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The Naturals
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Текст книги "The Naturals"


Автор книги: Jennifer Lynn Barnes



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Текущая страница: 5 (всего у книги 14 страниц)

CHAPTER 13

I overslept the next morning and woke up to the feeling that I was being watched.

“Knock, knock.”

Based on the greeting—and the fact that the person speaking had opened my door, knocked on it, and said those words at the exact same time—I expected Lia. Instead, I opened my eyes to find Agent Locke standing in my doorway, a cup from Starbucks in one hand and car keys in the other.

I glanced over at Sloane’s bed, but it was empty.

“Late night?” my newly acquired mentor asked, eyebrows arched. I thought of Dean and the pool and decided that was not an area of discussion I wanted to pursue.

“Really?” Agent Locke said, eyeing the look on my face. “I was just kidding, but you’ve got I-was-up-late-with-a-boy-last-night face. Maybe we should have some girl talk.”

I didn’t know what was worse, the fact that Locke thought my late night had something to do with a stupid teenage crush or the fact that she sounded suspiciously like my female cousins.

“No girl talk,” I said. “As a general rule, ever.”

Agent Locke nodded. “So noted.” She eyed my pajamas, and then jerked her head toward the closet. “Get up. Get dressed.” She tossed me the car keys. “I’ll get Dean. You’re driving.”

* * *

I wasn’t exactly happy when Agent Locke’s directions ended up taking us right back to the mall—and specifically to Mrs. Fields cookies. After seeing the mocked-up blood spatter on the pool’s edge the night before, profiling shoppers seemed senseless. It seemed silly.

If she makes us guess what kind of cookies people are going to order …

“Three and a half years ago, Sandy Harrison was here with her husband and their three children. Her husband took their eight-year-old son to the bookstore, and she was left with the two younger girls.” Agent Locke said all of this in a perfectly normal voice. Not a single shopper turned to look at us, but her words froze me to the spot. “Sandy and the girls were in line for lemonade. Three-year-old Madelyn made a beeline for the cookies, and Sandy had to pull her back. It was Christmastime, and the mall was crammed full of people. Madelyn was desperately in need of a nap and on the verge of a meltdown. The line was moving. Sandy made it to the counter and turned to ask her older daughter, Annabelle, whether she wanted regular lemonade or pink.”

I knew what was coming.

“Annabelle was gone.”

It was easy to picture the mall at Christmastime, to see the young family splitting up, the father taking the son and the mother juggling two young girls. I saw the smaller one on the verge of a tantrum, saw the mother’s attention diverted. I imagined her looking down and realizing that even though she’d just looked away for a few seconds, even though she was always socareful …

“Mall security was called immediately. Within half an hour, they’d alerted the police. They stopped traffic into and out of the mall. The FBI was called on board and we issued an AMBER Alert. If a child isn’t recovered in the first twenty-four hours, then chances are good that he or she will never be recovered alive.”

I swallowed hard. “Did you find her?”

“We did,” Agent Locke replied. “The question is, would youhave?” She let that sink in for a second, maybe two. “The first hour is the most crucial, and you’ve already lost that. The girl was missing for ninety-seven minutes before you even got the call. You need to figure out who took her and why. Most abductions are committed by family members, but her parents weren’t divorced and there were no custody issues. You need to know this family’s secrets. You need to know them inside and out—and you need to figure out how someone got that little girl out of this mall. What do you do?”

I looked around at the mall, at the people here. “Security footage?” I asked.

“Nothing,” Locke said tersely. “There’s no physical evidence, not even a scrap.”

Dean spoke up. “She didn’t cry.” Agent Locke nodded, and he continued. “Even at Christmastime, even in a crowd, I’m not going to risk forcibly grabbing a kid whose mother is three feet away.”

I couldn’t quite bring myself to get in the abductor’s head, so I did the next best thing. I got into Annabelle’s. “I see someone. Maybe I know him. Maybe he has something I want. Or maybe he dropped something and I want to give it back.” I paused. “I’m not the one crying and begging for cookies. I’m the older sister. I’m a good girl. I’m mature … so I follow him. Just to get a better look, just to hand something back to him, whatever. …” I paced out the steps. Five of them, and I was around the corner and facing a service door.

