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Burned
  • Текст добавлен: 21 октября 2016, 19:35

Текст книги "Burned"


Автор книги: Karen Marie Moning



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Текущая страница: 9 (всего у книги 27 страниц)

I like Lor. He’s aggressive, domineering, and part caveman, but he doesn’t have a cruel bone in his body, and he flat-out adores women and children. I sometimes think if the other eight weren’t around, Lor would be a very different man.

Leave it to him to try to capitalize on the princess’s visit, use it as an excuse to spend the next few months in bed, receiving a steady stream of women whose sole purpose is to have sex with him 24/7.

I know what Pri-ya looks like – and he’s not it. Though part of her magic somehow worked on him, the Nine are apparently impossible to turn Pri-ya. I wonder if they’re too basely sexual to begin with. Perhaps the charge they throw off cancels out her sexuality, or at least dampens the full effect of it. I decide I’ll stick close to Barrons until I figure out how to get rid of her and if there are others out there. She might not have turned Lor into a permanent slave, but a temporary one is bad enough. Deep in my sidhe-seer center, I activate an antenna of sorts to listen at all times for the gothic, dark march of the princess.

I move toward the door. Ryodan can unchain Lor. I’m not getting close to the man while he’s naked. He told me once he prefers a club over a woman’s head because charm wastes energy better spent fucking, and I believe him. Although I see no club in the office, there are other heavy objects.

“Aw, c’mon, Mac,” he says, sounding aggrieved, “would it really kill you to let them think I’m Pri-ya? What have I ever done to you? Tonight was traumatic. Bitch actually made me call her ‘mistress.’ I need some good old-fashioned fucking to ease my pain. Maybe a sexy ‘Yes, master’ or two. Or two hundred. What’s wrong with that?”

I raise my palm and prepare to press it to the wall.

“Seriously, honey, I promise I’ll only take a few weeks to get better. I won’t drag it out. I’m sitting on the jackpot right now. I’ll do something for you. Anything. Name it. Well, not anything. But there’s gotta be something you want.”

I smile and retract my hand before it touches the panel.

Five minutes later I open the door and shake my head, tears welling in my eyes.

“We didn’t get to him in time,” I tell Ryodan. “She’s gone but I was too late. She’d already turned him Pri-ya. Send all the blondes you can spare to take him somewhere private. Hurry. And I wouldn’t go near him if I were you. It’s not pretty. You won’t want to remember him this way.”

“She can turn us Pri-ya.” Ryodan says.

“Afraid so.”

There’s a bounce in my step as I rejoin Barrons. I got what I wanted tonight, after all. A favor owed from one of the Nine is worth its weight in pure Faery dust. And now I finally get to go have sex with Barrons, and from the way he’s looking at me, it’s going to be one seriously long, hot night.

“You’re going the wrong way,” Ryodan says behind us.

I glance over my shoulder. “What do you mean? We’re going back to the bookstore. I did what you asked. I got rid of her.”

“You just told me she can turn us Pri-ya, and our wards don’t prevent her from sifting while within the walls of my club. You will remain in residence, guarding against all princesses until we resolve the situation. You’ll find ample quarters in that direction.” He points the other way. “Perhaps you’ll do what you should have done this time, and kill her next time.”

My bounce vanishes “You didn’t tell me to kill her.”

“It was self-evident.”

“No, it wasn’t,” I say pissily. “I took a page from your negotiating-with-the-princes book. And you sent all the others into Faery. They’re not even here to protect.”

“I’m still here.”

I look up at Barrons, who stopped walking and is regarding me intently, eyes narrowed. He looks as if he’s about to speak, debates, folds his arms and says nothing.

“You could stand up for me,” I grouse. “Tell him we’re going back to the store, period.”

He smiles faintly. “It would hardly be fair if you ‘protected’ only me.”

His light emphasis on the word “protected” gives him away. No idea how, but he knows I lied. And he’s amused. And he’s going to sit back and watch it play out, see how stuck I get in the sticky spiderweb I’ve begun to spin.

Guess he really is sick of my “idiotic passivity.”

So am I.

But as I learned today, it’s way the hell better than idiotic activity.

