Текст книги "Thunderhead"

Автор книги: Lincoln Child

Соавторы: Douglas Preston,Lincoln Child
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Текущая страница: 27 (всего у книги 28 страниц)

Sloane shifted behind her. “Step off the roof,” she said.

But still Nora stood, eyes and ears open to the night. The storm had passed. She could hear the frogs calling from below, the hum and drone of insects going about their nocturnal business. In the intense stillness, she could even hear the blood as it rushed through her veins.

“I’d rather not shoot you,” she heard Sloane say. “But if I have to, I will.”

“Damn you,” Nora whispered. “Damn you for wrecking the expedition. And god damnyou for killing Bill Smithback.”

“Smithback?” The tone in Sloane’s voice was one of such surprise that, despite herself, Nora turned toward it. As she did, she saw a form suddenly emerge from the hole in the roof: a dark, matted shape, wolf pelt twisting around naked painted skin. Pale light glistened off a crimson patch of fur that stained the figure’s midriff.

Sloane pivoted as the thing rushed at her with a great howl of vengeance. There was a flash of moonlight on the gun, the arc of a knife, and both figures went down, rolling frantically in the loose dirt of the tower roof. Nora dropped to her knees and crawled crablike away from the edge, eyes riveted to the struggle. In the moonlight, she could see the figure, burying the black knife again and again into Sloane’s chest and stomach. Sloane cried out, twisting and thrashing her body. With a supreme effort, she tried to pull herself away. She half rose, gun hand swiveling around desperately, only to be pulled down again. There was a terrible thrashing, another anguished cry from Sloane. The blade flashed down and the gun fired at last, blowing the knife into hundreds of glittering slivers of obsidian. With a howl, the dark shape flung itself upon her. There was a final thrash, a puff of dust: and then both figures were gone.

Nora rushed quickly to the edge, peering down in horror as the bodies, locked together, landed in the sand at the bottom of the tower, flew apart, then rolled off the edge of the city. Before the moon buried itself once again behind the clouds, it winked briefly off Sloane’s pistol as it spun lazily, end over end, into the unfathomable night.

Trembling, Nora pulled herself back, sprawled across the floor, breathing hard.

They had not killed the skinwalker, after all. It had hidden itself somewhere within the blackness of the tower, waiting for the right moment in which to strike. Then, it had attacked Sloane with a single-mindedness so furious Nora could barely comprehend it. And now, that skinwalker was dead. And so was Sloane.

But it was not the chase up the tower, or even the encounter on the roof, that filled her with absolute terror. In the desperate struggle, one crucial fact had slipped her mind. Twofigures in wolfskins had assaulted her in the ranch house, on that clear Santa Fe night, barely three weeks before. And that meant only one thing.

There was another skinwalker, loose somewhere, in the valley of Quivira.

66

HER BREATH COMING IN GASPS, NORA moved toward the hole in the tower roof. She lowered herself, as quietly as she could, into the small redoubt below. On hands and knees, she crawled toward the lip of the chamber, then looked slowly over the edge. It was pitch black in the tower; she sensed, rather than felt, the vast emptiness below her. She heard nothing save for the rush of water in the valley beyond—the maddening, unceasing babble that disguised other, stealthier, sounds.

Her arms trembled, the thought of descending, sightless, through the complex labyrinth of ancient wood was terrifying. Yet even more terrifying was the thought of remaining here, inside the tower, waiting for something to come for her. Now that she had no weapon—now that there was no possible way to defend herself—the tower had become a deathtrap from which she had to escape.

She struggled to regulate her breathing. Extending one foot over the ledge, she swept it gingerly from side to side until she found the first notch of the topmost ladder. Moving carefully forward, she eased her weight onto the old framework, keeping one hand on the shelf until she knew she had a firm foothold. Then, with extreme caution, she began to descend, one notch at a time. She could feel a chill wind rising up from below, caressing her legs. The wind rose, and the tower creaked and ticked in response. Pebbles came clattering past her, their echoing fall reminding her of the abyss below.

At last her foot reached the firmness of the second shelf. She paused for a second, trying once again to steady the wild rise and fall of her chest. But she could not remain here: poised between roof and floor, she was even more vulnerable. Groping in the darkness, fingers extended, she reached for the top of the detached second ladder. Once again, she began the descent, limbs balanced between the creaking wooden pole and the stone protrusions.