Obligingly, Dean went to open it, but it was locked.

“Maybe I work here,” he said. “Maybe I’ve just stolen the access card. Either way, I’m prepared. I’m ready. Maybe I was just waiting for a child—any child—to take the bait.”

“That’s the question, isn’t it?” Agent Locke said. “Was this a crime of opportunity or was the girl a specific target? To find her, you’d need to know.”

I backed up and tried to play the scene all over again.

“What kind of person are you looking for?” Agent Locke asked. “Male? Female? What’s the age range? Intelligence? Education?”

I looked at the cookie store, then the service door, then at Dean. This was what he was talking about the night before. This was the job.

All business, I turned back to Agent Locke. “Exactly how old was the girl?”

CHAPTER 14

“Locke working you too hard?” Michael swooped in on me at breakfast, a habit of his, and one I’d grown to look forward to in the past week. Every day, Agent Locke showed up with a new challenge, and every day, I solved it. With Dean.

Sometimes, it felt like mornings with Michael were my only real break.

“Some of us like working hard,” I told him.

“As opposed to those of us who are the entitled product of an oh-so-privileged upbringing?” Michael asked, wiggling his eyebrows.

“That wasn’t what I meant.”

He leaned over and tweaked my ponytail. “Likely story, Colorado.”

“Do you really hate it here?” I asked. I couldn’t tell if he legitimately disliked the program or if the attitude was for show. The biggest thing I’d figured out about Michael in the past week was that there was a very good chance that he’d been wearing masks for longer than he’d been working for the FBI—pretending to be something he wasn’t was second nature.

“Let’s just say that I have the rare ability to be dissatisfied wherever I am,” Michael said, “although I’m starting to think this place has its perks.” This time, instead of messing with my ponytail, he pushed a stray piece of hair out of my face.

“Cassie.” Dean’s voice took me by surprise, and I jumped. “Locke’s here.”

“All work and no play,” Michael whispered.

I ignored him—and went to work.

* * *

“One. Two. Three.” Agent Locke set the pictures down one at a time. “Four, five, six, and seven.”

Two rows of pictures—three in one row and four in the other—stared up at me from the kitchen table. Each picture contained a body: glassy eyes, limbs splayed every which way.

“Am I interrupting?”

Locke, Dean, and I turned to see Judd in the doorway. “Yes,” Locke said with a smile. “You are. What can we do for you, Judd?”

The older man bit back a smile of his own. “You, young lady, can point me in Briggs’s direction.”

“Briggs is out doing some legwork on a case,” Locke replied. “It’s just me today.”

Judd was silent for a moment. His eyes fell on the pictures on the kitchen table, and he raised an eyebrow at Locke. “Clean up when you’re done.”

With that, Judd left us to our own devices, and I turned my attention back to the photographs. The three on the top row featured women lying lifeless on pavement. The four on the bottom were indoors: two on beds, one on the kitchen floor, one in a bathtub. Three of the victims had been stabbed. Two had been shot. One had been bludgeoned, and one had been strangled.

I forced myself to stare at the pictures. If I blinked, if I turned away, if I flinched, I might not be able to look back. Beside me, Dean was looking at the pictures, too. He scanned them, left to right, up and down, like he was taking inventory, like the bodies in these pictures hadn’t ever been people: somebody’s mother, somebody’s love.

“Seven bodies,” Agent Locke said. “Five killers. Three of these women were killed by the same man. The remaining four were the work of four different killers.” Agent Locke tapped lightly on the top of each photo, bringing my eyes from one to the next. “Different victims, different locations, different weapons. What’s significant? What’s not? As profilers, a large part of our job is identifying patterns. There are millions of unsolved cases out there. How do you know if the killer you’re tracking is responsible for any of them?”

I could never tell when Agent Locke was asking a rhetorical question and when she expected an answer. A few seconds of keeping my mouth shut told me that this was an instance of the first.

Agent Locke turned to Dean. “Care to explain to Cassie the difference between a killer’s MO and their signature?”

Dean tore his attention away from the photos and forced himself to look at me. Studying mutilated bodies was routine. Talking to me—apparently, thatwas hard.

