutes. I watched to see if he’d got off the train with me—the red-haired man—but there was no sign of him. I kept thinking that I might have missed him, that he was there somewhere, just waiting for me to walk home so that he could follow me. I thought how desperately I would love to be able to run home and for Tom to be waiting for me. To have someone waiting for me.
I walked home via the off-licence.
The flat was empty when I got back, it had the feeling of a place just vacated, as though I’d just missed Cathy, but the note on the counter said she was going out for lunch with Damien in Henley and that she wouldn’t be back until Sunday night. I felt restless, afraid. I walked from room to room, picking things up, putting them down. Something felt off, but I realized eventually that it was just me.
Still, the silence ringing in my ears sounded like voices, so I poured myself a glass of wine, and then another, and then I phoned Scott. The phone went straight to voice mail: his message from another lifetime, the voice of a busy, confident man with a beautiful wife at home. After a few minutes, I phoned again. The phone was answered, but no one spoke.
“Hello?”
“Who is this?”
“It’s Rachel,” I said. “Rachel Watson.”
“Oh.” There was noise in the background, voices, a woman. His mother, perhaps.
“You . . . I missed your call,” I said.
“No . . . no. Did I call you? Oh. By mistake.” He sounded flustered. “No, just put it there,” he said, and it took me a moment to realize he wasn’t talking to me.
“I’m so sorry,” I said.
“Yes.” His tone was flat and even.
“So sorry.”
“Thank you.”
“Did you . . . did you need to talk to me?”
“No, I must have rung you by mistake,” he said, with more conviction this time.
“Oh.” I could tell he was keen to get off the phone. I knew I should leave him to his family, his grief. I knew that I should, but I didn’t. “Do you know Anna?” I asked him. “Anna Watson?”
“Who? You mean your ex’s missus?”
“Yes.”
“No. I mean not really. Megan . . . Megan did a bit of babysitting for her, last year. Why do you ask?”
I don’t know why I ask. I don’t know. “Can we meet?” I asked him. “I wanted to talk to you about something.”
“About what?” He sounded annoyed. “It’s really not a great time.”
Stung by his sarcasm, I was ready to hang up when he said, “I’ve got a house full of people here. Tomorrow? Come by the house tomorrow afternoon.”
EVENING
He’s cut himself shaving: there’s blood on his cheek and on his collar. His hair is damp and he smells of soap and aftershave. He nods at me and stands aside, gesturing for me to the enter the house, but he doesn’t say anything. The house is dark, stuffy, the blinds in the living room closed, the curtains drawn across the French doors leading to the garden. There are Tupperware containers on the kitchen counters.
“Everyone brings food,” Scott says. He gestures at me to sit down at the table, but he remains standing, his arms hanging limply at his sides. “You wanted to tell me something?” He is a man on autopilot, he doesn’t look me in the eye. He looks defeated.
“I wanted to ask you about Anna Watson, about whether . . . I don’t know. What was her relationship with Megan like? Did they like each other?”
He frowns, places his hands on the back of the chair in front of him. “No. I mean . . . they didn’t dislike each other. They didn’t really know each other very well. They didn’t have a relationship.” His shoulders seem to sag lower still; he’s weary. “Why are you asking me about this?”
I have to come clean. “I saw her. I think I saw her, outside the underpass by the station. I saw her that night . . . the night Megan went missing.”
He shakes his head a little, trying to comprehend what I’m telling him. “Sorry? You saw her. You were . . . Where were you?”
“I was here. I was on my way to see . . . to see Tom, my ex-husband, but I—”
He squeezes his eyes shut, rubs his forehead. “Hang on a minute—you were here—and you saw Anna Watson? And? I know Anna was here. She lives a few doors away. She told the police that she went to the station around seven but that she didn’t recall seeing Megan.” His hands grip the chair, I can tell he is losing patience. “What exactly are you saying?”