Just as she was about to reach for the next shelf, she froze. There had been a sound, she thought: the soft hollow sound of a footfall. She waited, listening, in the darkness. But there was nothing more, and with relief she slid down onto the safety of the shelf.

One more ladder. Steadying herself, she reached for it, tested it. Then, as carefully as before, she descended first one notch, then another, and then another.

Suddenly, she felt the pole give with a dry crack. The entire wooden structure seemed to shudder around her. Immediately, she pushed herself away from the pole and dropped the last ten feet, hitting the stone floor with a mighty impact. Needles of pain lanced through her knees and ankles as she scrambled to her feet and stumbled through the low doorway onto the adjacent rooftop. She glanced around, shaking with exertion and fear. But there was nothing: the city seemed perfectly silent and deserted.

She had to get to the valley. At least there, she might have a chance. Perhaps Sloane had been wrong. Perhaps Swire and Bonarotti were still alive. If she could hide until daylight, she’d have a better chance of finding them. There was safety in numbers. She might even be able to locate Sloane’s gun, lying somewhere in the darkness of the valley floor. And there was always the hope, remote as it was, that Smithback’s gunshot wound was not fatal . . .

Nora brushed her hand across her face with a sob. She could not allow herself to think about that; not now.

Keeping as low as possible, she crept across the roof and peered down the ladder that leaned against it. The way below seemed clear. Swinging herself over the edge, she descended as quickly as she dared, then paused to look around. Nothing.

She paused once again. The city seemed silent and asleep. The moon, alternately emerging from and disappearing behind the racing clouds, painted uncertain fingers of light across the roomblocks. And yet her instincts told her that something was wrong.

Cautiously, keeping against the wall of the tower, she moved around toward the front of the city and peeked around the corner. One at a time, objects came into view, lit by the fitful glow of the moon: the retaining wall, the central plaza, the ghostly outline of roomblocks.

Once again, a sense of imminent danger washed over her. And this time she realized what it was: borne on the fitful midnight wind came the faint scent of morning glories.

Almost without knowing what she was doing, she fell back, away from the tower and into the darkness along the edge of the city. She found herself running with a reckless speed, heedless of obstacles. There was no plan in her mind. She felt simply an animal panic to get away: to race for the deepest, most secret place she could find.

Dark alleys, low mounds of rubble, angular adobe structures flashed by in the faint moonlight as she ran. Suddenly, she caught herself short. To the right were the squat, low forms of the granaries. And directly before her, its low maw a rectangle of deeper darkness, was the entrance to the Crawlspace. Inside, she knew, the blackness would be complete. There might be a hiding place in there, perhaps inside the roomblocks of the secret city itself.

She began to move forward, then stopped. Pursuer or no, she would not allow herself to enter the Crawlspace, and its lethal payload of dust, ever again.

Instead, she turned and dashed into the alley alongside the granaries. Halfway down the alley’s gentle curve, she stopped at a notched pole ladder, leaning against the rearward set of roomblocks. Grasping at the dry wood, she climbed as quietly as she could to the second-floor setback. Stepping onto the roof, she pulled the ladder up behind her. At least that would slow the skinwalker down, buy her a few more seconds of time.

She shook her head, forcing the panic away, trying to keep her thoughts clear. The clouds moved once again over the moon. Only the river spoke. Quivira was silent, watching, under a shroud of darkness.

She moved across the rearward set of roofs, past a long row of keyhole doorways. Bats flitted from the recesses of the city, flicking through the shadows on their way to the valley. Except for a few central roomblocks that ran from the front of the city to the back, most of the buildings were cul-de-sacs. She thought of hiding inside one of the roomblocks, then quickly dismissed the idea; out here, in the city proper, it would only be a matter of time until she was hunted down. Better to keep moving, to wait for an opportunity to descend into the valley.

She crept along the row of open doorways, then paused at the corner of the roomblock, listening.

A sudden footfall invaded the darkness. Nora looked around wildly; with the sound of the river echoing through the vault, it was almost impossible to tell where the sound had come from. Had the skinwalker followed her around to the granaries, and was it even now slipping up behind? Or was it lying in wait somewhere in the plaza, biding its time until she crept toward the rope ladder?

There was another noise, not as faint as the last. It seemed—she thought—to have come from below. Dropping to her stomach, Nora crawled to the side of the roof, and cautiously peered over the edge into the pool of darkness. Empty.