“MO stands for modus operandi,” he said, and that’s as far as he got before he shifted his gaze from my face to a spot just over my left shoulder. “Mode of operation. It refers to the method used by the killer. Location, weapon, how they pick victims, how they subdue them—that’s a killer’s MO.”

He looked down at his hands, and I looked at them, too. His palms were calloused, his fingernails short and uneven. A thin white scar snaked its way from the base of his right thumb to the outside of his wrist.

“A killer’s MO can change,” Dean continued, and I tried to focus on his words instead of his scar. “An UNSUB might start off killing his victims quickly. He’s not sure he’ll be able to get away with it, but with time and experience, a lot of UNSUBs develop ways to savor the kill. Some killers escalate—taking more chances, spacing their kills closer together.”

Dean closed his eyes for a split second before opening them again. “Anything about an UNSUB’s MO is subject to change, so while it can be informativeto track the MO, it’s not exactly bulletproof.” Dean fingered the closest picture again. “That’s where their signature comes in.”

Agent Locke took up the slack in the explanation. “An UNSUB’s MO includes all of the elements necessaryto commit a crime and evade capture. As a killer, you haveto select a victim, you haveto have a means of executing the crime unnoticed, you haveto have either physical prowess or some kind of weapon to kill them with. You haveto dispose of the body in some way.”

Agent Locke pointed to the picture that had captured Dean’s attention.

“But after you stab someone in the back, you don’t haveto roll them over and pose their arms, palms up at their sides.” She stopped pointing, but kept talking—about other killers, other things that she’d seen in her work with the FBI. “You don’t haveto kiss their foreheads or cut off their lips or leave a piece of origami next to the body.”

Agent Locke’s expression was serious, but nowhere near as detached as Dean’s. She’d been doing this job for a while, but it still got to her—the way it would probably always get to me. “Collectively, we refer to these extra actions—and what they tell us about the UNSUB—as a signature. An UNSUB’s signature tells us something about his or her underlying psychology: fantasies, deep-seated needs, emotions.”

Dean looked down at his hands. “Those needs, those fantasies, those emotions,” he said, “they don’t change. A killer can switch weapons, they can start killing on a quicker schedule, they can change venues, they can start targeting a different class of victims—but their signature stays the same.”

I turned my attention back to the pictures. Three of the women had been stabbed: two in back alleys, one in her own kitchen. The woman in the kitchen had fought; from the looks of the pictures, the other two had never had a chance.

“These two,” I said, pulling out the first two stabbing pictures. “The killer surprised them. You said the UNSUB stabbed this one from behind.” I indicated the girl on the left. “After she was dead—or close enough to it that she couldn’t put up much of a fight—he turned her over. So she could see him.”

This was what Agent Locke was talking about when she used the phrase deep-seated need. The killer had attacked this girl from behind, but it was important to him—for whatever reason—that she see his face and that he see hers.

“Don’t say he,” Dean said. He shifted, and suddenly, I could feel the heat from his body. “Say you, Cassie. Or say I.”

“Fine,” I said. I stopped talking about the killer—and started talking tohim. “You want them to see you. You want to stand over them. And as they lie there dying, or maybe even after they’re dead, you can’t help but touch them. You straighten their clothes. You lay their arms out to the side.” I stared at the picture of the girl he’d attacked from behind, and something else struck me about it. “You think they’re beautiful, but girls like that, women like that, they never even see you.” I paused. “So you make themsee you.”

I looked at the next picture: another woman, stabbed and found dead on the pavement. Like the first, she’d been chosen for convenience. But according to the notes on the picture, she hadn’t been stabbed from behind.

“It wasn’t enough,” I said. “Turning her over after she died, it wasn’t enough. So you took the next one from the front.”

Like the first victim, this one had been laid carefully on her back, her hair fanned around her face in an unnatural halo. Without even thinking about it, I took the third picture on the top row—a gunshot victim who’d died running—and set it aside. That wasn’t the work of the same UNSUB. It was quick and clean, and there wasn’t a whiff of desire about it.

Turning my attention to the bottom row of pictures, I scanned them, trying to keep my emotions in check the way Dean did. One of these four women had been killed by the same UNSUB as the first two. The easy answer—and the wrong one—would have been the third stabbing victim, but she’d been stabbed in the kitchen, with a knife from her own drawer. She’d fought, she’d died bloody, and the killer had left her there, her skirt on sideways, her body contorted.