“I’d been drinking,” I say, my face reddening with a familiar shame. “I don’t remember exactly, but I’ve just got this feeling—”
Scott holds his hand up. “Enough. I don’t want to hear this. You’ve got some problem with your ex, your ex’s new wife, that’s obvious. It’s got nothing to do with me, nothing to do with Megan, has it? Jesus, aren’t you ashamed? Do you have any idea of what I’m going through here? Do you know that the police had me in for questioning this morning?” He’s pushing down so hard on the chair, I fear it’s going to break, I’m steeling myself for the crack. “And you come here with this bullshit. I’m sorry your life is a total fucking disaster, but believe me, it’s a picnic compared to mine. So if you don’t mind . . .” He jerks his head in the direction of the front door.
I get to my feet. I feel foolish, ridiculous. And I am ashamed. “I wanted to help. I wanted—”
“You can’t, all right? You can’t help me. No one can help me. My wife is dead, and the police think I killed her.” His voice is rising, spots of colour appear on his cheeks. “They think I killed her.”
“But . . . Kamal Abdic . . .”
The chair crashes against the kitchen wall with such force that one of the legs splinters away. I jump back in fright, but Scott has barely moved. His hands are back at his sides, balled into fists. I can see the veins under his skin.
“Kamal Abdic,” he says, teeth gritted, “is no longer a suspect.” His tone is even, but he is struggling to restrain himself. I can feel the anger vibrating off him. I want to get to the front door, but he is in my way, blocking my path, blocking out what little light there was in the room.
“Do you know what he’s been saying?” he asks, turning away from me to pick up the chair. Of course I don’t, I think, but I realize once again that he’s not really talking to me. “Kamal’s got all sorts of stories. Kamal says that Megan was unhappy, that I was a jealous, controlling husband, a—what was the word?—an emotional abuser.” He spits the words out in disgust. “Kamal says Megan was afraid of me.”
“But he’s—”
“He isn’t the only one. That friend of hers, Tara—she says that Megan asked her to cover for her sometimes, that Megan wanted her to lie to me about where she was, what she was doing.”
He places the chair back at the table and it falls over. I take a step towards the hallway, and he looks at me then. “I am a guilty man,” he says, his face a twist of anguish. “I am as good as convicted.”
He kicks the broken chair aside and sits down on one of the three remaining good ones. I hover, unsure. Stick or twist? He starts to talk again, his voice so soft I can barely hear him. “Her phone was in her pocket,” he says. I take a step closer to him. “There was a message on it from me. The last thing I ever said to her, the last words she ever read, were Go to hell you lying bitch.”
His chin on his chest, his shoulders start to shake. I am close enough to touch him. I raise my hand and, trembling, put my fingers lightly on the back of his neck. He doesn’t shrug me away.
“I’m sorry,” I say, and I mean it, because although I’m shocked to hear the words, to imagine that he could speak to her like that, I know what it is to love someone and to say the most terrible things to them, in anger or anguish. “A text message,” I say. “It’s not enough. If that’s all they have . . .”
“It’s not, though, is it?” He straightens up then, shrugging my hand away from him. I walk back around the table and sit down opposite him. He doesn’t look up at me. “I have a motive. I didn’t behave . . . I didn’t react the right way when she walked out. I didn’t panic soon enough. I didn’t call her soon enough.” He gives a bitter laugh. “And there is a pattern of abusive behaviour, according to Kamal Abdic.” It’s then that he looks up at me, that he sees me, that a light comes on. Hope. “You . . . you can talk to the police. You can tell them that it’s a lie, that he’s lying. You can at least give another side of the story, tell them that I loved her, that we were happy.”
I can feel panic rising in my chest. He thinks I can help him. He is pinning his hopes on me and all I have for him is a lie, a bloody lie.
“They won’t believe me,” I say weakly. “They don’t believe me. I’m an unreliable witness.”
The silence between us swells and fills the room; a fly buzzes angrily against the French doors. Scott picks at the dried blood on his cheek, I can hear his nails scraping against his skin. I push my chair back, the legs scraping on the tiles, and he looks up.