She rose to her feet, the smell of flowers stronger now: overripe, sickly sweet. Her heart was hammering violently in her chest. She backed away from the parapet, and as she did so she heard the rattling sound of the pole ladder being placed against its flanks. Quickly, she ducked into the nearest set of roomblocks.

She pressed herself against the wall, gasping for breath. Whatever she did, wherever she went, she was at a disadvantage. The skinwalker was faster than she was, and far stronger. It was at home in the dark. She realized that it would never allow her to escape from the valley.

There was only one possibility. She had to even the playing field, to minimize the threat. And that meant finding a weapon.

Inside, the room was still and cool. Nora glanced quickly around. A pile of war god masks stood in one corner, crimson mouths twisted and leering in the faint moonlight. The air smelled of pack rats and mold. She crept through the next doorway into another room, darker than the first, feeling along the walls, letting her memory of the place guide her steps.

Cautiously, she felt her way into the third room. A shaft of pale light came through a crack in the roof, and there they were: a stack of fire-hardened wooden spears, ending in razor-sharp obsidian tips. She hefted a few, selected the two lightest, and moved out of the room into a narrow passageway.

She felt her way along the wall, moving toward the next room in the block. Her memory of the location of the spears had been more or less correct; she also recalled that this system of rooms had an entrance at the front as well as the back. But there were many hundreds of rooms in Quivira, and she could not be certain.

Locating the doorframe, she ducked into the next room. Here, gray light filtered from the far doorway. With a small glimmer of relief, Nora realized she must be close to the front of the structure. She moved into the darkest corner and waited, listening.

By now, the skinwalker would have followed her into the roomblocks. Nora rested the spear on her shoulder. It felt puny, insubstantial, in her sweaty fist. Perhaps it was the height of folly for her to think she could do anything to save herself. But the only other option was to do nothing, to wait in terror for the inevitable end. And she knew that—however quick and strong the skinwalkers were—they were also mortal.

She tensed at the faint sound of a footfall in the room beyond. The sound of the river was muffled here, inside the roomblocks, and she strained to listen. There was another faint noise. The reek of flowers grew overpowering. Struggling to keep her wits about her, Nora raised the spear. A shadow, black upon black, seemed to fill the doorway. With an involuntary shout, she heaved the spear with all the strength she could muster. Immediately, she jumped away, running through the far door into the last room of the block. There had been no sound, no cry; but she thought she had heard the deep, flat sound of the spear sinking into flesh.

She stumbled forward, out the doorway and onto the flat roof along the front of the structure. Not daring to pause for a breath, she glanced about for a way down.

There was a sudden scrabbling sound behind her, then a heavy weight fell across her back, forcing her violently to the ground. Crying out in pain and surprise, she tried to struggle away. A heavy pelt of fur, dank with sweat and the ghastly stench of rotting flowers, fell across her face. She looked up to see the masked head rear back over her, spear bobbing from one shoulder. An arm raised up, obsidian knife flashing.

With a tremendous effort she pulled herself to one side. There was a searing pain in her calf as the knife struck a glancing blow. Without pausing, she tumbled headfirst off the roof of the roomblock. Landing in a pile of sand, she scrambled to her feet and ran into the protective shadow of the first-floor blocks. She was aware that she whimpered as she moved. Her leg throbbed, and she could feel the wet gush of blood running down around her ankle.

From behind came a heavy thump, as of a large body leaping to the ground. She ducked into the doorway of the nearest room, then half ran, half limped through a series of galleries to a small, dark chamber. Clouds had temporarily veiled the moon, but she knew that beyond this chamber lay the central plaza. She knelt in the close darkness, thinking furiously. A rancid smell of blood filled her nostrils: she must have been cut far deeper than she thought.

A brief running patter brought her to her feet. Any minute, and the moon would reappear from behind the clouds. It would be the work of thirty seconds to follow the trail of blood directly to her. And then, the thick smell of blood would be replaced by the wonderful, terrible, scent of flowers.

As if on cue, a ghostly aura crept across the walls of the room as moonlight slanted once again into the city. Nora tensed herself for what would be her final run across the plaza to the retaining wall. Deep down, she was well aware that she could never make it in time. But she could not bear to sit in this room, cornered like a rat, awaiting a brief, brutal end.

She took a deep breath, then another. Then she swivelled to face the doorway leading out of the room.

And froze.