You need to see them, I told the killer silently, picturing his silhouette in my mind. You need them to see you. They need to be beautiful.

This third victim had been killed after the first two. The UNSUB’s MO had changed: different weapon, different location. But deep down, the killer hadn’t changed. He was still the same person with the same sick underlying needs.

Every time you kill, you need more. You need to be better. She needs to be better. Killing women on the street wasn’t enough anymore. You didn’t want a quickie in a back alley. You wanted a relationship. A woman. A home.

I zeroed in on the two women who’d been killed in their bedrooms. Both had been found lying on their beds. One had been shot. The other had been strangled.

You catch her at night. In her house. In her bedroom. She doesn’t look through you now, does she? She’s not too good for you now.

I tried to imagine the UNSUB shooting a woman, but the math on that one just did not compute.

You want her to see you. You want to touch her. You want to feel the life going out of her, little by little.

“This was the last one,” I said, pointing to the woman who’d been strangled in her own bed. “Different MO. Same signature.”

This woman had died watching him, and he’d posed her, propped her head up on a pillow, fanning her brown hair out around her death-still face.

Suddenly, I was nauseous. It wasn’t just what had been done to these women. It was that for a moment, I’d connected with the person who’d done it. I’d understood.

I felt a hand, warm and steady, on the back of my neck. Dean.

“You’re fine,” he said. “It’ll pass.”

This from the boy who’d never wanted me to go to the place I’d just gone.

“Just breathe,” he told me, dark eyes making a careful study of mine. I returned the favor, concentrating on his face—here, now, this moment, nothing else.

“You okay, Cass?” Agent Locke sounded worried in spite of herself. I could practically see her wondering if she’d pushed me too far, too fast.

“I’m fine,” I said.

“Liar.” Lia strolled into the kitchen like a model on a catwalk, but for once, I was glad for the distraction.

“Okay,” I said, amending my previous statement. “I’m not fine, but I will be.” I turned around and met Lia’s eyes. “Satisfied?”

She smiled. “Delighted.”

Agent Locke cleared her throat and adopted a stern expression that reminded me of Agent Briggs. “We’re still working here, Lia.”

Lia looked at me, then at Dean, who dropped his hands to his side. “No,” she said. “You’re not.”

I wasn’t sure if Lia was calling Locke out on a lie or telling the agent to back off. I also wasn’t sure whether she was doing it for me—or for Dean.

“Fine,” Agent Locke capitulated. “My brilliant lecture on the difference between organized and disorganized killers can wait until tomorrow.” Her phone vibrated. She picked it up, glanced at the screen for a few seconds, and then corrected herself. “And by ‘tomorrow,’” she said, “I mean Monday. Have a good weekend.”

“Somebody has a case,” Lia said, her eyes lighting up.

“Somebody has to jet,” Agent Locke replied. “No rest for the wicked, and as much as I’d love to take a human lie detector with me to a crime scene, Lia, that’s not what this program is. You know that.”

I’d gotten nauseous over pictures, long-dead women, and a killer who’d already been convicted. Locke was talking about an active crime scene.

A fresh body.

“You’re right,” Dean said, stepping in between Lia and Locke. “That’s not what this program is,” he told the agent, and even from behind, I could picture the look in his eyes—intense and full of warning. “Not anymore.”

YOU

You’re getting sloppy, killing so close to home, leaving the bodies spread throughout the back streets of the capital, like Hansel and Gretel dropping more and more bread crumbs the farther into the forest they go.

But from the moment you first laid eyes on her, it’s been harder to push back the desire to kill, harder to remember why you make it a point not to play in your own backyard.

Maybe this is the way it’s supposed to be. Maybe it’s fate.

Time to finish what you started.

Time to get their attention.

Time to come home.

CHAPTER 15

I woke up on Saturday at noon to two sounds: the shuffling of cards and the faint, high-pitched whir of metal on metal. I opened my eyes and turned over onto my side. Sloane was sitting cross-legged on her bed, a mug in one hand and the other dealing out cards: seven columns, a different number of cards in each one, all of them facedown.

“What are you doing?” I asked.