“You were here,” he says, as though the piece of information I gave him fifteen minutes ago is only now sinking in. “You were in Witney the night Megan went missing?”
I can barely hear him above the blood thudding in my ears. I nod.
“Why didn’t you tell the police that?” he asks. I can see the muscle tic in his jaw.
“I did. I did tell them that. But I didn’t have . . . I didn’t see anything. I don’t remember anything.”
He gets to his feet, walks over to the French doors and pulls back the curtain. The sunshine is momentarily blinding. Scott stands with his back to me, his arms folded.
“You were drunk,” he says matter-of-factly. “But you must remember something. You must—that’s why you keep coming back here, isn’t it?” He turns around to face me. “That’s it, isn’t it? Why you keep contacting me. You know something.” He’s saying this as though it’s fact: not a question, not an accusation, not a theory. “Did you see his car?” he asks. “Think. Blue Vauxhall Corsa. Did you see it?” I shake my head and he throws his arms up in frustration. “Don’t just dismiss it. Really think. What did you see? You saw Anna Watson, but that doesn’t mean anything. You saw—come on! Who did you see?”
Blinking into the sunlight, I try desperately to piece together what I saw, but nothing comes. Nothing real, nothing helpful. Nothing I could say out loud. I was in an argument. Or perhaps I witnessed an argument. I stumbled on the station steps, a man with red hair helped me up—I think that he was kind to me, although now he makes me feel afraid. I know that I had a cut on my head, another on my lip, bruises on my arms. I think I remember being in the underpass. It was dark. I was frightened, confused. I heard voices. I heard someone call Megan’s name. No, that was a dream. That wasn’t real. I remember blood. Blood on my head, blood on my hands. I remember Anna. I don’t remember Tom. I don’t remember Kamal or Scott or Megan.
He is watching me, waiting for me to say something, to offer him some crumb of comfort, but I have none.
“That night,” he says, “that’s the key time.” He sits back down at the table, closer to me now, his back to the window. There is a sheen of sweat on his forehead and his upper lip, and he shivers as though with fever. “That’s when it happened. They think that’s when it happened. They can’t be sure . . .” He tails off. “They can’t be sure. Because of the condition . . . of the body.” He takes a deep breath. “But they think it was that night. Or soon after.” He’s back on autopilot, speaking to the room, not to me. I listen in silence as he tells the room that the cause of death was head trauma, her skull was fractured in several places. No sexual assault, or at least none that they could confirm, because of her condition. Her condition, which was ruined.
When he comes back to himself, back to me, there is fear in his eyes, desperation.
“If you remember anything,” he says, “you have to help me. Please, try to remember, Rachel.” The sound of my name on his lips makes my stomach flip, and I feel wretched.
On the train, on the way home, I think about what he said, and I wonder if it’s true. Is the reason that I can’t let go of this trapped inside my head? Is there some knowledge I’m desperate to impart? I know that I feel something for him, something I can’t name and shouldn’t feel. But is it more than that? If there’s something in my head, then maybe someone can help me get it out. Someone like a psychiatrist. A therapist. Someone like Kamal Abdic.
TUESDAY, AUGUST 6, 2013
MORNING
I’ve barely slept. All night, I lay awake thinking about it, turning it over and over in my mind. Is this stupid, reckless, pointless? Is it dangerous? I don’t know what I’m doing. I made an appointment yesterday morning to see Dr. Kamal Abdic. I rang his surgery and spoke to a receptionist, asked for him by name. I might have been imagining it, but I thought she sounded surprised. She said he could see me today at four thirty. So soon? My heart battering my ribs, my mouth dry, I said that would be fine. The session costs £75. That £300 from my mother is not going to last very long.