In the far corner, illuminated by the sepulchral moonlight, lay Luigi Bonarotti. His glazed eyes were wide open in a sightless stare. In the dim light, he seemed bathed in an even deeper shadow of blood. Nora took in the outrageous, horrifying details: fingers cut off, unbooted feet torn away, head partially scalped. She fell to her knees and covered her mouth, gagging.

As if from a great distance, she heard the skinwalker moving in the alley behind the roomblocks.

She sat up quickly, her gaze returning to Bonarotti. There, still holstered around his waist, was the monstrous gun.

She leaped for it, fumbled with the catch, and pulled it from the holster. A .44 magnum Super Blackhawk, deadly as hell. She wiped the bloody grip on her jeans, then scurried back against the wall as another footstep sounded, closer.

With terrible speed, the skinwalker appeared in the doorway, thick pelt fluttering. The white spots along its midriff glowed blue in the moonlight, and red angry eyes stared at her from behind the slits in the buckskin mask.

For an instant, it eyed Nora silently. Then, with a low growl, it sprang forward.

In the confines of the small adobe room, the blast of the .44 was deafening. She closed her eyes against the blinding flash, letting her elbows and wrists absorb the mighty kick. There was a frenzied howl. Squeezing her eyes shut, she fired a second time at the sound. Ears ringing, she scrambled in the direction of the doorway, then tripped and fell sprawling out into the central plaza. Quickly, she rolled onto her back and pointed the gun toward the doorway. The skinwalker was framed within it, crouching, arms gripping its midriff. She could hear fluid pattering to the ground as terrible wounds in its chest and stomach overloaded the thick pelt with blood. It straightened, saw her, and leaped with a snarl of rage and hatred. She fired a third time directly into the mask and the force of the massive bullet stopped the figure in mid-air, jerking the head back, whirling the body sharply to one side. Raising herself to one knee, Nora fired again, then again, the mask disintegrating into wet shreds. The smell of blood and cordite filled the air. The skinwalker thrashed heavily in the dust, whirling and jerking in a frenzied dance, bone and matter glowing in the moonlight, small jets of arterial blood rising in an erratic cadence, a low furious cry gurgling in its throat. But still Nora pulled the trigger, again and again and again, the hammer falling on empty chambers with a click that could not be heard above her own cries.

And then, after a long time, came silence. Painfully, Nora raised herself to her feet. She took two steps toward the retaining wall, faltered, stepped forward again. Then she sank back to the ground, laying the gun aside. It was over.

There, at the stone doorstep of the ruined city, she wept silently.

67

AFTER SEVERAL MINUTES, NORA ONCE again rose unsteadily to her feet. The valley of Quivira lay bathed in a faint silver light. Dark jewels winked and played across the dappled surface of the quickly flowing river. Behind her, the bulk of the ancient city watched in stony silence.

Hesitantly, like a sleepwalker, she made her way to the front of the ruin. She went a few paces, then stopped. There, a few feet away from the retaining wall, was Sloane’s body, lying broken and crumpled in the sand. Nora took a step closer. The amber eyes were black and sightless, overlaid with a dull sheen of moonlight. The sand around her was soaked in blood. Nora shuddered, then glanced away, looking automatically for the body of the skinwalker.

It was nowhere to be seen.

A sharp current of fear brought her fully alert once more. She looked around more carefully. There, in the sand half a dozen feet from Sloane, was a large, distorted hollow: a thrashed-out depression, smeared and sprinkled with blood. A silver concho lay in the sand beside it. But there was no skinwalker body. She took an instinctive step back, hand rising to her mouth, eyes searching the dark city. But there was nothing.

She ran to the rope ladder and climbed painfully down, still in shock. Reaching the bottom, she looked around, waiting. There was the medical tent, its beckoning orange glow now extinguished. Nora felt a sob rising in her throat. Looking in the tent would be the most painful thing she could imagine. Still, she had to know for herself if Smithback was dead.

She sprinted through the moonlight toward the camp, angling toward the medical tent, her torn calf protesting at every step. It was worse than she could have ever feared: the inside of the tent had been torn to ribbons, equipment and supplies strewn about, the sleeping bag shredded. There were spatters of blood everywhere. But there was no body.

Sobbing more loudly now, Nora backed away, staggering in the shimmering moonlight. “Damn you!” she cried, turning slowly in the darkness. “God damnyou!”

And then she felt a thin, but incredibly strong, arm slide its way over her shoulders and clamp down across her mouth and neck. For a moment, she struggled frantically. Then she went limp, unable to struggle further.