Confined to Chester’s with no escape from my carrion stalkers, forced to contend with Ryodan on a daily basis, surrounded by monsters, inhabited by a monster, I’m afraid there’s more of it coming.

13

“I was ducking down to reload”


JADA

She needs to kill.

Purpose is strength and hers was impeded tonight.

No matter, when one avenue is blocked, another is revealed.

There are two on her list in the direction she’s headed. They will be dispatched differently than her prior intended target, swiftly, with more mercy than they deserve. Though their crimes are many, unlike the Unseelie she seeks, they are human. She eliminates humans quickly.

She takes no pleasure in the kill. There is satisfaction in seeing debts collected, ledgers balanced. There are those she will protect at any cost.

As she turns a corner and enters a dimly lit street, her gaze lifts to the shattered streetlamp, then down to lightly misted cobblestones and back up again.

She pauses to absorb the scene: the Unseelie blood dripping from the jagged glass that housed the light; the many pieces of unmoving Fae flesh tossed in a heap; the small pile of human parts with wilted flowers placed carefully on top; the footsteps in the scattered debris, trails of blood and smears of green that map out movements.

She moves closer. Someone placed the human’s picture ID on top of the flowers so he would be found and identified, bestowing the blessing of closure so those who cared might not wonder endlessly if their husband or father might one day walk in the door again.

If not for the blossoms, she would think it an act of vengeance, not compassion.

A killer followed by a merciful passerby?

She closes her eyes, analyzes, assesses, processes all she saw and factors in what she has come to understand about humans and monsters in her years of war. Working methodically, logically, she re-creates the events that transpired in this street.

She eliminates the possibility of two separate actors. This was the work of one.

Someone killed a Fae and butchered a human by accident in the process.

Someone killed her Fae.

If she felt, which she doesn’t, her emotions would run the gamut from stunned to furious.

Neither disrupts her serene features.

Someone else adjusted her ledgers.

She wants to know who.

She steps closer to the pile of Unseelie flesh, notes the suckered fingers, the gray skin.

The individual spear wounds in each small piece by which the dismembered-yet-still-alive Unseelie was granted death.

From the shape of the wounds, she knows the killer.

Her name is also on her list.

She covets the weapon. Once she has acquired it, she will be unstoppable.

She lifts her head. A Fae is moving toward her, rapidly. Powerful. Unseelie. She has been hunting this one but not to kill.

“You wish the Unseelie Princes dead,” she says to the night. She knows the night is always listening. “I will do it for you. But you must do something for me.”

She finds it necessary to repeat herself three times before the princess with ice-white skin and cobalt hair appears in the damp street before her.

“What makes you think I won’t kill you where you stand?” Imperial ice drips from the princess’s words.

“Perhaps you could. Perhaps you couldn’t. Perhaps you could use an ally in this city whose strengths chink your weaknesses. Perhaps we both could. Not that either of us have many weaknesses. Still, there are those few. You and your brother princes are immune to one another, powerless to spell or destroy one another. I deem that a significant weakness.”

Starry eyes narrow as the princess takes her measure.

Jada says, “There is the devil that can’t get the job done and won’t eat you, and the devil that can get the job done but might. We are both the latter. I agree not to eat you.”

The princess’s eyes narrow and she appears to be reconsidering her initial assessment. “Perhaps we can aid one another. If the price is acceptable.”

“You will locate a certain Unseelie for me.” She tells her the one she seeks.

“Even I do not approach that one,” the princess hisses.

“Then I will not kill your brothers.”

“It is impossible!”

“I said ‘locate,’ not kill. That is the price. It is non-negotiable.”

“How do you think to kill the princes? You are human.”

“I know where to obtain a weapon that kills Fae.”

“There is no such thing.”

“There is.”

“All Fae?”

“Yes.”

“And you can get this weapon?”

“Yes.”

The princess is silent a time, then finally says, “Perhaps you have useful knowledge. I will not kill you tonight. You will show me this weapon and demonstrate its power.”

“You will locate the one I seek first. Then you will take me there.”

“Locate. That is all.”

“Both. Or nothing.”

“That would be two services rendered. The weapon becomes mine.”

“Two princes for two services,” she says flatly.