Sloane stared at the backs of the cards for a moment and then picked one up and moved it. “Solitaire,” she said.

“But all of the cards are facedown.”

“Yes.” Sloane took a sip from her mug.

“How can you play Solitaire if all of the cards are facedown?”

Sloane shrugged. “How can you play with some of them faceup?”

“Sloane is something of a card shark. Briggs found her in Vegas.” Lia stuck her head out of the closet. “If she skims the deck once, she can more or less track the cards, even once they’re shuffled.”

I registered the fact that Lia was in our closet. Metal on metal, I thought. Metal hangers sliding across a metal rack.

“Hey,” I said, taking a better look at Lia’s current attire. “That’s my dress.”

“Mine now.” Lia smiled. “Didn’t the FBI warn you that I have sticky fingers? Kleptomania, pathological lying—it’s all the same, really.”

I thought Lia was joking, but I couldn’t be sure.

“Kidding,” she confirmed after a few seconds. “About the kleptomania, not about the fact that I have no intention of giving this dress back. Honestly, Sloaneis the klepto in this house, but this really is more my color than yours.”

I turned to Sloane, who’d ratcheted the speed of her game up a notch—or three.

“Sloane,” I said.

“Yes?”

“Why is Lia poking around in our closet?”

Sloane looked up, but didn’t stop playing. “Motivation is really more your domain than mine. I find most people somewhat bewildering.”

I rephrased the question. “Why would you letLia poke around in our closet?”

“Oh,” Sloane said, once she took my meaning. “She brought a bribe.”

“Bribe?” I asked. And that was when I realized what, exactly, was in Sloane’s mug.

“You brought her coffee?”

Lia smoothed a hand over the front of mydress. “Guilty as charged.”

* * *

Sloane on coffee was a bit like an auctioneer on speed. The numbers poured out of her mouth rapid-fire, a statistic for every occasion. For eight hours.

“Sixteen percent of American men have blue eyes,” she informed me blithely. “But over forty percent of male TV doctors do.”

Watching TV with a hyped-up statistician would have been challenging enough, but Sloane wasn’t the only one who’d followed me to the media room after dinner.

“Her mouth says, I love you, Darren, but her posture says, I can’t believe the writers are doing this to my character—she would never get involved with this schmuck!”Michael popped a piece of popcorn into his mouth.

“Do you mind?” I asked him, gesturing toward the screen.

He grinned. “Not at all.”

I tried to tune the two of them out, but the effort was futile. I couldn’t get lost in the medical melodrama any more than they could, because all I could think—over and over again—was that Dr. Darren the Schmuck’s BPE simply did notadd up.

“We could switch to reality TV,” Michael suggested.

“Roughly one percent of the population are considered to be psychopaths,” Sloane announced. “Recent estimates suggest that over fourteen percent of reality television stars are.”

“Whose estimates?” Michael asked.

Sloane smiled like a Cheshire cat. “Mine.”

Michael put his hands behind his head and leaned back. “Forget studying killers. Let’s arrest fourteen percent of all reality television stars and call it a day.”

Sloane slouched in her chair and toyed with the end of her ponytail. “Being a psychopath isn’t a crime,” she said.

“Are you defending psychopaths?” Michael asked, arching one eyebrow to ridiculous heights. “This is why we don’t give you coffee.”

“Hey,” Sloane said defensively, “I’m just saying that statistically, a psychopath is more likely to end up as a CEO than a serial killer.”

“Ahem.” Lia was the only person I knew who would actually say the word ahemto announce her presence. Once she had our attention, she looked at each one of us in turn. “Judd just left for a night on the town with an old friend. We have the house to ourselves.” She clasped her hands together in front of her body. “Living room. Fifteen minutes. Come prepared.”

“Prepared for what?” I asked, but before the question had fully exited my mouth, she was gone.

“That probably does not bode well.” Michael’s words didn’t sound much like a complaint. He stood. “I’ll see you ladies in fifteen.”

As I watched him walk out the door, I couldn’t help thinking that I’d spent most of my life as an observer, and Lia was the type to pull people off the sidelines.

“Any guesses what we’re getting ourselves into?” I asked Sloane.

“Based on previous experience,” Sloane replied, “my guess would be trouble.”


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