“Hush,” whispered the quiet, gentle voice into her ear.

The grip loosened and Nora turned, her eyes widening in wonder. It was John Beiyoodzin.

“You!” she gasped.

In the moonlight, the old man’s braids seemed to be painted with quicksilver. He touched a finger to his lips. “I have your friend hidden at the far end of the valley.”

“My friend?” Nora said, not understanding.

“Your journalist friend. Smithback.”

“Bill Smithback? He’s alive?”

Beiyoodzin nodded.

Relief and unexpected joy flooded through her, and she gripped Beiyoodzin’s hands with newfound strength. “Look, there’s somebody else still missing. Roscoe Swire, our wrangler—”

Something in Beiyoodzin’s expression stopped her from continuing. “The man who watched your horses,” he said. “He is dead.”

“Dead? Oh no, no, not Roscoe . . .” She turned her head away.

“I found his body by the river. The skinwalkers got him. Now we must go.”

He freed himself and began to turn away, gesturing for her to follow. But she put a restraining hand on his arm.

“I killed one of them up in the city,” she said. “But there’s another one. He’s wounded, but I think he’s still alive.”

Beiyoodzin nodded. “I know,” he said simply. “That is why we must leave at once.”

“But how?”

“I know a secret trail. The one the skinwalkers themselves use to get in and out of the valley. It is extremely difficult. But we must get you and your friend away from this place.”

Beiyoodzin began moving rapidly and noiselessly through the dappled shadows, out of camp and back toward the overhanging cliff face. Using the darkness of the rock wall for cover, they made their way past the rockfall to the far end of the canyon, where the swollen river tumbled into the narrower slot canyon, disappearing in a violent waterfall. The sound of water was much louder here, and the entire mouth of the canyon was covered in the usual pall of mist. Without pausing, Beiyoodzin stepped through the curtain of spray and disappeared. Hesitating just a moment, Nora followed.

She found herself on a small, sloping ledge of rock. The trail, chiseled into the rock, started directly behind the curtain of spray and went down, a few feet above the roaring cataract. Here in the narrow canyon, the reflected moonlight was dim, and Nora moved across the slippery, moss-covered rock with care. A false step, she knew, would send her over the edge: into the rushing waters, the narrow labyrinth of stone, and certain death.

After a few moments, the trail flattened out onto a ledge. Billows of cold mist rose from the tumbling water, encircling her like a cloak. Here, the constant presence of moisture had created a bizarre microclimate of mosses, hanging flowers, and dense greenery. Moving to one side, Beiyoodzin parted a veil of lush ferns, and in the gloom beyond Nora could just make out Smithback, sitting, arms clasped around himself, waiting.

“Bill!” she cried, as he rose in astonishment, joy sweeping over his face.

“Oh my God,” he said. “Nora. I thought you were dead.” Embracing her weakly, he kissed her, then kissed her again.

“How are you?” she asked, touching the ugly welt on the side of his forehead.

“I ought to thank Sloane. That sleep did me wonders.” But his weak voice, and the ragged cough that followed, belied his words. “Where is she? Where are the others?”

“We must keep moving,” Beiyoodzin said urgently.

He pointed ahead, and Nora followed his gesture. She could make out the dim narrow trail leading upward along the canyon face, zigzagging through the clefts and pinnacles of rock, squirreling up crevasses. In the pale light of the moon, it looked terrifying: an insubstantial, spectral path, intended for ghosts, not humans.

“I’ll go first,” whispered Beiyoodzin to Nora. “Then Bill. And then you.”

He looked at her for a moment, searchingly. Then he turned and began to climb, keeping his weight toward the wall of the canyon, moving up the slope with surprising nimbleness for one so old. Smithback grasped a handhold, and, trembling, pulled himself up behind. Nora followed.

They made their way slowly and painfully up the precipitous trail, careful to avoid the slippery moss and algae that clung to the ledges underfoot. The roar of the waterfall echoed up from below, a heavy vibration that churned the air. Nora could see that Smithback was barely able to pull himself up; each step required all his strength.

Terrifying minutes later, they were out of the microclimate. The slot canyon was narrowing, and the resulting loss of moonlight made progress even more difficult. Some distance ahead, at the limit of vision, Nora could see the trail make a sharp switchback and disappear around a corner. At the bend, a small parapet of rock led out over the roaring cataract below.

“How are you doing?” she asked Smithback.