Ancient, cold eyes regard her. She is acutely aware of the precariousness of the moment. But one that fails to venture never gains.

Finally the princess says, “In times of war allies are useful.”

“I will offer my services for your future needs. The weapon will be part of those services.”

“I will consider it.” The princess vanishes.

14

“Tools, said I, you do not know Silence like a cancer grows”


KAT

My gift, if you can call it that, is an empathetic heart. I began crying the moment I was born and wept until I was five years, three months, and seventeen days old – the afternoon Rowena came to my parents’ house and began teaching me to shield myself from the constant barrage of others’ emotions.

I often think I’ve learned nothing, except how to stop crying, don a mask, and pretend the world isn’t too much for me to bear.

I know how fragile we are, how biased the war that rages on this planet where the angels are made of glass and the demons of concrete. All you have to do is drop one of us and we shatter.

Last night I watched Sean across the dangerous expanse of a treaty table and realized our love is glass, too. I must become diamond dust to strengthen the mix.

In the days preceding the Hoar Frost King’s defeat, Margery enlisted Ryodan’s aid to tether a dangerous, drifting fragment of Faery that was about to demolish our abbey, and the price Ryodan called due from me the night I went to pay our debt was Sean filling in as a waiter at Chester’s for a time.

So the dominos began to fall.

Sean can’t bear to watch people suffering any more than I, and confronted by those in need, he became their provider. It’s a strength I admire with all my heart.

Yet it’s also the same treacherous foundation upon which both our families were built. Our fathers possessed an enormous sense of responsibility for their own. And their own came to them with problems and requests, each more difficult to address, to satisfy, than the last.

Over time, it corrupted them. The lime of murder, the viscosity of revenge, cemented the blood in their hearts until they, too, were poured of concrete.

I move through the dance floors of Chester’s with purpose, my shields as high as I can raise them, yet I cannot block the immense loneliness of this densely crowded place, the hunger and despair, desperation and need. So many angels, so many cracks. They don’t even require dropping, a fair jostle would do the trick.

I have the care of two hundred seventy-one women in Dublin. The eldest, Tanty Anna, my wise, gentle, ancient advisor whose eyes seemed to stare straight into heaven, is a month dead, murdered by the Crimson Hag. Christian paid the ultimate price for our freedom that night and I’m powerless to help save him. One of my younger charges, Dani, enormously gifted and enormously impulsive, has been missing for weeks now, and I fear the worst. Margery seethes and plots daily to take the reign I would gratefully relinquish, just not to her.

My soul mate has assumed charge of the black market and put himself in direct competition with two Unseelie Princes and a ruthless male that defies quantifying.

Now there are new sidhe-seers in Dublin, led by a woman not even Ryodan has been able to track. I’ve never felt so inept in my life. I want to rebuild my abbey. I want to fill the walls a thousand strong again. I want the strength of concrete without the price of it.

When I came here months ago, seeking Ryodan to repay my debt, he said a thing I’ve been unable to stop thinking about: Drop your blinders and raise the sewer to eye level; admit you’re swimming in shit. If you don’t acknowledge the turd hurtling down the drain toward you, you can’t dodge it.

I’ve come to get out of the toilet bowl and become the commode that flushes the shit.

The fragment of a Faery fire-world I prayed was responsible for the grass that grows tall and green beyond my bedroom window, directly above Cruce’s icy prison, is gone now, yet the meadow is more verdant than before, exploding with poppies, red, fat, bobbing, opium-drenched blossoms that drug my senses on warm evenings when the projection of a great, black-winged prince circles my bed.

I have warded him out of my tangle of linens with blood-magic, an art I’d sworn never to practice, a line I wouldn’t cross.

But it is no longer only myself I must protect.

Elaborate golden trellises have pushed up from the earth all over the abbey’s grounds, draped with black roses that reek of exotic spices and far-off lands.

Dozens of standing stones have appeared in the gardens, etched with symbols I can’t read. A pair of megaliths awaits a cover stone to become a dolmen. It makes me shiver when I pass.

Pearl benches frame a vast, brilliant, many-tiered fountain in which water sparkles as turquoise as a Caribbean sea.