Ever since I made the appointment, I haven’t been able to think of anything else. I’m afraid, but I’m excited, too. I can’t deny that there’s a part of me that finds the idea of meeting Kamal thrilling. Because all this started with him: a glimpse of him and my life changed course, veered off the tracks. The moment I saw him kiss Megan, everything changed.
And I need to see him. I need to do something, because the police are only interested in Scott. They had him in for questioning again yesterday. They won’t confirm it, of course, but there’s footage on the Internet: Scott, walking into the police station, his mother at his side. His tie was too tight, he looked strangled.
Everyone speculates. The newspapers say that the police are being more circumspect, that they cannot afford to make another hasty arrest. There is talk of a botched investigation, suggestions that a change in personnel may be required. On the Internet, the talk about Scott is horrible, the theories wild, disgusting. There are screen grabs of him giving his first tearful appeal for Megan’s return, and next to them are pictures of killers who had also appeared on television, sobbing, seemingly distraught at the fate of their loved ones. It’s horrific, inhuman. I can only pray that he never looks at this stuff. It would break his heart.
So, stupid and reckless I may be, but I am going to see Kamal Abdic, because unlike all the speculators, I have seen Scott. I’ve been close enough to touch him, I know what he is, and he isn’t a murderer.
EVENING
My legs are still trembling as I climb the steps to Corly station. I’ve been shaking like this for hours, it must be the adrenaline, my heart just won’t slow down. The train is packed—no chance of a seat here, it’s not like getting on at Euston, so I have to stand, midway through a carriage. It’s like a sweatbox. I’m trying to breathe slowly, my eyes cast down to my feet. I’m just trying to get a handle on what I’m feeling.
Exultation, fear, confusion and guilt. Mostly guilt.
It wasn’t what I expected.
By the time I got to the practice, I’d worked myself up into a state of complete and utter terror: I was convinced that he was going to look at me and somehow know that I knew, that he was going to view me as a threat. I was afraid that I would say the wrong thing, that somehow I wouldn’t be able to stop myself from saying Megan’s name. Then I walked into a doctor’s waiting room, boring and bland, and spoke to a middle-aged receptionist, who took my details without really looking at me. I sat down and picked up a copy of Vogue and flicked through it with trembling fingers, trying to focus my mind on the task ahead while at the same time attempting to look unremarkably bored, just like any other patient.
There were two others in there: a twentysomething man reading something on his phone and an older woman who stared glumly at her feet, not once looking up, even when her name was called by the receptionist. She just got up and shuffled off, she knew where she was going. I waited there for five minutes, ten. I could feel my breathing getting shallow. The waiting room was warm and airless, and I felt as though I couldn’t get enough oxygen into my lungs. I worried that I might faint.
Then a door flew open and a man came out, and before I’d even had time to see him properly, I knew that it was him. I knew the way I knew that he wasn’t Scott the first time I saw him, when he was nothing but a shadow moving towards her—just an impression of tallness, of loose, languid movement. He held out his hand to me.
“Ms. Watson?”
I raised my eyes to meet his and felt a jolt of electricity all the way down my spine. I put my hand into his. It was warm and dry and huge, enveloping the whole of mine.
“Please,” he said, indicating for me to follow him into his office, and I did, feeling sick, dizzy all the way. I was walking in her footsteps. She did all this. She sat opposite him in the chair he told me to sit in, he probably folded his hands just below his chin the way he did this afternoon, he probably nodded at her in the same way, saying, “OK, what would you like to talk to me about today?”
Everything about him was warm: his hand, when I shook it; his eyes; the tone of his voice. I searched his face for clues, for signs of the vicious brute who smashed Megan’s head open, for a glimpse of the traumatized refugee who had lost his family. I couldn’t see any. And for a while, I forgot myself. I forgot to be afraid of him. I was sitting there and I wasn’t panicking any longer. I swallowed hard and tried to remember what I had to say, and I said it. I told him that for four years I’d had problems with alcohol, that my drinking had cost me my marriage and my job, it was costing me my health, obviously, and I feared it might cost me my sanity, too.