He didn’t answer at first. Then he gasped, coughed, and gave a thumbs up.

Suddenly, Beiyoodzin stopped short, raising a warning hand over his shoulder.

“What is it?” Nora asked as she stopped, renewed fear sending her heart hammering.

Then she, too, caught the sweet scent of morning glories on the freshening breeze. Wordlessly, she looked at Beiyoodzin.

“What is it?” Smithback said.

“He’s following us up the trail,” Beiyoodzin said. The years suddenly seemed to show on his drawn face. Without another word, he resumed his climb.

They followed him as quickly as they could up the precipitous cliff face. Nora bit her lip against the pain of her wounded leg. “Faster,” Beiyoodzin urged.

“He can’t go any—” Nora began. Then she stopped short.

Aheadof them, at the sharp bend in the trail, a shape had appeared: a clot of black against the dimly shining rockface. The heavy pelt steamed, and the fringe of fur along its bottom edge was caked in blood. It took a shambling step toward them, then stopped. Sick with fear and horror, Nora could hear the rasping breath being sucked in through the blood-soaked mask. Through the dimness, she thought she could make out red pinpricks of eyes, glowing with anger, pain, and malice.

Unexpectedly, Beiyoodzin moved forward. Reaching the outcropping of rock before the switchback, he stepped out onto it carefully. The skinwalker watched him, motionless. Digging into his clothing, Beiyoodzin drew out his medicine bag, tugged it open, and reached inside. Never taking his eyes from the skinwalker, he sprinkled a small, almost invisible, line of pollen and cornmeal onto the narrow ledge between them, chanting softly.

As Nora watched in silent dread, the skinwalker took a step forward, toward the line of pollen. Beiyoodzin spoke a word: “Kishlinchi.”

The skinwalker stopped, listening. Beiyoodzin shook his head in sorrow. “Please, no more,” he said. “Let it end here.”

Still the skinwalker waited. Now, Beiyoodzin held an eagle feather outstretched before him. “You think evil has made you strong. But instead it has made you weak. Weak and ugly. Evil is the very absence of strength. I am asking you to be strong now, and end all this. This is the only way to save your life, because evil always burns itself up in the end.”

With a growl of anger, the skinwalker unsheathed an obsidian knife. It took a step forward, breaking the line of pollen, and raised the knife, standing within striking distance of Beiyoodzin’s heart.

“If you will not come back with me, then I beg you to stay here, in this place,” Beiyoodzin said quickly, his voice cracking. “If evil is your choice, then stay with evil. Take the city, if you must.” He nodded in Nora’s direction. “Take these outsiders, if nothing else will satisfy your blood lust. But leave the people, leave the village, alone.”

“What are you saying?” Smithback cried in outraged surprise. But neither the skinwalker nor Beiyoodzin seemed to hear. Now, the old man reached deeper into his clothes and pulled out another buckskin bag: much older, worn almost to a paper thinness, its edges trimmed in silver and turquoise. Nora stared from Beiyoodzin to the medicine bag and back again, feelings of anger, fear, and betrayal mixing within her. Stealthily, she placed a hand on Smithback’s elbow, urging him to move slowly back down the trail, away from the confrontation.

“You know what this is,” Beiyoodzin said. “This bag holds the Mirage Stone of the Fathers. The most treasured artifact of the Nankoweap People. Once, youtreasured it, too. I offer it to you as earnest of my promise. Stay here, trouble our village no more.”

Slowly, reverently, he opened the bag, then held it forward, his outstretched hands trembling, whether from fear or age Nora could not tell.

The skinwalker hesitated.

“Take it,” Beiyoodzin whispered. The matted figure moved forward and reached for it, leaning outward.

Suddenly, with lightning speed, Beiyoodzin thrust the open bag toward the skinwalker.

A heavy cloud of dust erupted from within, flying up into the figure’s mask, spraying in long gray lines across the bloody pelt. The skinwalker roared in surprise and outrage, twisting around, tugging violently at the mask, growing more and more off balance. With the agility of a cat, Beiyoodzin leaped from the outcropping of rock back onto the trail. The skinwalker kicked frantically, teetering a moment at the edge of the precipice. Then it went over with a howl of fury. Nora watched the plunge into the violet, moon-drenched shadows: matted pelt flapping crazily, limbs scrabbling at the air, mask pulling free as the blood-curdling cry meshed with the roar of the flood beneath. And then, suddenly, it was gone.