Animals I’ve never seen before peek at me from trees fringed with lacy vines that grow strange beyond our walls, shedding brown bark for ivory threaded with silver, sprouting low-hanging canopies of sapphire leaves.

The floors in my section of the abbey are changing from stone to polished gold.

At night I hear male laughter echoing down our halls and corridors. The lights within our walls glow soft gold day and night, without electricity to source them. Our fires blaze, without wood to feed them. Our generators run only a small number of lamps. We removed the bulbs. Still they glow. Something unholy powers the rest.

Cruce is changing our home, taking it over, and I know it’s only a matter of time before the jailer is evicted by the jailed, Paradise lost.

We talk of it amongst ourselves but so far have said nothing to outsiders. This is our home, for many of us the only good one we’ve known. If we do not find a way to stop the transformation, we will be forced to leave.

Soon.

We are not yet ready to admit defeat.

If we are driven forth, who will watch the abbey? Will we sit idly beyond its walls, praying the prisoner never breaks free?

I cradle my belly with one hand protectively. I’ve not yet begun to show. I devote most of my energy to shielding it. I must secure our future.

When I reach the bottom of the glass stairs in the glass house that the concrete demon Ryodan calls home, he is waiting for me.

But of course.

“Why did you lie about Sean?” I ask him.

“I didn’t lie. You sewed my words into a cloth of your choosing. If you’ll recall, I urged you to talk to him that night. Had you heeded my advice, you would have known, soul mates and all, confiding everything.”

“Don’t mock me.”

“Don’t make it so easy.”

“You said you were collecting my debt from him.”

“I said I was willing to accept the replacement of a missing server as full payment, and let you off the hook.”

“And put me on another.”

“You chose to become the worm. A little conversation goes a long way, Katarina. You’ve still not told Sean that Cruce fucks you in your dreams.”

I say nothing and he laughs.

“Yet here you are. Seeking me again. Come for more answers to which you won’t listen. I only waste my breath once. Leave.” I remain where I am.

He sweeps me with that cool silver gaze and arches a brow. “Be very certain you know what you’re doing, Katarina,” he warns softly. “If you ask something of me, I will not stop until I feel the request has been satisfied. As I deem fit.”

I fix on two words he uttered. “You do not feel.”

“It’s you, my ever-serene cat, that fails to feel, denying at your own peril the hunger of your heart.”

“Nor do you know anything of the heart, mine or any others.”

“State your cause. I have pressing matters to attend.”

I stare up into the face of the man that does not exist, that according to my empathic senses is not even standing there, and choose my words with care. I can proceed with nothing less than one hundred percent commitment to my course, and am fully aware this path will make or break me. I wish I could predict which one it will be, but I’m untested, unproven.

I resist the urge to cradle my abdomen. I must not telegraph in front of this man. I must become something else. He has a bold hand and a sharp chisel. The clay has chosen the sculptor. This male, whatever he is, possesses power beyond my humble skills. He and his men know what I do not: how to protect what is theirs. They are ruthless and hard. And successful.

If I think to care for my charges, for my child, I must learn to be similarly successful.

“I’ve come to acknowledge the turd.”

He smiles. “It’s about time, Katarina.”

I suffered my father’s disappointment mere days after I was born, although at the time I didn’t know it for what it was, only that I was rejected and alone. As the years passed, his anger and disgust at the useless daughter he couldn’t barter away to further cement his position grew so oppressive, I learned to avoid him whenever possible. My mother’s greed and impatience, shallowness and fear, were my childhood companions.

Then there was Sean, with whom I grew, who loved me, uncomplicated from the first, even as I wept. Still, it’s often difficult to bear the nuances of his every emotion. Filet mignon or rib eye, we’re all imperfect cuts, marbled by fears and insecurities, even the best of men.

As we move deeper into Chester’s, the barrage of chaotic emotions begins to subside, affording me a rare and blessed respite: the volume of the world’s endless sensations has been reduced from a ten to a four. We navigate one glass corridor after the next, and I wonder that he leads me so deep into his club where others are not permitted. After a time, he glides his palm over a smooth glass wall and an elevator appears.

“Where are you taking me?” I ask as the elevator door closes, sealing me in a much too small compartment with a much too large man. I feel like Dante, descending into the inferno, but I have no Roman poet as my guide.

“From this moment on, any questions are mine. Assuming you wish to be concrete, without the price.”

I stare up at him. How can he possibly know that? “You can read minds.”

“Human thoughts are loud. We take what’s offered. Humans offer too much. Of everything.”

“What are you going to do? Teach me to fight?” I glance down at my slender arms. Though strong from gardening, milking, and working our land, I doubt I possess the ability to hurt another human being. I would feel their pain. I don’t invite that.

“Not me.”

He escorts me from the elevator into the most blissfully silent corridor I’ve ever walked. I turn in a slow circle, listening but hearing nothing. This level must be powerfully soundproofed. There’s no faint beat of music, not even white noise, only the perfect absence of sound. “Who, then?”

He guides me down the hall with a hand at the small of my back, opens another door, and we step into a dimly lit, long room with faintly illuminated rectangles that lead to additional rooms beyond.

There are no furnishings here. No table, sofa, rug, or chair. The floors are polished ebony. The walls are ivory. A diffuse glow emanates from the perimeter of high, coffered ceilings with stamped leather insets above Romanesque cove moldings. There are large corbels on two of the walls, as if once treasures were displayed. The room is refined.

The occupant is not.

A man is stretched on the floor, staring up, arms crossed behind his head. Like the rest of Ryodan’s men, he is tall, wide, powerfully muscled, scarred, and not there. He wears black camouflage pants low at his hips, feet bare. His arms are tattooed, his head nearly shaved, his face shadowed dark with stubble. He looks like a rogue military commander from a unit the world never hears about.

“Kasteo will be your instructor.”

I stare at him in disbelief. Jo has told me tales of the Nine, though they’ve been of little use. Kasteo is the one that does not speak. According to Jo, something transpired a long time ago and he hasn’t uttered a word since.

“Is this your idea of a joke? He doesn’t talk!”

“You don’t listen. Match made in heaven.” Ryodan stalks over to Kasteo and looks down at him. “Kasteo will be your instructor,” he says again, but this time it’s an order and a warning to the man on the floor. “The woman feels the pain of the world. You’ll teach her to stop feeling it. Then you will help her learn to control her environment. Finally, you will teach her to fight.”

Kasteo, of course, says nothing. I’m not certain he even heard. He appears in a trance, elsewhere.

Ryodan walks to the door. “You’ll remain with him until I decide you’ve gotten what you came for.” The door closes behind him, and I stand there a moment, staring blankly at it, then at Kasteo.

I rush to the door and place my palm to the wall where Ryodan pressed it, but nothing happens.

I hammer on the door. “Ryodan! I must return to the abbey! Ryodan, let me out!”

The only response is the most enormous silence I’ve ever heard.

“This is not what I meant!”

I hammer until my fists are bruised.

“Ryodan, you can’t do this! My charges need me! There are things you don’t know! I came here to tell you!”

I feel as if I’m in the bowels of the earth, forgotten.

I shout until my throat burns.

The man on the floor never stirs.

I’m unable to count the passage of time in this silent, empty place.

After a length of it, I sink to the floor and lean back against the wall, one hand resting lightly on my belly.

Surely he’ll feed me.

Surely there is a bathroom here somewhere.

Surely he’ll come back so I can convey to him the urgent state of our abbey.

I sit and stare like the unmoving, unblinking man on the floor. After a time, I become aware of the simplicity of the moment. Not only is there no sound on this level, there seems to be a dearth of emotion.

Cautiously, I lower the shields I’ve held since I was five years old, barriers that have shut out the world, and walled me in.

Nothing.

Again, I lower, lower. When I continue to encounter nothing, I take a deep breath, brace myself, and drop them flat.

I gasp.

Still – nothing!

I feel no anger or greed, no lust or fear or pain or need. That’s always the worst for me: the many crushing, painful needs that can never be satisfied. Here, deep below Chester’s, there is absolutely no emotion charging the air, compressing me, forcing me into a defensive posture.

It’s sublime. My heart can breathe.

For the first time in my life, I feel only me.

I didn’t even know what I felt like.

For the first time in my life, I can hear myself think.


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